{"id":10125,"date":"2014-01-30T11:00:38","date_gmt":"2014-01-30T10:00:38","guid":{"rendered":"http:\/\/www.tomajazz.com\/web\/?p=10125"},"modified":"2016-11-13T17:16:47","modified_gmt":"2016-11-13T16:16:47","slug":"jojo-hiroshige-paal-nilssen-love-lasse-marhaug-pika-osaka-fortune-premier-sang-2014","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/jojo-hiroshige-paal-nilssen-love-lasse-marhaug-pika-osaka-fortune-premier-sang-2014\/","title":{"rendered":"Jojo Hiroshige, Paal Nilssen-Love, Lasse Marhaug, Pika: Osaka Fortune (Premier Sang, 2014)"},"content":{"rendered":"

\"JojoCoincidiendo casi en el tiempo con la publicaci\u00f3n del art\u00edculo \u00abQu\u00e9 (no) es jazz\u00bb<\/a>\u00a0de Yahv\u00e9 M. de la Cavada con motivo de una entrevista en el blog Muro de Sonido<\/em> de David Bizarro a Luis Boullosa<\/a>, y las sentencias de \u00e9ste \u00faltimo acerca del jazz, anda dando vueltas por mi cabeza el LP (treinta minutos justos) Osaka Fortune<\/em> del cuarteto formado por\u00a0Jojo Hiroshige, Paal Nilssen-Love, Lasse Marhaug y Pika. Seg\u00fan lo que se indica en la contraportada, una formaci\u00f3n de tambores, m\u00e1s tambores, guitarra y ruido. Cuatro m\u00fasicos (dos noruegos, dos japoneses) encerrados en un estudio de Osaka, improvisando a lo largo de media hora sin bajar el pist\u00f3n (el final del sonido lo marca, abrupto, la aguja al terminar de recorrer cada uno de los surcos), algo as\u00ed como free jazz<\/em> extremo o hardcore\u00a0noise<\/em>. Uno de esos discos que uno escucha, y no se cansa, una y otra vez, que recomendar\u00eda tanto a los seguidores de los Napalm Death (especialmente a los de la primera \u00e9poca), y a los aficionados al (free<\/em>) jazz.<\/p>\n

\"\"<\/a>
Lasse Marhaug<\/center>
\u00a9 2010 Pachi Tapiz<\/center><\/figcaption><\/figure>\n

Mientras tanto, me entretengo (un rato) leyendo lo escrito, as\u00ed como las reacciones de tirios y troyanos. S\u00f3lo se me ocurre a\u00f1adir que Lasse Marhaug, un tipo de mediana edad en contacto con lo m\u00e1s interesante de la escena del jazz n\u00f3rdico, en un concierto con el proyecto Fire Room (con Ken Vandermark y Paal Nilssen-Love)<\/a>, precisamente la camiseta que luc\u00eda era una de Napalm Death.<\/p>\n

\u00bfQu\u00e9 tal si nos dejan, unos y otros, escuchar lo que nos apetezca y cuando nos apetezca, sin que importen ni nuestra edad, ni las etiquetas? Si el artefacto sonoro (por ejemplo Osaka Fortune<\/em>) mueve de alg\u00fan modo al oyente, sobran las dem\u00e1s consideraciones, debates y justificaciones.<\/p>\n

\u00a9 Pachi Tapiz, 2014<\/p>\n

Jojo Hiroshige, Paal Nilssen-Love, Lasse Marhaug, Pika: Osaka Fortune<\/em><\/p>\n

Jojo Hiroshige (guitarra), Paal Nilssen-Love (bater\u00eda), Lasse Marhaug (electr\u00f3nica, sampler), Pika (bater\u00eda)<\/p>\n

\u00abKiller Skins \/ In The Right Osaka Winter \/ Teenage Palms\u00bb, \u00abNo Drums This Time \/ Let’s Slow \/ Osaka Fortune\u00bb
\nGrabado el 10 de febrero de 2011 en el estudio Chika-Ikkai, Osaka, Jap\u00f3n. Publicado en formato LP en 2014 por Premier Sang.<\/p>\n","protected":false},"excerpt":{"rendered":"

