{"id":102706,"date":"2025-12-09T17:00:27","date_gmt":"2025-12-09T16:00:27","guid":{"rendered":"https:\/\/tomajazz.com\/web\/?p=102706"},"modified":"2025-12-08T22:39:55","modified_gmt":"2025-12-08T21:39:55","slug":"copenhagen-clarinet-choir-anders-lauge-meldgaard-jeux-deau-2025","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/copenhagen-clarinet-choir-anders-lauge-meldgaard-jeux-deau-2025\/","title":{"rendered":"Copenhagen Clarinet Choir & Anders Lauge Meldgaard: Jeux d\u2019eau (Conatala Records \/ \u00c5r & Dag; 2025) Por Pachi Tapiz [Grabaci\u00f3n de jazz]"},"content":{"rendered":"

<\/p>\n

\"CopenhagenJeux d\u2019eau<\/em><\/strong> es mucho m\u00e1s que un \u00e1lbum: es una propuesta est\u00e9tica y conceptual que dialoga con la historia y la contemporaneidad. El t\u00edtulo conecta con una tradici\u00f3n hist\u00f3rica: las piezas para piano de Liszt y Ravel inspiradas en las fuentes de la Villa d\u2019Este. Anders Lauge Meldgaard<\/strong> y el Copenhagen Clarinet Choir<\/strong> construyen un universo sonoro donde el agua es met\u00e1fora y materia. El proyecto surge tras un concierto en el festival Vinterjazz 2024 y se plasma en esta grabaci\u00f3n publicada por Conatala Records y \u00c5r & Dag en 2025.<\/p>\n

La instrumentaci\u00f3n es clave: seis clarinetes y clarinetes bajos aportan una base c\u00e1lida y org\u00e1nica, mientras el New Ondomo<\/strong> introduce un timbre l\u00edquido, et\u00e9reo, que se desliza entre las voces ac\u00fasticas. Esta combinaci\u00f3n genera tensiones y contrastes que enriquecen la escucha. La m\u00fasica se mueve entre la repetici\u00f3n minimalista y la improvisaci\u00f3n libre, con referencias a Terry Riley y Steve Reich, pero tambi\u00e9n con una sensibilidad l\u00edrica que suaviza la estructura.<\/p>\n

Cada pieza es un microcosmos: \u201cJoyfully, we leave the tended garden\u201d abre el disco con sonidos de agua, situando al oyente en el espacio conceptual. \u201cUncharted streams\u201d y \u201cDiffuser dream\u201d exploran texturas y resonancias, mientras \u201cUnabashed waveforms\u201d evoca gotas de lluvia y conexiones entre cielo y tierra. El cierre, \u201c…The end is a new beginning…\u201d, funciona como met\u00e1fora del ciclo del agua y como llamada a la conciencia ecol\u00f3gica.<\/p>\n

La calidad t\u00e9cnica es sobresaliente: grabado en The Village<\/strong>, con mezcla y masterizaci\u00f3n que preservan la claridad y la profundidad, el disco ofrece una experiencia inmersiva. M\u00e1s all\u00e1 del sonido, Jeux d\u2019eau<\/em> es una obra que invita a la reflexi\u00f3n: sobre la naturaleza, la memoria y la relaci\u00f3n entre tradici\u00f3n y experimentaci\u00f3n. Es m\u00fasica para escuchar con calma, para dejarse llevar por sus matices y silencios. Un trabajo imprescindible para quienes buscan innovaci\u00f3n, belleza y sentido en la m\u00fasica contempor\u00e1nea.<\/p>\n

\u00a9 Pachi \u00abCCCALMJDE\u00bb Tapiz, 2025<\/strong><\/p>\n

<\/p>\n

\n

Copenhagen Clarinet Choir & Anders Lauge Meldgaard: Jeux d\u2019eau<\/em><\/h3>\n

