{"id":101751,"date":"2025-11-14T12:30:14","date_gmt":"2025-11-14T11:30:14","guid":{"rendered":"https:\/\/tomajazz.com\/web\/?p=101751"},"modified":"2025-11-12T22:25:32","modified_gmt":"2025-11-12T21:25:32","slug":"chad-taylor-smoke-shifter-2025","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/chad-taylor-smoke-shifter-2025\/","title":{"rendered":"Chad Taylor: Smoke Shifter (Otherly Love Records; 2025) Por Pachi Tapiz [Grabaci\u00f3n de jazz]"},"content":{"rendered":"<p>En <em>Smoke Shifter<\/em>, <strong>Chad Taylor<\/strong> se reafirma como uno de los compositores y bateristas m\u00e1s interesantes del jazz actual. Su enfoque pedag\u00f3gico, influenciado por <strong>Joe Chambers<\/strong>, se traduce en una pr\u00e1ctica colaborativa donde cada integrante del quinteto aporta composiciones que enriquecen el discurso musical.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-101752 size-medium\" title=\"Chad Taylor: Smoke Shifter (Otherly Love Records; 2025) Por Pachi Tapiz [Grabaci\u00f3n de jazz] Tomajazz Chad Taylor Smoke Shifter Otherly Love Records; 2025 Tomajazz\" src=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2025\/11\/Chad-Taylor-Smoke-Shifter-Otherly-Love-Records-2025-Tomajazz-300x300.jpg\" alt=\"Chad Taylor: Smoke Shifter (Otherly Love Records; 2025) Por Pachi Tapiz [Grabaci\u00f3n de jazz] - Tomajazz - Smoke Shifter (Otherly Love Records; 2025) es lo nuevo del baterista Chad Taylor. Pachi Tapiz repasa la grabaci\u00f3n. Con Chad Taylor, Jonathan Finlayson, Bryan Rogers, Victor Vieira-Branco, Matt Engle\" width=\"300\" height=\"300\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2025\/11\/Chad-Taylor-Smoke-Shifter-Otherly-Love-Records-2025-Tomajazz-300x300.jpg 300w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2025\/11\/Chad-Taylor-Smoke-Shifter-Otherly-Love-Records-2025-Tomajazz-600x600.jpg 600w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2025\/11\/Chad-Taylor-Smoke-Shifter-Otherly-Love-Records-2025-Tomajazz-200x200.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2025\/11\/Chad-Taylor-Smoke-Shifter-Otherly-Love-Records-2025-Tomajazz-768x768.jpg 768w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2025\/11\/Chad-Taylor-Smoke-Shifter-Otherly-Love-Records-2025-Tomajazz-465x465.jpg 465w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2025\/11\/Chad-Taylor-Smoke-Shifter-Otherly-Love-Records-2025-Tomajazz-500x500.jpg 500w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2025\/11\/Chad-Taylor-Smoke-Shifter-Otherly-Love-Records-2025-Tomajazz.jpg 800w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/>La formaci\u00f3n incluye a <strong>Jonathan Finlayson<\/strong> (trompeta), <strong>Bryan Rogers<\/strong> (saxo tenor), <strong>Victor Vieira-Branco<\/strong> (vibr\u00e1fono), <strong>Matt Engle<\/strong> (contrabajo) y el propio Taylor (bater\u00eda). Todos, salvo Finlayson, tienen una fuerte conexi\u00f3n con la escena de Filadelfia, y han trabajado juntos en distintos proyectos desde hace a\u00f1os.<\/p>\n<p>El disco se estructura en dos caras. La primera incluye \u00abBroken Horse\u00bb, \u00abAvian Shadow\u00bb y \u00abWaltz for Meghan\u00bb, mientras que la segunda presenta \u00abSmoke Shifter\u00bb, \u00abOctober 26th\u00bb y \u00abParadise Lawns \/ October 29th\u00bb. Cada tema est\u00e1 cuidadosamente ordenado para crear una narrativa sonora coherente.<\/p>\n<p>\u00abBroken Horse\u00bb destaca por su l\u00ednea de bajo y su interacci\u00f3n r\u00edtmica, mientras que \u00abAvian Shadow\u00bb propone una arquitectura musical donde la improvisaci\u00f3n se integra org\u00e1nicamente con la composici\u00f3n. \u00abWaltz for Meghan\u00bb es una pieza emotiva, construida a partir de secciones escritas con veinte a\u00f1os de diferencia.<\/p>\n<p>La segunda cara comienza con el tema titular, \u00abSmoke Shifter\u00bb, una obra angular y directa. \u00abOctober 26th\u00bb ofrece una atm\u00f3sfera on\u00edrica, y \u00abParadise Lawns \/ October 29th\u00bb cierra el disco con una suite que combina polirritmia y lirismo.<\/p>\n<p>La grabaci\u00f3n se realiz\u00f3 en una o dos tomas por tema, lo que aporta frescura y espontaneidad al resultado final.