{"id":10163,"date":"2014-02-04T11:00:51","date_gmt":"2014-02-04T10:00:51","guid":{"rendered":"http:\/\/www.tomajazz.com\/web\/?p=10163"},"modified":"2016-11-13T17:16:46","modified_gmt":"2016-11-13T16:16:46","slug":"joe-mcphee-sonic-elements-for-pocket-trumpet-and-alto-saxophone-clean-feed-2013","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/joe-mcphee-sonic-elements-for-pocket-trumpet-and-alto-saxophone-clean-feed-2013\/","title":{"rendered":"Joe McPhee: <i>Sonic Elements (for pocket trumpet and alto saxophone)<\/i> (Clean Feed, 2013)"},"content":{"rendered":"<p style=\"text-align: justify;\"><i><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-medium wp-image-10168\" alt=\"Joe McPhee\" src=\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2014\/02\/Joe-McPhee-200x200.jpg\" width=\"200\" height=\"200\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2014\/02\/Joe-McPhee-200x200.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2014\/02\/Joe-McPhee-150x150.jpg 150w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2014\/02\/Joe-McPhee-54x55.jpg 54w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2014\/02\/Joe-McPhee.jpg 300w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/>Sonic Elements For pocket trumpet and alto saxophone<\/i> sirve para que el veterano Joe McPhee homenajee a Ornette Coleman y Don Cherry en esp\u00edritu, frente a esa otra manera de rendir tributo musicalmente que es por medio de realizar versiones. \u201cWind\u201d, \u201cWater\u201d, \u201cEarth\u201d, \u201cFire\u201d y el conocido \u201cOld Eyes\u201d de McPhee componen el repertorio.<\/p>\n<p style=\"text-align: justify;\">Los dos primeros temas, en homenaje a Cherry, muestran un aspecto musical menos concreto, m\u00e1s centrado en la improvisaci\u00f3n mediante la exploraci\u00f3n con los sonidos que es capaz de extraer de su trompeta de bolsillo. En contraposici\u00f3n, su homenaje a Coleman aparece centrado en elementos musicales m\u00e1s concretos como los aromas a blues con que comienza \u201cEarth\u201d, la referencia al himno de la naci\u00f3n afro-americana \u201cLift Every Voice and Sing\u201d, o al ya se\u00f1alado \u201cOld Eyes\u201d.<\/p>\n<p style=\"text-align: right;\">\u00a9 Pachi Tapiz, 2014<\/p>\n<p>Joe McPhee: <em>Sonic Elements (for pocket trumpet and alto saxophone)<\/em> (Clean Feed) ****<\/p>\n<p>Publicado en el n\u00famero de oto\u00f1o de 2013 de la revista\u00a0<em>M\u00e1s Jazz<\/em>.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Sonic Elements For pocket trumpet and alto saxophone sirve para que el veterano Joe McPhee homenajee a Ornette Coleman y Don Cherry en esp\u00edritu, frente a esa otra manera de rendir tributo musicalmente que es por medio de realizar versiones. \u201cWind\u201d, \u201cWater\u201d, \u201cEarth\u201d, \u201cFire\u201d y el conocido \u201cOld Eyes\u201d de<span class=\"more-link\"><a href=\"https:\/\/tomajazz.com\/web\/joe-mcphee-sonic-elements-for-pocket-trumpet-and-alto-saxophone-clean-feed-2013\/\">Contin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":10168,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":true,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[17847,5,1038],"tags":[12651,1577,12696,13,12415,15295,5326,31,16099,77,16100],"class_list":["entry","author-pachi","post-10163","post","type-post","status-publish","format-standard","has-post-thumbnail","category-pachi-tapiz","category-grabaciones","category-contenidos","tag-cd","tag-clean-feed","tag-grabaciones","tag-jazz","tag-jazz-en-espana","tag-jazz-en-espanol","tag-joe-mcphee","tag-pachi-tapiz","tag-toma-jazz","tag-tomajazz","tag-tomajazz-toma-jazz"],"jetpack_featured_media_url":"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2014\/02\/Joe-McPhee.jpg","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":8902,"url":"https:\/\/tomajazz.com\/web\/trespass-trio-joe-mcphee-human-encore-clean-feed-2013\/","url_meta":{"origin":10163,"position":0},"title":"Trespass Trio + Joe McPhee: Human Encore (Clean Feed, 2013)","author":"Tomajazz","date":"6 noviembre, 2013","format":false,"excerpt":"Desde el inicio de su trayectoria Clean Feed ha estado ligado al festival de Coimbra Jazz Ao Centro, al que ha dedicado la serie JACC dentro de su cat\u00e1logo. Joe McPhee se une al Trespass Trio en Human Encore, grabaci\u00f3n registrada a lo largo de tres d\u00edas en la ciudad\u2026","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"Trespass Trio + Joe McPhee_Human Encore","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/web\/wp-content\/uploads\/2013\/10\/Trespass-Trio-%2B-Joe-McPhee_Human-Encore.