{"id":100838,"date":"2025-10-29T12:00:30","date_gmt":"2025-10-29T11:00:30","guid":{"rendered":"https:\/\/tomajazz.com\/web\/?p=100838"},"modified":"2025-10-28T22:15:35","modified_gmt":"2025-10-28T21:15:35","slug":"zanussi-3-a-keen-beast-2025","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/zanussi-3-a-keen-beast-2025\/","title":{"rendered":"Zanussi 3: A Keen Beast (Sauajazz; 2025) Por Pachi Tapiz [Grabaci\u00f3n de jazz]"},"content":{"rendered":"<p>El disco <em>A Keen Beast<\/em> representa una nueva etapa en la trayectoria del contrabajista y compositor <strong>Per Zanussi<\/strong>, quien tras m\u00e1s de 25 a\u00f1os en la escena jazz\u00edstica noruega, decide explorar nuevos horizontes con <strong>Zanussi 3<\/strong>. Este tr\u00edo, formado junto a <strong>Kristoffer Berre Alberts<\/strong> (saxofones) y <strong>Per Oddvar Johansen<\/strong> (bater\u00eda), recoge la experiencia acumulada en proyectos anteriores como <strong>Zanussi 5<\/strong>, pero se adentra en terrenos m\u00e1s abiertos y experimentales.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-101094 size-medium\" title=\"Zanussi 3: A Keen Beast (Sauajazz; 2025) Por Pachi Tapiz [Grabaci\u00f3n de jazz] Tomajazz Zanussi 3 A Keen Beast 2025 Sauajazz\" src=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2025\/10\/Zanussi-3-A-Keen-Beast-2025-Sauajazz-300x300.jpg\" alt=\"Zanussi 3: A Keen Beast (Sauajazz; 2025) Por Pachi Tapiz [Grabaci\u00f3n de jazz] - Tomajazz - A Keen Beast (Sauajazz; 2025) es la nueva grabaci\u00f3n de Zanussi 3. Pachi Tapiz repasa la grabaci\u00f3n\" width=\"300\" height=\"300\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2025\/10\/Zanussi-3-A-Keen-Beast-2025-Sauajazz-300x300.jpg 300w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2025\/10\/Zanussi-3-A-Keen-Beast-2025-Sauajazz-600x600.jpg 600w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2025\/10\/Zanussi-3-A-Keen-Beast-2025-Sauajazz-200x200.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2025\/10\/Zanussi-3-A-Keen-Beast-2025-Sauajazz-768x768.jpg 768w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2025\/10\/Zanussi-3-A-Keen-Beast-2025-Sauajazz-465x465.jpg 465w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2025\/10\/Zanussi-3-A-Keen-Beast-2025-Sauajazz-500x500.jpg 500w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2025\/10\/Zanussi-3-A-Keen-Beast-2025-Sauajazz.jpg 800w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/>El \u00e1lbum fue grabado en dos sesiones en marzo de 2019 en el emblem\u00e1tico <strong>Victoria, Nasjonal Jazzscene<\/strong> de Oslo<\/p>\n<p>El repertorio incluye ocho composiciones originales: \u00abMurmuration\u00bb, \u00abA Keen Beast\u00bb, \u00abFur Against Sky\u00bb, \u00abAlto e Basso\u00bb, \u00abWarp and Weft\u00bb, \u00abFive\u00bb, \u00abSpace Phase\u00bb y \u00abDriftwake\u00bb. Cada tema ofrece una exploraci\u00f3n distinta del lenguaje del tr\u00edo, desde la densidad r\u00edtmica hasta la abstracci\u00f3n mel\u00f3dica. La influencia de m\u00fasicas tradicionales, como la coreana, se entrelaza con el jazz contempor\u00e1neo, generando una sonoridad \u00fanica.<\/p>\n<p>La interacci\u00f3n entre los m\u00fasicos es uno de los pilares del disco. Alberts se muestra vers\u00e1til y audaz en los saxofones, alternando momentos l\u00edricos con explosiones expresivas. Johansen, con una trayectoria consolidada junto a Zanussi, aporta una bater\u00eda que equilibra precisi\u00f3n y espontaneidad. Zanussi, como l\u00edder, gu\u00eda el conjunto con un contrabajo que es tanto soporte como voz propia.<\/p>\n<p><em>A Keen Beast<\/em> no es \u00fanicamente una colecci\u00f3n de temas, sino una declaraci\u00f3n art\u00edstica. El tr\u00edo juega con las normas del jazz, las descompone y las reconstruye desde una perspectiva abierta y curiosa. El resultado es un disco que desaf\u00eda y emociona, y que confirma a Zanussi como una figura a seguir en el jazz europeo actual.