{"id":102179,"date":"2025-11-25T17:00:32","date_gmt":"2025-11-25T16:00:32","guid":{"rendered":"https:\/\/tomajazz.com\/web\/?p=102179"},"modified":"2025-11-25T13:30:44","modified_gmt":"2025-11-25T12:30:44","slug":"lena-bloch-marina-2025","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/lena-bloch-marina-2025\/","title":{"rendered":"Lena Bloch: Marina (Fresh Sound Records; 2025) Por Pachi Tapiz [Grabaci\u00f3n de jazz]"},"content":{"rendered":"<p>Hay obras que se sit\u00faan en el l\u00edmite entre g\u00e9neros, que desdibujan fronteras para crear un territorio propio. <strong><em>Marina<\/em><\/strong>, de <strong>Lena Bloch<\/strong>, es una de ellas. Inspirada en los poemas de <strong>Marina Tsvetaeva<\/strong>, esta suite jazz\u00edstica es un viaje por la memoria, la identidad y la fuerza indomable del esp\u00edritu humano. Bloch, nacida en Mosc\u00fa y residente en Nueva York, comparte con Tsvetaeva la condici\u00f3n de exiliada, la sensaci\u00f3n de no pertenecer del todo. Esa experiencia se traduce en m\u00fasica que respira libertad.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-102180 size-medium\" title=\"Lena Bloch: Marina (Fresh Sound Records; 2025) Por Pachi Tapiz [Grabaci\u00f3n de jazz] Tomajazz Lena Bloch Marina Fresh Sound Records; 2025 Tomajazz\" src=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2025\/11\/Lena-Bloch-Marina-Fresh-Sound-Records-2025-Tomajazz-300x271.jpg\" alt=\"Lena Bloch: Marina (Fresh Sound Records; 2025) Por Pachi Tapiz [Grabaci\u00f3n de jazz] - Tomajazz - Marina (Fresh Sound Records; 2025) es la nueva grabaci\u00f3n de la saxofonista Lena Bloch. Pachi Tapiz repasa la grabaci\u00f3n. Con Lena Bloch, Kyoko Kitamura, Jacob Sacks, Ken Filiano, Michael Sarin\" width=\"300\" height=\"271\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2025\/11\/Lena-Bloch-Marina-Fresh-Sound-Records-2025-Tomajazz-300x271.jpg 300w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2025\/11\/Lena-Bloch-Marina-Fresh-Sound-Records-2025-Tomajazz-600x541.jpg 600w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2025\/11\/Lena-Bloch-Marina-Fresh-Sound-Records-2025-Tomajazz-768x693.jpg 768w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2025\/11\/Lena-Bloch-Marina-Fresh-Sound-Records-2025-Tomajazz-465x419.jpg 465w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2025\/11\/Lena-Bloch-Marina-Fresh-Sound-Records-2025-Tomajazz-554x500.jpg 554w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2025\/11\/Lena-Bloch-Marina-Fresh-Sound-Records-2025-Tomajazz.jpg 1000w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/>El disco, editado por <strong>Fresh Sound Records<\/strong>, re\u00fane a cinco m\u00fasicos de primer nivel: Bloch (saxos tenor y soprano), Kyoko Kitamura (voz), Jacob Sacks (piano), Ken Filiano (contrabajo) y Michael Sarin (bater\u00eda). Juntos crean un lenguaje donde la improvisaci\u00f3n es di\u00e1logo y la estructura, pura poes\u00eda. Cada tema es una escena cinematogr\u00e1fica: \u201cI Refuse\u201d es rebeli\u00f3n sonora; \u201cInsomnia\u201d, un paseo por la noche urbana; \u201cMarina\u201d, espuma que se eleva y se rompe; \u201cSuch Tenderness\u201d, caricia fugaz; \u201cTired\u201d, cansancio existencial; \u201cImmeasurable\u201d, desaf\u00edo al mundo digital; \u201cThe Time Will Come\u201d, promesa de eternidad.<\/p>\n<p>Bloch lo explica con claridad: \u201cNo es m\u00fasica para poemas, sino nuestra percepci\u00f3n colectiva de su poes\u00eda\u201d. Esa percepci\u00f3n se materializa en texturas cambiantes, en silencios que pesan tanto como las notas. La voz de Kitamura no interpreta: encarna. El saxo de Bloch no acompa\u00f1a: dialoga. El piano de Sacks aporta luz y sombra, mientras Filiano y Sarin sostienen el pulso vital.<\/p>\n<p>M\u00e1s all\u00e1 de lo musical, <em>Marina<\/em> es un manifiesto. En tiempos donde el arte parece in\u00fatil, Bloch reivindica su necesidad: \u201c\u00bfPor qu\u00e9 insistimos en crear arte? Porque es supervivencia\u201d. Como Tsvetaeva, que escribi\u00f3 en medio del caos, Bloch compone para resistir. Este disco es un acto de fe en la belleza, en la palabra, en la m\u00fasica. Un espacio donde el tiempo se detiene y la poes\u00eda se convierte en sonido.