{"id":102562,"date":"2025-12-04T12:30:53","date_gmt":"2025-12-04T11:30:53","guid":{"rendered":"https:\/\/tomajazz.com\/web\/?p=102562"},"modified":"2025-12-03T22:39:48","modified_gmt":"2025-12-03T21:39:48","slug":"rahsaan-roland-kirk-seek-listen-1967-2025","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/rahsaan-roland-kirk-seek-listen-1967-2025\/","title":{"rendered":"Rahsaan Roland Kirk: Seek &#038; Listen: Live at the Penthouse (Resonance Records; 1967; Publicaci\u00f3n 2025) Por Pachi Tapiz [Grabaci\u00f3n de jazz]"},"content":{"rendered":"<p>Hablar de Rahsaan Roland Kirk es hablar de genialidad, riesgo y pasi\u00f3n. <em>Seek &amp; Listen: Live at the Penthouse<\/em> nos transporta a 1967, a un club de Seattle donde el jazz se viv\u00eda con intensidad. Kirk, acompa\u00f1ado por Rahn Burton, Steve Novosel y Jimmy Hopps, despliega un arsenal de instrumentos y t\u00e9cnicas que desaf\u00edan cualquier clasificaci\u00f3n.<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-102563 size-medium\" title=\"Rahsaan Roland Kirk: Seek &amp; Listen: Live at the Penthouse (Resonance Records; 1967; Publicaci\u00f3n 2025) Por Pachi Tapiz [Grabaci\u00f3n de jazz] Tomajazz Rahsaan Roland Kirk Seek and Listen Live at the Penthouse Resonance Records; 1967; Publicaci\u00f3n 2025 Tomajazz\" src=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2025\/12\/Rahsaan-Roland-Kirk-Seek-and-Listen-Live-at-the-Penthouse-Resonance-Records-1967-Publicacion-2025-Tomajazz-300x300.jpg\" alt=\"Rahsaan Roland Kirk: Seek &amp; Listen: Live at the Penthouse (Resonance Records; 1967; Publicaci\u00f3n 2025) Por Pachi Tapiz [Grabaci\u00f3n de jazz] - Tomajazz - Seek &amp; Listen: Live at the Penthouse (Resonance Records; 1967; Publicaci\u00f3n 2025) es una grabaci\u00f3n in\u00e9dita de Rahsaan Roland Kirk. Pachi Tapiz repasa la grabaci\u00f3n. Con Rahsaan Roland Kirk, Rahn Burton, Steve Novosel, Jimmy Hopps\" width=\"300\" height=\"300\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2025\/12\/Rahsaan-Roland-Kirk-Seek-and-Listen-Live-at-the-Penthouse-Resonance-Records-1967-Publicacion-2025-Tomajazz-300x300.jpg 300w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2025\/12\/Rahsaan-Roland-Kirk-Seek-and-Listen-Live-at-the-Penthouse-Resonance-Records-1967-Publicacion-2025-Tomajazz-600x600.jpg 600w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2025\/12\/Rahsaan-Roland-Kirk-Seek-and-Listen-Live-at-the-Penthouse-Resonance-Records-1967-Publicacion-2025-Tomajazz-200x200.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2025\/12\/Rahsaan-Roland-Kirk-Seek-and-Listen-Live-at-the-Penthouse-Resonance-Records-1967-Publicacion-2025-Tomajazz-768x768.jpg 768w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2025\/12\/Rahsaan-Roland-Kirk-Seek-and-Listen-Live-at-the-Penthouse-Resonance-Records-1967-Publicacion-2025-Tomajazz-465x465.jpg 465w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2025\/12\/Rahsaan-Roland-Kirk-Seek-and-Listen-Live-at-the-Penthouse-Resonance-Records-1967-Publicacion-2025-Tomajazz-500x500.jpg 500w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2025\/12\/Rahsaan-Roland-Kirk-Seek-and-Listen-Live-at-the-Penthouse-Resonance-Records-1967-Publicacion-2025-Tomajazz.jpg 900w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/>Este lanzamiento de <strong>Resonance Records<\/strong> no solo recupera una actuaci\u00f3n in\u00e9dita, sino que la presenta con un cuidado excepcional, como es habitual: vinilo de 180 gramos, notas detalladas y testimonios que enriquecen la experiencia. La m\u00fasica, sin embargo, es la verdadera protagonista. Desde la apertura con \u201cNow Please Don\u2019t You Cry Beautiful Edith\u201d hasta el medley de Ellington, cada pieza es un viaje sonoro donde la improvisaci\u00f3n y la interacci\u00f3n entre los m\u00fasicos alcanzan cotas sublimes.