{"id":102677,"date":"2025-12-08T20:46:44","date_gmt":"2025-12-08T19:46:44","guid":{"rendered":"https:\/\/tomajazz.com\/web\/?p=102677"},"modified":"2025-12-08T20:47:36","modified_gmt":"2025-12-08T19:47:36","slug":"meinrad-kneer-albert-van-veenendaal-munderkingen-part-2-2025","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/meinrad-kneer-albert-van-veenendaal-munderkingen-part-2-2025\/","title":{"rendered":"Meinrad Kneer & Albert van Veenendaal: The Munderkingen Sessions, Part 2 (Evil Rabbit Records; 2025) Por Pachi Tapiz [Grabaci\u00f3n de jazz]"},"content":{"rendered":"

\"MeinradThe Munderkingen Sessions, Part 2<\/em><\/strong> es un disco que se mueve en los territorios de la improvisaci\u00f3n libre<\/strong> y el jazz experimental<\/strong>. Publicado por Evil Rabbit Records<\/strong> en 2025, re\u00fane a dos m\u00fasicos con una trayectoria s\u00f3lida: Meinrad Kneer<\/strong> (contrabajo) y Albert van Veenendaal<\/strong> (piano preparado). Ambos llevan tocando juntos desde hace casi 25 a\u00f1os. En el inicio de su amistad se produjo la grabaci\u00f3n de The Munderkingen Sessions, Part 1<\/a><\/em>, que a su vez fue el inicio del sello Evil Rabbit Records. Su continuaci\u00f3n, grabada veinte a\u00f1os despu\u00e9s en febrero de 2024 en el Secret House Studio de \u00c1msterdam, ofrece 17 piezas breves (una menos que su predecesor), que suman poco menos de 48 minutos.<\/p>\n

Este \u00e1lbum no sigue estructuras convencionales: cada tema es una exploraci\u00f3n t\u00edmbrica y sonora. El piano preparado de Van Veenendaal aporta sonidos met\u00e1licos, zumbidos y arm\u00f3nicos inesperados, mientras que Kneer alterna entre pizzicatos, arco y efectos extendidos en el contrabajo. El resultado es un di\u00e1logo musical intenso, lleno de contrastes: momentos delicados y otros m\u00e1s densos, siempre con una sensaci\u00f3n de riesgo y libertad.<\/p>\n

A pesar de su car\u00e1cter experimental, la m\u00fasica no cae en el caos. Hay coherencia, escucha mutua y una est\u00e9tica que combina tensi\u00f3n y belleza irregular.<\/p>\n

The Munderkingen Sessions, Part 2 <\/em><\/strong>invita a la escucha activa. Cada detalle cuenta: el roce del arco, el golpe sobre las cuerdas del piano, el silencio entre dos ataques. Es una obra para oyentes curiosos, dispuestos a dejarse sorprender. Al fin y al cabo, no es otra cosa que un di\u00e1logo musical de altura, una pieza muy apreciable para quienes valoran la exploraci\u00f3n sonora.<\/p>\n

\u00a9 Pachi \u00abReenkla Adnene Ev\u00bb Tapiz, 2025<\/strong><\/p>\n

\n

<\/p>\n

Meinrad Kneer & Albert van Veenendaal: The Munderkingen Sessions, Part 2<\/em><\/h3>\n

M\u00fasicos:<\/strong> Meinrad Kneer (contrabajo); Albert van Veenendaal (piano preparado).<\/p>\n