<\/p>\n<p style=\"text-align: right;\"><strong>\u00a9 Pachi \u201cChlobenal\u00bb Tapiz, 2025<\/strong><\/p>\n<hr \/>\n<h3>Lena Bloch: <em>Marina<\/em><\/h3>\n<p><strong>M\u00fasicos:<\/strong> Lena Bloch (saxos tenor y soprano); Kyoko Kitamura (voz); Jacob Sacks (piano); Ken Filiano (contrabajo); Michael Sarin (bater\u00eda).<\/p>\n<p><strong>Temas:<\/strong> 1 \u00abI Refuse\u00bb (Marina Tsvetaeva \/ Lena Bloch) 8:26; 2 \u00abInsomnia\u00bb (Marina Tsvetaeva \/ Lena Bloch) 7:33; 3 \u00abMarina\u00bb (Marina Tsvetaeva \/ Lena Bloch) 7:45; 4 \u00abSuch Tenderness\u00bb (Marina Tsvetaeva \/ Lena Bloch) 8:27; 5 \u00abTired\u00bb (Marina Tsvetaeva \/ Lena Bloch) 8:13; 6 \u00abImmeasurable\u00bb (Marina Tsvetaeva \/ Lena Bloch) 9:31; 7 \u00abThe Time Will Come\u00bb (Marina Tsvetaeva \/ Lena Bloch) 5:38.<\/p>\n<p><strong>Grabaci\u00f3n:<\/strong> The Bunker Studio, Brooklyn, 3 de noviembre de 2022. Ingenieros: Jon Rosenberg y Alex Conroy. Productores: Lena Bloch y Jon Rosenberg. Publicado en 2025 por Fresh Sound Records.<\/p>\n<hr \/>\n<h3>Curiosidades sobre <em>Marina<\/em><\/h3>\n<p>Proyecto apoyado por <strong>Chamber Music America<\/strong> y la <strong>Howard Gilman Foundation<\/strong>. Incluye pinturas originales de Marina Tsvetaeva realizadas por Irina Dmitrenko. El disco se concibe como \u201cseis pel\u00edculas\u201d donde cada m\u00fasico asume el rol de director en distintos momentos.<\/p>\n<hr \/>\n<h3>Sobre Lena Bloch<\/h3>\n<p>Nacida en Mosc\u00fa, Lena Bloch emigr\u00f3 a Israel y Europa antes de establecerse en Nueva York en 2008. Ha liderado proyectos como <em>Feathery<\/em>, <em>Heart Knows<\/em> y <em>Rose of Lifta<\/em>. Su estilo combina influencias del jazz moderno, la m\u00fasica cl\u00e1sica del siglo XX y tradiciones de Europa del Este y Oriente Medio.<\/p>\n<hr \/>\n<h3>M\u00e1s acerca de Lena Bloch y Fresh Sound Records<\/h3>\n<p><a href=\"http:\/\/www.lenabloch.com\/\" target=\"_blank\" rel=\"noopener\">http:\/\/www.lenabloch.com\/<\/a><\/p>\n<p><a href=\"https:\/\/tomajazz.com\/web\/?s=lena+bloch&amp;submit=Search\" target=\"_blank\" rel=\"noopener\">https:\/\/tomajazz.com\/web\/?s=lena+bloch&amp;submit=Search<\/a><\/p>\n<p><a href=\"https:\/\/www.freshsoundrecords.com\/\" target=\"_blank\" rel=\"noopener\">https:\/\/www.freshsoundrecords.com\/<\/a><\/p>\n<p><a href=\"https:\/\/tomajazz.com\/web\/?s=fresh+sound&amp;submit=Search\" target=\"_blank\" rel=\"noopener\">https:\/\/tomajazz.com\/web\/?s=fresh+sound&amp;submit=Search<\/a><\/p>\n<h3>Pachi Tapiz en Tomajazz<\/h3>\n<p><a href=\"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/\" target=\"_blank\" rel=\"noopener\">https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Marina (Fresh Sound Records; 2025) es la nueva grabaci\u00f3n de la saxofonista Lena Bloch. Pachi Tapiz repasa la grabaci\u00f3n. Con Lena Bloch, Kyoko Kitamura, Jacob Sacks, Ken Filiano, Michael Sarin<span class=\"more-link\"><a href=\"https:\/\/tomajazz.com\/web\/lena-bloch-marina-2025\/\">Contin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":102180,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[5,17847,15517,1038],"tags":[1716,368,8109,21436,20504,8294,31],"class_list":["entry","author-pachi","has-excerpt","post-102179","post","type-post","status-publish","format-standard","has-post-thumbnail","category-grabaciones","category-pachi-tapiz","category-textos","category-contenidos","tag-fresh-sound-records","tag-jacob-sacks","tag-ken-filiano","tag-kyoko-kitamura","tag-lena-bloch","tag-michael-sarin","tag-pachi-tapiz"],"jetpack_featured_media_url":"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2025\/11\/Lena-Bloch-Marina-Fresh-Sound-Records-2025-Tomajazz.jpg","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":33515,"url":"https:\/\/tomajazz.com\/web\/hdo-352-lena-bloch-and-feathery-sergio-gruz-wilfried-wilde-quintet-podcast\/","url_meta":{"origin":102179,"position":0},"title":"HDO 