\u00a0<em>Smoke Shifter<\/em> es una obra que desaf\u00eda las etiquetas, situada entre el <strong>free jazz<\/strong> y el <strong>hard bop<\/strong>, pero con una identidad propia. Es un testimonio de la capacidad del jazz para renovarse sin perder su esencia, y una muestra del talento de Chad Taylor como compositor, int\u00e9rprete y l\u00edder.<\/p>\n<p style=\"text-align: right;\"><strong>\u00a9 Pachi \u201cYorfamenterdal\u201d Tapiz, 2025<\/strong><\/p>\n<hr \/>\n<h3>Chad Taylor: <em>Smoke Shifter <\/em><\/h3>\n<p><strong>M\u00fasicos:<\/strong> Chad Taylor (bater\u00eda); Jonathan Finlayson (trompeta); Bryan Rogers (saxo tenor); Victor Vieira-Branco (vibr\u00e1fono); Matt Engle (contrabajo)<\/p>\n<p><strong>Temas:<\/strong> 1 \u00abBroken Horse\u00bb (Bryan Rogers) 6:12 2 \u00abAvian Shadow\u00bb (Matt Engle) 7:45 3 \u00abWaltz for Meghan\u00bb (Chad Taylor) 8:03 4 \u00abSmoke Shifter\u00bb (Chad Taylor) 6:50 5 \u00abOctober 26th\u00bb (Victor Vieira-Branco) 5:40 6 \u00abParadise Lawns \/ October 29th\u00bb (Victor Vieira-Branco) 9:10<\/p>\n<p><strong>Grabaci\u00f3n:<\/strong> Grabado en Samurai Hotel Recording el 9 de mayo de 2024. T\u00e9cnico de grabaci\u00f3n Grady Bajorek. Mezclado por David Stoller. Masterizado por Dave Gardner. Arte de portada por John Herndon. Publicado por Otherly Love Records.<\/p>\n<hr \/>\n<h3><strong>Curiosidades sobre <em>Smoke Shifter <\/em><\/strong><\/h3>\n<p>El tema \u00abWaltz for Meghan\u00bb incluye secciones escritas con veinte a\u00f1os de diferencia. Vieira-Branco tom\u00f3 clases de mbira con Taylor durante la pandemia. La banda toc\u00f3 tres conciertos antes de grabar el disco, lo que permiti\u00f3 una gran cohesi\u00f3n. Todos los temas se grabaron en una o dos tomas. El quinteto se form\u00f3 de manera org\u00e1nica, sin planificaci\u00f3n previa.<\/p>\n<hr \/>\n<h3><strong>Informaci\u00f3n sobre Chad Taylor<\/strong><\/h3>\n<p><strong>Chad Taylor<\/strong> (nacido en 1973) es un baterista y compositor estadounidense conocido por su trabajo en el Chicago Underground y colaboraciones con artistas como <strong>Rob Mazurek<\/strong>, <strong>Fred Anderson<\/strong>, <strong>James Brandon Lewis<\/strong> y <strong>Marc Ribot<\/strong>. Actualmente dirige el programa de jazz en la Universidad de Pittsburgh.<\/p>\n<p><strong>Grabaciones recomendadas:<\/strong> <em>The Daily Biological<\/em>, <em>Myths and Morals<\/em>, <em>Circle Down<\/em>, <em>The Path to the Infinite<\/em><\/p>\n<hr \/>\n<h3>M\u00e1s acerca de Chad Taylor y Otherly Love Records<\/h3>\n<p><a href=\"https:\/\/www.instagram.com\/chadedwardtaylor\/\" target=\"_blank\" rel=\"noopener\">https:\/\/www.instagram.com\/chadedwardtaylor\/<\/a><\/p>\n<p><a href=\"https:\/\/chadtaylordrums.bandcamp.com\/album\/smoke-shifter\" target=\"_blank\" rel=\"noopener\">https:\/\/chadtaylordrums.bandcamp.com\/album\/smoke-shifter<\/a><\/p>\n<p><a href=\"https:\/\/tomajazz.com\/web\/?s=chad+taylor&amp;submit=Search\" target=\"_blank\" rel=\"noopener\">https:\/\/tomajazz.com\/web\/?s=chad+taylor&amp;submit=Search<\/a><\/p>\n<p><a href=\"https:\/\/www.instagram.com\/otherly_love\/\" target=\"_blank\" rel=\"noopener\">https:\/\/www.instagram.com\/otherly_love\/<\/a><\/p>\n<p><a href=\"https:\/\/www.otherlylove.net\/\" target=\"_blank\" rel=\"noopener\">https:\/\/www.otherlylove.net\/<\/a><\/p>\n<p><a href=\"https:\/\/tomajazz.com\/web\/?s=otherly+love+records&amp;submit=Search\" target=\"_blank\" rel=\"noopener\">https:\/\/tomajazz.com\/web\/?s=otherly+love+records&amp;submit=Search<\/a><\/p>\n<h3>Pachi Tapiz en Tomajazz<\/h3>\n<p><a href=\"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/\" target=\"_blank\" rel=\"noopener\">https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Smoke Shifter (Otherly Love Records; 2025) es lo nuevo del baterista Chad Taylor. Pachi Tapiz repasa la grabaci\u00f3n. Con Chad Taylor, Jonathan Finlayson, Bryan Rogers, Victor Vieira-Branco, Matt Engle<span class=\"more-link\"><a