Temas:<\/strong> 1 \u00abOscar & Willi In Heaven\u00bb (Kneer\/van Veenendaal) 4:25; 2 \u00abIm Schilde\u00bb (Kneer\/van Veenendaal) 1:31; 3 \u00abPerfect Scetch\u00bb (Kneer\/van Veenendaal) 2:54; 4 \u00abMy Friend The Rain\u00bb (Kneer\/van Veenendaal) 2:22; 5 \u00abRe-Start\u00bb (Kneer\/van Veenendaal) 2:11; 6 \u00abAnybody There?\u00bb (Kneer\/van Veenendaal) 3:30; 7 \u00abReference 1\u00bb (Kneer\/van Veenendaal) 1:34; 8 \u00abNight Scene\u00bb (Kneer\/van Veenendaal) 2:57; 9 \u00abAnt Race\u00bb (Kneer\/van Veenendaal) 3:19; 10 \u00abMerging Worlds\u00bb (Kneer\/van Veenendaal) 2:52; 11 \u00abReference 2\u00bb (Kneer\/van Veenendaal) 1:15; 12 \u00abKondensationskern\u00bb (Kneer\/van Veenendaal) 4:35; 13 \u00abReisetraum 1\u00bb (Kneer\/van Veenendaal) 1:04; 14 \u00abSuspicious Meeting\u00bb (Kneer\/van Veenendaal) 4:25; 15 \u00abLa Langue Universelle\u00bb (Kneer\/van Veenendaal) 2:41; 16 \u00abReisetraum 2\u00bb (Kneer\/van Veenendaal) 1:14; 17 \u00abTwenty Years Later\u00bb (Kneer\/van Veenendaal) 4:48.<\/p>\n

Grabaci\u00f3n:<\/strong> Secret House Studio, \u00c1msterdam, 16 febrero 2024. T\u00e9cnico: Albert van Veenendaal. Mezcla y masterizaci\u00f3n: Alexis Baskind (Berl\u00edn). Dise\u00f1o: Lysander Le Coultre. Fotograf\u00eda: Monique Besten. Publicado en 2025 por Evil Rabbit Records.<\/p>\n

<\/p>\n

\n

Curiosidades sobre The Munderkingen Sessions, Part 2<\/em><\/h3>\n

El t\u00edtulo hace referencia a Munderkingen, localidad alemana vinculada a la primera parte del proyecto. La colaboraci\u00f3n entre Kneer y Van Veenendaal supera los 20 a\u00f1os, lo que explica la compenetraci\u00f3n que se percibe en la m\u00fasica.<\/p>\n

<\/p>\n

\n

M\u00e1s informaci\u00f3n sobre Meinrad Kneer & Albert van Veenendaal<\/h3>\n

Meinrad Kneer<\/strong> (nacido en 1970, Alemania) es contrabajista y compositor, activo en la escena del jazz contempor\u00e1neo y la improvisaci\u00f3n libre. Ha colaborado con m\u00fasicos como Michael Moore y Tobias Delius. Discos recomendados: Part 1 de The Munderkingen Sessions<\/em>, Under the Surface<\/em>.<\/p>\n

Albert van Veenendaal<\/strong> (nacido en 1956, Pa\u00edses Bajos) es pianista especializado en piano preparado, con una amplia trayectoria en m\u00fasica improvisada. Discos recomendados: Minimal Damage<\/em>, Predictable Point of Impact<\/em>.<\/p>\n

\n

<\/p>\n

M\u00e1s acerca de\u00a0Meinrad Kneer & Albert van Veenendaal\u00a0y Evil Rabbit Records<\/h3>\n