<\/p>\n<p>Kirk era un maestro de la respiraci\u00f3n circular y del doble soplo, capaz de tocar varios instrumentos simult\u00e1neamente y crear texturas que parec\u00edan imposibles. Su sentido del humor, su compromiso con la tradici\u00f3n y su esp\u00edritu innovador se combinan en un concierto que sigue sonando fresco y vibrante. Adem\u00e1s, su elecci\u00f3n de repertorio revela una mente abierta: junto a composiciones propias, incluye \u201cOde to Billie Joe\u201d, demostrando que el jazz puede dialogar con la m\u00fasica popular sin perder identidad.<\/p>\n<p>Este disco es una invitaci\u00f3n a redescubrir a Rahsaan Roland Kirk, un artista que entend\u00eda el jazz como un espacio de libertad total. Para coleccionistas, estudiosos y mel\u00f3manos, <em>Seek &amp; Listen<\/em> es una pieza que ampl\u00eda la visi\u00f3n del jazz de los a\u00f1os 60, con un enfoque que se echa en falta en muchas producciones actuales.<\/p>\n<p style=\"text-align: right;\"><strong>\u00a9 Pachi \u201cKrikd nalorn aashar\u00bb Tapiz, 2025<\/strong><\/p>\n<hr \/>\n<h3>Rahsaan Roland Kirk: <em>Seek &amp; Listen: Live at the Penthouse<\/em><\/h3>\n<p><strong>M\u00fasicos:<\/strong> Rahsaan Roland Kirk (tenor saxophone, flute, stritch, manzello, clarinete); Rahn Burton (piano); Steve Novosel (contrabajo); Jimmy Hopps (bater\u00eda).<\/p>\n<p><strong>Temas:<\/strong> 1 \u00abNow Please Don\u2019t You Cry Beautiful Edith\u00bb (Rahsaan Roland Kirk) 12:35; 2 \u00abOde to Billie Joe\u00bb (Bobbie Gentry) 8:42; 3 Medley Duke Ellington (Ellington) 15:20; m\u00e1s piezas in\u00e9ditas.<\/p>\n<p>Grabado en The Penthouse, Seattle, 1967. Productor: Zev Feldman. Restauraci\u00f3n sonora: Matthew Lutthans. Publicado por Resonance Records<\/p>\n<hr \/>\n<h3>Curiosidades sobre Rahsaan Roland Kirk<\/h3>\n<p>Kirk fabricaba algunos de sus instrumentos, como el stritch y el manzello. Era capaz de tocar tres saxos a la vez y mantener frases coherentes gracias a la respiraci\u00f3n circular.<\/p>\n<hr \/>\n<h3>M\u00e1s informaci\u00f3n sobre Rahsaan Roland Kirk<\/h3>\n<p><strong>Rahsaan Roland Kirk<\/strong> (1935-1977) fue un multi instrumentista estadounidense, c\u00e9lebre por su virtuosismo y originalidad. Grabaciones recomendadas: <em>The Inflated Tear<\/em> (1968), <em>Rip, Rig and Panic<\/em> (1965), <em>Bright Moments<\/em> (1973).<\/p>\n<hr \/>\n<h3>En el a\u00f1o de la grabaci\u00f3n&#8230; 1967<\/h3>\n<p><strong>Cultura y pol\u00edtica:<\/strong> publicaci\u00f3n de <em>Sgt. Pepper\u2019s Lonely Hearts Club Band<\/em> de The Beatles; guerra de Vietnam en su punto \u00e1lgido; movimiento hippie y Verano del Amor; estreno de la pel\u00edcula <em>Bonnie and Clyde<\/em>; primer trasplante de coraz\u00f3n por Christiaan Barnard.<\/p>\n<p><strong>Jazz:<\/strong> fallecimiento de John Coltrane; grabaci\u00f3n de (parte de) <em>Miles in the Sky<\/em> por Miles Davis; nacimiento del Montreux Jazz Festival; publicaci\u00f3n de <em>New and Old Gospel<\/em> de Jackie McLean; ascenso de la vanguardia jazz\u00edstica en Europa.<\/p>\n<hr \/>\n<h3>M\u00e1s acerca de Rahsaan Roland Kirk y Resonance Records<\/h3>\n<p><a href=\"https:\/\/en.wikipedia.org\/wiki\/Rahsaan_Roland_Kirk\" target=\"_blank\" rel=\"noopener\">https:\/\/en.wikipedia.org\/wiki\/Rahsaan_Roland_Kirk<\/a><\/p>\n<p><a href=\"https:\/\/tomajazz.com\/web\/?s=rahsaan+roland+kirk&amp;submit=Search\" target=\"_blank\" rel=\"noopener\">https:\/\/tomajazz.com\/web\/?s=rahsaan+roland+kirk&amp;submit=Search<\/a><\/p>\n<p><a href=\"https:\/\/resonancerecords.org\/\" target=\"_blank\" rel=\"noopener\">https:\/\/resonancerecords.org\/<\/a><\/p>\n<p><a href=\"https:\/\/tomajazz.com\/web\/?s=resonance+records&amp;submit=Search\" target=\"_blank\" rel=\"noopener\">https:\/\/tomajazz.com\/web\/?s=resonance+records&amp;submit=Search<\/a><\/p>\n<h3>Pachi Tapiz en Tomajazz<\/h3>\n<p><a href=\"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/\" target=\"_blank\" rel=\"noopener\">https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Seek &#038; Listen: Live at the Penthouse (Resonance Records; 1967; Publicaci\u00f3n 2025) es una grabaci\u00f3n in\u00e9dita de Rahsaan Roland Kirk. Pachi Tapiz repasa la grabaci\u00f3n. Con Rahsaan Roland Kirk, Rahn Burton, Steve Novosel, Jimmy Hopps <span class=\"more-link\"><a