{"id":1007,"date":"2010-05-15T20:28:00","date_gmt":"2010-05-15T18:28:00","guid":{"rendered":"http:\/\/www.tomajazz.com\/web\/?p=1007"},"modified":"2016-11-13T17:23:10","modified_gmt":"2016-11-13T16:23:10","slug":"steve-swells-slammin-the-infinite-5000-poems-park-west-studios-2007","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/steve-swells-slammin-the-infinite-5000-poems-park-west-studios-2007\/","title":{"rendered":"Steve Swell&#8217;s Slammin&#8217; The Infinite &#8211; 5000 Poems (Not Two, 2010)"},"content":{"rendered":"<p style=\"text-align: justify\"><a href=\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2011\/05\/sssti_5p.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-full wp-image-1008\" src=\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2011\/05\/sssti_5p.jpg\" alt=\"\" width=\"150\" height=\"150\" title=\"\"><\/a><em>5000 Poems<\/em>, que hace referencia a un ensayo de Walt Whitmann, es el cuarto disco del grupo Slammin&#8217; The Infinite del trombonista Steve Swell, segundo con la participaci\u00f3n del pianista John Blum.<\/p>\n<p style=\"text-align: justify\">Grabado en directo en estudio, es un magn\u00edfico muestrario, sumamente variado, de <em>free jazz<\/em> a la cl\u00e1sica. Los siete temas, todos ellos compuestos por Swell, permiten el lucimiento de todos los m\u00fasicos, pero especialmente del propio Swell (magn\u00edfico al tromb\u00f3n), y tambi\u00e9n de Sabir Mateen. Este saxofonista, flautista y clarinetista toca un total de cinco instrumentos, lo que hace que la paleta sonora sea sumamente variada. El <em>swing<\/em> de \u00abWhere Are The Heartfelt?\u00bb, el inicio vibrante de \u00abNot Their Kind\u00bb o la abstracci\u00f3n de \u00abMy Myth Of Perfection\u00bb son una magn\u00edfica muestra de lo se\u00f1alado.<\/p>\n<p style=\"text-align: right\"><a href=\"mailto:jftapiz@tomajazz.com\">Pachi Tapiz<\/a><\/p>\n<p>\u00a0<\/p>\n<p style=\"text-align: justify\"><strong>Composiciones: <\/strong>\u00abNot Their Kind\u00bb 8:32, \u00abSketch #1\u00bb 8:05, \u00abWhere Are The Heartfelt?\u00bb 12:28, \u00abMy Myth Of Perfection\u00bb 14:20, \u00abThe Only Way&#8230; Out\u00bb 15:33, \u00abSketch #2\u00bb 4:00, \u00abThe Darkness Afoot\u00bb 13:46<br \/>\nTodas las composiciones por Steve Swell<\/p>\n<p><strong>M\u00fasicos: <\/strong>Steve Swell (tromb\u00f3n y composiciones), Sabir Mateen (saxos alto y tenor, clarinete y clarinete bajo, flauta), John Blum (piano), Matthew Heyner (contrabajo), Klaus Kugel (bater\u00eda)<\/p>\n<p>Grabado en directo el 24 de enero de 2007 en Park West Studios, Nueva York. Publicado en 2010 por Not Two Records. MW 827-2<\/p>\n","protected":false},"excerpt":{"rendered":"<p>5000 Poems, que hace referencia a un ensayo de Walt Whitmann, es el cuarto disco del grupo Slammin&#8217; The Infinite del trombonista Steve Swell, segundo con la participaci\u00f3n del pianista John Blum. Grabado en directo en estudio, es un magn\u00edfico muestrario, sumamente variado, de free jazz a la cl\u00e1sica. Los<span class=\"more-link\"><a href=\"https:\/\/tomajazz.com\/web\/steve-swells-slammin-the-infinite-5000-poems-park-west-studios-2007\/\">Contin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":4,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[17847,5],"tags":[12651,12696,13,12415,15295,573,575,574,31,572,450,77],"class_list":["entry","author-autor1","post-1007","post","type-post","status-publish","format-standard","category-pachi-tapiz","category-grabaciones","tag-cd","tag-grabaciones","tag-jazz","tag-jazz-en-espana","tag-jazz-en-espanol","tag-john-blum","tag-klaus-kugel","tag-matthew-heyner","tag-pachi-tapiz","tag-sabir-mateen","tag-steve-swell","tag-tomajazz"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"","_links":{"self":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/1007","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/comments?post=1007"}],"version-history":[{"count":5,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/1007\/revisions"}],"predecessor-version":[{"id":23091,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/1007\/revisions\/23091"}],"wp:attachment":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media?parent=1007"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/categories?post=1007"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/tags?post=1007"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}