https:\/\/meinradkneer.eu\/<\/a><\/p>\n

https:\/\/www.instagram.com\/albert.vanveenendaal\/<\/a><\/p>\n

https:\/\/tomajazz.com\/web\/?s=meinrad+Kneer&submit=Search<\/a><\/p>\n

https:\/\/tomajazz.com\/web\/?s=albert+van+veenendaal&submit=Search<\/a><\/p>\n

https:\/\/meinradkneer.bandcamp.com\/<\/a><\/p>\n

https:\/\/evilrabbitrecords.eu\/<\/a><\/p>\n

https:\/\/tomajazz.com\/web\/?s=evil+rabbit+records&submit=Search<\/a><\/p>\n

Pachi Tapiz en Tomajazz<\/h3>\n

https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

The Munderkingen Sessions, Part 2 (Evil Rabbit Records; 2025) de Meinrad Kneer & Albert van Veenendaal es la continuaci\u00f3n del proyecto del pianista y el contrabajista, 20 a\u00f1os despu\u00e9s. Pachi Tapiz repasa la grabaci\u00f3nContin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":102679,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[17847,5,15517,1038],"tags":[9678,28314,6777,33039,31],"class_list":["entry","author-pachi","has-excerpt","post-102677","post","type-post","status-publish","format-standard","has-post-thumbnail","category-pachi-tapiz","category-grabaciones","category-textos","category-contenidos","tag-albert-van-veenendaal","tag-evil-rabbit-records","tag-meinrad-kneer","tag-meinrad-kneer-albert-van-veenendaal","tag-pachi-tapiz"],"jetpack_featured_media_url":"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2025\/12\/Meinrad-Kneer-Albert-van-Veenendaal-The-Munderkingen-Sessions-Part-2-Evil-Rabbit-Records-2025-Tomajazz.jpg","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":36060,"url":"https:\/\/tomajazz.com\/web\/hdo-391-uno-dos-tres-a-la-de-tres-ab-baars-solo-y-en-compania-ig-henneman-meinrad-kneer-y-bill-elgart-podcast\/","url_meta":{"origin":102677,"position":0},"title":"HDO 391. Uno, dos, tres\u2026 a la de tres\u2026 Ab Baars solo y en compa\u00f1\u00eda: Ig Henneman, Meinrad Kneer y Bill Elgart [Podcast]","author":"Tomajazz","date":"13 abril, 2018","format":false,"excerpt":"El saxofonista, clarinetista y flautista (siendo su instrumento la flauta de origen japon\u00e9s shakuhachi)\u00a0Ab Baars\u00a0es el protagonista de la entrega 390 de\u00a0HDO\u00a0en un nuevo cap\u00edtulo de la serie \"Uno, dos, tres... a la de...\". Suenan su grabaci\u00f3n en solitario\u00a0And She Speaks. A collection of ballads\u00a0(Stitching Wig);\u00a0Canzoni di primavera (Stitching Wig)\u2026","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2018\/04\/Ab-Baars-Solo_And-She-Speaks.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2018\/04\/Ab-Baars-Solo_And-She-Speaks.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2018\/04\/Ab-Baars-Solo_And-She-Speaks.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2018\/04\/Ab-Baars-Solo_And-She-Speaks.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":2207,"url":"https:\/\/tomajazz.com\/web\/lotz-kneer-u-experimental-evil-rabbit-2012\/","url_meta":{"origin":102677,"position":1},"title":"Lotz \/ Kneer: u-ex(perimental) (Evil Rabbit, 2012)","author":"Tomajazz","date":"5 octubre, 2012","format":false,"excerpt":"Entre 2007 y 2011 el flautista Mark Alban Lotz y el contrabajista Meinrad Kneer dieron unos ciento veinte conciertos acompa\u00f1ados de m\u00fasicos libre improvisadores tanto de la escena holandesa como de la internacional. Para dejar constancia de esa trayectoria, en 2011 reunieron en un peque\u00f1o estudio a algunos de los\u2026","rel":"","context":"En \u00abbun\u00bb","block_context":{"text":"bun","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/blogs\/bun\/"},"img":{"alt_text":"lotzkneer_uexperimental","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/web\/wp-content\/uploads\/2012\/10\/lotzkneer_uexperimental.