{"id":100369,"date":"2025-10-11T12:30:41","date_gmt":"2025-10-11T10:30:41","guid":{"rendered":"https:\/\/tomajazz.com\/web\/?p=100369"},"modified":"2025-10-11T11:50:03","modified_gmt":"2025-10-11T09:50:03","slug":"christian-mcbride-big-band-without-further-ado-vol-1-2025","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/christian-mcbride-big-band-without-further-ado-vol-1-2025\/","title":{"rendered":"Christian McBride Big Band: Without Further Ado, Vol. 1 (Mack Avenue Records; 2025) Por Pachi Tapiz [Grabaci\u00f3n de jazz]"},"content":{"rendered":"

Con Without Further Ado, Vol. 1<\/i>, el contrabajista y compositor Christian McBride<\/strong> presenta una obra que celebra el arte vocal en el jazz contempor\u00e1neo. Esta cuarta entrega de la Christian McBride Big Band<\/strong> re\u00fane a una constelaci\u00f3n de voces excepcionales: Sting<\/strong>, Andy Summers<\/strong>, Samara Joy<\/strong>, Dianne Reeves<\/strong>, Jos\u00e9 James<\/strong>, C\u00e9cile McLorin Salvant<\/strong>, Jeffrey Osborne<\/strong> y Antoinette Henry<\/strong>.<\/p>\n

\"ChristianEl disco nace de los arreglos que McBride ha escrito para las galas anuales del NJPAC, donde ha sido director musical desde 2012. Muchos de estos arreglos solo se hab\u00edan interpretado una vez, y ahora cobran nueva vida en esta grabaci\u00f3n.<\/p>\n

El \u00e1lbum abre con \u201cMurder By Numbers<\/strong>\u201d, una versi\u00f3n del cl\u00e1sico de The Police<\/i> que re\u00fane a Sting y Andy Summers por primera vez desde su gira de reuni\u00f3n. Le sigue \u201cBack In Love Again<\/strong>\u201d, con Jeffrey Osborne reviviendo el \u00e9xito de 1977 de L.T.D.<\/i>. Samara Joy emociona con \u201cOld Folks<\/strong>\u201d, mostrando una madurez vocal sorprendente a sus 25 a\u00f1os.<\/p>\n

Jos\u00e9 James aporta su estilo h\u00edbrido en \u201cMoanin\u2019<\/strong>\u201d, fusionando swing cl\u00e1sico con fraseo moderno, en una versi\u00f3n que demuestra que un buen material en buenas manos, puede dar mucho de s\u00ed. Jos\u00e9 James aporta una energ\u00eda \u00fanica, mezclando el fraseo del soul con la actitud del hip-hop. La banda se adapta a su estilo con una flexibilidad admirable, y el resultado es una versi\u00f3n que respeta la tradici\u00f3n pero suena completamente actual.<\/p>\n

Dianne Reeves transforma \u201cWill You Still Love Me Tomorrow<\/strong>\u201d en una exploraci\u00f3n \u00edntima y sensual. C\u00e9cile McLorin Salvant convierte \u201cAll Through the Night<\/strong>\u201d en un torbellino r\u00edtmico, demostrando su audacia creativa.<\/p>\n

Antoinette Henry, descubierta por McBride en un musical\u00a0Off-Broadway<\/em> \u00a0brilla en \u201cCome Rain or Come Shine<\/strong>\u201d, mostrando el talento emergente de Filadelfia. El disco cierra con \u201cOp. 49 \u2013 Cold Chicken Suite, 3rd Movement<\/strong>\u201d, una pieza instrumental que McBride dedica, con sentido del humor, al alimento b\u00e1sico de los m\u00fasicos tras los conciertos: el pollo fr\u00edo.<\/p>\n

Without Further Ado, Vol. 1<\/i> es una celebraci\u00f3n del jazz vocal, del arreglo orquestal, y del esp\u00edritu colaborativo que define la carrera de Christian McBride. Un disco imprescindible para entender el presente del jazz.<\/p>\n

