{"id":1007,"date":"2010-05-15T20:28:00","date_gmt":"2010-05-15T18:28:00","guid":{"rendered":"http:\/\/www.tomajazz.com\/web\/?p=1007"},"modified":"2016-11-13T17:23:10","modified_gmt":"2016-11-13T16:23:10","slug":"steve-swells-slammin-the-infinite-5000-poems-park-west-studios-2007","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/steve-swells-slammin-the-infinite-5000-poems-park-west-studios-2007\/","title":{"rendered":"Steve Swell&#8217;s Slammin&#8217; The Infinite &#8211; 5000 Poems (Not Two, 2010)"},"content":{"rendered":"<p style=\"text-align: justify\"><a href=\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2011\/05\/sssti_5p.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-full wp-image-1008\" src=\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2011\/05\/sssti_5p.jpg\" alt=\"\" width=\"150\" height=\"150\" title=\"\"><\/a><em>5000 Poems<\/em>, que hace referencia a un ensayo de Walt Whitmann, es el cuarto disco del grupo Slammin&#8217; The Infinite del trombonista Steve Swell, segundo con la participaci\u00f3n del pianista John Blum.<\/p>\n<p style=\"text-align: justify\">Grabado en directo en estudio, es un magn\u00edfico muestrario, sumamente variado, de <em>free jazz<\/em> a la cl\u00e1sica. Los siete temas, todos ellos compuestos por Swell, permiten el lucimiento de todos los m\u00fasicos, pero especialmente del propio Swell (magn\u00edfico al tromb\u00f3n), y tambi\u00e9n de Sabir Mateen. Este saxofonista, flautista y clarinetista toca un total de cinco instrumentos, lo que hace que la paleta sonora sea sumamente variada. El <em>swing<\/em> de \u00abWhere Are The Heartfelt?\u00bb, el inicio vibrante de \u00abNot Their Kind\u00bb o la abstracci\u00f3n de \u00abMy Myth Of Perfection\u00bb son una magn\u00edfica muestra de lo se\u00f1alado.<\/p>\n<p style=\"text-align: right\"><a href=\"mailto:jftapiz@tomajazz.com\">Pachi Tapiz<\/a><\/p>\n<p>\u00a0<\/p>\n<p style=\"text-align: justify\"><strong>Composiciones: <\/strong>\u00abNot Their Kind\u00bb 8:32, \u00abSketch #1\u00bb 8:05, \u00abWhere Are The Heartfelt?\u00bb 12:28, \u00abMy Myth Of Perfection\u00bb 14:20, \u00abThe Only Way&#8230; Out\u00bb 15:33, \u00abSketch #2\u00bb 4:00, \u00abThe Darkness Afoot\u00bb 13:46<br \/>\nTodas las composiciones por Steve Swell<\/p>\n<p><strong>M\u00fasicos: <\/strong>Steve Swell (tromb\u00f3n y composiciones), Sabir Mateen (saxos alto y tenor, clarinete y clarinete bajo, flauta), John Blum (piano), Matthew Heyner (contrabajo), Klaus Kugel (bater\u00eda)<\/p>\n<p>Grabado en directo el 24 de enero de 2007 en Park West Studios, Nueva York. Publicado en 2010 por Not Two Records. MW 827-2<\/p>\n","protected":false},"excerpt":{"rendered":"<p>5000 Poems, que hace referencia a un ensayo de Walt Whitmann, es el cuarto disco del grupo Slammin&#8217; The Infinite del trombonista Steve Swell, segundo con la participaci\u00f3n del pianista John Blum. Grabado en directo en estudio, es un magn\u00edfico muestrario, sumamente variado, de free jazz a la cl\u00e1sica. Los<span class=\"more-link\"><a href=\"https:\/\/tomajazz.com\/web\/steve-swells-slammin-the-infinite-5000-poems-park-west-studios-2007\/\">Contin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":4,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":true,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[17847,5],"tags":[12651,12696,13,12415,15295,573,575,574,31,572,450,77],"class_list":["entry","author-autor1","post-1007","post","type-post","status-publish","format-standard","category-pachi-tapiz","category-grabaciones","tag-cd","tag-grabaciones","tag-jazz","tag-jazz-en-espana","tag-jazz-en-espanol","tag-john-blum","tag-klaus-kugel","tag-matthew-heyner","tag-pachi-tapiz","tag-sabir-mateen","tag-steve-swell","tag-tomajazz"],"jetpack_featured_media_url":"","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":2899,"url":"https:\/\/tomajazz.com\/web\/steve-swells-slammin-the-infinite-5000-poems\/","url_meta":{"origin":1007,"position":0},"title":"Steve Swell&#8217;s Slammin&#8217; The Infinite: 5000 Poems","author":"Tomajazz","date":"19 abril, 2010","format":false,"excerpt":"5000 Poems, que hace referencia a un ensayo de Walt Whitmann, es el cuarto disco del grupo Slammin' The Infinite del trombonista Steve Swell, segundo con la participaci\u00f3n del pianista John Blum. Grabado en directo en estudio, es un magn\u00edfico muestrario, sumamente variado, de free jazz a la cl\u00e1sica. Los\u2026","rel":"","context":"En \u00abGrabaciones...\u00bb","block_context":{"text":"Grabaciones...","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/textos\/grabaciones\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":1135,"url":"https:\/\/tomajazz.com\/web\/the-ullmann-swell-4-news-no-news\/","url_meta":{"origin":1007,"position":1},"title":"The Ullmann &#8211; Swell 4 &#8211; News? No News!  (","author":"Autor1","date":"17 mayo, 2011","format":false,"excerpt":"Tras estrenarse en CIMP con la grabaci\u00f3n hom\u00f3nima, The Ullmann - Swell 4, el grupo liderado por el saxofonista alem\u00e1n Gebhard Ullmann y el trombonista americano Steve Swell publica su segunda grabaci\u00f3n titulada News? No News! en el sello alem\u00e1n Jazzwerkstatt. Acompa\u00f1ados por una r\u00edtmica de lujo (el contrabajista Hilliard\u2026","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/web\/wp-content\/uploads\/2011\/05\/ullmann_swell_news.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":2911,"url":"https:\/\/tomajazz.com\/web\/the-ullmann-swell-4-news-no-news-2\/","url_meta":{"origin":1007,"position":2},"title":"The Ullmann &#8211; Swell 4: News? No News!","author":"Tomajazz","date":"31 marzo, 2010","format":false,"excerpt":"Tras estrenarse en CIMP con la grabaci\u00f3n hom\u00f3nima, The Ullmann - Swell 4, el grupo liderado por el saxofonista alem\u00e1n Gebhard Ullmann y el trombonista americano Steve Swell publica su segunda grabaci\u00f3n titulada\u00a0News? No News! en el sello alem\u00e1n Jazzwerkstatt. Acompa\u00f1ados por una r\u00edtmica de lujo (el contrabajista Hilliard Greene\u2026","rel":"","context":"Entrada similar","block_context":{"text":"Entrada similar","link":""},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":29320,"url":"https:\/\/tomajazz.com\/web\/hdo-238-leo-records-las-dimensiones-de-la-improvisacion-con-loz-speyer-gratkowski-nabatov-ensemble-5-stuart-popejoy-podcast\/","url_meta":{"origin":1007,"position":3},"title":"HDO 238. Leo Records: las dimensiones de la improvisaci\u00f3n con Loz Speyer, Gratkowski &#8211; Nabatov, Ensemble 5, Stuart Popejoy [Podcast]","author":"Tomajazz","date":"15 febrero, 2017","format":false,"excerpt":"En HDO 238 (15 de febrero de 2017), catamos las cuatro \u00faltimas novedades del cat\u00e1logo de\u00a0Leo Records, en las que aparecen distintas visiones de la improvisaci\u00f3n, a saber, las de\u00a0Loz Speyer's Inner Space en Life On the Edge\u00a0(Chris Biscoe, Rachel Musson, Olie Brice, Gary Willcox, Loz Speyer);\u00a0Ensemble 5 en Live\u2026","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/02\/Loz-Speyers-Inner-Space_Life-On-the-Edge_Leo-Records_2017.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":23990,"url":"https:\/\/tomajazz.com\/web\/peter-brotzmann-en-buena-compania-por-triplicado-en-not-two-cd\/","url_meta":{"origin":1007,"position":4},"title":"Peter Br\u00f6tzmann: en buena compa\u00f1\u00eda por triplicado en Not Two [CD]","author":"Tomajazz","date":"4 mayo, 2016","format":false,"excerpt":"A sus 75 primaveras, el tremendo soplador alem\u00e1n Peter Br\u00f6tzmann sigue mostrando una m\u00e1s que notable actividad tanto en directo como en forma de grabaciones discogr\u00e1ficas. El sello polaco Not Two pone en circulaci\u00f3n tres grabaciones del padre del seminal Machine Gun (Bro \u2013 FMP, 1968) en tres formatos distintos.\u2026","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/05\/Br%C3%B6tzmann-Swell-Nilssen-Love_Krakow-Nights_Not-Two_2016.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":36283,"url":"https:\/\/tomajazz.com\/web\/hdo-397-vinny-golia-steve-swell-jason-robinson-podcast\/","url_meta":{"origin":1007,"position":5},"title":"HDO 397. Vinny Golia &#8211; Steve Swell &#8211; Jason Robinson [Podcast]","author":"Tomajazz","date":"24 abril, 2018","format":false,"excerpt":"\u00a0 Tres grabaciones, muy recomendables todas ellas, en las que la composici\u00f3n tiene un papel esencial, y con formaciones m\u00e1s amplias que lo habitual en los terrenos de la \"vanguardia\" jazz\u00edstica (n\u00f3tense las comillas), suenan en HDO 397:\u00a0Trajectory\u00a0(The Vinny Golia Sextet; Ninewinds Records & Orenda Records. 2CD); Music for Six\u2026","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2018\/04\/Jason-Robinson_Resonant-Geographies.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2018\/04\/Jason-Robinson_Resonant-Geographies.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2018\/04\/Jason-Robinson_Resonant-Geographies.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2018\/04\/Jason-Robinson_Resonant-Geographies.jpg?resize=700%2C400&ssl=1 2x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2018\/04\/Jason-Robinson_Resonant-Geographies.jpg?resize=1050%2C600&ssl=1 3x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2018\/04\/Jason-Robinson_Resonant-Geographies.jpg?resize=1400%2C800&ssl=1 4x"},"classes":[]}],"_links":{"self":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/1007","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/comments?post=1007"}],"version-history":[{"count":5,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/1007\/revisions"}],"predecessor-version":[{"id":23091,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/1007\/revisions\/23091"}],"wp:attachment":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media?parent=1007"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/categories?post=1007"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/tags?post=1007"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}