M\u00fasicos:<\/strong> Carolyn Goodwin (clarinete, clarinete bajo); Anders Banke (clarinete, clarinete bajo); Francesco Bigoni (clarinete); Maria Dybbroe (clarinete, clarinete bajo); Jonas Engel (clarinete); Henriette Groth (clarinete); Anders Lauge Meldgaard (New Ondomo, electr\u00f3nica).<\/p>\n

Temas:<\/strong> 1 \u00abJoyfully, we leave the tended garden\u00bb (Meldgaard) 4:12 2 \u00abEntering the fray\u00bb (Meldgaard) 5:03 3 \u00abUncharted streams\u00bb (Meldgaard) 6:45 4 \u00abXerophyte\u00bb (Meldgaard) 3:58 5 \u00abDiffuser dream\u00bb (Meldgaard) 7:10 6 \u00ab\u2019Til seas do us part\u00bb (Meldgaard) 2:50 7 \u00abEffervescence\u00bb (Meldgaard) 6:20 8 \u00abAlone amongst the blooms and bees\u00bb (Meldgaard) 5:40 9 \u00abUnabashed waveforms\u00bb (Meldgaard) 6:05 10 \u00ab…The end is a new beginning…\u00bb (Meldgaard) 4:30.<\/p>\n

Grabaci\u00f3n:<\/strong> The Village (Copenhague). T\u00e9cnico: Thomas Vang. Mezcla y masterizaci\u00f3n: August Wanngren. Arte: Anders Lauge Meldgaard. Publicado en 2025 por Conatala Records \/ \u00c5r & Dag.<\/p>\n

\n

<\/p>\n

Curiosidades sobre\u00a0Jeux d\u2019eau<\/em><\/h3>\n

El t\u00edtulo Jeux d\u2019eau<\/em> conecta con obras hist\u00f3ricas de Liszt y Ravel. El proyecto se estren\u00f3 en vivo en el festival Vinterjazz 2024 antes de la grabaci\u00f3n. El instrumento New Ondomo<\/strong> es una reinterpretaci\u00f3n japonesa del instrumento electr\u00f3nico pionero Ondes Martenot, creado para explorar timbres fluidos y expresivos.<\/p>\n

\n

<\/p>\n

Informaci\u00f3n sobre Copenhagen Clarinet Choir & Anders Lauge Meldgaard<\/h3>\n

Anders Lauge Meldgaard<\/strong> (n. 1981) es compositor y multiinstrumentista dan\u00e9s, activo en m\u00fasica experimental y electr\u00f3nica. Ha publicado obras como The Art of Playing the Fantasia<\/em> (2023) y Spirit<\/em> (2025). Fundador del sello \u00c5r & Dag.<\/p>\n

Copenhagen Clarinet Choir<\/strong>, creado en 2020 por Carolyn Goodwin, es un ensemble dedicado a la m\u00fasica contempor\u00e1nea y experimental. Su debut, Organism<\/em> (2022), recibi\u00f3 elogios internacionales.<\/p>\n

\n

<\/p>\n

M\u00e1s acerca de Copenhagen Clarinet Choir, Anders Lauge Meldgaard y Conatala Records \/ \u00c5r & Dag<\/h3>\n

https:\/\/www.instagram.com\/copenhagenclarinetchoir\/<\/a><\/p>\n

https:\/\/www.instagram.com\/anders_lauge_meldgaard\/<\/a><\/p>\n

https:\/\/tomajazz.com\/web\/?s=copenhagen+clarinet+choir&submit=Search<\/a><\/p>\n

