{"id":102765,"date":"2025-12-11T12:00:33","date_gmt":"2025-12-11T11:00:33","guid":{"rendered":"https:\/\/tomajazz.com\/web\/?p=102765"},"modified":"2025-12-10T21:29:51","modified_gmt":"2025-12-10T20:29:51","slug":"alex-skolnick-trio-prove-youre-not-a-robot-2025","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/alex-skolnick-trio-prove-youre-not-a-robot-2025\/","title":{"rendered":"Alex Skolnick Trio: Prove You&#8217;re Not A Robot (Flatiron Recordings 2025) Por Enrique Farelo [Grabaci\u00f3n de jazz]"},"content":{"rendered":"<p>\u201cSiento que este \u00e1lbum representa mi trabajo m\u00e1s destacado como compositor\u201d, dice\u00a0Skolnick.\u00a0\u201cNathan y Matt realmente dieron lo mejor de s\u00ed en todo momento\u201d.<\/p>\n<p>Cita textual del l\u00edder y guitarrista del tr\u00edo, que con siete trabajos desde el ya lejano a\u00f1o 2002, cuando public\u00f3 su disco de debut: <em>Goodbye To Romance: Standards For A New Generation<\/em><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-102766 size-medium\" title=\"Alex Skolnick Trio: Prove You're Not A Robot (Flatiron Recordings 2025) Por Enrique Farelo [Grabaci\u00f3n de jazz] Tomajazz Alex Skolnick Trio Prove You re Not A Robot Flatiron Recordings 2025 Tomajazz\" src=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2025\/12\/Alex-Skolnick-Trio-Prove-You-re-Not-A-Robot-Flatiron-Recordings-2025-Tomajazz-300x300.jpg\" alt=\"Alex Skolnick Trio: Prove You're Not A Robot (Flatiron Recordings 2025) Por Enrique Farelo [Grabaci\u00f3n de jazz] - Tomajazz - Prove You're Not A Robot (Flatiron Recordings 2025) es la nueva grabaci\u00f3n de Alex Skolnick Trio. Enrique Farelo repasa la grabaci\u00f3n. Con Alex Skolnick, Nathan Peck, Matt Zebroski\" width=\"300\" height=\"300\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2025\/12\/Alex-Skolnick-Trio-Prove-You-re-Not-A-Robot-Flatiron-Recordings-2025-Tomajazz-300x300.jpg 300w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2025\/12\/Alex-Skolnick-Trio-Prove-You-re-Not-A-Robot-Flatiron-Recordings-2025-Tomajazz-600x600.jpg 600w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2025\/12\/Alex-Skolnick-Trio-Prove-You-re-Not-A-Robot-Flatiron-Recordings-2025-Tomajazz-200x200.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2025\/12\/Alex-Skolnick-Trio-Prove-You-re-Not-A-Robot-Flatiron-Recordings-2025-Tomajazz-768x768.jpg 768w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2025\/12\/Alex-Skolnick-Trio-Prove-You-re-Not-A-Robot-Flatiron-Recordings-2025-Tomajazz-465x465.jpg 465w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2025\/12\/Alex-Skolnick-Trio-Prove-You-re-Not-A-Robot-Flatiron-Recordings-2025-Tomajazz-500x500.jpg 500w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2025\/12\/Alex-Skolnick-Trio-Prove-You-re-Not-A-Robot-Flatiron-Recordings-2025-Tomajazz.jpg 800w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/>Alex Skolnick es miembro fundador de Testament\u00a0 y actualmente forma parte del grupo PAKT, adem\u00e1s de haber formado parte de los ya extintos estadounidenses Attention Deficit.<\/p>\n<p>Desde la inicial, \u201cProve You&#8217;re Not A Robot\u201d, que da t\u00edtulo al \u00e1lbum, alcanzamos a comprender la est\u00e9tica del disco. Su complejidad estil\u00edstica y sus diferentes influencias que van desde Wes Montgomery al <em>jazz-rock<\/em> de Pat Metheny.<\/p>\n<p>R<em>ock <\/em>que viene de la mano de \u201cBreakdown\u201d de Tom Petty y aun m\u00e1s con \u201cInfinite Hotel\u201d, pero lo que rompe esquemas es la extra\u00f1a pareja de baile que forman Steve Howe y Chick Corea en \u201cArmando&#8217;s Mood\u201d.<\/p>\n<p>La mezcla entre \u201cMood For A Day\u201d de Yes, concretamente de su disco <em>Fragil<\/em> y de \u201cArmando&#8217;s Rhumba\u201d de Chick Corea, que viene incluido en su obra <em>My Spanish Heart<\/em>, es todo un desvar\u00edo de tintes alucinantes y resultado convincente.<\/p>\n<p><em>Prove You&#8217;re Not A Robot<\/em> anuda estilos tan dispares e influencias que confluyen en una misma corriente, es sorprendente que una idea as\u00ed pueda ser coherente estructural y compositivamente, pero lo es.