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..:: REID ANDERSON (THE BAD PLUS)

   
 


Reid Anderson (bass) is a member of the most peculiar piano, bass and drums trio of the present american jazz. The band, born in 2000, has two records published. The first one - simply called "The Bad Plus" - was recorded for the Barcelona´s label "Fresh Sound" (FSNT - 107 CD). With their second record they have entered the world of a major label: "These are the Vistas" (SONY - 2002). The trio is also  formed by Ethan Iverson (piano) and David King (drums). An orthodox jazz trio (piano, bass and drums) but unorthodox in content. Nirvana, Blondie or J.S. Bach have "suffered" their particular sound "deconstruction".

By Carlos Pérez Cruz (June 2003)

   



Q: Before asking you about “The Bad Plus”, I want you to ask you about your own career. What is your musical background?

R.A:
I’ve lived in New York for 8 years. Before that I studied classical music at the Curtis Institute of Music in Philadelphia. I’ve put out 3 CDs of my own for Fresh Sound   ;”Dirty Showtunes”, “Abolish Bad Architecture” and “The Vastness of Space.” I have a strong love of rock and electronic music and have a songwriting project that I sing and play guitar in. I’ve also played a lot of jazz over the past few years.

Q:
Is “The Bad Plus” the result of an occasional encounter – from an occasional gig – or a regular group?

R.A:
We are a full-time band.

Q:
Although it has practically disappeared from the official dossier of the group, you recorded a previous disk to “These are the Vistas” for the Barcelona´s label “Fresh Sound New Talent”. A quick leap from a small label to a major like Sony. Among the advantages are a greater distribution and promotion but… up to now… which are the inconvenients?

R.A:
Right now there aren’t really any inconveniences. We’re getting the opportunity to reach people with our music on a larger scale than before. Sony has been fully behind us creatively. We’re very busy and sometimes are exhausted because of doing interviews in addition to performing, but that’s just part of the job.

Q:
Your repertoire covers a broad range of aesthetics. Very few standards (I thank you  a lot for it), your own compositions and music from rock, pop or even from classical composers. The inclusion of that repertoire is a reflection of your musical tastes or is it due to other reasons?

R.A:
We’re music fans whose tastes cover a wide range of music. We play music that we like and we like to play contemporary rock and pop music because it’s music that we and our audience have a connection to.

Q:
I don’t like to put labels in music but it is almost an unavoidable question… Some people say that you are a rock group that plays jazz… Do you like to define yourself somehow? Or do you leave to others the task to describe your music?

R.A:
We’ll leave that one up to others. I will say that the elements that we combine have authenticity. When we play something with a rock feel, it’s really a rock feel. Not some jazz imitation of a rock feel. And so on with all the elements that we combine.

Q:
You use a lot the “construction” and “deconstruction” concepts. Actually, Ethan Iverson recorded two cds for Fresh Sound with this concept. ¿Is not the jazz continuum an history of “construction” (compositions) and “deconstruction” (improvisations over the compositions and harmonies)?

R.A:
Yes. We are part of the jazz tradition.

Q:
“Jazz is dead”, “nobody takes risk”, “jazz stoped his evolution years ago”… Those are sentences that some jazz fans say. What do you think about? Do you think that exploring other kinds of music in search of inspiration is a way to continue to evolve?

R.A:
I think jazz is in very good hands. There are plenty of musicians out there making great music that is both unique and new. Jazz has always reached out to other musical styles and used them for its own purposes. I think it’s important for musicians to be honest with themselves about all of contemporary culture and art and to play music the way they want it to be played. There are some people who want to freeze the development of jazz and only allow it to be one thing and you can hear it in their music. The rest of us are just trying to communicate beauty through music.

Q:
Some jazz fans accuse the present American jazz to be too revisionist (under the leading influence of Wynton Marsalis). Is that the general reality of jazz in the United States or are they a lot of unknown musicians that look in different directions?

R.A:
Wynton Marsalis does not speak for or influence any musicians that I know. The idea that all American musicians blindly follow the doctrines of Mr. Marsalis is totally absurd. Plus there are plenty of known musicians who have nothing to do with that school of thought and are in no way “revisionist.”

Q:
Some fans consider that in Europe there is a greater evolution in the concepts of improvisation (of course there is still a mainstream orientation strongly rooted in the bop vocabulary). Are you aware or interested in what is happening now in other countries, musically?

R.A:
There is great music being made all over the world. No one country has a monopoly on talent and good ideas. We are interested in all good music.

Q: Imagina que te dejan organizar un ciclo de jazz en alguna ciudad. ¿Qué nombres compondrían el cartel? (o preguntado más ortodoxamente: ¿qué músicos merecen tu interés en este momento?)

R.A:
First, it would not be a “Jazz” festival because I don’t only like jazz. I would have Radiohead, Bjork, Ornette Coleman, Guillermo Klein, Jason Moran, Aphex Twin, Autechre, Massive Attack, Bill McHenry, Charlie Haden, Paul Motian, Keith Jarret, Brad Mehldau, Mark Turner, Kurt Rosenwinkel, PJ Harvey, U2 and Bob Dylan. Probably a few others. It would be a pretty big festival…

Q:
This summer you have a long European tour, which means constant travelling, exhaustion… What do you do musically to avoid routine – playing day by day -?

R.A:
Somos improvisadores, por lo tanto mantenemos las ideas frescas de actuación a  actuación.

Q:
What can we expect about The Bad Plus in the future? Is it an regular project?

R.A:
The Bad Plus is a full time band. We plan on having a long future together and to keep evolving.

Q:
The last question: Is love the silence´s answer?

R.A:
Yes!!!