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":2357,"url":"https:\/\/tomajazz.com\/web\/joe-mcphee-ingebrigt-haker-flaten-brooklyn-dna-clean-feed-2012\/","url_meta":{"origin":10163,"position":1},"title":"Joe McPhee &#8211; Ingebrigt Haker Flaten: Brooklyn DNA (Clean Feed, 2012)","author":"Tomajazz","date":"16 abril, 2012","format":false,"excerpt":"Brooklyn DNA es un homenaje y reivindicaci\u00f3n del papel de Brooklyn en la historia del jazz. A d\u00fao, Joe McPhee e Ingebrigt Haker Flaten, realizan una sesi\u00f3n de jazz improvisado estructurada en piezas que a pesar de los t\u00edtulos no pretenden ser m\u00fasica program\u00e1tica, pero en las que sin embargo\u2026","rel":"","context":"En \u00abToma Jazz\u00bb","block_context":{"text":"Toma Jazz","link":"https:\/\/tomajazz.com\/web\/tag\/toma-jazz\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/4.bp.blogspot.com\/-sRVj6k8L6jk\/T4xlXnnTrpI\/AAAAAAAAEeM\/RRJ_Pe8Fyf4\/s200\/mcphee-haker-flaten_brooklyn-dna.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":10043,"url":"https:\/\/tomajazz.com\/web\/ingebrigt-haker-flaten-new-york-quartet-now-is-clean-feed-2013\/","url_meta":{"origin":10163,"position":2},"title":"Ingebrigt Haker Flaten New York Quartet: Now Is (Clean Feed, 2013)","author":"Tomajazz","date":"24 enero, 2014","format":false,"excerpt":"Sobre el papel \u00e9ste deber\u00eda de ser un gran disco. Una reuni\u00f3n de voces \u00fanicas, aguerridas y sutiles al mismo tiempo, duchas en la construcci\u00f3n abierta. Uno considera que conoce los inicios del free jazz, que entiende su desarrollo en los 60 en distintas escenas y personalidades,\u00a0 en c\u00f3mo posteriormente\u2026","rel":"","context":"En \u00ab*_Jes\u00fas Gonzalo\u00bb","block_context":{"text":"*_Jes\u00fas Gonzalo","link":"https:\/\/tomajazz.com\/web\/category\/jesus-gonzalo\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2014\/01\/Ingebrigt-Ha%CC%8Aker-Flaten-New-York-Quartet.jpeg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2014\/01\/Ingebrigt-Ha%CC%8Aker-Flaten-New-York-Quartet.jpeg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2014\/01\/Ingebrigt-Ha%CC%8Aker-Flaten-New-York-Quartet.jpeg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":4937,"url":"https:\/\/tomajazz.com\/web\/ingebrigt-haker-flaten-new-york-quartet-now-is-clean-feed-2012\/","url_meta":{"origin":10163,"position":3},"title":"Ingebrigt Haker Flaten New York Quartet: Now Is (Clean Feed, 2012)","author":"Tomajazz","date":"12 febrero, 2013","format":false,"excerpt":"Coincidiendo con su paso por el neoyorkino The Stone, el contrabajista Ingebrigt Haker Flaten (Atomic, The Thing) pas\u00f3 por el estudio Systems Two de Brooklyn para grabar en formato de cuarteto (sin bater\u00eda ni piano) una sesi\u00f3n de improvisaci\u00f3n libre (excepto en su tema \"As If\") en compa\u00f1\u00eda del saxofonista\u2026","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2013\/02\/Ingebrigt-H%C3%A5ker-Flaten-New-York-Quartet.jpeg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2013\/02\/Ingebrigt-H%C3%A5ker-Flaten-New-York-Quartet.jpeg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2013\/02\/Ingebrigt-H%C3%A5ker-Flaten-New-York-Quartet.jpeg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":2277,"url":"https:\/\/tomajazz.com\/web\/13-miniatures-for-albert-ayler-rogue-art-2012\/","url_meta":{"origin":10163,"position":4},"title":"Varios autores: 13 Miniatures for Albert Ayler (Rogue Art, 2012)","author":"Tomajazz","date":"19 julio, 2012","format":false,"excerpt":"13 Miniatures for Albert Ayler es la grabaci\u00f3n del homenaje en esp\u00edritu a Albert Ayler que tuvo lugar en la parisina Fondation Cartier en diciembre de 2011. 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Influidos todos ellos por el saxofonista, en su concierto reviv\u00edan algunos de los himnos del saxofonista: \u201cTruth Is Marching In\u201d, \u201cUniversal Indians\u201d, \u201cMusic Is the\u2026","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"Tribute to albert ayler","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/web\/wp-content\/uploads\/2012\/07\/Tribute-to-albert-ayler.jpg?resize=350%2C200","width":350,"height":200},"classes":[]}],"_links":{"self":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/10163","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/comments?post=10163"}],"version-history":[{"count":1,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/10163\/revisions"}],"predecessor-version":[{"id":10169,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/10163\/revisions\/10169"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media\/10168"}],"wp:attachment":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media?parent=10163"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/categories?post=10163"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/tags?post=10163"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}