{"id":101744,"date":"2025-11-13T17:00:07","date_gmt":"2025-11-13T16:00:07","guid":{"rendered":"https:\/\/tomajazz.com\/web\/?p=101744"},"modified":"2025-11-12T21:49:40","modified_gmt":"2025-11-12T20:49:40","slug":"thomas-morgan-around-you-is-a-forest-2025","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/thomas-morgan-around-you-is-a-forest-2025\/","title":{"rendered":"Thomas Morgan: Around You Is A Forest (Loveland Music; 2025) Por Pachi Tapiz [Grabaci\u00f3n de jazz]"},"content":{"rendered":"<p>El debut de <strong>Thomas Morgan<\/strong> como l\u00edder, <em>Around You Is A Forest<\/em>, es una obra que desaf\u00eda las categor\u00edas tradicionales del jazz. Publicado por <strong>Loveland Music<\/strong> en noviembre de 2025, el disco es el resultado de a\u00f1os de exploraci\u00f3n musical y tecnol\u00f3gica. Morgan, conocido por su trabajo con <strong>Paul Motian<\/strong>, <strong>Steve Coleman<\/strong> y <strong>Jakob Bro<\/strong>, ha sido durante d\u00e9cadas un referente de la <strong>escucha profunda<\/strong> y la <strong>improvisaci\u00f3n sensible<\/strong>. En este proyecto, revela una faceta oculta: su pasi\u00f3n por la <strong>programaci\u00f3n<\/strong>, el <strong>software libre<\/strong> y la <strong>filosof\u00eda hacker<\/strong>.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-101745 size-medium\" title=\"Thomas Morgan: Around You Is A Forest (Loveland Music; 2025) Por Pachi Tapiz [Grabaci\u00f3n de jazz] Tomajazz Thomas Morgan Around You Is A Forest Loveland Music; 2025\" src=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2025\/11\/Thomas-Morgan-Around-You-Is-A-Forest-Loveland-Music-2025--300x300.jpg\" alt=\"Thomas Morgan: Around You Is A Forest (Loveland Music; 2025) Por Pachi Tapiz [Grabaci\u00f3n de jazz] - Tomajazz - Around You Is A Forest (Loveland Music; 2025) es el estreno como l\u00edder de Thomas Morgan, que adem\u00e1s del contrabajo emplea WOODS. Pachi Tapiz repasa la grabaci\u00f3n. Con Thomas Morgan, Dan Weiss, Craig Taborn, Gerald Cleaver, Henry Threadgill, Ambrose Akinmusire, Bill Frisell, Immanuel Wilkins, Gary Snyder\" width=\"300\" height=\"300\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2025\/11\/Thomas-Morgan-Around-You-Is-A-Forest-Loveland-Music-2025--300x300.jpg 300w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2025\/11\/Thomas-Morgan-Around-You-Is-A-Forest-Loveland-Music-2025--600x600.jpg 600w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2025\/11\/Thomas-Morgan-Around-You-Is-A-Forest-Loveland-Music-2025--200x200.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2025\/11\/Thomas-Morgan-Around-You-Is-A-Forest-Loveland-Music-2025--768x768.jpg 768w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2025\/11\/Thomas-Morgan-Around-You-Is-A-Forest-Loveland-Music-2025--465x465.jpg 465w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2025\/11\/Thomas-Morgan-Around-You-Is-A-Forest-Loveland-Music-2025--500x500.jpg 500w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2025\/11\/Thomas-Morgan-Around-You-Is-A-Forest-Loveland-Music-2025-.jpg 800w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/>El n\u00facleo del disco es <strong>WOODS<\/strong>, un instrumento virtual creado en <strong>SuperCollider<\/strong>, que simula cuerdas pulsadas y golpeadas. WOODS no es un simple sintetizador: es un sistema generativo que evoluciona, muta y responde a par\u00e1metros en tiempo real. Morgan lo dise\u00f1\u00f3 como una extensi\u00f3n de su pensamiento musical, y lo utiliza como base para una serie de <strong>duetos<\/strong> con m\u00fasicos excepcionales.