352. Lena Bloch and Feathery, Sergio Gruz, Wilfried Wilde Quintet [Podcast]","author":"Tomajazz","date":"24 noviembre, 2017","format":false,"excerpt":"Heart Knows\u00a0(Fresh Sound New Talent, 2017) de\u00a0Lena Bloch & Feathery\u00a0(Lena Bloch, Russ Lossing, Cameron Brown, Billy Mintz),\u00a0Indios\u00a0(Fresh Sound New Talent, 2017) de Sergio Gruz Tr\u00edo (Sergio Gruz, Paco Weht, Ramiro Rosa), y Oscilenscope\u00a0(Fresh Sound New Talent, 2017) de\u00a0Wilfried de Wilde Quintet\u00a0(Wilfried de Wilde, Xan Campos, Iago Fern\u00e1ndez, Demian Cabaud, Charley\u2026","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/11\/Lena-Block-and-Feathery_Heart-Knows_Fresh-Sound-New-Talent_2017-e1511391622749.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/11\/Lena-Block-and-Feathery_Heart-Knows_Fresh-Sound-New-Talent_2017-e1511391622749.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/11\/Lena-Block-and-Feathery_Heart-Knows_Fresh-Sound-New-Talent_2017-e1511391622749.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":101793,"url":"https:\/\/tomajazz.com\/web\/luis-pardellans-trio-back-again-2025\/","url_meta":{"origin":102179,"position":1},"title":"Luis Pardellans Trio: Back Again (Fresh Sound Records; 2025) Por Pachi Tapiz [Grabaci\u00f3n de jazz]","author":"Tomajazz","date":"7 diciembre, 2025","format":false,"excerpt":"Back Again (Fresh Sound Records; 2025) es lo nuevo de Luis Pardellans Trio. Pachi Tapiz repasa la grabaci\u00f3n. Con Luis Pardellans, Jordi Gaspar, Enrique Heredia","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"Luis Pardellans Trio: Back Again (Fresh Sound Records; 2025) Por Pachi Tapiz [Grabaci\u00f3n de jazz] - Tomajazz - Back Again (Fresh Sound Records; 2025) es lo nuevo de Luis Pardellans Trio. Pachi Tapiz repasa la grabaci\u00f3n. Con Luis Pardellans, Jordi Gaspar, Enrique Heredia","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/12\/Luis-Pardellans-Trio-Back-Again-Fresh-Sound-Records-2025-Tomajazz.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/12\/Luis-Pardellans-Trio-Back-Again-Fresh-Sound-Records-2025-Tomajazz.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/12\/Luis-Pardellans-Trio-Back-Again-Fresh-Sound-Records-2025-Tomajazz.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/12\/Luis-Pardellans-Trio-Back-Again-Fresh-Sound-Records-2025-Tomajazz.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":100071,"url":"https:\/\/tomajazz.com\/web\/dave-stryker-with-strings-goes-to-the-movies-2025\/","url_meta":{"origin":102179,"position":2},"title":"Dave Stryker: Stryker with Strings Goes to the Movies (Strikezone Records; 2025) Por Pachi Tapiz [Grabaci\u00f3n de jazz]","author":"Tomajazz","date":"6 octubre, 2025","format":false,"excerpt":"Stryker with Strings Goes to the Movies (Strikezone Records; 2025) es la nueva grabaci\u00f3n del guitarrista Dave Stryker. Pachi Tapiz repasa la grabaci\u00f3n","rel":"","context":"En \u00abTomajazz (la revista) al completo\u00bb","block_context":{"text":"Tomajazz (la revista) al completo","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/"},"img":{"alt_text":"Dave Stryker: Stryker with Strings Goes to the Movies (Strikezone Records; 2025) Por Pachi Tapiz [Grabaci\u00f3n de jazz] - Tomajazz - Stryker with Strings Goes to the Movies (Strikezone Records; 2025) es la nueva grabaci\u00f3n del guitarrista Dave Stryker. Pachi Tapiz repasa la grabaci\u00f3n","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/10\/Dave-Stryker-with-Strings-Goes-to-the-Movies-2025-Tomajazz.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/10\/Dave-Stryker-with-Strings-Goes-to-the-Movies-2025-Tomajazz.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/10\/Dave-Stryker-with-Strings-Goes-to-the-Movies-2025-Tomajazz.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/10\/Dave-Stryker-with-Strings-Goes-to-the-Movies-2025-Tomajazz.