<\/p>\n<p>En una de las dos piezas de mayor brevedad, junto a la elegante e intensa, \u201cThe Polish Goodbye\u201d, \u201cAsking For A Friend\u201d, el tr\u00edo muestra su lado m\u00e1s ac\u00fastico y balad\u00edstico, para brillo de Alex Skolnick.<\/p>\n<p>Con \u201cGuiding Ethos\u201d se cierra el programa de composiciones, siendo \u00e9sta de las m\u00e1s convincentes.<\/p>\n<p style=\"text-align: right;\">Texto: \u00a9 <strong><a href=\"https:\/\/elescribadeljazz.blogspot.com\/\" target=\"_blank\" rel=\"noopener\">Enrique Farelo<\/a><\/strong>, 2025<\/p>\n<hr \/>\n<h3>Alex Skolnick Trio: <em>Prove You&#8217;re Not A Robot <\/em><\/h3>\n<p>Alex Skolnick (Guitarra el\u00e9ctrica y ac\u00fastica), Nathan Peck (Bajo ac\u00fastico) y Matt Zebroski (Bater\u00eda y percusi\u00f3n)<\/p>\n<p>\u201cProve You&#8217;re Not A Robot\u201d, \u201cBreakdown\u201d, \u201cInfinite Hotel\u201d, \u201cArmando&#8217;s Mood\u201d, \u201cThe Polish Goodbye\u201d, \u201cAsking For A Friend\u201d, \u201cParalell Universe\u201d y \u201cGuiding Ethos\u201d.<br \/>\nTodas las temas compuestos por Alex Skolnick, excepto \u201cBreakdown\u201d de Tom Petty, \u201cArmando&#8217;s Mood\u201d es una mezcla de \u201cMood For A Day\u201d de Steve Howe y \u201cArmando&#8217;s Rhumba\u201d de Chick Corea.<\/p>\n<p>Grabado en Spin Recording Studios 2025. Publicado en 2025 por Flatiron Recordings.<\/p>\n<hr \/>\n<h3>M\u00e1s informaci\u00f3n sobre Alex Skolnick y Flatiron Recordings<\/h3>\n<p><a href=\"https:\/\/alexskolnick.com\/\" target=\"_blank\" rel=\"noopener\">https:\/\/alexskolnick.com\/<\/a><\/p>\n<p><a href=\"https:\/\/www.instagram.com\/alexskolnick\/\" target=\"_blank\" rel=\"noopener\">https:\/\/www.instagram.com\/alexskolnick\/<\/a><\/p>\n<p><a href=\"https:\/\/tomajazz.com\/web\/?s=alex+skolnick&amp;submit=Search\" target=\"_blank\" rel=\"noopener\">https:\/\/tomajazz.com\/web\/?s=alex+skolnick&amp;submit=Search<\/a><\/p>\n<p><a href=\"https:\/\/flatironrecordings.com\/\" target=\"_blank\" rel=\"noopener\">https:\/\/flatironrecordings.com\/<\/a><\/p>\n<p><a href=\"https:\/\/tomajazz.com\/web\/?s=flatiron+recordings&amp;submit=Search\" target=\"_blank\" rel=\"noopener\">https:\/\/tomajazz.com\/web\/?s=flatiron+recordings&amp;submit=Search<\/a><\/p>\n<h3>Enrique Farelo en Tomajazz<\/h3>\n<p><a href=\"https:\/\/tomajazz.com\/web\/?cat=17848\" target=\"_blank\" rel=\"noopener\">https:\/\/tomajazz.com\/web\/?cat=17848<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Prove You&#8217;re Not A Robot (Flatiron Recordings 2025) es la nueva grabaci\u00f3n de Alex Skolnick Trio. Enrique Farelo repasa la grabaci\u00f3n. Con Alex Skolnick, Nathan Peck, Matt Zebroski <span class=\"more-link\"><a href=\"https:\/\/tomajazz.com\/web\/alex-skolnick-trio-prove-youre-not-a-robot-2025\/\">Contin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":102766,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[17848,5,15517,1038],"tags":[31084,33052,304,31973,33051,33050],"class_list":["entry","author-pachi","has-excerpt","post-102765","post","type-post","status-publish","format-standard","has-post-thumbnail","category-enrique-farelo","category-grabaciones","category-textos","category-contenidos","tag-alex-skolnick","tag-alex-skolnick-trio","tag-enrique-farelo","tag-flatiron-recordings","tag-matt-zebroski","tag-nathan-peck"],"jetpack_featured_media_url":"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2025\/12\/Alex-Skolnick-Trio-Prove-You-re-Not-A-Robot-Flatiron-Recordings-2025-Tomajazz.jpg","_links":{"self":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/102765","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/comments?post=102765"}],"version-history":[{"count":3,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/102765\/revisions"}],"predecessor-version":[{"id":103237,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/102765\/revisions\/103237"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media\/102766"}],"wp:attachment":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media?parent=102765"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/categories?post=102765"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/tags?post=102765"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}