<\/p>\n<p>Cada pieza del disco es una conversaci\u00f3n entre WOODS y un artista. En \u00abEddies\u00bb, <strong>Dan Weiss<\/strong> aporta la fluidez r\u00edtmica del <strong>tabla<\/strong>, evocando corrientes de agua en un bosque. En \u00abDream Sequence\u00bb, <strong>Craig Taborn<\/strong> a\u00f1ade grabaciones de campo y teclados, creando una atm\u00f3sfera cinematogr\u00e1fica. \u00abMurmuration\u00bb, con <strong>Immanuel Wilkins<\/strong>, es una explosi\u00f3n de saxofones que recuerdan a bandadas de aves. \u00abAssembly of All Beings\u00bb, con <strong>Ambrose Akinmusire<\/strong>, transforma la trompeta en un coro animal. \u00abIn the Dark\u00bb, con <strong>Henry Threadgill<\/strong>, es una proeza de contrapunto espont\u00e1neo. Y \u00abHere\u00bb, con <strong>Gary Snyder<\/strong>, une poes\u00eda y m\u00fasica en una reflexi\u00f3n c\u00f3smica.<\/p>\n<p>El disco fue grabado en sesiones dispersas a lo largo de 2024, en distintos estudios. La producci\u00f3n estuvo a cargo de <strong>David Breskin<\/strong>, <strong>Jakob Bro<\/strong> y Morgan. El dise\u00f1o gr\u00e1fico, obra de <strong>Tal R<\/strong>, refuerza la idea de bosque y comunidad, con \u00e1rboles que parecen aviones y tipograf\u00eda inspirada en lenguaje ensamblador.<\/p>\n<p><em>Around You Is A Forest<\/em> es tambi\u00e9n una reflexi\u00f3n sobre la <strong>comunidad art\u00edstica<\/strong>, la <strong>interconexi\u00f3n<\/strong> y la <strong>improvisaci\u00f3n<\/strong> como forma de vida. Morgan ve el jazz como una forma de <strong>hacking musical<\/strong>, donde la curiosidad y la colaboraci\u00f3n generan nuevas posibilidades. El disco es un homenaje a esa filosof\u00eda, y una invitaci\u00f3n a explorar un bosque sonoro donde cada \u00e1rbol es un m\u00fasico, y cada ra\u00edz una l\u00ednea de c\u00f3digo. Es una exploraci\u00f3n de la <strong>textura<\/strong>, el <strong>ritmo<\/strong> y la <strong>interacci\u00f3n<\/strong>, y demuestra que el c\u00f3digo puede ser tan expresivo como una nota de contrabajo. Un trabajo que plantea lo que puede ser el jazz en el siglo XXI.<\/p>\n<p style=\"text-align: right;\"><strong>\u00a9 Pachi \u201cA Soft Path: Curious Forest Piano Looping Jazz\u201d Tapiz, 2025<\/strong><\/p>\n<hr \/>\n<h3>Thomas Morgan: <em>Around You Is A Forest<\/em><\/h3>\n<p>M\u00fasicos: Thomas Morgan (contrabajo, WOODS); Dan Weiss (tabla); Craig Taborn (Farfisa, Fender Rhodes, sintetizadores, grabaciones de campo); Gerald Cleaver (bater\u00eda); Henry Threadgill (flauta, flauta baja); Ambrose Akinmusire (trompeta); Bill Frisell (guitarra ac\u00fastica y el\u00e9ctrica); Immanuel Wilkins (saxo alto); Gary Snyder (voz).<\/p>\n<p>Temas: \u00abAround You Is a Forest\u00bb (Thomas Morgan) 5:07, \u00abEddies\u00bb (Thomas Morgan, Dan Weiss) 6:48, \u00abDream Sequence\u00bb (Thomas Morgan, Craig Taborn) 6:03, \u00abThrough the Trees\u00bb (Thomas Morgan, Gerald Cleaver) 16:07, \u00abIn the Dark\u00bb (Thomas Morgan, Henry Threadgill) 4:47, \u00abAssembly of All Beings\u00bb (Thomas Morgan, Ambrose Akinmusire) 9:08, \u00abRising from the West\u00bb (Thomas Morgan, Bill Frisell) 11:01, \u00abMurmuration\u00bb (Thomas Morgan, Immanuel Wilkins) 8:36, \u00abHere\u00bb (Thomas Morgan, Gary Snyder) 5:29.