href=\"https:\/\/tomajazz.com\/web\/rahsaan-roland-kirk-seek-listen-1967-2025\/\">Contin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":102563,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[17847,5,15517,1038],"tags":[19548,31,33011,11364,22545,19547],"class_list":["entry","author-pachi","has-excerpt","post-102562","post","type-post","status-publish","format-standard","has-post-thumbnail","category-pachi-tapiz","category-grabaciones","category-textos","category-contenidos","tag-jimmy-hopps","tag-pachi-tapiz","tag-rahn-burton","tag-rahsaan-roland-kirk","tag-resonance-records","tag-steve-novosel"],"jetpack_featured_media_url":"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2025\/12\/Rahsaan-Roland-Kirk-Seek-and-Listen-Live-at-the-Penthouse-Resonance-Records-1967-Publicacion-2025-Tomajazz.jpg","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":57520,"url":"https:\/\/tomajazz.com\/web\/jazzx5290-rahsaan-roland-kirk-i-say-a-little-prayer-volunteered-slavery-atlantic-1969-minipodcast-de-jazz-por-pachi-tapiz\/","url_meta":{"origin":102562,"position":0},"title":"JazzX5#290. Rahsaan Roland Kirk: \u00abI Say A Little Prayer\u00bb [Volunteered Slavery (Atlantic, 1969)] [Minipodcast de jazz] Por Pachi Tapiz","author":"Tomajazz","date":"2 octubre, 2021","format":false,"excerpt":"\"I Say A Little Prayer\", el cl\u00e1sico del soul, en la versi\u00f3n de Roland Kirk que aparec\u00eda en Voluntereed Slavery (Atlantic, 1969), suena en el minipodcast JazzX5 de Pachi Tapiz.","rel":"","context":"En \u00abJazzX5\u00bb","block_context":{"text":"JazzX5","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/sonidos\/podcast\/jazzx5\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2021\/10\/JazzX5_290.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2021\/10\/JazzX5_290.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2021\/10\/JazzX5_290.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2021\/10\/JazzX5_290.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":30696,"url":"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-una-portada-the-inflated-tear-roland-kirk-146-a-new-perspective-11\/","url_meta":{"origin":102562,"position":1},"title":"365 razones para amar el jazz: una portada. The Inflated Tear (Roland Kirk) [146] [A New Perspective 11]","author":"Tomajazz","date":"26 mayo, 2017","format":false,"excerpt":"Una portada. The Inflated Tear (Roland Kirk. Atlantic, 1968). Fotograf\u00eda de Lee Friedlander. Seleccionado por Jos\u00e9 Luis Luna Rocafort. D\u00e9cima entrega de la serie\u00a0A New Perspective: una selecci\u00f3n de portadas de jazz en las que la fotograf\u00eda es el elemento central. Con Roland Kirk,Ron Burton, Steve Novosel, Jimmy Hopps, Dick\u2026","rel":"","context":"En \u00ab*_Jos\u00e9 Luis Luna Rocafort\u00bb","block_context":{"text":"*_Jos\u00e9 Luis Luna Rocafort","link":"https:\/\/tomajazz.com\/web\/category\/jose-luis-luna-rocafort\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/05\/Roland-Kirk_The-Inflated-Tear_Atlantic_1969-e1495650691879.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/05\/Roland-Kirk_The-Inflated-Tear_Atlantic_1969-e1495650691879.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/05\/Roland-Kirk_The-Inflated-Tear_Atlantic_1969-e1495650691879.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":57313,"url":"https:\/\/tomajazz.com\/web\/jazzx5284-roy-haynes-quartet-moon-ray-out-of-the-afternoon-impulse-1962-minipodcast-de-jazz-por-pachi-tapiz\/","url_meta":{"origin":102562,"position":2},"title":"JazzX5#284. Roy Haynes Quartet: \u00abMoon Ray\u00bb [Out of the Afternoon (Impulse!, 1962)] [Minipodcast de jazz] Por Pachi Tapiz","author":"Tomajazz","date":"26 septiembre, 2021","format":false,"excerpt":"\"Moon Ray\", de la grabaci\u00f3n Out of the Afternoon (Impulse!, 1962), suena en JazzX5, el minipodcast de jazz de Pachi Tapiz.","rel":"","context":"En \u00abJazzX5\u00bb","block_context":{"text":"JazzX5","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/sonidos\/podcast\/jazzx5\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2021\/09\/JazzX5_284.