{"id":101972,"date":"2025-11-19T12:30:16","date_gmt":"2025-11-19T11:30:16","guid":{"rendered":"https:\/\/tomajazz.com\/web\/?p=101972"},"modified":"2025-11-18T23:27:34","modified_gmt":"2025-11-18T22:27:34","slug":"mark-sherman-bop-contest-2025","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/mark-sherman-bop-contest-2025\/","title":{"rendered":"Mark Sherman: Bop Contest (Miles High Records; 2025) Por Pachi Tapiz [Grabaci\u00f3n de jazz]"},"content":{"rendered":"

\"MarkBop Contest<\/em> es una obra que combina tradici\u00f3n, innovaci\u00f3n y ejecuci\u00f3n impecable. Mark Sherman<\/strong> nos invita a un viaje por el coraz\u00f3n del bebop, estilo que marc\u00f3 su formaci\u00f3n desde la adolescencia, en su vig\u00e9simo segundo \u00e1lbum como l\u00edder, grabado en los legendarios Van Gelder Recording Studios<\/strong>.<\/p>\n

La formaci\u00f3n incluye a Ron Carter<\/strong> (contrabajo), Donald Vega<\/strong> (piano), Carl Allen<\/strong> (bater\u00eda) y Joe Magnarelli<\/strong> (trompeta y fliscorno en los temas 2 y 5). Carter, con m\u00e1s de 2.200 grabaciones, aporta una sabidur\u00eda sonora \u00fanica. Vega ofrece una sensibilidad especial al piano. Allen sostiene el pulso r\u00edtmico con precisi\u00f3n, y Magnarelli a\u00f1ade su voz c\u00e1lida y expresiva.<\/p>\n

El repertorio incluye siete temas que recorren diferentes formas del jazz. \u00ab111-44\u00bb (Oliver Nelson) es una pieza energ\u00e9tica y compleja. \u00abLove Always Always Love\u00bb (Sherman) refleja su filosof\u00eda vital: dar amor para recibirlo. \u00abBremond’s Blues\u00bb y \u00abMartha’s Prize\u00bb (Cedar Walton) muestran la influencia del maestro en la escritura de Sherman. \u00abMy One and Only Love\u00bb se transforma en una bossa nova sofisticada, mientras que \u00abSkylark\u00bb se presenta en un d\u00fao \u00edntimo.<\/p>\n

El tema central, \u00abBop Contest\u00bb, es el coraz\u00f3n del disco. Compuesto por Sherman, es una pieza vertiginosa que exige lo mejor de cada m\u00fasico. La interacci\u00f3n entre los solistas, el ritmo fren\u00e9tico y la complejidad mel\u00f3dica lo convierten en un verdadero concurso de bebop.<\/p>\n

\u00a9 Pachi \u201cNamersh Kram\u201d Tapiz, 2025<\/strong><\/p>\n

\n

Mark Sherman: Bop Contest<\/em><\/h3>\n

M\u00fasicos:<\/strong> Mark Sherman (vibr\u00e1fono); Donald Vega (piano); Ron Carter (contrabajo); Carl Allen (bater\u00eda); Joe Magnarelli (trompeta y fliscorno en los temas 2 y 5)<\/p>\n

Temas:<\/strong> \u00ab111-44\u00bb (Oliver Nelson) 5:06 \u00abLove Always Always Love\u00bb (Mark Sherman) 6:38 \u00abBremond’s Blues\u00bb (Cedar Walton) 5:10 \u00abMy One And Only Love\u00bb (Guy Wood & Robert Mellin) 5:00 \u00abBop Contest\u00bb (Mark Sherman) 5:07 \u00abMartha’s Prize\u00bb (Cedar Walton) 6:02 \u00abSkylark\u00bb (Johnny Mercer & Hoagy Carmichael) 4:41<\/p>\n

Informaci\u00f3n adicional:<\/strong> Grabado el 28 de febrero de 2025 en Van Gelder Recording Studios, Englewood, Nueva Jersey. Ingeniera de grabaci\u00f3n y mezcla: Maureen Sickler. Edici\u00f3n y masterizaci\u00f3n: Nicholas Prout. Ilustraci\u00f3n de portada: Ella Sherman. Dise\u00f1o gr\u00e1fico: Christopher Drukker.<\/p>\n

\n

Curiosidades sobre Bop Contest<\/em><\/strong><\/h3>\n

El t\u00edtulo del disco es un gui\u00f1o a un episodio de la serie The Honeymooners<\/em>, donde se menciona un concurso de baile \u00abbop\u00bb que inspir\u00f3 a Sherman y Magnarelli, ambos fan\u00e1ticos de la serie. El tema \u00abSkylark\u00bb fue grabado como un d\u00fao entre Sherman al piano y al vibr\u00e1fono, mostrando su doble faceta como int\u00e9rprete.<\/p>\n

\n

Informaci\u00f3n sobre Mark Sherman<\/strong><\/h3>\n

Mark Sherman<\/strong> (n. 1957) es vibrafonista, pianista y compositor. Ha sido galardonado en m\u00faltiples ocasiones en la DownBeat Critics Poll<\/em> y ha trabajado con figuras como Wynton Marsalis<\/strong>, Kenny Barron<\/strong>, Joe Lovano<\/strong>, Peggy Lee<\/strong> y Larry Coryell<\/strong>. Tambi\u00e9n ha colaborado con artistas pop como Michael Bolton<\/strong> y Natalie Cole<\/strong>. Es profesor en la Juilliard School<\/strong>.<\/p>\n

