{"id":101319,"date":"2025-11-06T12:30:30","date_gmt":"2025-11-06T11:30:30","guid":{"rendered":"https:\/\/tomajazz.com\/web\/?p=101319"},"modified":"2025-11-02T22:14:12","modified_gmt":"2025-11-02T21:14:12","slug":"john-yao-points-in-time-2025","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/john-yao-points-in-time-2025\/","title":{"rendered":"John Yao: Points in Time (See Tao Recordings; 2025) Por Pachi Tapiz [Grabaci\u00f3n de jazz]"},"content":{"rendered":"

\"JohnPoints in Time<\/em> representa el regreso de John Yao<\/strong> al formato de big band, diez a\u00f1os despu\u00e9s de Flip-Flop<\/em>. Este nuevo trabajo, publicado por See Tao Recordings<\/strong>, es una celebraci\u00f3n de los veinte a\u00f1os del m\u00fasico en Nueva York y una reflexi\u00f3n sobre los momentos clave de su vida. La grabaci\u00f3n, realizada en Oktaven Studios<\/strong> en febrero de 2024, re\u00fane a una formaci\u00f3n de 17 m\u00fasicos de primer nivel, muchos de ellos colaboradores habituales de Yao.<\/p>\n

El disco se compone de ocho temas que abarcan desde arreglos de composiciones anteriores hasta nuevas obras inspiradas en vivencias personales. \u201cUpside\u201d y \u201cFinger Painting\u201d son encargos para institutos, mientras que \u201cNot Even Close\u201d y \u201cFirst Step\u201d son adaptaciones de piezas previas al formato de big band. \u201cTriceratops Blues\u201d proviene de su proyecto Triceratops, y \u201cThe Other Way\u201d marca una exploraci\u00f3n en la t\u00e9cnica dodecaf\u00f3nica.<\/p>\n

Las piezas m\u00e1s emotivas son \u201cEarly Morning Walk\u201d y \u201cSong for Nolan\u201d. La primera retrata el apoyo a su esposa Natalie durante su enfermedad, mientras que la segunda celebra el nacimiento de su hijo. Ambas muestran la capacidad de Yao para expresar emociones complejas a trav\u00e9s de la m\u00fasica.<\/p>\n

La instrumentaci\u00f3n es rica y variada, con secciones de saxos, trombones, trompetas y una s\u00f3lida base r\u00edtmica. Destacan los solos de Rich Perry<\/strong>, Billy Drewes<\/strong>, Tim Armacost<\/strong>, Matt McDonald<\/strong>, Hyuna Park<\/strong> y el propio Yao. La producci\u00f3n, a cargo de John Yao<\/strong> y Mike Holober<\/strong>, logra un equilibrio entre claridad y fuerza sonora.<\/p>\n

El disco no solo es una muestra del talento compositivo y arregl\u00edstico de Yao, sino tambi\u00e9n de su capacidad para liderar una gran formaci\u00f3n y plasmar en m\u00fasica su evoluci\u00f3n personal y art\u00edstica. Points in Time<\/em> es una obra que combina tradici\u00f3n, innovaci\u00f3n y emoci\u00f3n.<\/p>\n

\u00a9 Pachi \u201cstoinp niemit yahn joo\u201d Tapiz, 2025<\/strong><\/p>\n

\n

John Yao: Points in Time <\/em><\/h3>\n

M\u00fasicos:<\/strong> John Yao (tromb\u00f3n, direcci\u00f3n); Billy Drewes (alto 1, soprano); Hashem Assadullahi (alto 2); Rich Perry (tenor 1); Tim Armacost (tenor 2); Carl Maraghi (bar\u00edtono); Nick Marchione, John Lake, David Neves, David Smith (trompetas); Matt McDonald, Nick Vayenas, Sam Blakeslee, Max Seigel (trombones); Hyuna Park (piano); Robert Sabin (contrabajo); Andy Watson (bater\u00eda).<\/p>\n

Temas:<\/strong> 1 \u00abUpside\u00bb (John Yao) 7:28 2 \u00abNot Even Close\u00bb (John Yao) 8:17 3 \u00abTriceratops Blues\u00bb (John Yao) 8:39 4 \u00abFirst Step\u00bb (John Yao) 9:13 5 \u00abThe Other Way\u00bb (John Yao) 4:57 6 \u00abEarly Morning Walk\u00bb (John Yao) 6:23 7 \u00abSong for Nolan\u00bb (John Yao) 7:33 8 \u00abFinger Painting\u00bb (Herbie Hancock) 7:40<\/p>\n