https:\/\/tomajazz.com\/web\/?s=anders+lauge+meldgaard&submit=Search<\/a><\/p>\n

https:\/\/conatala.com\/<\/a><\/p>\n

https:\/\/conatala.bandcamp.com\/<\/a><\/p>\n

https:\/\/aarogdag.net\/<\/a><\/p>\n

https:\/\/aarogdag.bandcamp.com\/<\/a><\/p>\n

https:\/\/tomajazz.com\/web\/?s=conatala+records&submit=Search<\/a><\/p>\n

https:\/\/tomajazz.com\/web\/?s=ar+dag&submit=Search<\/a><\/p>\n

Pachi Tapiz en Tomajazz<\/h3>\n

https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

Jeux d\u2019eau (Conatala Records \/ \u00c5r & Dag; 2025) es la colaboraci\u00f3n del sexteto Copenhagen Clarinet Choir con Anders Lauge Meldgaard. Pachi Tapiz repasa la grabaci\u00f3nContin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":102707,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[17847,5,15517,1038],"tags":[33043,33045,33044,33042,31],"class_list":["entry","author-pachi","has-excerpt","post-102706","post","type-post","status-publish","format-standard","has-post-thumbnail","category-pachi-tapiz","category-grabaciones","category-textos","category-contenidos","tag-anders-lauge-meldgaard","tag-ar-dag","tag-conatala-records","tag-copenhagen-clarinet-choir","tag-pachi-tapiz"],"jetpack_featured_media_url":"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2025\/12\/Copenhagen-Clarinet-Choir-Anders-Lauge-Meldgaard-Jeux-deau-Conatala-Records-Ar-Dag-2025-Tomajazz.jpg","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":100449,"url":"https:\/\/tomajazz.com\/web\/jon-balke-skrifum-ecm-2025\/","url_meta":{"origin":102706,"position":0},"title":"Jon Balke: Skrifum (ECM; 2025) Por Pachi Tapiz [Grabaci\u00f3n de jazz]","author":"Tomajazz","date":"15 octubre, 2025","format":false,"excerpt":"Skrifum (ECM; 2025) es la nueva grabaci\u00f3n en solitario de Jon Balke. Pachi Tapiz repasa la grabaci\u00f3n","rel":"","context":"En \u00abGrabaciones...\u00bb","block_context":{"text":"Grabaciones...","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/textos\/grabaciones\/"},"img":{"alt_text":"Jon Balke: Skrifum (ECM; 2025) Por Pachi Tapiz [Grabaci\u00f3n de jazz] - Tomajazz - Skrifum (ECM; 2025) es la nueva grabaci\u00f3n en solitario de Jon Balke. Pachi Tapiz repasa la grabaci\u00f3n","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/10\/jon-balke-skrifun-ecm-2025-tomajazz.webp?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/10\/jon-balke-skrifun-ecm-2025-tomajazz.webp?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/10\/jon-balke-skrifun-ecm-2025-tomajazz.webp?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/10\/jon-balke-skrifun-ecm-2025-tomajazz.webp?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":102593,"url":"https:\/\/tomajazz.com\/web\/sebastian-rochford-finding-ways-2025\/","url_meta":{"origin":102706,"position":1},"title":"Sebastian Rochford: Finding Ways (Edition Records; 2025) Por Pachi Tapiz [Grabaci\u00f3n de jazz]","author":"Tomajazz","date":"5 diciembre, 2025","format":false,"excerpt":"Finding Ways (Edition Records; 2025) es lo nuevo de Sebastian Rochford. Pachi Tapiz repasa la grabaci\u00f3n","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"Sebastian Rochford: Finding Ways (Edition Records; 2025) Por Pachi Tapiz [Grabaci\u00f3n de jazz] - Tomajazz - Finding Ways (Edition Records; 2025) es lo nuevo de Sebastian Rochford. Pachi Tapiz repasa la grabaci\u00f3n","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/12\/Sebastian-Rochford-Finding-Ways-Edition-Records-2025-Tomajazz.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/12\/Sebastian-Rochford-Finding-Ways-Edition-Records-2025-Tomajazz.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/12\/Sebastian-Rochford-Finding-Ways-Edition-Records-2025-Tomajazz.