{"id":101193,"date":"2025-10-31T12:30:31","date_gmt":"2025-10-31T11:30:31","guid":{"rendered":"https:\/\/tomajazz.com\/web\/?p=101193"},"modified":"2025-10-30T22:34:44","modified_gmt":"2025-10-30T21:34:44","slug":"seaorm-atlan-2025","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/seaorm-atlan-2025\/","title":{"rendered":"Seaorm: Atlan (octoberXart Records, 2025) Por Enrique Farelo [Grabaci\u00f3n de jazz]"},"content":{"rendered":"<p><em>Atlan<\/em> supone el cuarto \u00e1lbum de Seaorm.; atr\u00e1s quedaron <em>Olkhon<\/em> (<em>OctoberXart Records<\/em> 2020); <em>Forgotten Shrines<\/em> (<em>OctoberXart Records<\/em> 2021) y <em>Nekyla<\/em> (<em>OctoberXart Records<\/em> 2024).<\/p>\n<p>Seaorm, tr\u00edo que gobierna \u00c1ngel Ontalva y que cuenta con una formaci\u00f3n estable formada por \u00a0Arkady e Ivan Fedotov, integrantes de Vespero, y donde \u00fanicamente falta el teclista de October Equus, V\u00edctor Rodr\u00edguez, presente en <em>Forgotten Shrines <\/em>\u00a0y <em>Nekyla<\/em>.<\/p>\n<p>Siete piezas inspiradas en el horror expresionista de algunas obras maestras del cine mudo de vanguardia.<em> Atlan<\/em> incluye \u201cAtlan\u201d, \u00a0suite de algo menos de 24 minutos.<\/p>\n<p>Si hay algo que caracteriza a \u00c1ngel Ontalva es su facultad para el trabajo y la composici\u00f3n, siempre pr\u00f3digo en numerosos proyectos de enorme creatividad.<\/p>\n<p><em><img loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-101194 size-medium\" title=\"Seaorm: Atlan (octoberXart Records, 2025) Por Enrique Farelo [Grabaci\u00f3n de jazz] Tomajazz Seaorm Atlan octoberXart Records 2025 Tomajazz\" src=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2025\/10\/Seaorm-Atlan-octoberXart-Records-2025-Tomajazz-300x298.jpg\" alt=\"Seaorm: Atlan (octoberXart Records, 2025) Por Enrique Farelo [Grabaci\u00f3n de jazz] - Tomajazz - Atlan (octoberXart Records, 2025) es la nueva grabaci\u00f3n de Seaorm. Enrique Farelo repasa la grabaci\u00f3n. Seaormson Ark Fedotov, Ivan Fedotov, \u00c1ngel Ontalva\" width=\"300\" height=\"298\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2025\/10\/Seaorm-Atlan-octoberXart-Records-2025-Tomajazz-300x298.jpg 300w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2025\/10\/Seaorm-Atlan-octoberXart-Records-2025-Tomajazz-600x595.jpg 600w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2025\/10\/Seaorm-Atlan-octoberXart-Records-2025-Tomajazz-200x200.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2025\/10\/Seaorm-Atlan-octoberXart-Records-2025-Tomajazz-768x762.jpg 768w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2025\/10\/Seaorm-Atlan-octoberXart-Records-2025-Tomajazz-465x461.jpg 465w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2025\/10\/Seaorm-Atlan-octoberXart-Records-2025-Tomajazz-504x500.jpg 504w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2025\/10\/Seaorm-Atlan-octoberXart-Records-2025-Tomajazz.jpg 1000w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/>Atlan<\/em> es otro cap\u00edtulo del libro de su vida como m\u00fasico, donde se fusionan diversos estilos partiendo del <em>rock<\/em> progresivo, tales como <em>R.I.O.<\/em>, <em>zeulth<\/em>, <em>ambient<\/em>, <em>krautrock<\/em>, <em>jazz-rock<\/em> o la electr\u00f3nica experimental.<\/p>\n<p>\u00c1lbum de dif\u00edcil catalogaci\u00f3n atesora una calidad creativa e imaginativa notable donde los instrumentistas est\u00e1n a la altura de la partitura.<\/p>\n<p>M\u00fasica dram\u00e1tica, oscura y misteriosa de este visionario de la innovadora transmutaci\u00f3n sonora sincr\u00e9tica.<\/p>\n<p><em>Atlan<\/em> parece dividirse en dos escenarios sonoros; el primero de ellos comprende \u201cAtlan\u201d y \u201cOrlok\u201d y el segundo \u201cThe Dream Of Allan Gray\u201d donde se incluyen \u201cCourtempierre\u201d, \u201cPeg Leg\u201d, \u201cL\u00e9one\u201d, \u201cThe Old Mill\u201d y \u201cStalker\u201d.