<\/p>\n<p>Grabado entre abril y noviembre de 2024 en Figure 8 Recording y Opus Studios. T\u00e9cnicos: Philip Weinrobe, Michael Coleman, Adam Mu\u00f1oz, David Luke, Tyler Hicks. Editado por Nate Mendelsohn, Joseph Branciforte, Emi Makabe y Thomas Morgan. Mezclado por Joseph Branciforte en Greyfade Studio. Masterizado por David Elberling en Village Studio B. Producci\u00f3n: David Breskin, Thomas Morgan, Jakob Bro.<\/p>\n<hr \/>\n<h3>Curiosidades sobre <em>Around You Is A Forest<\/em><\/h3>\n<p>WOODS es un acr\u00f3nimo recursivo: <strong>Woods Often Oscillates Droning Strings<\/strong>. El instrumento fue inicialmente llamado \u00abpluck\u00bb y \u00abgarilom\u00bb. El poema \u00abHere\u00bb fue tomado de una entrevista de <strong>NPR<\/strong> con Gary Snyder. El dise\u00f1o gr\u00e1fico incluye \u00e1rboles que parecen aviones, en referencia a <strong>Monk<\/strong> y <strong>Motian<\/strong>.<\/p>\n<hr \/>\n<h3>Informaci\u00f3n sobre Thomas Morgan<\/h3>\n<p><strong>Thomas Morgan<\/strong> (nacido en 1981) es un contrabajista estadounidense. Ha trabajado con <strong>Paul Motian<\/strong>, <strong>Steve Coleman<\/strong>, <strong>Jakob Bro<\/strong>, <strong>Bill Frisell<\/strong> y <strong>John Abercrombie<\/strong>. Su estilo se caracteriza por la <strong>escucha activa<\/strong> y la <strong>improvisaci\u00f3n sensible<\/strong>. Grabaciones recomendadas: <em>Time<\/em> (con Jakob Bro), <em>The Windmills of Your Mind<\/em> (con Paul Motian), <em>Returnings<\/em> (ECM).<\/p>\n<hr \/>\n<h3>M\u00e1s acerca de Thomas Morgan y Loveland Music<\/h3>\n<p><a href=\"https:\/\/thomasmorgan.music\/\" target=\"_blank\" rel=\"noopener\">https:\/\/thomasmorgan.music\/<\/a><\/p>\n<p><a href=\"https:\/\/lovelandcph.bandcamp.com\/album\/around-you-is-a-forest\" target=\"_blank\" rel=\"noopener\">https:\/\/lovelandcph.bandcamp.com\/album\/around-you-is-a-forest<\/a><\/p>\n<p><a href=\"https:\/\/tomajazz.com\/web\/?s=thomas+morgan&amp;submit=Search\" target=\"_blank\" rel=\"noopener\">https:\/\/tomajazz.com\/web\/?s=thomas+morgan&amp;submit=Search<\/a><\/p>\n<p><a href=\"https:\/\/lovelandcph.bandcamp.com\/music\" target=\"_blank\" rel=\"noopener\">https:\/\/lovelandcph.bandcamp.com\/music<\/a><\/p>\n<p><a href=\"https:\/\/tomajazz.com\/web\/?s=loveland+music&amp;submit=Search\" target=\"_blank\" rel=\"noopener\">https:\/\/tomajazz.com\/web\/?s=loveland+music&amp;submit=Search<\/a><\/p>\n<h3>Pachi Tapiz en Tomajazz<\/h3>\n<p><a href=\"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/\" target=\"_blank\" rel=\"noopener\">https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Around You Is A Forest (Loveland Music; 2025) es el estreno como l\u00edder de Thomas Morgan, que adem\u00e1s del contrabajo emplea WOODS. Pachi Tapiz repasa la grabaci\u00f3n. Con Thomas Morgan, Dan Weiss, Craig Taborn, Gerald Cleaver, Henry Threadgill, Ambrose Akinmusire, Bill Frisell, Immanuel Wilkins, Gary Snyder<span class=\"more-link\"><a href=\"https:\/\/tomajazz.com\/web\/thomas-morgan-around-you-is-a-forest-2025\/\">Contin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":101745,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[5,17847,15517,1038],"tags":[167,1470,5413,6688,32895,1249,501,27061,685],"class_list":["entry","author-pachi","has-excerpt","post-101744","post","type-post","status-publish","format-standard","has-post-thumbnail","category-grabaciones","category-pachi-tapiz","category-textos","category-contenidos","tag-ambrose-akinmusire","tag-bill-frisell","tag-craig-taborn","tag-dan-weiss","tag-gary-snyder","tag-gerald-cleaver","tag-henry-threadgill","tag-immanuel-wilkins","tag-thomas-morgan"],"jetpack_featured_media_url":"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2025\/11\/Thomas-Morgan-Around-You-Is-A-Forest-Loveland-Music-2025-.jpg","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":70974,"url":"https:\/\/tomajazz.com\/web\/jakob-bro-joe-lovano-ecm-2022\/","url_meta":{"origin":101744,"position":0},"title":"Jakob