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":24701,"url":"https:\/\/tomajazz.com\/web\/hdo-120-aaron-goldberg-kirk-knuffke-yves-theiler-trio-meinrad-kneer-quartet-mike-baggetta-sperrazza-sacobs-kamaguchi-podcast\/","url_meta":{"origin":102677,"position":2},"title":"HDO 120: Aaron Goldberg \/ Kirk Knuffke \/ Yves Theiler Trio \/ Meinrad Kneer Quartet \/ Mike Baggetta \/ Sperrazza – Sacobs – Kamaguchi [Podcast]","author":"Tomajazz","date":"27 mayo, 2016","format":false,"excerpt":"Media docena de grabaciones en la entrega n\u00famero 120 de HDO en un programa que se alarga hasta los 120 minutos. Por una parte tres tr\u00edos de piano:\u00a0Play Tadd Dameron\u00a0(Vinnie Sperrazza, Jacob Sacks, Masa Kamaguchi) en la que estos tres m\u00fasicos vuelven a poner de nuevo sus ojos en el\u2026","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/05\/Aaron-Goldberg_The-Now_Sunnyside_2015.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/05\/Aaron-Goldberg_The-Now_Sunnyside_2015.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/05\/Aaron-Goldberg_The-Now_Sunnyside_2015.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/05\/Aaron-Goldberg_The-Now_Sunnyside_2015.jpg?resize=700%2C400&ssl=1 2x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/05\/Aaron-Goldberg_The-Now_Sunnyside_2015.jpg?resize=1050%2C600&ssl=1 3x"},"classes":[]},{"id":6968,"url":"https:\/\/tomajazz.com\/web\/jon-rose-meinrad-kneer-richard-barrett-colophony-creative-sources-recordings-2013\/","url_meta":{"origin":102677,"position":3},"title":"Jon Rose, Meinrad Kneer, Richard Barrett: colophony (Creative Sources Recordings, 2013)","author":"Tomajazz","date":"19 junio, 2013","format":false,"excerpt":"Jon Rose (viol\u00edn), Meinrad Kneer (contrabajo) y Richard Barrett (electr\u00f3nica) se lanzan en colophony a una sesi\u00f3n de libre improvisaci\u00f3n en la que los tres m\u00fasicos se dedican a dialogar, a investigar, a explorar sus instrumentos, a escucharse y a apoyarse entre s\u00ed...y tambi\u00e9n a permanecer en silencio. Los tres\u2026","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"colophony","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/web\/wp-content\/uploads\/2013\/06\/colophony.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":70300,"url":"https:\/\/tomajazz.com\/web\/evidence-george-dumitriu-monk-on-viola-jazzx5\/","url_meta":{"origin":102677,"position":4},"title":"\u00abEvidence\u00bb [George Dumitriu: Monk On Viola (Evil Rabbit Records, 2022)] Por Pachi Tapiz. JazzX5 #556 [Minipodcast de jazz]","author":"Tomajazz","date":"23 enero, 2023","format":false,"excerpt":"En JazzX5 suena la versi\u00f3n del monkiano \"Evidence\" que abre el disco Monk On Viola (Evil Rabbit Records, 2023), del violista George Dumitriu. JazzX5 es un podcast de Pachi Tapiz.","rel":"","context":"En \u00abMalditos Jazztardos\u00bb","block_context":{"text":"Malditos Jazztardos","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/sonidos\/podcast\/malditos-jazztardos\/"},"img":{"alt_text":"En JazzX5 suena la versi\u00f3n del monkiano \"Evidence\" que abre el disco Monk On Viola (Evil Rabbit Records, 2023), del violista George Dumitriu. 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Con Mark Sherman, Ron Carter, Donald Vega, Carl Allen, Joe Magnarelli","rel":"","context":"En \u00abGrabaciones...\u00bb","block_context":{"text":"Grabaciones...","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/textos\/grabaciones\/"},"img":{"alt_text":"Mark Sherman: Bop Contest (Miles High Records; 2025) Por Pachi Tapiz [Grabaci\u00f3n de jazz] - Tomajazz - Bop Contest (Miles High Records; 2025) es la nueva grabaci\u00f3n de Mark Sherman. Pachi Tapiz repasa la grabaci\u00f3n. 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