Grabaciones recomendadas:<\/strong> Interplay<\/em> (2015, con Kenny Barron), My Other Voice<\/em> (2019), The Motive Series<\/em>, Live at the Bird’s Eye<\/em>.<\/p>\n

\n

M\u00e1s acerca de Mark Sherman y Miles High Records<\/h3>\n

https:\/\/www.instagram.com\/msherjazz\/<\/a><\/p>\n

https:\/\/tomajazz.com\/web\/?s=mark+sherman&submit=Search<\/a><\/p>\n

https:\/\/mileshighrecords.com\/<\/a><\/p>\n

https:\/\/tomajazz.com\/web\/?s=miles+high+records&submit=Search<\/a><\/p>\n

Pachi Tapiz en Tomajazz<\/h3>\n

https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

Bop Contest (Miles High Records; 2025) es la nueva grabaci\u00f3n de Mark Sherman. Pachi Tapiz repasa la grabaci\u00f3n. Con Mark Sherman, Ron Carter, Donald Vega, Carl Allen, Joe MagnarelliContin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":101973,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[5,17847,15517,1038],"tags":[7408,21774,6652,32938,6332,31,2158],"class_list":["entry","author-pachi","has-excerpt","post-101972","post","type-post","status-publish","format-standard","has-post-thumbnail","category-grabaciones","category-pachi-tapiz","category-textos","category-contenidos","tag-carl-allen","tag-donald-vega","tag-joe-magnarelli","tag-mark-sherman","tag-miles-high-records","tag-pachi-tapiz","tag-ron-carter"],"jetpack_featured_media_url":"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2025\/11\/Mark-Sherman-Bop-Contest-Miles-High-Records-2025-Tomajazz.jpg","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":101751,"url":"https:\/\/tomajazz.com\/web\/chad-taylor-smoke-shifter-2025\/","url_meta":{"origin":101972,"position":0},"title":"Chad Taylor: Smoke Shifter (Otherly Love Records; 2025) Por Pachi Tapiz [Grabaci\u00f3n de jazz]","author":"Tomajazz","date":"14 noviembre, 2025","format":false,"excerpt":"Smoke Shifter (Otherly Love Records; 2025) es lo nuevo del baterista Chad Taylor. 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Con Chad Taylor, Jonathan Finlayson, Bryan Rogers, Victor Vieira-Branco, Matt Engle","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/11\/Chad-Taylor-Smoke-Shifter-Otherly-Love-Records-2025-Tomajazz.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/11\/Chad-Taylor-Smoke-Shifter-Otherly-Love-Records-2025-Tomajazz.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/11\/Chad-Taylor-Smoke-Shifter-Otherly-Love-Records-2025-Tomajazz.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/11\/Chad-Taylor-Smoke-Shifter-Otherly-Love-Records-2025-Tomajazz.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":102562,"url":"https:\/\/tomajazz.com\/web\/rahsaan-roland-kirk-seek-listen-1967-2025\/","url_meta":{"origin":101972,"position":1},"title":"Rahsaan Roland Kirk: Seek & Listen: Live at the Penthouse (Resonance Records; 1967; Publicaci\u00f3n 2025) Por Pachi Tapiz [Grabaci\u00f3n de jazz]","author":"Tomajazz","date":"4 diciembre, 2025","format":false,"excerpt":"Seek & Listen: Live at the Penthouse (Resonance Records; 1967; Publicaci\u00f3n 2025) es una grabaci\u00f3n in\u00e9dita de Rahsaan Roland Kirk. 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Pachi Tapiz repasa la grabaci\u00f3n","rel":"","context":"En \u00abTomajazz (la revista) al completo\u00bb","block_context":{"text":"Tomajazz (la revista) al completo","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/"},"img":{"alt_text":"Dave Stryker: Stryker with Strings Goes to the Movies (Strikezone Records; 2025) Por Pachi Tapiz [Grabaci\u00f3n de jazz] - Tomajazz - Stryker with Strings Goes to the Movies (Strikezone Records; 2025) es la nueva grabaci\u00f3n del guitarrista Dave Stryker. 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Pachi Tapiz repasa la grabaci\u00f3n","rel":"","context":"En \u00abGrabaciones...\u00bb","block_context":{"text":"Grabaciones...","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/textos\/grabaciones\/"},"img":{"alt_text":"Mother Tongue: Mother Tongue (Makkum Records\/De Platenbakkerij\/Astral Spirits; 2025) Por Pachi Tapiz [Grabaci\u00f3n de jazz] - Tomajazz - Mother Tongue (Makkum Records\/De Platenbakkerij\/Astral Spirits; 2025) es el estreno hom\u00f3nimo del tr\u00edo integrado por \nMola Sylla, Oscar Jan Hoogland, Frank Rosaly\nPor Pachi Tapiz","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/10\/Mother-Tongue-Mother-Tongue-Makkum-Records-2025-Tomajazz.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/10\/Mother-Tongue-Mother-Tongue-Makkum-Records-2025-Tomajazz.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/10\/Mother-Tongue-Mother-Tongue-Makkum-Records-2025-Tomajazz.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/10\/Mother-Tongue-Mother-Tongue-Makkum-Records-2025-Tomajazz.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]}],"_links":{"self":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/101972","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/comments?post=101972"}],"version-history":[{"count":1,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/101972\/revisions"}],"predecessor-version":[{"id":101974,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/101972\/revisions\/101974"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media\/101973"}],"wp:attachment":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media?parent=101972"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/categories?post=101972"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/tags?post=101972"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}