Without Further Ado, Vol. 1<\/i> es una obra que celebra el jazz vocal, el arreglo orquestal, y el esp\u00edritu colaborativo. McBride demuestra una vez m\u00e1s su capacidad para reunir talentos y crear m\u00fasica que trasciende g\u00e9neros y generaciones.<\/p>\n

\u00a9 Pachi \u201cJazz con ritmo: Bachard McIntire at Jam<\/strong>\u201d Tapiz, 2025<\/strong><\/p>\n

\n

Christian McBride Big Band: Without Further Ado, Vol. 1 <\/em><\/h3>\n

Participan, entre otros: Christian McBride (contrabajo, direcci\u00f3n, arreglos); Sting (voz); Andy Summers (guitarra); Samara Joy (voz); Dianne Reeves (voz); Jos\u00e9 James (voz); C\u00e9cile McLorin Salvant (voz); Jeffrey Osborne (voz); Antoinette Henry (voz); Ron Blake (saxo); Pedrito Mart\u00ednez (percusi\u00f3n).<\/p>\n

1 \u00abMurder By Numbers\u00bb (Sting, Andy Summers) 5:32 2 \u00abBack In Love Again\u00bb (Jeffrey Osborne) 4:58 3 \u00abOld Folks\u00bb (Willard Robison, Dedette Lee Hill) 6:12 4 \u00abMoanin\u2019\u00bb (Bobby Timmons) 5:45 5 \u00abAll Through the Night\u00bb (Cole Porter) 4:50 6 \u00abWill You Still Love Me Tomorrow\u00bb (Carole King, Gerry Goffin) 5:10 7 \u00abCome Rain or Come Shine\u00bb (Harold Arlen, Johnny Mercer) 5:25 8 \u00abOp. 49 \u2013 Cold Chicken Suite, 3rd Movement\u00bb (Christian McBride) 6:00<\/p>\n

Grabado en 2024. Productor: Christian McBride. Arreglos: Christian McBride. Inspirado en los conciertos del NJPAC Gala.<\/p>\n

\n

Curiosidades sobre Without Further Ado, Vol. 1 <\/em><\/h3>\n

\u201cMurder By Numbers\u201d marca la primera colaboraci\u00f3n entre Sting y Andy Summers desde la gira de reuni\u00f3n de The Police en 2007-2008. \u201cOp. 49 \u2013 Cold Chicken Suite\u201d est\u00e1 dedicada al pollo fr\u00edo que los m\u00fasicos suelen comer tras los conciertos.<\/p>\n

\n

Informaci\u00f3n sobre Christian McBride<\/h3>\n

Christian McBride (nacido en 1972) es uno de los contrabajistas m\u00e1s vers\u00e1tiles y respetados del jazz moderno. Ha colaborado con artistas como Herbie Hancock, Chick Corea, Paul McCartney, Billie Eilish, Wynton Marsalis y Diana Krall. Es director art\u00edstico del Newport Jazz Festival, del NJPAC y del National Jazz Museum in Harlem. Entre sus grabaciones destacadas se encuentran The Movement Revisited<\/i>, Live at the Village Vanguard<\/i>, For Jimmy, Wes & Oliver<\/i> y But Who\u2019s Gonna Play The Melody?<\/i> (2024, junto a Edgar Meyer).<\/p>\n

