Altology \u2013 Complete Quintet and Sextet Recordings 1956-1957 \u00a0<\/em><\/p>\nComposiciones:
\nA: \u201cSax Fifth Avenue\u201d (Orloff), \u201cReady Rudy\u201d (Hefti), \u201cCabeza\u201d (Pierce), \u201cTwin Funkies\u201d (Woods), \u201cRib Roast\u201d (Pierce), \u201cHigh Steppin’ Bizzes\u201d (Potts), \u201cFour Flights Up\u201d (Woods), \u201cDig Your P’s and Q’s\u201d (Pierce), \u201cDry Chops in the Moonlight\u201d (Potts), \u201cUna Momento\u201d (Woods), \u201cPottsville, USA\u201d (Potts), \u201cFrank the Barber\u201d (Potts);
\nB: \u201cCr\u00e8me de Funk\u201d (Woods), \u201cLazy Like\u201d (Woods), \u201cNothing but Soul\u201d (Woods), \u201cA Night at St. Nick’s\u201d (Woods), \u201cBlack Cherry Fritters\u201d (Woods), \u201cAltology\u201d (Woods), \u201cAiregin\u201d (Rollins), \u201cSolar\u201d (Davis);
\nC: \u201cDoxy I\u201d (Rollins), \u201cA Night in Tunisia\u201d (Gillespie\/Paparelli), \u201cHymn for Kim\u201d (Woods), \u201cDear Old Stockholm\u201d (Getz), \u201cScrapple from the Apple\u201d (Parker), \u201cDoxy II\u201d (Rollins).<\/p>\n
M\u00fasicos:
\nPhil Woods y Gene Quill (ambos saxo alto) con:
\nA: Sol Schlinger (saxo bar\u00edtono), Dave McKenna (piano), Buddy Jones (bajo), Shadow Wilson (bater\u00eda).
\nB: George Syran (piano), Teddy Kotick (bajo), Nick Stabulas (bater\u00eda).
\nC: Bob Corwin (piano), Sonny Dallas (bajo), Nick Stabulas (bater\u00eda).<\/p>\n
Fechas de grabaci\u00f3n:
\nA: 15 de marzo de 1956 (Phil & Quill,<\/i> RCA);
\nB: 29 de marzo de 1957 (Phil & Quill with Prestige,<\/i> Prestige);
\nC: 11 de septiembre de 1957 (Phil Talks with Quill,<\/i> Epic).<\/p>\n
Fresh Sound Records. FSR-CD 473<\/p>\n
<\/p>\n
<\/p>\n","protected":false},"excerpt":{"rendered":"
Este doble CD re\u00fane tres elep\u00e9s de Phil Woods y Gene Quill para tres sellos distintos. Los saxofonistas ten\u00edan entonces alrededor de 26 y 29 a\u00f1os respectivamente, y sus acompa\u00f1antes tambi\u00e9n eran de esa generaci\u00f3n. Este es un detalle que suele olvidarse cuando se trata de sonidos tan cl\u00e1sicos comoContin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":10047,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":true,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[17863,5,1038],"tags":[1320,1321,8185,8180,12651,8179,1680,465,1715,8177,8182,12696,13,12415,15295,8184,8176,2105,2122,8181,8178,8186,8183,16099,77,16100],"class_list":["entry","author-pachi","post-10046","post","type-post","status-publish","format-standard","has-post-thumbnail","category-fernando-ortiz-de-urbina","category-grabaciones","category-contenidos","tag-1320","tag-1321","tag-bob-corwin","tag-buddy-jones","tag-cd","tag-dave-mckenna","tag-epic","tag-fernando-ortiz-de-urbina","tag-fresh-sound","tag-gene-quill","tag-george-syran","tag-grabaciones","tag-jazz","tag-jazz-en-espana","tag-jazz-en-espanol","tag-nick-stabulas","tag-phil-woods","tag-prestige","tag-rca","tag-shadow-wilson","tag-sol-schlinger","tag-sonny-dallas","tag-teddy-kotick","tag-toma-jazz","tag-tomajazz","tag-tomajazz-toma-jazz"],"jetpack_featured_media_url":"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2014\/01\/woods-quill.jpg","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":28987,"url":"https:\/\/tomajazz.com\/web\/hdo-224-especial-gerry-mulligan-iii-the-concert-jazz-band-podcast\/","url_meta":{"origin":10046,"position":0},"title":"HDO 228. Especial Gerry Mulligan (III). The Concert Jazz Band [Podcast]","author":"Tomajazz","date":"28 enero, 2017","format":false,"excerpt":"Desde finales de la d\u00e9cada de los 50 del pasado siglo y hasta mediados de los a\u00f1os 60 Gerry Mulligan puso en marcha The Concert Jazz Band. Un proyecto con mayor \u00e9xito de cr\u00edtica que de p\u00fablico, en la que el saxofonista pudo poner en pr\u00e1ctica su faceta de arreglista.\u2026","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/01\/Gerry-Mulligan-and-the-Concert-Jazz-Band_At-The-Village-Vanguard_Verve_1961.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":10117,"url":"https:\/\/tomajazz.com\/web\/jack-nimitz-and-friends-yesterday-and-today-fresh-sound\/","url_meta":{"origin":10046,"position":1},"title":"Jack Nimitz and friends… Yesterday and Today (Fresh Sound)","author":"Tomajazz","date":"30 enero, 2014","format":false,"excerpt":"El sello Fresh Sound lleva m\u00e1s de un cuarto de siglo se\u00f1al\u00e1ndonos joyas del pasado del jazz que en muchos casos quedar\u00edan sepultadas en el olvido. 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![\"woods](\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2014\/01\/woods-quill.jpg\" "\\"\\"")
<\/p>\n