Bro, Joe Lovano: Once Around The Room &#8211; A Tribute To Paul Motian (ECM, 2022) Por Pachi Tapiz [Grabaciones de jazz]","author":"Tomajazz","date":"13 febrero, 2023","format":false,"excerpt":"Jakob Bro y Joe Lovano rinden homenaje al gran Paul Motian en Once Around The Room - A Tribute To Paul Motian (ECM, 2022). Pachi Tapiz repasa esta grabaci\u00f3n.","rel":"","context":"En \u00abGrabaciones...\u00bb","block_context":{"text":"Grabaciones...","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/textos\/grabaciones\/"},"img":{"alt_text":"Jakob Bro, Joe Lovano: Once Around The Room - A Tribute To Paul Motian (ECM, 2022)","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2023\/02\/Jakob-Bro-Joe-Lovano-Once-Around-The-Room-A-Tribute-To-Paul-Motian-ECM-2022WEB.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2023\/02\/Jakob-Bro-Joe-Lovano-Once-Around-The-Room-A-Tribute-To-Paul-Motian-ECM-2022WEB.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2023\/02\/Jakob-Bro-Joe-Lovano-Once-Around-The-Room-A-Tribute-To-Paul-Motian-ECM-2022WEB.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2023\/02\/Jakob-Bro-Joe-Lovano-Once-Around-The-Room-A-Tribute-To-Paul-Motian-ECM-2022WEB.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":32785,"url":"https:\/\/tomajazz.com\/web\/scott-dubois-autumn-wind-act-2017-cd\/","url_meta":{"origin":101744,"position":1},"title":"Scott DuBois: Autumn Wind (ACT, 2017) [CD]","author":"Tomajazz","date":"19 octubre, 2017","format":false,"excerpt":"De la Luz de Invierno al Viento de Oto\u00f1o apenas han transcurrido dos a\u00f1os y la creatividad permanece inalterable, como si de aquel a \u00e9ste no hubiera pasado el tiempo, como si \u00e9ste fuera el mudo testigo de una m\u00fasica cuya esencia no perteneciera a ning\u00fan lugar ni tiempo sino\u2026","rel":"","context":"En \u00ab*_Enrique Farelo\u00bb","block_context":{"text":"*_Enrique Farelo","link":"https:\/\/tomajazz.com\/web\/category\/enrique-farelo\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/10\/Scott-Dubois_Autumn-Wind.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":21489,"url":"https:\/\/tomajazz.com\/web\/dubois-goods-rantala-norby-danielsson-baldych-lien-trio-novedades-en-act-hdo-0053-audioblog\/","url_meta":{"origin":101744,"position":2},"title":"DuBois, Goods, Rantala, Norby &#8211; Danielsson, Baldych &#8211; Lien Trio: novedades en ACT. HDO (0053) [Audioblog]","author":"Tomajazz","date":"24 diciembre, 2015","format":"audio","excerpt":"Repaso en HDO a unas cuantas novedades discogr\u00e1ficas en el siempre interesante sello ACT, que sirven a su vez para mostrar las m\u00faltiples facetas que ofrece\u00a0su m\u00fasica. Scott Dubois en Winter Light es capaz de describir paisajes musicales: un guitarrista que merece un mayor reconocimiento que se est\u00e1 labrando grabaci\u00f3n\u2026","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2015\/12\/Scott-Dubois_Winter-light_ACT_2015.