{"id":100637,"date":"2025-10-17T17:17:24","date_gmt":"2025-10-17T15:17:24","guid":{"rendered":"https:\/\/tomajazz.com\/web\/?p=100637"},"modified":"2025-10-16T23:19:34","modified_gmt":"2025-10-16T21:19:34","slug":"gert-jan-dreessen-angle-of-incidence-2025","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/gert-jan-dreessen-angle-of-incidence-2025\/","title":{"rendered":"Gert-Jan Dreessen: Angle of Incidence (Hypnote Records; 2025) Por Pachi Tapiz [Grabaci\u00f3n de jazz]"},"content":{"rendered":"

\"Gert-JanGert-Jan Dreessen<\/strong>, baterista y compositor belga nacido en 1995, presenta su primer \u00e1lbum como l\u00edder: Angle of Incidence<\/em>. Publicado por Hypnote Records<\/strong>, este disco de jazz contempor\u00e1neo<\/strong> captura c\u00f3mo las experiencias personales y musicales transforman la identidad art\u00edstica.<\/p>\n

Angle of Incidence<\/em> es una declaraci\u00f3n art\u00edstica que combina madurez compositiva, sensibilidad interpretativa y una visi\u00f3n clara del jazz como espacio de transformaci\u00f3n. El t\u00edtulo alude a c\u00f3mo cada experiencia impacta desde un \u00e1ngulo distinto, modificando la percepci\u00f3n del artista.<\/p>\n

El \u00e1lbum se abre con \u00abLopik\u00bb, estableciendo un tono introspectivo. \u00abImRos\u00bb y \u00abNinors\u00bb destacan por su lirismo, mientras que \u00abA.G.G.F\u00bb y \u00abWay Through\u00bb muestran el lado m\u00e1s experimental del grupo. La interacci\u00f3n entre De Looze<\/strong>, Esti\u00e9venart<\/strong> y Oberm\u00fcller<\/strong> es fluida y org\u00e1nica.<\/p>\n

Dreessen lidera desde la bater\u00eda con elegancia, guiando sin imponer. Su formaci\u00f3n internacional y sus colaboraciones con m\u00fasicos como Logan Richardson<\/strong>, Shai Maestro<\/strong> y Nduduzo Makhathini<\/strong> enriquecen su enfoque.<\/p>\n

Angle of Incidence<\/strong><\/em> es una obra que desde el jazz contempor\u00e1neo incide en la introspecci\u00f3n, sin dejar de buscar la sorpresa y tambi\u00e9n la belleza sonora.<\/p>\n

\u00a9 Pachi \u201cindicofencelgnade\u201d Tapiz, 2025<\/strong><\/p>\n

\n

Gert-Jan Dreessen: Angle of Incidence<\/em><\/h3>\n

M\u00fasicos:<\/strong> Gert-Jan Dreessen (bater\u00eda, composici\u00f3n); Bram De Looze (piano); Jean-Paul Esti\u00e9venart (trompeta); Cyrille Oberm\u00fcller (contrabajo)<\/p>\n

Temas:<\/strong> 1 \u00abLopik\u00bb (Gert-Jan Dreessen) 6:18 2 \u00abImRos\u00bb (Gert-Jan Dreessen) 6:12 3 \u00abNinors\u00bb (Gert-Jan Dreessen) 5:26 4 \u00abHymne (M)\u00bb (Gert-Jan Dreessen) 5:58 5 \u00abDreamteam\u00bb (Gert-Jan Dreessen) 6:53 6 \u00abHope(less)\u00bb (Gert-Jan Dreessen) 5:51 7 \u00abSeptember\u00bb (Gert-Jan Dreessen) 7:33 8 \u00abA.G.G.F\u00bb (Gert-Jan Dreessen) 4:26 9 \u00abWay Through\u00bb (Gert-Jan Dreessen) 7:44<\/p>\n

Informaci\u00f3n adicional:<\/strong> Grabado en Rockstar Studios (Niel, B\u00e9lgica) en febrero de 2024. T\u00e9cnico de grabaci\u00f3n Jonas Verrijdt. Masterizaci\u00f3n Dave Darlington. Producci\u00f3n Gert-Jan Dreessen y Giuseppe Millaci.<\/p>\n

\n

Curiosidades sobre Angle of Incidence<\/em><\/strong><\/h3>\n

El t\u00edtulo del disco se inspira en un concepto f\u00edsico que se convierte en met\u00e1fora art\u00edstica. Dreessen estudi\u00f3 en Nueva York gracias a becas del BAEF, MERIT y el Gobierno Flamenco.<\/p>\n

\n

Informaci\u00f3n sobre Gert-Jan Dreessen<\/strong><\/h3>\n

Gert-Jan Dreessen<\/strong> (n. 1995, Genk, B\u00e9lgica) es uno de los bateristas m\u00e1s prometedores del jazz europeo. Ha tocado con Bert Joris<\/strong>, John O\u2019Gallagher<\/strong> y Flat Earth Society<\/strong>. Grabaciones recomendadas: colaboraciones con Flat Earth Society<\/em>, Logan Richardson<\/em> y Shai Maestro<\/em>.<\/p>\n

\n

M\u00e1s informaci\u00f3n sobre Gert-Jan Dreessen y Hypnote Records<\/h3>\n

https:\/\/www.gert-jandreessen.com\/<\/a><\/p>\n

https:\/\/tomajazz.com\/web\/?s=gert+jan+dreessen&submit=Search<\/a><\/p>\n

https:\/\/www.hypnoterecords.com\/<\/a><\/p>\n

https:\/\/tomajazz.com\/web\/?s=hypnote+records&submit=Search<\/a><\/p>\n

Pachi Tapiz en Tomajazz<\/h3>\n

https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

Angle of Incidence (Hypnote Records; 2025) es la nueva grabaci\u00f3n de Gert-Jan Dreessen, Pachi Tapiz repasa la obra. Con Gert-Jan Dreessen, Bram De Looze, Jean-Paul Esti\u00e9venart, Cyrille Oberm\u00fcllerContin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":100638,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[5,17847,15517,1038],"tags":[15092,32740,32739,28540,30479,31],"class_list":["entry","author-pachi","has-excerpt","post-100637","post","type-post","status-publish","format-standard","has-post-thumbnail","category-grabaciones","category-pachi-tapiz","category-textos","category-contenidos","tag-bram-de-looze","tag-cyrille-obermuller","tag-gert-jan-dreessen","tag-hypnote-records","tag-jean-paul-estievenart","tag-pachi-tapiz"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2025\/10\/Gert-Jan-Dreessen-Angle-of-Incidence-2025-Hypnote-Records-Tomajazz.jpg","_links":{"self":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/100637","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/comments?post=100637"}],"version-history":[{"count":1,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/100637\/revisions"}],"predecessor-version":[{"id":100639,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/100637\/revisions\/100639"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media\/100638"}],"wp:attachment":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media?parent=100637"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/categories?post=100637"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/tags?post=100637"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}