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/12\/Sebastian-Rochford-Finding-Ways-Edition-Records-2025-Tomajazz.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":100684,"url":"https:\/\/tomajazz.com\/web\/anne-mette-iversen-marbles-2025\/","url_meta":{"origin":102706,"position":2},"title":"Anne Mette Iversen Ternion Q Expanded: Marbles (Brooklyn Jazz Underground Records; 2025) Por Pachi Tapiz [Grabaci\u00f3n de jazz]","author":"Tomajazz","date":"18 octubre, 2025","format":false,"excerpt":"Marbles (Brooklyn Jazz Underground Records; 2025) es la nueva grabaci\u00f3n de Anne Mette Iversen al frente del septeto Ternion Q Expanded. Pachi Tapiz repasa la grabaci\u00f3n. Con Percy Pursglove, Silke Eberhard, Julius Gawlik, Morris Kliphuis, Geoffroy De Masure, Anne Mette Iversen, Roland Schneider","rel":"","context":"En \u00abGrabaciones...\u00bb","block_context":{"text":"Grabaciones...","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/textos\/grabaciones\/"},"img":{"alt_text":"Anne Mette Iversen Ternion Q Expanded: Marbles (Brooklyn Jazz Underground Records; 2025) Por Pachi Tapiz [Grabaci\u00f3n de jazz] - Tomajazz - Marbles (Brooklyn Jazz Underground Records; 2025) es la nueva grabaci\u00f3n de Anne Mette Iversen al frente del septeto Ternion Q Expanded. Pachi Tapiz repasa la grabaci\u00f3n. Con Percy Pursglove, Silke Eberhard, Julius Gawlik, Morris Kliphuis, Geoffroy De Masure, Anne Mette Iversen, Roland Schneider","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/10\/Anne-Mette-Iversen-Ternion-Q-Expanded-Marbles-Brooklyn-Jazz-Underground-Records-2025-Tomajazz.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/10\/Anne-Mette-Iversen-Ternion-Q-Expanded-Marbles-Brooklyn-Jazz-Underground-Records-2025-Tomajazz.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/10\/Anne-Mette-Iversen-Ternion-Q-Expanded-Marbles-Brooklyn-Jazz-Underground-Records-2025-Tomajazz.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/10\/Anne-Mette-Iversen-Ternion-Q-Expanded-Marbles-Brooklyn-Jazz-Underground-Records-2025-Tomajazz.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":101899,"url":"https:\/\/tomajazz.com\/web\/spinifex-maxximus-2025\/","url_meta":{"origin":102706,"position":3},"title":"Spinifex: Maxximus (Trytone Records; 2025) Por Pachi Tapiz [Grabaci\u00f3n de jazz]","author":"Tomajazz","date":"18 noviembre, 2025","format":false,"excerpt":"Maxximus (Trytone Records; 2025) es la grabaci\u00f3n con la que el colectivo Spinifex celebra su 20\u00ba Aniversario. Pachi Tapiz repasa la grabaci\u00f3n. Con Evi Filippou, Elisabeth Coudoux, Jessica Pavone, Bart Maris, Tobias Klein, John Dikeman, Jasper Stadhouders, Gon\u00e7alo Almeida, Philipp Moser","rel":"","context":"En \u00abGrabaciones...\u00bb","block_context":{"text":"Grabaciones...","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/textos\/grabaciones\/"},"img":{"alt_text":"Spinifex: Maxximus (Trytone Records; 2025) Por Pachi Tapiz [Grabaci\u00f3n de jazz] - Tomajazz - Maxximus (Trytone Records; 2025) es la grabaci\u00f3n con la que el colectivo Spinifex celebra su 20\u00ba Aniversario. Pachi Tapiz repasa la grabaci\u00f3n. Con Evi Filippou, Elisabeth Coudoux, Jessica Pavone, Bart Maris, Tobias Klein, John Dikeman, Jasper Stadhouders, Gon\u00e7alo Almeida, Philipp Moser","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/11\/Spinifex-Maxximus-Trytone-Records-2025-Tomajazz.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/11\/Spinifex-Maxximus-Trytone-Records-2025-Tomajazz.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/11\/Spinifex-Maxximus-Trytone-Records-2025-Tomajazz.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/11\/Spinifex-Maxximus-Trytone-Records-2025-Tomajazz.