{"id":100684,"date":"2025-10-18T17:30:37","date_gmt":"2025-10-18T15:30:37","guid":{"rendered":"https:\/\/tomajazz.com\/web\/?p=100684"},"modified":"2025-10-18T16:04:44","modified_gmt":"2025-10-18T14:04:44","slug":"anne-mette-iversen-marbles-2025","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/anne-mette-iversen-marbles-2025\/","title":{"rendered":"Anne Mette Iversen Ternion Q Expanded: Marbles (Brooklyn Jazz Underground Records; 2025) Por Pachi Tapiz [Grabaci\u00f3n de jazz]"},"content":{"rendered":"

\"AnneMarbles<\/em><\/strong> de la contrabajista Anne Mette Iversen<\/strong> es una obra que se sit\u00faa en la intersecci\u00f3n entre la composici\u00f3n estructurada<\/strong> y la improvisaci\u00f3n libre<\/strong>. La met\u00e1fora de las pistas de canicas, presente en todo el disco, sirve como hilo conductor para explorar c\u00f3mo la m\u00fasica puede encontrar su camino a trav\u00e9s de m\u00faltiples rutas, sin perder su esencia.<\/p>\n

La formaci\u00f3n Ternion Q Expanded<\/strong> est\u00e1 compuesta por siete m\u00fasicos de alto nivel, cada uno con una trayectoria destacada en la escena europea. Silke Eberhard<\/strong>, galardonada con el Jazzpreis Berlin, aporta un sonido incisivo y transparente. Julius Gawlik<\/strong>, colaborador de Ensemble Modern y Jim Black, a\u00f1ade profundidad con sus clarinetes. Percy Pursglove<\/strong>, miembro de la NDR Big Band, combina libertad improvisativa con rigor compositivo. Geoffroy De Masure<\/strong>, profesor en el Jazz Institute Berlin, introduce elementos microtonales y r\u00edtmicos complejos. Morris Kliphuis<\/strong>, con su enfoque experimental de la trompa, aporta sorpresa y sutileza. Roland Schneider<\/strong>, con ra\u00edces en Nueva York, ofrece una bater\u00eda reactiva y sensible. Y Iversen<\/strong>, con su contrabajo, articula el discurso musical con claridad y profundidad.<\/p>\n

Los temas del disco exploran diferentes aspectos de la escritura contempor\u00e1nea. \u00abDouble Arches\u00bb<\/strong> juega con melod\u00edas paralelas; \u00abTBQE\u00bb<\/strong> plantea preguntas musicales abiertas; \u00abThreefold\u00bb<\/strong> experimenta con ritmos cruzados; \u00abInverted Structures\u00bb<\/strong> propone una arquitectura sonora invertida; y \u00abTwo Twisted Spires\u00bb<\/strong> culmina el disco con una superposici\u00f3n de armon\u00edas que desaf\u00eda la escucha tradicional.<\/p>\n

Marbles<\/em> no solo es una obra musical, sino tambi\u00e9n una reflexi\u00f3n sobre el proceso creativo. Iversen impuso obst\u00e1culos deliberados a su escritura para capturar una visi\u00f3n que, aunque clara en su origen, requer\u00eda esfuerzo para materializarse. El resultado es un disco que celebra la diversidad de caminos<\/strong>, la interacci\u00f3n<\/strong> y la curiosidad<\/strong>.<\/p>\n

\u00a9 Pachi \u201cselbram\u201d Tapiz, 2025<\/strong><\/p>\n

\n

Anne Mette Iversen Ternion Q Expanded: Marbles<\/em><\/h3>\n

M\u00fasicos<\/strong>: Percy Pursglove (trompeta, fliscorno); Silke Eberhard (saxo alto); Julius Gawlik (saxo tenor, clarinete, clarinete alto); Morris Kliphuis (trompa); Geoffroy De Masure (tromb\u00f3n); Anne Mette Iversen (contrabajo); Roland Schneider (bater\u00eda, platos).<\/p>\n

Temas<\/strong>: 1 \u00abDouble Arches\u00bb (Anne Mette Iversen) 5:46 2 \u00abTBQE (To Be Questioned Eventually)\u00bb (Anne Mette Iversen) 6:48 3 \u00abSquare Root of a Dream\u00bb (Anne Mette Iversen) 5:43 4 \u00abTenacious Mind\u00bb (Anne Mette Iversen) 7:31 5 \u00abMarble for Minor\u00bb (Anne Mette Iversen) 6:35 6 \u00abThreefold\u00bb (Anne Mette Iversen) 6:45 7 \u00abInverted Structures\u00bb (Anne Mette Iversen) 5:54 8 \u00abTwo Twisted Spires\u00bb (Anne Mette Iversen) 5:10<\/p>\n

Informaci\u00f3n adicional<\/strong>: Grabado en Traumton Studio (Berl\u00edn) el 31 de enero y 1 de febrero de 2025. T\u00e9cnico de grabaci\u00f3n Andreas Lammel. Mezclado por Andreas Lammel en mayo de 2025. Masterizado por Michael MacDonald en AlgoRhythms Mastering. Dise\u00f1o de portada e ilustraci\u00f3n Ziggy Fugmann. Publicado por Brooklyn Jazz Underground Records (BJUR 080).<\/p>\n

