Jordi S\u00e1nchez<\/a>, 2014<\/p>\nNicolas Payton: Sketches of Spain<\/i> (BMF Records, 2013)<\/p>\n","protected":false},"excerpt":{"rendered":"
\u00abIt’s music and I like it\u00bb (es m\u00fasica y me gusta). Esa fue la respuesta contundente de Miles Davis cuando se le reproch\u00f3 por la cr\u00edtica musical que grabara Sketches of Spain\u00a0y muchos espetaran que aquello no era jazz. \u00a0La misma respuesta se torna actual cincuenta y pico a\u00f1os m\u00e1sContin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":10093,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[5,1038],"tags":[8221,12651,8223,12696,13,12415,15295,7635,1099,8220,16099,77,16100,8222],"class_list":["entry","author-pachi","post-10089","post","type-post","status-publish","format-standard","has-post-thumbnail","category-grabaciones","category-contenidos","tag-bmf-records","tag-cd","tag-daniel-sadownick","tag-grabaciones","tag-jazz","tag-jazz-en-espana","tag-jazz-en-espanol","tag-jordi-sanchez","tag-marcus-gilmore","tag-nicholas-payton","tag-toma-jazz","tag-tomajazz","tag-tomajazz-toma-jazz","tag-vicente-archer"],"jetpack_featured_media_url":"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2014\/01\/Nicholas-Payton-Sketches-of-Spain.jpg","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":3168,"url":"https:\/\/tomajazz.com\/web\/dos-de-trompetistas-por-sorpresa-nicholas-payton-y-corey-wilkes\/","url_meta":{"origin":10089,"position":0},"title":"Dos de trompetistas por sorpresa: Nicholas Payton y Corey Wilkes","author":"Tomajazz","date":"30 junio, 2008","format":false,"excerpt":"Tras sus devaneos con formas m\u00e1s modernas en su anterior disco en Blue Note, Payton ha editado Into The Blue en Nonesuch [1]. En formaci\u00f3n de quinteto, sin saxof\u00f3n esta vez, y acompa\u00f1ado de piano\/\u00f3rgano (Kevin Hays), contrabajo (Vicente Archer), bater\u00eda (Marcus Gilmore) y percusiones (Daniel Sadownick), el disco supone\u2026","rel":"","context":"En \u00abGrabaciones...\u00bb","block_context":{"text":"Grabaciones...","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/textos\/grabaciones\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":44912,"url":"https:\/\/tomajazz.com\/web\/ron-carter-foursight-quartet-xxii-festival-internacional-jazz-san-javier-murcia-2019-07-21-concierto\/","url_meta":{"origin":10089,"position":1},"title":"Ron Carter Foursight Quartet (XXII Festival Internacional Jazz San Javier, Murcia. 2019-07-21) [Concierto]","author":"Tomajazz","date":"5 agosto, 2019","format":false,"excerpt":"Por\u00a0Jos\u00e9 Antonio Garc\u00eda L\u00f3pez\u00a0y\u00a0Pedro S\u00e1ez. 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![\"Nicholas](\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2014\/01\/Nicholas-Payton-Sketches-of-Spain-200x200.jpg\" "\\"\\"")
\u00abIt’s music and I like it\u00bb (es m\u00fasica y me gusta). Esa fue la respuesta contundente de Miles Davis cuando se le reproch\u00f3 por la cr\u00edtica musical que grabara Sketches of Spain<\/em>\u00a0y muchos espetaran que aquello no era jazz. \u00a0La misma respuesta se torna actual cincuenta y pico a\u00f1os m\u00e1s tarde pues como saben a Nicolas Payton no le gusta hablar del t\u00e9rmino \u00abjazz\u00bb sino \u00abBAM\u00bb (Black American Music). As\u00ed las cosas, el trompetista repite con el sello BMF y con otro directo (el de Miles era un \u00e1lbum en estudio). Pero este \u00abvivo y en directo\u00bb es de tamiz y calado bien distinto al anterior Live at Bohemiam Caverns<\/em>\u00a0de Payton. Aqu\u00ed el trompetista se l\u00eda la manta a la cabeza y graba en directo con la Orquesta Filarm\u00f3nica de Basilea una revisi\u00f3n del multi ventas Sketches of Spain<\/em>\u00a0que en 1960 grab\u00f3 Miles Davis dirigido por Gil Evans, mezclando por vez primera m\u00fasica cl\u00e1sica, flamenco y jazz. Para esta ocasi\u00f3n Payton abandona su Fender Rhodes<\/em> y toca s\u00f3lo la trompeta llenando muchos m\u00e1s espacios que lo que en su d\u00eda hizo Miles. Tampoco se trataba de copiar el disco entero y la improvisaci\u00f3n de Nicolas es de destacar en el solo de \u00abEl Concierto de Aranjuez\u00bb o en el fant\u00e1stico solo de \u00abSolea\u00bb. Adem\u00e1s, pese a homenajear a su h\u00e9roe particular Payton aporta un nuevo tamiz con respecto al \u00ab\u00e1lbum cl\u00e1sico\u00bb con un sonido m\u00e1s actual. Cosas de las producciones actuales. En esta ocasi\u00f3n, adem\u00e1s de la citada orquestra, sus colaboradores son Vicente Archer al bajo, Marcus Gilmore a la bater\u00eda y Daniel Sadownick a la percusi\u00f3n. Pero debe ser el lector quien debe juzgar entre el original y este bonito homenaje de Payton.<\/p>\n