Coincidiendo casi en el tiempo con la publicaci\u00f3n del art\u00edculo \u00abQu\u00e9 (no) es jazz\u00bb\u00a0de Yahv\u00e9 M. de la Cavada con motivo de una entrevista en el blog Muro de Sonido de David Bizarro a Luis Boullosa, y las sentencias de \u00e9ste \u00faltimo acerca del jazz, anda dando vueltas por miContin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":10126,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":true,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[17847,5,1038],"tags":[12651,12696,13,12415,15295,8263,5478,5138,31,8264,8265,16099,77,16100],"class_list":["entry","author-pachi","post-10125","post","type-post","status-publish","format-standard","has-post-thumbnail","category-pachi-tapiz","category-grabaciones","category-contenidos","tag-cd","tag-grabaciones","tag-jazz","tag-jazz-en-espana","tag-jazz-en-espanol","tag-jojo-hiroshige","tag-lasse-marhaug","tag-paal-nilssen-love","tag-pachi-tapiz","tag-pika","tag-premier-sang","tag-toma-jazz","tag-tomajazz","tag-tomajazz-toma-jazz"],"jetpack_featured_media_url":"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2014\/01\/Jojo-Hiroshige-Paal-Nilssen-Love-Lasse-Marhaug-Pika_Osaka-Fortune-Premier-Sang-2014.jpg","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":23706,"url":"https:\/\/tomajazz.com\/web\/hdo-paal-nilssen-love-his-voice-and-his-music-0100-podcast\/","url_meta":{"origin":10125,"position":0},"title":"HDO 100. Paal Nilssen-Love: his voice and his music [Podcast]","author":"Tomajazz","date":"21 abril, 2016","format":false,"excerpt":"Drummer Paal Nilssen-Love introduces three of his last recordings --Ana, Soul Stream, and Angular Mass-- in the HDO Tomajazz podcast. And after his voice, his music: we will listen to some pieces from each of these albums. Text: \u00a9 Pachi Tapiz, 2016 Photography:\u00a0\u00a9 Sera Mart\u00edn, 2016 \u00a0 Today in HDO:\u2026","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/04\/IMG_4331.JPG-Paal-Nilsen-Lovewm.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/04\/IMG_4331.JPG-Paal-Nilsen-Lovewm.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/04\/IMG_4331.JPG-Paal-Nilsen-Lovewm.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":23554,"url":"https:\/\/tomajazz.com\/web\/paal-nilssen-love-ana-angular-mass-soul-stream-pnl-records-20156-cd\/","url_meta":{"origin":10125,"position":1},"title":"Paal Nilssen-Love: Ana \/ Angular Mass \/ Soul Stream (PNL Records, 2015\/6; CD)","author":"Tomajazz","date":"15 abril, 2016","format":false,"excerpt":"Ana (Large Unit), Angular Mass (Michiyo Yagi, Lasse Marhaug, Paal Nilssen-Love) y Soul Stream (los tres m\u00fasicos anteriores m\u00e1s Joe McPhee) son tres obras publicadas durante los \u00faltimos meses por el baterista Paal Nilssen-Love en su sello PNL Recordings, que sirven para mostrar los distintos derroteros por los que se\u2026","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/04\/Large-Unit_ANA_PNL-Records_2016.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/04\/Large-Unit_ANA_PNL-Records_2016.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/04\/Large-Unit_ANA_PNL-Records_2016.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/04\/Large-Unit_ANA_PNL-Records_2016.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":2296,"url":"https:\/\/tomajazz.com\/web\/slugfield-slime-zone-pnl-records-2012\/","url_meta":{"origin":10125,"position":2},"title":"Slugfield: Slime Zone (PNL Records, 2012)","author":"Tomajazz","date":"26 junio, 2012","format":false,"excerpt":"La tentaci\u00f3n de hablar de Slime Zone como de puro ruido o incluso de una andanada de terrorismo sonoro puede ser grande, enorme. Sin embargo reflexionando sobre esos conceptos y contrast\u00e1ndolos con la escucha de lo que ofrece Slugfield, la conclusi\u00f3n es que lo suyo no es crear terror ni\u2026","rel":"","context":"En \u00abbun\u00bb","block_context":{"text":"bun","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/blogs\/bun\/"},"img":{"alt_text":"PNL008","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/web\/wp-content\/uploads\/2012\/06\/PNL008.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":43692,"url":"https:\/\/tomajazz.com\/web\/hdo-511-paal-nilssen-love-y-ken-vandermark-en-muy-buenas-companias-podcast\/","url_meta":{"origin":10125,"position":3},"title":"HDO 511. Paal (Nilssen-Love) y Ken (Vandermark) en muy buenas compa\u00f1\u00edas [Podcast]","author":"Tomajazz","date":"7 junio, 2019","format":false,"excerpt":"Por\u00a0Pachi Tapiz. 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Intervienen Akira Sakata, Giovanni Di Domenico, Giotis Damianidis, Petros Damianidis, Aleksandar \u0160kori\u0107, Paal Nilssen-Love, Tatsuhisa Yamamoto","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/10\/Akira-Sakata-Hyperentasis-2025-Defkaz.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/10\/Akira-Sakata-Hyperentasis-2025-Defkaz.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/10\/Akira-Sakata-Hyperentasis-2025-Defkaz.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/10\/Akira-Sakata-Hyperentasis-2025-Defkaz.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":2293,"url":"https:\/\/tomajazz.com\/web\/terrie-ex-paal-nilssen-love-hurgu-pnl-records-2011\/","url_meta":{"origin":10125,"position":5},"title":"Terrie Ex – Paal Nilssen-Love: Hurgu! (PNL Records, 2011)","author":"Tomajazz","date":"28 junio, 2012","format":false,"excerpt":"Escuchando a Terrie Ex, guitarrista del grupo holand\u00e9s (inicialmente punk) The Ex, una pregunta que surge es la de qu\u00e9 significa ser un gran guitarrista. Esta pregunta es general, no est\u00e1 restringida a un estilo musical concreto. 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