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":102562,"url":"https:\/\/tomajazz.com\/web\/rahsaan-roland-kirk-seek-listen-1967-2025\/","url_meta":{"origin":102706,"position":4},"title":"Rahsaan Roland Kirk: Seek & Listen: Live at the Penthouse (Resonance Records; 1967; Publicaci\u00f3n 2025) Por Pachi Tapiz [Grabaci\u00f3n de jazz]","author":"Tomajazz","date":"4 diciembre, 2025","format":false,"excerpt":"Seek & Listen: Live at the Penthouse (Resonance Records; 1967; Publicaci\u00f3n 2025) es una grabaci\u00f3n in\u00e9dita de Rahsaan Roland Kirk. Pachi Tapiz repasa la grabaci\u00f3n. Con Rahsaan Roland Kirk, Rahn Burton, Steve Novosel, Jimmy Hopps","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"Rahsaan Roland Kirk: Seek & Listen: Live at the Penthouse (Resonance Records; 1967; Publicaci\u00f3n 2025) Por Pachi Tapiz [Grabaci\u00f3n de jazz] - Tomajazz - Seek & Listen: Live at the Penthouse (Resonance Records; 1967; Publicaci\u00f3n 2025) es una grabaci\u00f3n in\u00e9dita de Rahsaan Roland Kirk. Pachi Tapiz repasa la grabaci\u00f3n. Con Rahsaan Roland Kirk, Rahn Burton, Steve Novosel, Jimmy Hopps","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/12\/Rahsaan-Roland-Kirk-Seek-and-Listen-Live-at-the-Penthouse-Resonance-Records-1967-Publicacion-2025-Tomajazz.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/12\/Rahsaan-Roland-Kirk-Seek-and-Listen-Live-at-the-Penthouse-Resonance-Records-1967-Publicacion-2025-Tomajazz.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/12\/Rahsaan-Roland-Kirk-Seek-and-Listen-Live-at-the-Penthouse-Resonance-Records-1967-Publicacion-2025-Tomajazz.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/12\/Rahsaan-Roland-Kirk-Seek-and-Listen-Live-at-the-Penthouse-Resonance-Records-1967-Publicacion-2025-Tomajazz.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":100508,"url":"https:\/\/tomajazz.com\/web\/mojna-mareld-2025\/","url_meta":{"origin":102706,"position":5},"title":"MOJNA: Mareld (Heilo; 2025) Por Pachi Tapiz [Grabaci\u00f3n de jazz]","author":"Tomajazz","date":"21 octubre, 2025","format":false,"excerpt":"Mareld (Heilo; 2025) es la nueva grabaci\u00f3n del tr\u00edo MOJNA. Pachi Tapiz repasa la grabaci\u00f3n. Con Thomas Eriksson, Tuva F\u00e6rden, Anna Malmstr\u00f6m","rel":"","context":"En \u00abGrabaciones...\u00bb","block_context":{"text":"Grabaciones...","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/textos\/grabaciones\/"},"img":{"alt_text":"MOJNA: Mareld (Heilo; 2025) Por Pachi Tapiz [Grabaci\u00f3n de jazz] - Tomajazz - Mareld (Heilo; 2025) es la nueva grabaci\u00f3n del tr\u00edo MOJNA. Pachi Tapiz repasa la grabaci\u00f3n. Con Thomas Eriksson, Tuva F\u00e6rden, Anna Malmstr\u00f6m","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/10\/Mojna-Mareld-2025-Heilo-Tomajazz.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/10\/Mojna-Mareld-2025-Heilo-Tomajazz.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/10\/Mojna-Mareld-2025-Heilo-Tomajazz.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/10\/Mojna-Mareld-2025-Heilo-Tomajazz.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]}],"_links":{"self":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/102706","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/comments?post=102706"}],"version-history":[{"count":1,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/102706\/revisions"}],"predecessor-version":[{"id":102708,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/102706\/revisions\/102708"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media\/102707"}],"wp:attachment":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media?parent=102706"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/categories?post=102706"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/tags?post=102706"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}