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:: DISCOGRAFÍA DETALLADA |
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Discografía cronológica en orden inverso de Ken Vandermark. Se incluyen los
músicos de cada disco, así como los temas. Si alguno de los datos es
incorrecto o falta alguna referencia estaría encantado en recibir la
información correcta e incluso la propia referencia discográfica (;-)).
Gracias especiales a Jesús Moreno Nasarre por la cantidad de información
aportada para la realización de esta discografía.
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TERRITORY
BAND |
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Vandermark
Ken |
ts BbCl
BCl |
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COLLAGE
(FOR KURT SCHWITTERS) K. Vandermark |
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RM (FOR
MARCEL DUCHAMP) K. Vandermark |
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MOBILE (FOR
ALEXANDER CALDER) K. Vandermark |
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STABILE
(FOR HANS HOFMANN) K. Vandermark |
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SPACEWAYS
INCORPORATED |
ATAVISTIC |
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Tapestry from An
Asteroid (S. Ra) |
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Alice In My
fantasies/Cosmic Slop (G. Clinton) |
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Street Named
Hell (S. Ra) |
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Trash A Go Go
(G. Clinton) |
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Red Hot Mama/
Super Stupid (G. Clinton) |
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El Is A Sound
OfJoy (S. Ra) |
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You And Your
Folks. Me And My Folks/Hit It And Qui |
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We Travel The
Spaceways (S. Ra) |
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Grabado en directo. Edición
limitada con las 1000 primeras copias de Burn The Incline. |
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FREE JAZZ
CLASSICS |
ATAVISTIC |
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HAPPY
HOUSE (ORNETTE COLEMAN) |
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CONQUISTADOR
PT. 2 (CECIL TAYLOR) |
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GOODBYE
TOM B. (JOE MCPHEE) |
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NEW YORK
IS FULL OF LONELY PEOPLE (LESTER BOWIE) |
1999 |
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AALY TRIO + KEN
VANDERMARK |
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LIVE ATTHE GLENN
MILLER CAFÉ |
WOBBLY RAIL |
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Unit Character (for Jimmy
Lyons) (K. Vandermark) |
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Gustafsson Mats |
st fluetophone |
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Stone Water (P.
Brötzmann) |
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LYTTON PAUL -
VANDERMARK KEN |
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ENGLISH SUITES |
WOBBLY RAIL |
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Radio 1 (P.
Lytton/K. Vandermark) |
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Radio 2 (P.
Lytton/K. Vandermark) |
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Radio 3 (P.
Lytton/K. Vandermark) |
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Radio 4 (P.
Lytton/K. Vandermark) |
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Radio 5 (P.
Lytton/K. Vandermark) |
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Radio 6 (P.
Lytton/K. Vandermark) |
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Radio 7 (P.
Lytton/K. Vandermark) |
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Film 1 (P.
Lytton/K. Vandermark) |
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Film 2 (P.
Lytton/K. Vandermark) |
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Film 3 (P.
Lytton/K. Vandermark) |
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Film 4 (P.
Lytton/K. Vandermark) |
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Film 5 (P.
Lytton/K. Vandermark) |
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Film 6 (P.
Lytton/K. Vandermark) |
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Film 7 (P.
Lytton/K. Vandermark) |
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Stage 1 (P.
Lytton/K. Vandermark) |
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Stage 2 (P.
Lytton/K. Vandermark) |
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Stage 3 (P.
Lytton/K. Vandermark) |
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Stage 4 (P.
Lytton/K. Vandermark) |
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Stage 5 (P.
Lytton/K. Vandermark) |
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BURN THE INCLINE |
ATAVISTIC |
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The Cooler (K.
Vandermark) |
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Late Night wait
Around (K. Vandermark) |
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Accident
Happening (K. Vandermark) |
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The Trouble Is
(K. Vandermark) |
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VANDERMARK KEN
SOUND IN ACTION TRIO |
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Sounds and
Someting Else (S. Ra) |
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One More Once (K
. Vandermark) |
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Well Suited (K .
Vandermark) |
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Cut to Fit (K .
Vandermark) |
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Top Shelf (K .
Vandermark) |
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Green Chimneys (Thelonious
Monk) |
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AALY TRIO + KEN
VANDERMARK |
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Stumble (for Pee
Wee Russell) (K. Vandermark) |
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Hommage à
Lillen (M. Gustafsson/K. Nordeson) |
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Why I Don´t Go
Back (K. Vandermark) |
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Lonberg-Holm
Fred |
cello (1,6,12) |
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Vandermark Ken |
s cl (7,9) |
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THE LAST PLACE
TO GO |
ATAVISTIC |
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Oldham Will |
harmonica (1) |
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LIVE IN WELS
& CHICAGO, 1998 |
OKKA |
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Complete
Communion Suite Part I (D. Cherry) |
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Complete
Communion Suite Part 2 (D. Cherry) |
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Complete
Communion Suite Part 3 (D. Cherry) |
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Complete
Communion Suite Part 4 (D. Cherry) |
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Complete
Communion Suite Part 5 (D. Cherry) |
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Memory Sketch (for Don
Cherry) (DKV Trio) |
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Blues For
Tomorrow (DKV Trio) |
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Standing Here (DKV/J.