href=\"https:\/\/tomajazz.com\/web\/chad-taylor-smoke-shifter-2025\/\">Contin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":101752,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[5,17847,15517,1038],"tags":[32896,6892,6336,32898,32899,31,32897],"class_list":["entry","author-pachi","has-excerpt","post-101751","post","type-post","status-publish","format-standard","has-post-thumbnail","category-grabaciones","category-pachi-tapiz","category-textos","category-contenidos","tag-bryan-rogers","tag-chad-taylor","tag-jonathan-finlayson","tag-matt-engle","tag-otherly-love-records","tag-pachi-tapiz","tag-victor-vieira-branco"],"jetpack_featured_media_url":"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2025\/11\/Chad-Taylor-Smoke-Shifter-Otherly-Love-Records-2025-Tomajazz.jpg","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":50588,"url":"https:\/\/tomajazz.com\/web\/jazzx5210-chad-taylor-trio-resistance-the-daily-biological-minipodcast\/","url_meta":{"origin":101751,"position":0},"title":"JazzX5#210. Chad Taylor Trio: Resistance (the daily biological) [Minipodcast]","author":"Tomajazz","date":"7 mayo, 2020","format":false,"excerpt":"En JazzX5 210 el tema \"Resistance\" incluido en la nueva grabaci\u00f3n del Chad Taylor Trio, titulada the daily biological (Cuneiform Records).","rel":"","context":"En \u00abPodcast\u00bb","block_context":{"text":"Podcast","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/sonidos\/podcast\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2020\/05\/JazzX5_210.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2020\/05\/JazzX5_210.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2020\/05\/JazzX5_210.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2020\/05\/JazzX5_210.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":54358,"url":"https:\/\/tomajazz.com\/web\/james-brandon-lewis-chad-taylor-live-in-willisau-intakt-2020-grabacion-de-jazz-por-pachi-tapiz\/","url_meta":{"origin":101751,"position":1},"title":"James Brandon Lewis &#8211; Chad Taylor: Live In Willisau (Intakt. 2020) [Grabaci\u00f3n de jazz] Por Pachi Tapiz","author":"Tomajazz","date":"16 abril, 2021","format":false,"excerpt":"Fabulosa la grabaci\u00f3n \"Live In Willisau\" (Intakt. 2020) en directo, mano a mano, del baterista y percusionista Chad Taylor y del saxofonista James Brandon Lewis, registrada el 1 de septiembre de 2019 en el Jazz Festival de Willisau en Suiza, y publicada por el sello helv\u00e9tico Intakt. Rese\u00f1a por Pachi\u2026","rel":"","context":"En \u00abTextos\u00bb","block_context":{"text":"Textos","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/textos\/"},"img":{"alt_text":"James Brandon Lewis - Chad Taylor: Live In Willisau (Intakt. 2020)","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2021\/04\/James-Brandon-Lewis-Chad-Taylor_Live-In-Willisau_Intakt.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":36739,"url":"https:\/\/tomajazz.com\/web\/hdo-412-chad-taylor-ramon-lopez-jon-irabagon-podcast\/","url_meta":{"origin":101751,"position":2},"title":"HDO 412. Chad Taylor, Ram\u00f3n L\u00f3pez, Jon Irabagon [Podcast]","author":"Tomajazz","date":"15 mayo, 2018","format":false,"excerpt":"Tres novedades discogr\u00e1ficas de 2018, reci\u00e9n salidas del horno, suenan en la entrega 412 de HDO. En primer lugar\u00a0Myths & Morals\u00a0(Ears & Eyes Records), grabaci\u00f3n en solitario del gran baterista Chad Taylor, en la que demuestra la facilidad con la que se mueve por distintos terrenos de la m\u00fasica creativa.\u2026","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2018\/05\/Ramon-Lopez-Percy-Pursglove-Rafal-Mazur_Threeforld.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2018\/05\/Ramon-Lopez-Percy-Pursglove-Rafal-Mazur_Threeforld.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2018\/05\/Ramon-Lopez-Percy-Pursglove-Rafal-Mazur_Threeforld.