Grabaci\u00f3n:<\/strong> Grabado en Oktaven Studios, Mount Vernon, NY, el 12 y 13 de febrero de 2024. Ingeniero de grabaci\u00f3n Ryan Streiber. Mezclado por Brian Montgomery. Masterizado por Fred Kevorkian. Productores John Yao y Mike Holober. Asistente de producci\u00f3n Joseph Herbst.<\/p>\n

\n

Curiosidades sobre Points in Time <\/em><\/strong><\/h3>\n

Yao afirma que grabar un disco de big band \u201cte hace no querer hacerlo nunca m\u00e1s\u201d, por el esfuerzo que implica. Sin embargo, la satisfacci\u00f3n de escuchar su m\u00fasica interpretada por grandes m\u00fasicos lo llev\u00f3 a repetir la experiencia.<\/p>\n

\n

Informaci\u00f3n sobre John Yao<\/strong><\/h3>\n

John Yao<\/strong> (n. 1980) es trombonista, compositor y arreglista. Ha trabajado con numerosas formaciones y ha publicado cinco discos como l\u00edder. En 2025 fue nombrado becario Guggenheim en composici\u00f3n musical. Recomendaciones: Flip-Flop<\/em> (2015), In the Now<\/em> (2012), Triceratops<\/em> (2019).<\/p>\n

\n

M\u00e1s acerca de John Yao y See Tao Recordings<\/h3>\n

https:\/\/www.johnyao.com\/<\/a><\/p>\n

https:\/\/tomajazz.com\/web\/?s=john+yao&submit=Search<\/a><\/p>\n

https:\/\/www.johnyao.com\/discography<\/a><\/p>\n

https:\/\/tomajazz.com\/web\/?s=see+tao+recordingss&submit=Search<\/a><\/p>\n

Pachi Tapiz en Tomajazz<\/h3>\n

https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

Points in Time (See Tao Recordings; 2025) es la nueva grabaci\u00f3n de John Yao. Pachi Tapiz repasa la grabaci\u00f3nContin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":101320,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[17847,5,15517,1038],"tags":[32832,31,32833],"class_list":["entry","author-pachi","has-excerpt","post-101319","post","type-post","status-publish","format-standard","has-post-thumbnail","category-pachi-tapiz","category-grabaciones","category-textos","category-contenidos","tag-john-yao","tag-pachi-tapiz","tag-see-tao-recordings"],"jetpack_featured_media_url":"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2025\/11\/John-Yao-and-his-17-Piece-Instrument-Points-in-Time-2025-See-Tao-Recordings-Pachi-Tapiz.jpg","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":100931,"url":"https:\/\/tomajazz.com\/web\/tortoise-touch-2025\/","url_meta":{"origin":101319,"position":0},"title":"Tortoise: Touch (International Anthem Recordings; 2025) Por Pachi Tapiz [Grabaci\u00f3n de jazz]","author":"Tomajazz","date":"27 octubre, 2025","format":false,"excerpt":"Touch (International Anthem Recordings; 2025) es el regreso de Tortoise. 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Con Arkady Shilkloper (horn, alphorn, alperidoo, flugelhorn); John Wolf Brennan (piano, arcopiano, tamburopiano, pizzicatopiano, melodica, kalimba); Christian Zehnder (voz, canto dif\u00f3nico, yodeling global, mini-Moog); Marcello Wick","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/10\/Arkady-Shilkloper-John-Wolf-Brennan-Night-In-Gale-2025-Leo-Records-Tomajazz.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/10\/Arkady-Shilkloper-John-Wolf-Brennan-Night-In-Gale-2025-Leo-Records-Tomajazz.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/10\/Arkady-Shilkloper-John-Wolf-Brennan-Night-In-Gale-2025-Leo-Records-Tomajazz.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":102171,"url":"https:\/\/tomajazz.com\/web\/wrens-half-of-what-you-see-2025\/","url_meta":{"origin":101319,"position":4},"title":"WRENS: Half of What You See (Out Of Your Head Records; 2025) Por Pachi Tapiz [Grabaci\u00f3n de jazz]","author":"Tomajazz","date":"25 noviembre, 2025","format":false,"excerpt":"Half of What You See (Out Of Your Head Records; 2025) es la nueva grabaci\u00f3n de WRENS. 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