{"id":10328,"date":"2014-02-07T11:10:23","date_gmt":"2014-02-07T10:10:23","guid":{"rendered":"http:\/\/www.tomajazz.com\/web\/?p=10328"},"modified":"2016-11-13T21:28:24","modified_gmt":"2016-11-13T20:28:24","slug":"tomajazz-recupera-adam-rogers-las-guitarras-y-el-infinito-por-arturo-mora","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/tomajazz-recupera-adam-rogers-las-guitarras-y-el-infinito-por-arturo-mora\/","title":{"rendered":"Tomajazz recupera&#8230; Adam Rogers: Las guitarras y el infinito, por Arturo Mora."},"content":{"rendered":"<p>&nbsp;<\/p>\n<figure id=\"attachment_10283\" aria-describedby=\"caption-attachment-10283\" style=\"width: 300px\" class=\"wp-caption alignleft\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-10283\" alt=\"Adam Rogers \u00a9 Sergio Cabanillas, 2007\" src=\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2014\/02\/adam_rogers_8675.jpg\" width=\"300\" height=\"200\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2014\/02\/adam_rogers_8675.jpg 300w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2014\/02\/adam_rogers_8675-150x100.jpg 150w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2014\/02\/adam_rogers_8675-200x133.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2014\/02\/adam_rogers_8675-82x55.jpg 82w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2014\/02\/adam_rogers_8675-60x40.jpg 60w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2014\/02\/adam_rogers_8675-120x80.jpg 120w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><figcaption id=\"caption-attachment-10283\" class=\"wp-caption-text\"><center>Adam Rogers<br \/>\u00a9 Sergio Cabanillas, 2007<\/center><\/figcaption><\/figure>\n<p style=\"text-align: justify;\"><span style=\"color: #000000;\">Adam Rogers\u00a0<\/span><span style=\"color: #000000;\">ostenta una posici\u00f3n de privilegio en el dif\u00edcil campo de la guitarra de jazz. El pasado 16 de noviembre de 2007 visit\u00f3 Madrid con motivo de su actuaci\u00f3n en el Festival de Jazz de Ciudad Lineal con\u00a0Chris Potter Underground. Entre la prueba de sonido y el concierto\u00a0Arturo Mora\u00a0tuvo ocasi\u00f3n de hablar con \u00e9l sobre su m\u00fasica, su \u00faltimo disco y sus guitarras, entre otras cosas.<\/span><\/p>\n<p>Leer&#8230;\u00a0<a title=\"Adam Rogers: Las guitarras y el infinito, por Arturo Mora.\" href=\"http:\/\/www.tomajazz.com\/web\/?p=10279\" target=\"_blank\"><strong>Adam Rogers: Las guitarras y el infinito, por Arturo Mora<\/strong><\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>&nbsp; Adam Rogers\u00a0ostenta una posici\u00f3n de privilegio en el dif\u00edcil campo de la guitarra de jazz. El pasado 16 de noviembre de 2007 visit\u00f3 Madrid con motivo de su actuaci\u00f3n en el Festival de Jazz de Ciudad Lineal con\u00a0Chris Potter Underground. Entre la prueba de sonido y el concierto\u00a0Arturo Mora\u00a0tuvo<span class=\"more-link\"><a href=\"https:\/\/tomajazz.com\/web\/tomajazz-recupera-adam-rogers-las-guitarras-y-el-infinito-por-arturo-mora\/\">Contin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":10283,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":true,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[17861,17850,78,15537,9,15517,1038,6669],"tags":[1096,260,187,16099,16100],"class_list":["entry","author-pachi","post-10328","post","type-post","status-publish","format-standard","has-post-thumbnail","category-arturo-mora-rioja","category-sergio-cabanillas","category-afondo","category-entrevistas","category-perfiles","category-textos","category-contenidos","category-tomajazz-recupera","tag-adam-rogers","tag-arturo-mora-rioja","tag-sergio-cabanillas","tag-toma-jazz","tag-tomajazz-toma-jazz"],"jetpack_featured_media_url":"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2014\/02\/adam_rogers_8675.jpg","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":10329,"url":"https:\/\/tomajazz.com\/web\/tomajazz-recupera-adam-rogers-guitars-and-the-infinite-by-arturo-mora\/","url_meta":{"origin":10328,"position":0},"title":"Tomajazz recupera&#8230; Adam Rogers: Guitars And The Infinite, by Arturo Mora","author":"Tomajazz","date":"7 febrero, 2014","format":false,"excerpt":"\u00a0 Adam Rogers\u00a0holds a privileged position in the difficult field of jazz guitar. On November 16th 2007 he visited Madrid to perform at the Festival de Jazz de Ciudad Lineal with\u00a0Chris Potter Underground. Between the soundcheck and the concert\u00a0Arturo Mora\u00a0had the chance to talk to him about his music, his\u2026","rel":"","context":"En \u00ab*_Arturo Mora Rioja\u00bb","block_context":{"text":"*_Arturo Mora Rioja","link":"https:\/\/tomajazz.com\/web\/category\/arturo-mora-rioja\/"},"img":{"alt_text":"Adam Rogers \/ Arturo Mora \u00a9 Sergio Cabanillas, 2007","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/web\/wp-content\/uploads\/2014\/02\/adam_rogers_8662.