<\/p>\n<p style=\"text-align: right;\"><strong>\u00a9 Pachi \u201cissuzan neek besta\u201d Tapiz, 2025<\/strong><\/p>\n<hr \/>\n<h3>Zanussi 3: <em>A Keen Beast<\/em><\/h3>\n<p><strong>M\u00fasicos<\/strong>: Per Zanussi (contrabajo); Kristoffer Berre Alberts (saxofones); Per Oddvar Johansen (bater\u00eda)<\/p>\n<p><strong>Temas<\/strong>: \u00abMurmuration\u00bb (Per Zanussi) 6:12, \u00abA Keen Beast\u00bb (Per Zanussi) 7:45, \u00abFur Against Sky\u00bb (Per Zanussi) 5:30, \u00abAlto e Basso\u00bb (Per Zanussi) 6:10, \u00abWarp and Weft\u00bb (Per Zanussi) 6:50, \u00abFive\u00bb (Per Zanussi) 5:40, \u00abSpace Phase\u00bb (Per Zanussi) 7:20, \u00abDriftwake\u00bb (Per Zanussi) 6:00<\/p>\n<p><strong>Informaci\u00f3n adicional<\/strong>: Grabado en Victoria, Nasjonal Jazzscene el 14 y 15 de marzo de 2019. T\u00e9cnico de grabaci\u00f3n Ingar Hunskaar. Mezclado por Ingar Hunskaar. Masterizado por Inge Engelsvold. Productor Per Zanussi. Dise\u00f1o por Terje Ekrene Vik. Fotograf\u00edas por Leon Mathisen.<\/p>\n<hr \/>\n<h3>Curiosidades sobre <em>A Keen Beast<\/em><\/h3>\n<p>Las composiciones est\u00e1n influenciadas por la m\u00fasica tradicional coreana. El tr\u00edo surge como una evoluci\u00f3n del proyecto Zanussi 5, con una formaci\u00f3n m\u00e1s reducida y experimental. La grabaci\u00f3n se realiz\u00f3 en uno de los escenarios m\u00e1s emblem\u00e1ticos del jazz noruego: Victoria, Nasjonal Jazzscene.<\/p>\n<hr \/>\n<h3>Informaci\u00f3n sobre Per Zanussi<\/h3>\n<p><strong>Per Zanussi<\/strong> (n. 1977) es uno de los contrabajistas y compositores m\u00e1s destacados del jazz noruego. Ha liderado proyectos como <strong>Zanussi 5<\/strong>, y ha colaborado con figuras como <strong>Jon Balke<\/strong>, <strong>Erik Honor\u00e9<\/strong> y <strong>Christian Wallumr\u00f8d<\/strong>. Su estilo combina la tradici\u00f3n del jazz europeo con influencias de m\u00fasicas del mundo y una fuerte inclinaci\u00f3n hacia la improvisaci\u00f3n libre.<\/p>\n<p><strong>Grabaciones recomendadas<\/strong>:<\/p>\n<ul>\n<li><em>Live in Oslo<\/em> (Zanussi 5)<\/li>\n<li><em>Ghost Dance<\/em> (con Jon Balke)<\/li>\n<li><em>Time and the Woods<\/em> (con Erik Honor\u00e9)<\/li>\n<\/ul>\n<hr \/>\n<h3>En el a\u00f1o de la grabaci\u00f3n (2019)<\/h3>\n<p><strong>Cultura y pol\u00edtica<\/strong>: Greta Thunberg lidera huelgas escolares por el clima; se estrena <em>Parasite<\/em> de Bong Joon-ho; incendio en Notre-Dame de Par\u00eds; protestas en Hong Kong; se abre en Alemania un importante debate p\u00fablico acerca de la edici\u00f3n del genoma.<\/p>\n<p><strong>Jazz<\/strong>: Fallece el pianista <strong>Jacques Loussier<\/strong>; Keith Jarrett publica <em>Munich 2016<\/em>; se celebra la tercera edici\u00f3n del festival <strong>Jazz Across Borders<\/strong> en Rusia; se edita <em>Common Practice<\/em> de Ethan Iverson y Tom Harrell; se celebra el centenario del nacimiento de Art Blakey.<\/p>\n<hr \/>\n<h3>M\u00e1s acerca de Zanussi 3 y Sauajazz<\/h3>\n<p><a href=\"https:\/\/www.perzanussi.com\/\" target=\"_blank\" rel=\"noopener\">https:\/\/www.perzanussi.com\/<\/a><\/p>\n<p><a href=\"https:\/\/tomajazz.com\/web\/?s=per+zanuss&amp;submit=Search\" target=\"_blank\" rel=\"noopener\">https:\/\/tomajazz.com\/web\/?s=per+zanuss&amp;submit=Search<\/a><\/p>\n<p><a href=\"https:\/\/www.sheepchaserecords.com\/sauajazz\" target=\"_blank\" rel=\"noopener\">https:\/\/www.sheepchaserecords.com\/sauajazz<\/a><\/p>\n<p><a href=\"https:\/\/tomajazz.com\/web\/?s=sauajazz&amp;submit=Search\" target=\"_blank\" rel=\"noopener\">https:\/\/tomajazz.com\/web\/?s=sauajazz&amp;submit=Search<\/a><\/p>\n<h3>Pachi Tapiz en Tomajazz<\/h3>\n<p><a href=\"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/\" target=\"_blank\" rel=\"noopener\">https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>A Keen Beast (Sauajazz; 2025) es la nueva grabaci\u00f3n de Zanussi 3. Pachi Tapiz repasa la