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2021\/09\/JazzX5_284.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2021\/09\/JazzX5_284.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2021\/09\/JazzX5_284.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":15543,"url":"https:\/\/tomajazz.com\/web\/leido-visto-o-escuchado-frank-zappa-jazz-la-musica-del-desempleo\/","url_meta":{"origin":102562,"position":3},"title":"Le\u00eddo, visto o escuchado. Frank Zappa: \u00abJazz: la m\u00fasica del desempleo\u00bb","author":"Tomajazz","date":"20 noviembre, 2014","format":false,"excerpt":"La primera vez que tocamos con Rahsaan Roland Kirk fue en el festival de jazz Boston Globe, en 1968. Despu\u00e9s de su actuaci\u00f3n, lo conoc\u00ed en el backstage y le dije que me gustaba mucho su m\u00fasica y que ser\u00eda un aut\u00e9ntico honor que tocara con nosotros a continuaci\u00f3n. Pese\u2026","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2014\/11\/Frank-Zappa.-La-verdadera-historia-de-Frank-Zappa.-Malpaso.-2014.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":2419,"url":"https:\/\/tomajazz.com\/web\/leido-visto-o-escuchado-jaime-gonzalo-sobre-rahsaan-roland-kirk\/","url_meta":{"origin":102562,"position":4},"title":"Le\u00eddo, visto o escuchado: Jaime Gonzalo sobre Rahsaan Roland Kirk","author":"Tomajazz","date":"3 febrero, 2012","format":false,"excerpt":"Domador de variados, e inventados, instrumentos de viento, este m\u00fasico ciego de imponente presencia y \u00e1nimo imbatible, leg\u00f3 al jazz cl\u00e1sico pasajes que a\u00fan no han sido descifrados. Jaime Gonzalo.Art\u00edculo \"Roland Kirk.\u00a0S\u00f3lo el infinito es permanente\". Ruta 66. N\u00famero 290. Febrero de 2012.","rel":"","context":"En \u00abToma Jazz\u00bb","block_context":{"text":"Toma Jazz","link":"https:\/\/tomajazz.com\/web\/tag\/toma-jazz\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/3.bp.blogspot.com\/-beq6pgO6ha4\/TysL_MQ9X4I\/AAAAAAAAECM\/jiTSug3rHIM\/s320\/ruta66_290_portada.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":60878,"url":"https:\/\/tomajazz.com\/web\/jazzx5410-von-freeman-blues-for-sunnyland-live-at-the-dakota-premonition-records-2001-minipodcast-de-jazz-por-pachi-tapiz\/","url_meta":{"origin":102562,"position":5},"title":"Von Freeman: \u00abBlues for Sunnyland\u00bb [Live At The Dakota (Premonition Records, 2001)] Por Pachi Tapiz. JazzX5#410 [Minipodcast de jazz]","author":"Tomajazz","date":"5 febrero, 2022","format":false,"excerpt":"En JazzX5 suena el tema \"Blues for Sunnyland\" de Chico Freeman, que aparec\u00eda en la grabaci\u00f3n Live At The Dakota (Premonition Records, 2001). JazzX5 es un podcast de Pachi Tapiz.","rel":"","context":"En \u00abJazzX5\u00bb","block_context":{"text":"JazzX5","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/sonidos\/podcast\/jazzx5\/"},"img":{"alt_text":"JazzX5#410. Von Freeman: \"Blues for Sunnyland\" [Live At The Dakota (Premonition Records, 2001)] [Minipodcast de jazz] Por Pachi Tapiz","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2022\/02\/JazzX5_410.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2022\/02\/JazzX5_410.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2022\/02\/JazzX5_410.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2022\/02\/JazzX5_410.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]}],"_links":{"self":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/102562","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/comments?post=102562"}],"version-history":[{"count":1,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/102562\/revisions"}],"predecessor-version":[{"id":102564,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/102562\/revisions\/102564"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media\/102563"}],"wp:attachment":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media?parent=102562"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/categories?post=102562"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/tags?post=102562"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}