\n

M\u00e1s informaci\u00f3n sobre Christian McBride y Mack Avenue Records<\/h3>\n

https:\/\/www.christianmcbride.com\/<\/a><\/p>\n

https:\/\/tomajazz.com\/web\/?s=christian+mcbride&submit=Search<\/a><\/p>\n

https:\/\/mackavenue.com\/<\/a><\/p>\n

https:\/\/tomajazz.com\/web\/?s=mack+avenue+records&submit=Search<\/a><\/p>\n

Pachi Tapiz en Tomajazz<\/h3>\n

https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

Without Further Ado, Vol. 1 (Mack Avenue Records; 2025) es la nueva grabaci\u00f3n de Christian McBride Big Band. Pachi Tapiz repasa la grabaci\u00f3n. Con la colaboraci\u00f3n de Sting, Samara Joy, Jose James, entre otros…Contin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":100370,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[17847,5,15517,1038],"tags":[1566,20298,10336,31],"class_list":["entry","author-pachi","has-excerpt","post-100369","post","type-post","status-publish","format-standard","has-post-thumbnail","category-pachi-tapiz","category-grabaciones","category-textos","category-contenidos","tag-christian-mcbride","tag-christian-mcbride-big-band","tag-mack-avenue-records","tag-pachi-tapiz"],"jetpack_featured_media_url":"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2025\/10\/Christian-McBride-Big-Band-Without-Further-Ado-Vol-1-Mack-Avenue-Records-2025-Tomajazz.jpg","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":52895,"url":"https:\/\/tomajazz.com\/web\/christian-mcbride-for-jimmy-wes-and-oliver-un-saludo-en-el-tiempo-grabacion-de-jazz-por-juan-f-trillo\/","url_meta":{"origin":100369,"position":0},"title":"Christian McBride: For Jimmy, Wes and Oliver. Un saludo en el tiempo [Grabaci\u00f3n de jazz] Por Juan F. Trillo","author":"Tomajazz","date":"11 noviembre, 2020","format":false,"excerpt":"Juan F. Trillo repasa For Jimmy, Wes And Oliver (Mack Avenue) de la Christian McBride Big Band","rel":"","context":"En \u00abGrabaciones...\u00bb","block_context":{"text":"Grabaciones...","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/textos\/grabaciones\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2020\/11\/Christian-McBride-Big-Band_For-Jimmy-Wes-And-Oliver.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2020\/11\/Christian-McBride-Big-Band_For-Jimmy-Wes-And-Oliver.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2020\/11\/Christian-McBride-Big-Band_For-Jimmy-Wes-And-Oliver.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2020\/11\/Christian-McBride-Big-Band_For-Jimmy-Wes-And-Oliver.jpg?resize=700%2C400&ssl=1 2x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2020\/11\/Christian-McBride-Big-Band_For-Jimmy-Wes-And-Oliver.jpg?resize=1050%2C600&ssl=1 3x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2020\/11\/Christian-McBride-Big-Band_For-Jimmy-Wes-And-Oliver.jpg?resize=1400%2C800&ssl=1 4x"},"classes":[]},{"id":32772,"url":"https:\/\/tomajazz.com\/web\/hdo-325-de-orquestas-big-band-y-grandes-formaciones-podcast\/","url_meta":{"origin":100369,"position":1},"title":"HDO 325. De orquestas, big band y grandes formaciones [Podcast]","author":"Tomajazz","date":"18 octubre, 2017","format":false,"excerpt":"Cuatro propuestas en gran formato, muy diferentes entre s\u00ed, en la entrega 325 de HDO. En primer lugar\u00a0The Voodoo Children Collective\u00a0de\u00a0Toni Vaquer\u00a0con su grabaci\u00f3n\u00a0Volume 1\u00a0(Fresh Sound New Talent). La n\u00f3mina de m\u00fasicos que su l\u00edder ha conseguido convocar es un qui\u00e9n es qui\u00e9n del jazz nacional actual, ya que en\u2026","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/10\/Toni-Vaquer-and-the-Voodoo-Children-Collective_Volume-1_Fresh-Sound-New-Talent_2017-e1508273425159.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/10\/Toni-Vaquer-and-the-Voodoo-Children-Collective_Volume-1_Fresh-Sound-New-Talent_2017-e1508273425159.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/10\/Toni-Vaquer-and-the-Voodoo-Children-Collective_Volume-1_Fresh-Sound-New-Talent_2017-e1508273425159.