![Who The Fuck?: Double Nickels on the Dime (Minutemen) [0317, 01/10/2014] 1](https://tomajazz.com/web/wp-content/uploads/2014/09/Minutemen_Double-Nickels-On-The-Dime.jpg "Who The Fuck?: Double Nickels on the Dime (Minutemen) [0317, 01/10/2014] 1 Tomajazz Who The Fuck?: Double Nickels on the Dime (Minutemen) [0317, 01/10/2014]")
Who The Fuck?: Double Nickels on the Dime (Minutemen) [0317, 01/10/2014]
2014-10-01
Double Nickels on the Dime Minutemen SST (1984)Continúa leyendo
![Who the Fuck?: <i>Snakefinger's History Of The Blues Live In Europe</i> (Snakefinger) [0269, 10/02/2014] 2](https://tomajazz.com/web/wp-content/uploads/2014/02/Snakefingers-History-Of-The-Blues-In-Europe.jpg "Who the Fuck?: <i>Snakefinger's History Of The Blues Live In Europe</i> (Snakefinger) [0269, 10/02/2014] 3 Tomajazz Who the Fuck?: <i>Snakefinger's History Of The Blues Live In Europe</i> (Snakefinger) [0269, 10/02/2014]")
Who the Fuck?: Snakefinger’s History Of The Blues Live In Europe (Snakefinger) [0269, 10/02/2014]
2014-02-10
Snakefinger’s History Of The Blues Live In Europe Snakefinger Promising Music (1984 Reed. 2013)Continúa leyendo
![Who the Fuck?: “Nelson Mandela” (The Special A.K.A.) [0249, 7/12/2013] 3](https://tomajazz.com/web/wp-content/uploads/2013/12/The_special_aka_nelson-mandela.jpg "Who the Fuck?: “Nelson Mandela” (The Special A.K.A.) [0249, 7/12/2013] 5 Tomajazz Who the Fuck?: “Nelson Mandela” (The Special A.K.A.) [0249, 7/12/2013]")
Who the Fuck?: “Nelson Mandela” (The Special A.K.A.) [0249, 7/12/2013]
2013-12-07
«Nelson Mandela» The Special A.K.A. In the Studio 2 Tone Records (1984)Continúa leyendo
Tomajazz recomienda… un dueto: Historic Concerts (Max Roach, Cecil Taylor; Soul Note, 1984)
2013-03-18
A finales de la década de los años 70 el baterista Max Roach grabó en dúo con músicos como el pianista Abdullah Ibrahim, los saxofonistas Anthony Braxton y Archie Shepp, y el pianista Cecil Taylor. El 15 de diciembre de 1979 grababa con este último en el McMillin Theatre de laContinúa leyendo
Tomajazz recomienda… un libro: The Freedom Principle: Jazz After 1958, de John Litweiler
2010-10-10
El free jazz, maltratado o tratado mal en muchas historias del jazz, tiene en The Freedom Principle el libro fundamental para comprender las claves de sus orígenes y desarrollos. Desde los primeros experimentos de Tristano o Mingus hasta la escuela de Chicago o el free europeo, pasando claro está porContinúa leyendo