Morris) |
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Bit Tenet (Kessler/Morris) |
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Hollow Curve (Drake/Kessler/Morris) |
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Narrative (DKV/J.
Morris) |
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Breathe Easily (Drake/Vandermark/Morris) |
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TWO DAYS IN
CHICAGO |
hatOLOGY |
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Chicago Trio 1 (Mengelberg/Baars/Lonberg-Holm) |
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Chicago Trio 2 (Mengelberg/Baars/Lonberg-Holm) |
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Chicago Trio 3 (Mengelberg/Baars/Lonberg-Holm) |
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Chicago Quartet
1 (Mengelberg/Anderson/Kessler/Dra |
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Chicago Quartet
2 (Mengelberg/Anderson/Kessler/Dra |
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Chicago Trio 4 (Mengelberg/de
Joode/van Duynhoven) |
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Chicago Quartet
3 (Mengelberg/Lonberg-Holm/de Jood |
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Chicago Quartet
4 (Mengelberg/Lonberg-Holm/de Jood |
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Chicago Solo (M.
Mengelberg) |
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Chicago Duo (M.
Mengelberg/A. Baars) |
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Body And Soul (Heyman/Sour/Eyton/Green) |
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EXPANSION SLANG |
BOXHOLDER |
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Optica Torre (K.
Vandermark) |
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Alumni Forms (K.
Vandermark) |
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Hook And Ladder
(N. McBride) |
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In Sequence (K.
Vandermark) |
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VANDERMARK´S
JOE HARRIOTT PROJECT |
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Fact and Fiction
(K. Vandermark) |
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Full Deck (K.
Vandermark) |
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Anywhere Else
(K. Vandermark) |
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Cover to Cover
(K. Vandermark) |
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Point Black (K.
Vandermark) |
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Edición especial limitada en cd-r. |
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VANDERMARK 5 VS.
SANTO |
SAVAGE SOUND |
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Cover To Cover
(K. Vandermark) |
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Full Deck (K.
Vandermark) |
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Point Blank (K.
Vandermark) |
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Lost And Found
(K. Vandermark) |
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THE CHICAGO
OCTET/TENTET |
OKKA |
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Brötzmann Peter |
st cl tarogato |
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Gustafsson Mats |
sb fluetophone
(2-12) |
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McPhee Joe |
cor tb ss (2-12) |
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Burning Spirit
(P. Brötzmann) |
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Other Brothers
(K. Vandermark) |
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Old Botltles, No
Wine (M. Gustafsson) |
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Divide By Zero
(J. Bishop) |
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Foolish Infinity
(P. Brötzmann) |
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Inmediate Music
(F. Lonberg-Holm) |
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Makapoor (M.
Zerang/H. Drake) |
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Foolish Infinity
(P. Brötzmann) |
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Old Botltles, No
Wine (M. Gustafsson) |
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Other Brothers
(K. Vandermark) |
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Other Brothers
(K. Vandermark) |
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Double Holiday (Drake/Kessler/Vandermark) |
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Soft Gamma Ray
Repeater (Drake/Kessler/Vandermark) |
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Baraka (Drake/Kessler/Vandermark) |
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Figure It Out (Drake/Kessler/Vandermark) |
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Consequence (Drake/Kessler/Vandermark) |
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Edición especial limitada en cd-r.
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LIVE! AT THE
EMPTY BOTTLE |
SAVAGE SOUND |
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Super Opague (K.
Vandermark) |
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New Luggage (K.
Vandermark) |
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Fever Dream (K.
Vandermark) |
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Attemted, Not
Know (K. Vandermark) |
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The Start Of
Something (K. Vandermark) |
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Sucker Punch (K.
Vandermark) |
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Attempted, Not
Known (K. Vandermark) |
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The Start Of
Something (K. Vandermark) |
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Super Opaque (K.
Vandermark) |
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Last Call (K.
Vandermark) |
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New Luggage (K.
Vandermark) |
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Fever Dream (K.
Vandermark) |
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AT EMPTY BOTTLE
CHICAGO |
KNITTING |
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Truth Is
Marching In (A. Ayler) |
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Sax Duet / Piano
Interlude (Witches & Devils) |
1996
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AALY TRIO + KEN
VANDERMARK |
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HIDDEN IN THE
STOMACH |
SILKHEART |
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Structure á La
Malle (M. Gustafsson) |
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Why I Don´t Go
Back (K. Vandermark) |
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Unknown Tittle
(K. vandermark) |
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Albumblatt Again
(AALY trio/Vandermark) |
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Ghosts / Spirits
(A. Ayler) |
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FRED ANDERSON
DKV TRIO |
OKKA |
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Black Woman (F.