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":21260,"url":"https:\/\/tomajazz.com\/web\/scott-dubois-winter-light-act-2015-cd\/","url_meta":{"origin":101744,"position":3},"title":"Scott DuBois: Winter Light (ACT, 2015. CD)","author":"Tomajazz","date":"9 diciembre, 2015","format":false,"excerpt":"\u00c9rase una guitarra a un guitarrista pegado, \u00e9rase un guitarrista superlativo, \u00e9rase un guitarrista desconocido, \u00e9rase uno de los mejores guitarristas de la actualidad. \u00c9rase Scott DuBois, un guitarrista al que no se hace justicia y que deber\u00eda estar en el p\u00f3dium de los m\u00e1s grandes del momento, y que\u2026","rel":"","context":"En \u00ab*_Enrique Farelo\u00bb","block_context":{"text":"*_Enrique Farelo","link":"https:\/\/tomajazz.com\/web\/category\/enrique-farelo\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2015\/12\/Scott-Dubois_Winter-Light_ACT_2015.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":66950,"url":"https:\/\/tomajazz.com\/web\/charles-lloyd-trios-chapel-jazzx5\/","url_meta":{"origin":101744,"position":4},"title":"\u201cBloodcount\u201d [Charles Lloyd Trios Chapel (Blue Note, 2022)] Por Pachi Tapiz. JazzX5 #523 [Minipodcast de jazz]","author":"Tomajazz","date":"24 septiembre, 2022","format":false,"excerpt":"En JazzX5 escuchamos \"Bloodcount\", composici\u00f3n de Billy Strayhorn que aparece en la nueva grabaci\u00f3n de Charles Lloyd Trios Chapel (Blue Note, 2022), en la que al saxofonista le acompa\u00f1an el guitarrista Bill Frisell y el contrabajista Thomas Morgan. JazzX5 es un podcast de Pachi Tapiz.","rel":"","context":"En \u00abJazzX5\u00bb","block_context":{"text":"JazzX5","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/sonidos\/podcast\/jazzx5\/"},"img":{"alt_text":"\u201cBloodcount\u201d [Charles Lloyd Trios Chapel (Blue Note, 2022)] Por Pachi Tapiz. JazzX5 #523 [Minipodcast de jazz]","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2022\/09\/JazzX5_0523.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2022\/09\/JazzX5_0523.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2022\/09\/JazzX5_0523.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2022\/09\/JazzX5_0523.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":5940,"url":"https:\/\/tomajazz.com\/web\/giovanni-guidi-trio-city-of-broken-dreams-ecm-2013\/","url_meta":{"origin":101744,"position":5},"title":"Giovanni Guidi Trio: City Of Broken Dreams (ECM, 2013)","author":"Tomajazz","date":"30 abril, 2013","format":false,"excerpt":"Giovanni Guidi (1985), tras participar en un par de grabaciones junto a Enrico Rava\u00a0en ECM,\u00a0se estrena como l\u00edder en el sello muniqu\u00e9s con City Of Broken Dreams. El pianista italiano es el autor de los diez temas incluidos en este CD. Le acompa\u00f1an en este tr\u00edo\u00a0Thomas Morgan (contrabajo) y Joao\u2026","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2013\/04\/Giovanni-Guidi-Trio-City-Of-Broken-Dreams-ECM-2013.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]}],"_links":{"self":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/101744","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/comments?post=101744"}],"version-history":[{"count":3,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/101744\/revisions"}],"predecessor-version":[{"id":101748,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/101744\/revisions\/101748"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media\/101745"}],"wp:attachment":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media?parent=101744"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/categories?post=101744"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/tags?post=101744"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}