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":10279,"url":"https:\/\/tomajazz.com\/web\/adam-rogers-las-guitarras-y-el-infinito-por-arturo-mora\/","url_meta":{"origin":10328,"position":1},"title":"Adam Rogers: Las guitarras y el infinito, por Arturo Mora.","author":"Sergio Cabanillas","date":"5 febrero, 2008","format":false,"excerpt":"Adam Rogers ostenta una posici\u00f3n de privilegio en el dif\u00edcil campo de la guitarra de jazz. El pasado 16 de noviembre de 2007 visit\u00f3 Madrid con motivo de su actuaci\u00f3n en el Festival de Jazz de Ciudad Lineal con Chris Potter Underground. Entre la prueba de sonido y el concierto\u2026","rel":"","context":"En \u00ab*_Arturo Mora Rioja\u00bb","block_context":{"text":"*_Arturo Mora Rioja","link":"https:\/\/tomajazz.com\/web\/category\/arturo-mora-rioja\/"},"img":{"alt_text":"Adam Rogers \u00a9 Sergio Cabanillas, 2007","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/web\/wp-content\/uploads\/2014\/02\/adam_rogers_8675.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":12654,"url":"https:\/\/tomajazz.com\/web\/tomajazz-recupera-chris-potter-el-buscador-de-retos-por-arturo-mora\/","url_meta":{"origin":10328,"position":2},"title":"Tomajazz recupera&#8230; Chris Potter: el buscador de retos, por Arturo Mora","author":"Tomajazz","date":"9 junio, 2014","format":false,"excerpt":"\u00a0 ARTURO MORA: Supongo que improvisar sobre estas m\u00e9tricas extra\u00f1as tambi\u00e9n debe ser un reto. CHRIS POTTER: S\u00ed, creo que es una buena forma de retarnos a nosotros mismos, porque no puedes tocar las cosas que ya conoces, tienes que encontrar algo nuevo que funcione bien en este entorno, as\u00ed\u2026","rel":"","context":"En \u00ab*_Arturo Mora Rioja\u00bb","block_context":{"text":"*_Arturo Mora Rioja","link":"https:\/\/tomajazz.com\/web\/category\/arturo-mora-rioja\/"},"img":{"alt_text":"Chris Potter \u00a9 Sergio Cabanillas, 2007","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/web\/wp-content\/uploads\/2014\/05\/potter2-200x133.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":10299,"url":"https:\/\/tomajazz.com\/web\/adam-rogers-guitars-and-the-infinite-by-arturo-mora\/","url_meta":{"origin":10328,"position":3},"title":"Adam Rogers: Guitars And The Infinite, by Arturo Mora.","author":"Sergio Cabanillas","date":"5 febrero, 2008","format":false,"excerpt":"Adam Rogers holds a privileged position in the difficult field of jazz guitar. On November 16th 2007 he visited Madrid to perform at the Festival de Jazz de Ciudad Lineal with Chris Potter Underground. Between the soundcheck and the concert Arturo Mora had the chance to talk to him about\u2026","rel":"","context":"En \u00ab*_Arturo Mora Rioja\u00bb","block_context":{"text":"*_Arturo Mora Rioja","link":"https:\/\/tomajazz.com\/web\/category\/arturo-mora-rioja\/"},"img":{"alt_text":"Adam Rogers \u00a9 Sergio Cabanillas, 2007","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/web\/wp-content\/uploads\/2014\/02\/adam_rogers_8675.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":12653,"url":"https:\/\/tomajazz.com\/web\/tomajazz-recupera-chris-potter-the-challenge-seeker-by-arturo-mora\/","url_meta":{"origin":10328,"position":4},"title":"Tomajazz recupera&#8230; Chris Potter: the challenge seeker, by Arturo Mora","author":"Tomajazz","date":"9 junio, 2014","format":false,"excerpt":"ARTURO MORA: Does the use of odd meters influence you when composing for the band? CHRIS POTTER: Yes, that was an area that I was beginning to explore before I joined the band. I think it\u2019s a sort of a process from where we\u2019re evolving, growing. Someone would bring in\u2026","rel":"","context":"En \u00ab*_Arturo Mora Rioja\u00bb","block_context":{"text":"*_Arturo Mora Rioja","link":"https:\/\/tomajazz.com\/web\/category\/arturo-mora-rioja\/"},"img":{"alt_text":"Chris Potter \u00a9 Sergio Cabanillas, 2006","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/web\/wp-content\/uploads\/2014\/05\/potter1.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":4397,"url":"https:\/\/tomajazz.com\/web\/marcus-miller-renaissance-3-deuces-records-2012\/","url_meta":{"origin":10328,"position":5},"title":"Marcus Miller &#8211; Renaissance (3 Deuces Records, 2012)","author":"Tomajazz","date":"15 septiembre, 2012","format":false,"excerpt":"Comentario:\u00a0Lo mismo de siempre, pero qu\u00e9 bien hecho. Marcus Miller repasa sus f\u00f3rmulas habituales en este\u00a0Renaissance\u00a0lleno de\u00a0funk\u00a0y melod\u00edas silbables. Lo hace en torno a un grupo estable con alguna colaboraci\u00f3n salteada, creando un producto que rebosa unidad y coherencia. As\u00ed, Miller se apoya con confianza en la que ha sido\u2026","rel":"","context":"En \u00abGrabaciones...\u00bb","block_context":{"text":"Grabaciones...","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/textos\/grabaciones\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2013\/01\/mm_r.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]}],"_links":{"self":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/10328","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/comments?post=10328"}],"version-history":[{"count":2,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/10328\/revisions"}],"predecessor-version":[{"id":10333,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/10328\/revisions\/10333"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media\/10283"}],"wp:attachment":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media?parent=10328"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/categories?post=10328"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/tags?post=10328"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}