grabaci\u00f3n. Con Per Zanussi, Kristoffer Berre Alberts, Per Oddvar Johansen<span class=\"more-link\"><a href=\"https:\/\/tomajazz.com\/web\/zanussi-3-a-keen-beast-2025\/\">Contin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":101094,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[5,17847,15517,1038],"tags":[21270,31,14592,28241,32797,32796],"class_list":["entry","author-pachi","has-excerpt","post-100838","post","type-post","status-publish","format-standard","has-post-thumbnail","category-grabaciones","category-pachi-tapiz","category-textos","category-contenidos","tag-kristoffer-berre-alberts","tag-pachi-tapiz","tag-per-oddvar-johansen","tag-per-zanussi","tag-sauajazz","tag-zanussi-3"],"jetpack_featured_media_url":"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2025\/10\/Zanussi-3-A-Keen-Beast-2025-Sauajazz.jpg","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":25780,"url":"https:\/\/tomajazz.com\/web\/hdo-152-tres-trios-per-oddvar-johansen-trio-fresu-galiano-lundgren-wolfert-brederode-trio-3x3-09-podcast\/","url_meta":{"origin":100838,"position":0},"title":"HDO 152. Tres tr\u00edos: Per Oddvar Johansen Trio &#8211; Fresu-Galiano-Lundgren &#8211; Wolfert Brederode Trio. 3X3 (09) [Podcast]","author":"Tomajazz","date":"29 julio, 2016","format":false,"excerpt":"Es... sencillo. Tres tr\u00edos a tres temas por grabaci\u00f3n: Per Oddvar Johansen Trio (Let's Dance, Edition Records);\u00a0Paolo Fresu - Richard Galiano - Jan Lundgrem (Mare Nostrum II, ACT);\u00a0Wolfert Brederode\u00a0(Black Ice, ECM). Pero atenci\u00f3n, que salvo los \u00faltimos, el resto no son el t\u00edpico tr\u00edo de bater\u00eda, piano y contrabajo; hay\u2026","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/07\/Wolfert-Brederode-Trio_Black-Ice_ECM_2016.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/07\/Wolfert-Brederode-Trio_Black-Ice_ECM_2016.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/07\/Wolfert-Brederode-Trio_Black-Ice_ECM_2016.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":48531,"url":"https:\/\/tomajazz.com\/web\/jazzx5176-large-unit-fendika-anbessa-ethiobraz-minipodcast\/","url_meta":{"origin":100838,"position":1},"title":"JazzX5#176. Large Unit Fendika: Anbessa (Ethiobraz) [Minipodcast]","author":"Tomajazz","date":"18 enero, 2020","format":false,"excerpt":"En JazzX5 176 escuchamos Anbessa del CD Ethiobraz de Large Unit Ethiobraz, la formaci\u00f3n del baterista Paal Nilssen-Love a la que se unieron para la grabaci\u00f3n m\u00fasicos brasile\u00f1os y et\u00edopes.","rel":"","context":"En \u00abPodcast\u00bb","block_context":{"text":"Podcast","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/sonidos\/podcast\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2020\/01\/JazzX5_176.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2020\/01\/JazzX5_176.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2020\/01\/JazzX5_176.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2020\/01\/JazzX5_176.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":36190,"url":"https:\/\/tomajazz.com\/web\/hdo-394-gard-nilssens-acoustic-unity-jon-rune-strom-quintet-clean-feed-2018-01-podcast\/","url_meta":{"origin":100838,"position":2},"title":"HDO 394. Gard Nilssen&#8217;s Acoustic Unity &#8211; Jon Rune Strom Quintet (Clean Feed 2018-01) [Podcast]","author":"Tomajazz","date":"19 abril, 2018","format":false,"excerpt":"\u00a0 Centrado en el free jazz y la libre improvisaci\u00f3n, el sello portugu\u00e9s Clean Feed no cesa de publicar magn\u00edficas referencias que se mueven por los terrenos mencionados, en las que es habitual encontrar a primeras figuras de la improvisaci\u00f3n internacional. En HDO 394 suenan dos de las \u00faltimas referencias\u2026","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2018\/04\/Gard-Nilssens-Acoustic-Unity_Live-In-Europe.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2018\/04\/Gard-Nilssens-Acoustic-Unity_Live-In-Europe.