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":8305,"url":"https:\/\/tomajazz.com\/web\/en-breve-jazz-a-la-clasica-ruta-66-305\/","url_meta":{"origin":100369,"position":2},"title":"En breve: Jazz a la cl\u00e1sica (Ruta 66, 305)","author":"Tomajazz","date":"1 octubre, 2013","format":false,"excerpt":"El tr\u00edo formado por Keith Jarrett, Gary Peacock y Jack DeJohnette (es decir, el Standards Trio), es desde hace d\u00e9cadas la m\u00e1quina m\u00e1s potente de recrear los cl\u00e1sicos, bien sea en estudio o en directo. Somewhere (ECM), su nueva grabaci\u00f3n registrada en directo en 2009 incluye unos cuantos standards revisados\u2026","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2013\/09\/ruta-66_305_2013-06.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2013\/09\/ruta-66_305_2013-06.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2013\/09\/ruta-66_305_2013-06.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":7792,"url":"https:\/\/tomajazz.com\/web\/warren-wolf-wolfgang-mack-avenue-2013\/","url_meta":{"origin":100369,"position":3},"title":"Warren Wolf: Wolfgang (Mack Avenue, 2013)","author":"Arturo Mora","date":"4 septiembre, 2013","format":false,"excerpt":"Christian McBride le descubri\u00f3 ante el gran p\u00fablico merced a su presencia en la banda Inside Straight, y ha llegado para quedarse. Warren Wolf presenta su segundo disco como l\u00edder, creando junto a su nombre una triple aliteraci\u00f3n de uves dobles en un t\u00edtulo dedicado al mism\u00edsimo Mozart. Y es\u2026","rel":"","context":"En \u00ab*_Arturo Mora Rioja\u00bb","block_context":{"text":"*_Arturo Mora Rioja","link":"https:\/\/tomajazz.com\/web\/category\/arturo-mora-rioja\/"},"img":{"alt_text":"warren_wolf_wolfgang","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/web\/wp-content\/uploads\/2013\/08\/warren_wolf_wolfgang.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":101826,"url":"https:\/\/tomajazz.com\/web\/chick-corea-trilogy-3-2025\/","url_meta":{"origin":100369,"position":4},"title":"Chick Corea: Trilogy 3 (Candid Records; 2025) Por Carlos Lara [Grabaci\u00f3n de jazz]","author":"Tomajazz","date":"15 noviembre, 2025","format":false,"excerpt":"Trilogy 3 (Candid Records; 2025) es la \u00faltima grabaci\u00f3n publicada de Chick Corea. Carlos Lara repasa la obra. Con Chick Corea, Christian McBride, Brian Blade","rel":"","context":"En \u00abGrabaciones...\u00bb","block_context":{"text":"Grabaciones...","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/textos\/grabaciones\/"},"img":{"alt_text":"Chick Corea: Trilogy 3 (Candid Records; 2025) Por Carlos Lara [Grabaci\u00f3n de jazz] - Tomajazz - Trilogy 3 (Candid Records; 2025) es la \u00faltima grabaci\u00f3n publicada de Chick Corea. Carlos Lara repasa la obra. 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Si alguien duda sobre la vigencia del swing en los tiempos que corren, deber\u00eda escuchar el nuevo \u00e1lbum de Christian McBride. El contrabajista expresaba recientemente a la revista brit\u00e1nica Jazzwise su miedo a recrear una formaci\u00f3n, la del tr\u00edo de piano liderado por el bajo, tan asociada con\u2026","rel":"","context":"En \u00ab*_Arturo Mora Rioja\u00bb","block_context":{"text":"*_Arturo Mora Rioja","link":"https:\/\/tomajazz.com\/web\/category\/arturo-mora-rioja\/"},"img":{"alt_text":"christian_mcbride_trio_out_here","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/web\/wp-content\/uploads\/2013\/07\/christian_mcbride_trio_out_here.jpg?resize=350%2C200","width":350,"height":200},"classes":[]}],"_links":{"self":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/100369","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/comments?post=100369"}],"version-history":[{"count":1,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/100369\/revisions"}],"predecessor-version":[{"id":100371,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/100369\/revisions\/100371"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media\/100370"}],"wp:attachment":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media?parent=100369"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/categories?post=100369"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/tags?post=100369"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}