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":36794,"url":"https:\/\/tomajazz.com\/web\/hdo-414-2018-05-18-podcast\/","url_meta":{"origin":102179,"position":3},"title":"HDO 414 (2018-05-18) [Podcast]","author":"Tomajazz","date":"18 mayo, 2018","format":false,"excerpt":"El sello\u00a0Relative Pitch Records es un sello fundado en Nueva York en 2011 por Mike Panico y Kevin Reilly, especializado en Jazz Avant-Garde, Free Jazz e Improvisaci\u00f3n libre. Las tres \u00faltimas referencias publicadas por este sello se mueven por los terrenos m\u00e1s libres de la m\u00fasica improvisada:\u00a0Geometry Of Caves\u00a0(Joe Morris,\u2026","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2018\/05\/Tomeka-Reid-Kyoko-Kitamura-Taylor-Ho-Bynum-Joe-Morris_Geometry-Of-Caves.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":38683,"url":"https:\/\/tomajazz.com\/web\/hdo-456-kitamura-drake-phillips-threadgill-zorn-konstrukt-haino-podcast\/","url_meta":{"origin":102179,"position":4},"title":"HDO 456. Kitamura \/ Drake &#8211; Phillips \/ Threadgill \/ Zorn \/ Konstrukt &#8211; Haino [Podcast]","author":"Tomajazz","date":"18 septiembre, 2018","format":false,"excerpt":"Por\u00a0Pachi Tapiz. \u00a0 Cinco propuestas suenan en la entrega 456 de HDO.\u00a0Protean Labyrinth\u00a0(Autoeditado, 2018) de la cantante\u00a0Kyokko Kitamura, a la que acompa\u00f1an Ingrid Laubrock, Ken Filiano y Dayeon Seok.\u00a0Trail Of Inevitability\u00a0(Lizard Breath Records, 2018), d\u00fao del guitarrista\u00a0Dan Phillips con el baterista\u00a0Hamid Drake;\u00a0Henry Threadgill 14 Or 15 Kestra: Agg\u00a0Dirt... and More\u2026","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2018\/09\/Dan-Phillips-Hamid-Drake_Trail-Of-Inevitability-200x200.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":100512,"url":"https:\/\/tomajazz.com\/web\/greg-burk-michel-lambert-wind-forms-2024\/","url_meta":{"origin":102179,"position":5},"title":"Greg Burk &#8211; Michel Lambert: Wind Forms (Tonos Records; 2024) Por Pachi Tapiz [Grabaci\u00f3n de jazz]","author":"Tomajazz","date":"14 octubre, 2025","format":false,"excerpt":"Wind Forms (Tonos Records; 2024) es la grabaci\u00f3n a d\u00fao de Greg Burk y Michel Lambert. Pachi Tapiz repasa la grabaci\u00f3n","rel":"","context":"En \u00abTomajazz (la revista) al completo\u00bb","block_context":{"text":"Tomajazz (la revista) al completo","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/"},"img":{"alt_text":"Greg Burk - Michel Lambert: Wind Forms (Tonos Records; 2024) Por Pachi Tapiz [Grabaci\u00f3n de jazz] - Tomajazz - Wind Forms (Tonos Records; 2024) es la grabaci\u00f3n a d\u00fao de Greg Burk y Michel Lambert. Pachi Tapiz repasa la grabaci\u00f3n","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/10\/Greg-Burk-Michel-Lambert-Wind-Forms-2025-Tonos-Records-Tomajazz.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/10\/Greg-Burk-Michel-Lambert-Wind-Forms-2025-Tonos-Records-Tomajazz.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/10\/Greg-Burk-Michel-Lambert-Wind-Forms-2025-Tonos-Records-Tomajazz.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/10\/Greg-Burk-Michel-Lambert-Wind-Forms-2025-Tonos-Records-Tomajazz.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]}],"_links":{"self":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/102179","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/comments?post=102179"}],"version-history":[{"count":1,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/102179\/revisions"}],"predecessor-version":[{"id":102181,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/102179\/revisions\/102181"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media\/102180"}],"wp:attachment":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media?parent=102179"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/categories?post=102179"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/tags?post=102179"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}