<\/p>\n<p>La extensa <em>suite<\/em> que abre el disco, \u201cAtlan\u201d, amalgama numerosos cambios de ritmos y texturas que se hace breve a la escucha. Tensa, obsesiva, enigm\u00e1tica e inquietante, imbuida en pasajes oscuros y lis\u00e9rgicos nos atrapa hasta la adicci\u00f3n.<\/p>\n<p>\u201cOrlok\u201d nos invade con su funesta atm\u00f3sfera transport\u00e1ndonos a dimensiones de terror.<\/p>\n<p>\u201cCourtempierre\u201d se corta con un cuchillo por su angustiosa densidad y oscura materia navegando por el vac\u00edo; \u201cPeg Leg\u201d, viaja por el fr\u00edo y negro espacio ignoto.<\/p>\n<p>De g\u00f3tico <em>rock Canterbury<\/em> \u201cL\u00e9one\u201d y \u201cThe Old Mill\u201d. Termina perdi\u00e9ndose en el espacio la concluyente y en\u00e9rgica \u201cStalker\u201d, a veces como Mark Wingfield, otras como Tim Blake, klaus Schulze o Robert Fripp.<\/p>\n<p style=\"text-align: right;\">Texto: \u00a9 <strong><a href=\"https:\/\/elescribadeljazz.blogspot.com\/\" target=\"_blank\" rel=\"noopener\">Enrique Farelo<\/a><\/strong>, 2025<\/p>\n<h3>Seaorm: <em>Atlan<\/em><\/h3>\n<p>M\u00fasicos: Ark Fedotov (bajo, sintetizadores), Ivan Fedotov (bater\u00eda) y \u00c1ngel Ontalva (guitarra, teclados, <em>loops<\/em>, bajo en \u201cStalker\u201d).<\/p>\n<p>Composiciones: \u201cAtlan\u201d, 2- \u201cOrlok\u201d.<br \/>\n\u201cThe Dream Of Allan Gray\u201d:\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a03-\u201cCourtempierre\u201d, 4-\u201cPeg Leg\u201d, 5-\u201cL\u00e9one\u201d, 6-\u201cThe Old Mill\u201d y \u00a07-\u201cStalker\u201d.<br \/>\nTodos los temas compuestos por \u00c1ngel Ontalva.<\/p>\n<p><em>Artwork<\/em> realizado por el propio \u00c1ngel Ontalva.<\/p>\n<h3>M\u00e1s informaci\u00f3n sobre Seaorm y October Xart Records<\/h3>\n<p><a href=\"https:\/\/angelontalva.com\/\" target=\"_blank\" rel=\"noopener\">https:\/\/angelontalva.com\/<\/a><\/p>\n<p><a href=\"https:\/\/tomajazz.com\/web\/?s=seaorm&amp;submit=Search\" target=\"_blank\" rel=\"noopener\">https:\/\/tomajazz.com\/web\/?s=seaorm&amp;submit=Search<\/a><\/p>\n<p><a href=\"https:\/\/tomajazz.com\/web\/?s=angel+ontalva&amp;submit=Search\" target=\"_blank\" rel=\"noopener\">https:\/\/tomajazz.com\/web\/?s=angel+ontalva&amp;submit=Search<\/a><\/p>\n<p><a href=\"https:\/\/octoberxart.bandcamp.com\/track\/sea-orm-2\" target=\"_blank\" rel=\"noopener\">https:\/\/octoberxart.bandcamp.com\/track\/sea-orm-2<\/a><\/p>\n<p><a href=\"https:\/\/tomajazz.com\/web\/?s=october+xart&amp;submit=Search\" target=\"_blank\" rel=\"noopener\">https:\/\/tomajazz.com\/web\/?s=october+xart&amp;submit=Search<\/a><\/p>\n<h3>Enrique Farelo en Tomajazz<\/h3>\n<p><a href=\"https:\/\/tomajazz.com\/web\/?cat=17848\" target=\"_blank\" rel=\"noopener\">https:\/\/tomajazz.com\/web\/?cat=17848<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Atlan (octoberXart Records, 2025) es la nueva grabaci\u00f3n de Seaorm. Enrique Farelo repasa la grabaci\u00f3n. Seaormson Ark Fedotov, Ivan Fedotov, \u00c1ngel Ontalva <span class=\"more-link\"><a href=\"https:\/\/tomajazz.com\/web\/seaorm-atlan-2025\/\">Contin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":101194,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[5,17848,15517,1038],"tags":[8719,32810,304,32811,32812,32809],"class_list":["entry","author-pachi","has-excerpt","post-101193","post","type-post","status-publish","format-standard","has-post-thumbnail","category-grabaciones","category-enrique-farelo","category-textos","category-contenidos","tag-angel-ontalva","tag-ark-fedotov","tag-enrique-farelo","tag-ivan-fedotov","tag-october-xart-records","tag-seaorm"],"jetpack_featured_media_url":"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2025\/10\/Seaorm-Atlan-octoberXart-Records-2025-Tomajazz.jpg","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":73827,"url":"https:\/\/tomajazz.com\/web\/angel-ontalva-a-haunted-2023\/","url_meta":{"origin":101193,"position":0},"title":"\u00c1ngel Ontalva: A Haunted, Hidden World Of Caves (octoberXart Records, 2023) Por Enrique Farelo [Grabaci\u00f3n de jazz]","author":"Tomajazz","date":"12 mayo, 2023","format":false,"excerpt":"A Haunted, Hidden World Of Caves (octoberXart Records, 2023) es la nueva grabaci\u00f3n de \u00c1ngel Ontalva. Enrique Farelo repasa la grabaci\u00f3n.","rel":"","context":"En \u00abGrabaciones...