{"id":10101,"date":"2014-01-29T11:10:16","date_gmt":"2014-01-29T10:10:16","guid":{"rendered":"http:\/\/www.tomajazz.com\/web\/?p=10101"},"modified":"2016-11-13T17:16:48","modified_gmt":"2016-11-13T16:16:48","slug":"nate-wooley-sextet-sit-in-the-throne-of-friendship-clean-feed-2013","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/nate-wooley-sextet-sit-in-the-throne-of-friendship-clean-feed-2013\/","title":{"rendered":"Nate Wooley Sextet: <i>(Sit In) The Throne Of Friendship<\/i> (Clean Feed, 2013)"},"content":{"rendered":"<p style=\"text-align: justify;\"><i><img loading=\"lazy\" decoding=\"async\" class=\"alignleft  wp-image-10103\" alt=\"Nate Wooley Sextet_(Sit In) The Throne Of Friendship (Clean Feed)\" src=\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2014\/01\/Nate-Wooley-Sextet_Sit-In-The-Throne-Of-Friendship-Clean-Feed.jpg\" width=\"200\" height=\"200\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2014\/01\/Nate-Wooley-Sextet_Sit-In-The-Throne-Of-Friendship-Clean-Feed.jpg 300w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2014\/01\/Nate-Wooley-Sextet_Sit-In-The-Throne-Of-Friendship-Clean-Feed-150x150.jpg 150w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2014\/01\/Nate-Wooley-Sextet_Sit-In-The-Throne-Of-Friendship-Clean-Feed-200x200.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2014\/01\/Nate-Wooley-Sextet_Sit-In-The-Throne-Of-Friendship-Clean-Feed-54x55.jpg 54w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/>(Sit In) The Throne Of Friendship<\/i> recoge el aspecto m\u00e1s jazz\u00edstico de Nate Wooley, un complemento en cierto modo a su faceta como libre improvisador. Este m\u00fasico es quien se encarga de componer todos los temas, salvo uno, que es una sorprendente versi\u00f3n de \u201cOld Man On The Farm\u201d del oscarizado compositor de bandas sonoras Randy Newman (habitual en las pel\u00edculas de Disney \u2013 Pixar, cuyos temas han aparecido en la saga de <i>Toy Story<\/i>, <i>Cars<\/i> o <i>Monstruos S.A.<\/i>). En ese tema se plantean los elementos que se van a dar a lo largo del disco: un pu\u00f1ado de buenas composiciones con algunas melod\u00edas para no olvidar, que aparecen bien arregladas para un sexteto de m\u00fasicos ciertamente inspirados. Es precisamente la inusual formaci\u00f3n de trompeta (Wooley), saxo bar\u00edtono y clarinete bajo (Josh Sinton), vibr\u00e1fono (Matt Moran), contrabajo (Eivind Opsvik), tuba (Dan Peck) y bater\u00eda (Harris Eisenstadt) otra de las dificultades con las que se podr\u00eda haber encontrado, pero que sin embargo este grupo resuelve con gran solvencia. M\u00e1s conocidos unos que otros, todos ellos son unos m\u00fasicos con una gran proyecci\u00f3n. Todos los temas son m\u00e1s que recomendables aunque la terna con que comienza el disco, con un \u201cOld Man On The Farm\u201d que suena a himno, \u201cMake Your Friend Feel Loved\u201d lleno de <i>swing<\/i> y con un arrebatador solo de Dan Peck, y el tranquilo y espaciado \u201cThe Berries\u201d, son un inicio para recordar.<\/p>\n<p style=\"text-align: right;\">\u00a9 Pachi Tapiz, 2014<\/p>\n<p>Nate Wooley Sextet: <i>(Sit In) The Throne Of Friendship<\/i> (Clean Feed) ****<\/p>\n<p>Rese\u00f1a publicada en el n\u00famero de oto\u00f1o de 2013 de la revista\u00a0<em>M\u00e1s Jazz<\/em>.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>(Sit In) The Throne Of Friendship recoge el aspecto m\u00e1s jazz\u00edstico de Nate Wooley, un complemento en cierto modo a su faceta como libre improvisador. Este m\u00fasico es quien se encarga de componer todos los temas, salvo uno, que es una sorprendente versi\u00f3n de \u201cOld Man On The Farm\u201d del<span class=\"more-link\"><a href=\"https:\/\/tomajazz.com\/web\/nate-wooley-sextet-sit-in-the-throne-of-friendship-clean-feed-2013\/\">Contin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":10103,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[17847,5,1038],"tags":[12651,1577,7230,6863,12696,5334,13,12415,15295,8227,8228,5337,31,8226,16099,77,16100],"class_list":["entry","author-pachi","post-10101","post","type-post","status-publish","format-standard","has-post-thumbnail","category-pachi-tapiz","category-grabaciones","category-contenidos","tag-cd","tag-clean-feed","tag-dan-peck","tag-eivind-opsvik","tag-grabaciones","tag-harris-eisenstadt","tag-jazz","tag-jazz-en-espana","tag-jazz-en-espanol","tag-josh-sinton","tag-matt-moran","tag-nate-wooley","tag-pachi-tapiz","tag-randy-newman","tag-toma-jazz","tag-tomajazz","tag-tomajazz-toma-jazz"],"jetpack_featured_media_url":"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2014\/01\/Nate-Wooley-Sextet_Sit-In-The-Throne-Of-Friendship-Clean-Feed.jpg","_links":{"self":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/10101","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/comments?post=10101"}],"version-history":[{"count":1,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/10101\/revisions"}],"predecessor-version":[{"id":10105,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/10101\/revisions\/10105"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media\/10103"}],"wp:attachment":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media?parent=10101"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/categories?post=10101"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/tags?post=10101"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}