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":38085,"url":"https:\/\/tomajazz.com\/web\/hdo-437-rodrigo-amado-ramon-lopez-chad-taylor-podcast\/","url_meta":{"origin":101751,"position":3},"title":"HDO 437. Rodrigo Amado, Ram\u00f3n L\u00f3pez, Chad Taylor [Podcast]","author":"Tomajazz","date":"6 agosto, 2018","format":false,"excerpt":"Por Pachi Tapiz En HDO 437 escuchamos A History Of Nothing (Trost Records), lo nuevo del saxofonista Rodrigo Amado\u00a0junto a Kent Kessler, Chris Corsano y Joe McPhee; tambi\u00e9n Threefold (Not Two) de Ram\u00f3n L\u00f3pez\u00a0(junto a Rafal Mazur y Percy Pursglove), y Myths And Morals de Chad Taylor\u00a0en solitario. Tomajazz: \u00a9\u2026","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2018\/07\/Rodrigo-Amado_A-History-Of-Nothing.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2018\/07\/Rodrigo-Amado_A-History-Of-Nothing.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2018\/07\/Rodrigo-Amado_A-History-Of-Nothing.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2018\/07\/Rodrigo-Amado_A-History-Of-Nothing.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":56020,"url":"https:\/\/tomajazz.com\/web\/jazzx5224-james-brandon-lewis-chad-taylor-willisee-live-in-willisau-2021-minipodcast-por-pachi-tapiz\/","url_meta":{"origin":101751,"position":4},"title":"JazzX5#224. James Brandon Lewis &#8211; Chad Taylor: \u00abWillisee\u00bb [Live In Willisau (2021)] [Minipodcast] Por Pachi Tapiz","author":"Tomajazz","date":"29 julio, 2021","format":false,"excerpt":"\"Willisee\", composici\u00f3n de Dewey Redman, interpretada por James Brandon Lewis y Chad Taylor y registrada en Live In Willisau (Intakt Records), en el podcast JazzX5 de Pachi Tapiz.","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2021\/07\/JazzX5_224.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2021\/07\/JazzX5_224.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2021\/07\/JazzX5_224.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2021\/07\/JazzX5_224.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":101631,"url":"https:\/\/tomajazz.com\/web\/cecil-taylor-flashing-spirits-2025\/","url_meta":{"origin":101751,"position":5},"title":"Cecil Taylor &#8211; Tony Oxley: Flashing Spirits (Burning Ambulance Music; 1988 publicado en 2025) Por Pachi Tapiz [Grabaci\u00f3n de jazz]","author":"Tomajazz","date":"10 noviembre, 2025","format":false,"excerpt":"Flashing Spirits es una grabaci\u00f3n in\u00e9dita de Cecil Taylor - Tony Oxley publicada por Burning Ambulance Music en 2025. Pachi Tapiz repasa la grabaci\u00f3n","rel":"","context":"En \u00abGrabaciones...\u00bb","block_context":{"text":"Grabaciones...","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/textos\/grabaciones\/"},"img":{"alt_text":"Cecil Taylor - Tony Oxley: Flashing Spirits (Burning Ambulance Music; 1988 publicado en 2025) Por Pachi Tapiz [Grabaci\u00f3n de jazz] - Tomajazz - Flashing Spirits es una grabaci\u00f3n in\u00e9dita de Cecil Taylor - Tony Oxley publicada por Burning Ambulance Music en 2025. Pachi Tapiz repasa la grabaci\u00f3n","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/11\/Cecil-Taylor-Tony-Oxley-Flashing-Spirits-Burning-Ambulance-Music-1988-publicado-en-2025-Tomajazz.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/11\/Cecil-Taylor-Tony-Oxley-Flashing-Spirits-Burning-Ambulance-Music-1988-publicado-en-2025-Tomajazz.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/11\/Cecil-Taylor-Tony-Oxley-Flashing-Spirits-Burning-Ambulance-Music-1988-publicado-en-2025-Tomajazz.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/11\/Cecil-Taylor-Tony-Oxley-Flashing-Spirits-Burning-Ambulance-Music-1988-publicado-en-2025-Tomajazz.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]}],"_links":{"self":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/101751","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/comments?post=101751"}],"version-history":[{"count":1,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/101751\/revisions"}],"predecessor-version":[{"id":101753,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/101751\/revisions\/101753"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media\/101752"}],"wp:attachment":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media?parent=101751"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/categories?post=101751"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/tags?post=101751"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}