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2018\/04\/Gard-Nilssens-Acoustic-Unity_Live-In-Europe.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":69111,"url":"https:\/\/tomajazz.com\/web\/large-unit-clusterfuck-new-map-2022\/","url_meta":{"origin":100838,"position":3},"title":"Large Unit: Clusterfuck (PNL Records, 2022) \/ New Map (PNL Records, 2022) Por Pachi Tapiz [Grabaciones de jazz]","author":"Tomajazz","date":"20 diciembre, 2022","format":false,"excerpt":"Pachi Tapiz repasa las dos nuevas grabaciones de la Large Unit de Paal Nilssen-Love, tituladas Clusterfuck (PNL Records, 2022) y New Map (PNL Records, 2022).","rel":"","context":"En \u00abGrabaciones...\u00bb","block_context":{"text":"Grabaciones...","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/textos\/grabaciones\/"},"img":{"alt_text":"Large Unit Clusterfuck (PNL055. PNL Records, 2022)","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2022\/12\/Large-Unit-Clusterfuck-PNL-Records-2022-PNL055_WEB.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2022\/12\/Large-Unit-Clusterfuck-PNL-Records-2022-PNL055_WEB.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2022\/12\/Large-Unit-Clusterfuck-PNL-Records-2022-PNL055_WEB.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2022\/12\/Large-Unit-Clusterfuck-PNL-Records-2022-PNL055_WEB.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":21489,"url":"https:\/\/tomajazz.com\/web\/dubois-goods-rantala-norby-danielsson-baldych-lien-trio-novedades-en-act-hdo-0053-audioblog\/","url_meta":{"origin":100838,"position":4},"title":"DuBois, Goods, Rantala, Norby &#8211; Danielsson, Baldych &#8211; Lien Trio: novedades en ACT. HDO (0053) [Audioblog]","author":"Tomajazz","date":"24 diciembre, 2015","format":"audio","excerpt":"Repaso en HDO a unas cuantas novedades discogr\u00e1ficas en el siempre interesante sello ACT, que sirven a su vez para mostrar las m\u00faltiples facetas que ofrece\u00a0su m\u00fasica. Scott Dubois en Winter Light es capaz de describir paisajes musicales: un guitarrista que merece un mayor reconocimiento que se est\u00e1 labrando grabaci\u00f3n\u2026","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2015\/12\/Scott-Dubois_Winter-light_ACT_2015.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":26220,"url":"https:\/\/tomajazz.com\/web\/instantzz-paal-nilssen-love-large-unit-jazz-em-agosto-2016-08-14-galeria-fotografica\/","url_meta":{"origin":100838,"position":5},"title":"INSTANTZZ: Paal Nilssen-Love Large Unit (Jazz Em Agosto. 2016-08-14) [Galer\u00eda fotogr\u00e1fica]","author":"Tomajazz","date":"6 septiembre, 2016","format":false,"excerpt":"Sera Mart\u00edn repasa en la galer\u00eda fotogr\u00e1fica en Instantzz la actuaci\u00f3n de Large Unit del baterista y percusionista Paal Nilssen-Love en Jazz Em Agosto 2016, en Lisboa.","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/09\/01_IMG_2992.JPG-Unit-Large-Annawm.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/09\/01_IMG_2992.JPG-Unit-Large-Annawm.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/09\/01_IMG_2992.JPG-Unit-Large-Annawm.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]}],"_links":{"self":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/100838","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/comments?post=100838"}],"version-history":[{"count":2,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/100838\/revisions"}],"predecessor-version":[{"id":101095,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/100838\/revisions\/101095"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media\/101094"}],"wp:attachment":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media?parent=100838"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/categories?post=100838"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/tags?post=100838"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}