\u00bb","block_context":{"text":"Grabaciones...","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/textos\/grabaciones\/"},"img":{"alt_text":"\u00c1ngel Ontalva: A Haunted, Hidden World Of Caves (octoberXart Records, 2023) Por Enrique Farelo [Grabaci\u00f3n de jazz] - Tomajazz 9.0 - A Haunted, Hidden World Of Caves (octoberXart Records, 2023) es la nueva grabaci\u00f3n de \u00c1ngel Ontalva. Enrique Farelo repasa la grabaci\u00f3n.","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2023\/05\/ngel-Ontalva-A-Haunted-Hidden-World-Of-Caves-octoberXart-Records-2023-TOMAJAZZ-CD.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2023\/05\/ngel-Ontalva-A-Haunted-Hidden-World-Of-Caves-octoberXart-Records-2023-TOMAJAZZ-CD.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2023\/05\/ngel-Ontalva-A-Haunted-Hidden-World-Of-Caves-octoberXart-Records-2023-TOMAJAZZ-CD.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2023\/05\/ngel-Ontalva-A-Haunted-Hidden-World-Of-Caves-octoberXart-Records-2023-TOMAJAZZ-CD.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":66405,"url":"https:\/\/tomajazz.com\/web\/october-equus-noches-blancas-luces-rojas\/","url_meta":{"origin":101193,"position":1},"title":"October Equus: Noches Blancas, Luces Rojas (octoberXart Records, 2022) Por Enrique Farelo [Grabaci\u00f3n de jazz]","author":"Tomajazz","date":"7 septiembre, 2022","format":false,"excerpt":"Enrique Farelo repasa la nueva grabaci\u00f3n de October Equus titulada Noches Blancas, Luces Rojas (octoberXart Records, 2022).","rel":"","context":"En \u00abGrabaciones...\u00bb","block_context":{"text":"Grabaciones...","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/textos\/grabaciones\/"},"img":{"alt_text":"October Equus: Noches Blancas, Luces Rojas (octoberXart Records, 2022) Por Enrique Farelo [Grabaci\u00f3n de jazz]","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2022\/09\/October-Equus-Noches-Blancas-Luces-Rojas-octoberXart-Records-2022WEB.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2022\/09\/October-Equus-Noches-Blancas-Luces-Rojas-octoberXart-Records-2022WEB.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2022\/09\/October-Equus-Noches-Blancas-Luces-Rojas-octoberXart-Records-2022WEB.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":94220,"url":"https:\/\/tomajazz.com\/web\/angel-ontalva-persian-courtyard-2024\/","url_meta":{"origin":101193,"position":2},"title":"\u00c1ngel Ontalva: Persian Courtyard (OctoberXart Records, 2024) Por Enrique Farelo [Grabaci\u00f3n de jazz]","author":"Tomajazz","date":"27 enero, 2025","format":false,"excerpt":"Enrique Farelo repasa la grabaci\u00f3n de \u00c1ngel Ontalva, Persian Courtyard (OctoberXart Records, 2024). Participan Anna Anshakova, V\u00edctor Rodr\u00edguez, Avelino Saavedra, \u00c1ngel Ontalva","rel":"","context":"En \u00abGrabaciones...\u00bb","block_context":{"text":"Grabaciones...","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/textos\/grabaciones\/"},"img":{"alt_text":"\u00c1ngel Ontalva: Persian Courtyard (OctoberXart Records, 2024) Por Enrique Farelo [Grabaci\u00f3n de jazz] - Tomajazz - Enrique Farelo repasa la grabaci\u00f3n de \u00c1ngel Ontalva, Persian Courtyard (OctoberXart Records, 2024) Por Enrique Farelo [Grabaci\u00f3n de jazz]","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/01\/ngel-Ontalva-Persian-Courtyard-Tomajazz-CD.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/01\/ngel-Ontalva-Persian-Courtyard-Tomajazz-CD.