Anderson) |
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Lady´s In Love
(F. Anderson) |
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Over and Both
(K. Vandermark) |
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Agamemnon Sleeps
(K. Vandermark) |
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Turn Your Head
(K. Vandermark) |
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There Is No
Reason (K. Vandermark) |
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East River Suite
(K. Vandermark) |
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HOOFBEATS OF THE
SNORTING SWINE |
EIGHTH DAY |
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Triple Double
(K. Vandermark) |
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Front Line (K.
Vandermark) |
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Trunk
Manuscripts (k. Vandermark) |
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Rat Bastard Also
(M. Williams) |
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Give And Take
(K. Vandermark) |
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SINGLE PIECE
FLOW |
ATAVISTIC |
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MORRIS JOE -
VANDERMARK KEN - POPPEL HANS |
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Momento histórico: primer (y único por el
momento) comentario de un disco de Ken Vandermark en Cuadernos de Jazz. |
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Photon (Morris/Vandermark/Poppel) |
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New Fire (Morris/Vandermark/Poppel) |
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Withing Reach (Morris/Vandermark/Poppel) |
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Like Rays (Morris/Vandermark/Poppel) |
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So As To Touch (Morris/Vandermark/Poppel) |
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Life Stuff (Morris/Vandermark/Poppel) |
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Parlance (Morris/Vandermark/Poppel) |
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I Can Live With
That (Morris/Vandermark/Poppel) |
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Hand Signals (Morris/Vandermark/Poppel) |
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From Dreams (Morris/Vandermark/Poppel) |
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Levitate (Morris/Vandermark/Poppel) |
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Non-Confirmation
(J. Baker) |
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Situation
Travesty (J. baker) |
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Explosive Motor
(K. Vandermark) |
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A memory Of No
Thoughts (K. Vandermark) |
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Chump Chamnge
(K. Vandermark) |
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Correlative
Amnesia (J. Baker) |
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Tellefero (K.
Vandermark) |
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Tableau Shot (K.
Vandermark) |
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McPHEE JOE -
VANDERMARK KEN - KESSLER KENT |
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A MEETING IN
CHICAGO |
EIGHTH DAY |
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Vandermark Ken |
clb. st. cl. |
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Central
Wisconsin Double Wide |
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Blow Horn For
Service (colec) |
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Structure A La
Malle (1st version) (M. Gustafsson) |
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Williams Mars |
st. sa. ss. cl. |
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Sandstrom Brian |
cb. guit. tp. |
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Hunt Steve |
bt. vib.
marimba. perc. |
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Cut Flowers (K.
Vandermark) |
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Bullseye Witness
(K. Vandermark) |
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Buront Toast (M.
Williams) |
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Straight Time
(K. Vandermark) |
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In The Middle Of
Pennsylsania (S. Hunt) |
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Drake Hamid |
perc. bt. (1-3) |
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Zerang Michael |
perc. bt. (3-6) |
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Drumm Kevin |
elguit (10-12) |
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Hunt Steve |
perc. bt.
(10-12) |
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From The Force
of The Term |
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To Draw Back In
Order To Make a Better Jump |
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Word For Word
and Letter for Letter |
1994
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BAKER JIM - HUNT
STEVE - VANDERMARK KEN |
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Landscape On The
Events Horizon |
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Jack Kirby Was
Ripped Off |
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DESTROY ALL
MUSIC |
UG EXPLODE |
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Vandermark Ken |
st ss sb
(1,4,8,9,10) |
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Demonic
Velocities/20,000,000 Volts (W. Walter) |
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Fist Through
Glass (94A) (colect) |
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Sparrow´s Thin
Ict (W. Walter) |
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Verlag Aus Den
´Turbo Scratcher (W. Walter) |
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The Necessary
Impossibility Of Determinism (colect |
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Dance of The
Lonely Hyenas (W. Walter) |
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Tiamat En Arc
(W. Walter) |
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Final Variation
On A Theme Entitled "Attack Sequen |
1993
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CALLING ALL
MOTHERS |
QUINNAH |
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Sandstrom Brian |
guit tp cb |
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Hunt Steve |
bt vib mar didg |
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Punch And Judy
(K. Vandermark) |
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Chasin´ My Tail
(M. Williams) |
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Symposium/Mr.
Happy (M. Williams) |
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You Never Buy Me
Anything (Hunt/Kessler/Sandstrom/ |
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America Tan (K.
Vandermark) |
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Kiteless String
(M. Williams) |
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Calling All
Mothers (H. Russell) |
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You´re My Dream
(H. Russell) |
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Beneath The
Weather (K. Vandermark) |
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CONSTRUCTIVE
DESTRUCTION |
QUINNAH |
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Scanlan Daniel |
vl guit cor |
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Le Saucisse de
Fer (M. Zerang) |
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For What It Is
(K. Vandermark) |
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Let´s Talk
About Death (K. Vandermark) |
1992 |
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Greenberg Mark |
p sa vib cb bt |
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Phipss B. Norman |
sb guit cb |
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Saaya Alexey |
tp guit cb bt |
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Vandermark Ken |
clb (1,3,9) |
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Crawford Dave |
tp flh (2,7) |
Volver a Ken Vandermark
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