\n

Curiosidades sobre Marbles<\/em><\/h3>\n

El concepto del disco se inspira en las pistas de canicas como met\u00e1fora del proceso creativo. Iversen impuso obst\u00e1culos deliberados a su escritura para capturar una visi\u00f3n musical compleja. Algunas piezas presentan m\u00faltiples capas r\u00edtmicas, mel\u00f3dicas y arm\u00f3nicas simult\u00e1neas.<\/p>\n

\n

Informaci\u00f3n sobre Anne Mette Iversen<\/h3>\n

Anne Mette Iversen<\/strong> (nacida en 1972) es una contrabajista, compositora y l\u00edder de banda danesa. Inici\u00f3 su carrera en Nueva York en 1998 y se traslad\u00f3 a Berl\u00edn en 2012. Es profesora y directora del Departamento de Jazz en la Universidad de Ciencias Aplicadas de Osnabr\u00fcck. Su obra combina jazz contempor\u00e1neo y m\u00fasica cl\u00e1sica, con un enfoque estructural y l\u00edrico.<\/p>\n

Grabaciones recomendadas<\/strong>: Racing a Butterfly<\/em>, So Many Roads<\/em>, Round Trip<\/em>, Poetry of Earth<\/em>.<\/p>\n

\n

M\u00e1s informaci\u00f3n sobre Anne Mette Iversen y Brooklyn Jazz Underground Records<\/h3>\n

https:\/\/www.annemetteiversen.com\/<\/a><\/p>\n

https:\/\/tomajazz.com\/web\/?s=anne+mette+iversen&submit=Search<\/a><\/p>\n

http:\/\/www.bjurecords.com\/<\/a><\/p>\n

https:\/\/tomajazz.com\/web\/?s=brooklyn+jazz+underground+records&submit=Search<\/a><\/p>\n

Pachi Tapiz en Tomajazz<\/h3>\n

https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

Marbles (Brooklyn Jazz Underground Records; 2025) es la nueva grabaci\u00f3n de Anne Mette Iversen al frente del septeto Ternion Q Expanded. Pachi Tapiz repasa la grabaci\u00f3n. Con Percy Pursglove, Silke Eberhard, Julius Gawlik, Morris Kliphuis, Geoffroy De Masure, Anne Mette Iversen, Roland SchneiderContin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":100685,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[5,17847,15517,1038],"tags":[32749,32751,32748,28405,25763,31,16207,32750,15167,32752],"class_list":["entry","author-pachi","has-excerpt","post-100684","post","type-post","status-publish","format-standard","has-post-thumbnail","category-grabaciones","category-pachi-tapiz","category-textos","category-contenidos","tag-anne-mette-iversen","tag-brooklyn-jazz-underground-records","tag-geoffroy-de-masure","tag-julius-gawlik","tag-morris-kliphuis","tag-pachi-tapiz","tag-percy-pursglove","tag-roland-schneider","tag-silke-eberhard","tag-ternion-q-expanded"],"jetpack_featured_media_url":"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2025\/10\/Anne-Mette-Iversen-Ternion-Q-Expanded-Marbles-Brooklyn-Jazz-Underground-Records-2025-Tomajazz.jpg","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":102562,"url":"https:\/\/tomajazz.com\/web\/rahsaan-roland-kirk-seek-listen-1967-2025\/","url_meta":{"origin":100684,"position":0},"title":"Rahsaan Roland Kirk: Seek & Listen: Live at the Penthouse (Resonance Records; 1967; Publicaci\u00f3n 2025) Por Pachi Tapiz [Grabaci\u00f3n de jazz]","author":"Tomajazz","date":"4 diciembre, 2025","format":false,"excerpt":"Seek & Listen: Live at the Penthouse (Resonance Records; 1967; Publicaci\u00f3n 2025) es una grabaci\u00f3n in\u00e9dita de Rahsaan Roland Kirk. 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Exposici\u00f3n de Jorge Ribera","author":"Tomajazz","date":"5 marzo, 2014","format":false,"excerpt":"Jorge Ribera vuelve por Tomajazz con su nueva exposici\u00f3n Im\u00e1genes Sonando 2\u00aa Parte: Mujeres y Jazz que entre el 21 de febrero y el 21 de marzo de 2014 se puede ver en Bar Calypso (Calle Emilio Gasc\u00f3 Contell 16) de Valencia. Que ustedes lo disfruten. Roxy Coss. Jeremy Pelt\u2026","rel":"","context":"En \u00ab*_Jorge Ribera\u00bb","block_context":{"text":"*_Jorge Ribera","link":"https:\/\/tomajazz.com\/web\/category\/jorge-ribera\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2014\/03\/RoxyCoss_JeremyPelt-Quintet_Jimmy_2012-Cartel_600.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2014\/03\/RoxyCoss_JeremyPelt-Quintet_Jimmy_2012-Cartel_600.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2014\/03\/RoxyCoss_JeremyPelt-Quintet_Jimmy_2012-Cartel_600.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":100196,"url":"https:\/\/tomajazz.com\/web\/john-hollenbeck-colouring-hockets-2024\/","url_meta":{"origin":100684,"position":2},"title":"John Hollenbeck & NDR Bigband: Colouring Hockets (Flexatonic Records; 2024) Por Pachi Tapiz [Grabaci\u00f3n de jazz]","author":"Tomajazz","date":"7 octubre, 2025","format":false,"excerpt":"Colouring Hockets (Flexatonic Records; 2024) es lo nuevo de John Hollenbeck con la NDR Bigband. 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