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/01\/ngel-Ontalva-Persian-Courtyard-Tomajazz-CD.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/01\/ngel-Ontalva-Persian-Courtyard-Tomajazz-CD.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":46980,"url":"https:\/\/tomajazz.com\/web\/https-www-tomajazz-com-web-p46980\/","url_meta":{"origin":101193,"position":3},"title":"October Equus: Presagios (OctoberXart Records, 2019) [Grabaci\u00f3n]","author":"Tomajazz","date":"7 noviembre, 2019","format":false,"excerpt":"Enrique Farelo repasa la nueva grabaci\u00f3n de October Equus, titulada Presagios (OctoberXart Records)","rel":"","context":"En \u00abGrabaciones...\u00bb","block_context":{"text":"Grabaciones...","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/textos\/grabaciones\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2019\/11\/October-Equus_Presagios.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2019\/11\/October-Equus_Presagios.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2019\/11\/October-Equus_Presagios.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":20943,"url":"https:\/\/tomajazz.com\/web\/angel-ontalva-tierra-quemada-octoberxart-records-2015-cd\/","url_meta":{"origin":101193,"position":4},"title":"\u00c1ngel Ontalva: Tierra Quemada (OctoberXart Records, 2015; CD)","author":"Tomajazz","date":"25 noviembre, 2015","format":false,"excerpt":"\u00c1ngel Ontalva lidera el grupo progresivo, RIO, avant-rock y jazz-rock, October Equus desde aproximadamente el a\u00f1o 2006 con cinco trabajos publicados: October Equus, Charybdis, Saturnal, Permafrost e Isla Purgatorio. Al margen de este proyecto su carrera en solitario comprende Land of Rain and Steel, Mundo Flotante y algunas colaboraciones con\u2026","rel":"","context":"En \u00ab*_Enrique Farelo\u00bb","block_context":{"text":"*_Enrique Farelo","link":"https:\/\/tomajazz.com\/web\/category\/enrique-farelo\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2015\/11\/Angel-Ontalva-Tierra-Quemada-2015.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":57133,"url":"https:\/\/tomajazz.com\/web\/angel-ontalva-angel-on-a-tower-octoberxart-records-2021-grabacion-de-jazz-por-enrique-farelo\/","url_meta":{"origin":101193,"position":5},"title":"\u00c1ngel Ontalva: Angel on a Tower (OctoberXart Records, 2021) [Grabaci\u00f3n de jazz] Por Enrique Farelo","author":"Tomajazz","date":"17 septiembre, 2021","format":false,"excerpt":"Enrique Farelo rese\u00f1a Angel on a Tower (octoberXart Records, 2021) de \u00c1ngel Ontalva.","rel":"","context":"En \u00ab*_Enrique Farelo\u00bb","block_context":{"text":"*_Enrique Farelo","link":"https:\/\/tomajazz.com\/web\/category\/enrique-farelo\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2021\/09\/Angel-Ontalva_Angel-On-A-Tower.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2021\/09\/Angel-Ontalva_Angel-On-A-Tower.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2021\/09\/Angel-Ontalva_Angel-On-A-Tower.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2021\/09\/Angel-Ontalva_Angel-On-A-Tower.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]}],"_links":{"self":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/101193","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/comments?post=101193"}],"version-history":[{"count":1,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/101193\/revisions"}],"predecessor-version":[{"id":101195,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/101193\/revisions\/101195"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media\/101194"}],"wp:attachment":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media?parent=101193"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/categories?post=101193"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/tags?post=101193"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}