{"id":10338,"date":"2014-02-07T11:20:35","date_gmt":"2014-02-07T10:20:35","guid":{"rendered":"http:\/\/www.tomajazz.com\/web\/?p=10338"},"modified":"2016-11-13T17:16:44","modified_gmt":"2016-11-13T16:16:44","slug":"east-west-collective-humeurs-rogueart-2013","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/east-west-collective-humeurs-rogueart-2013\/","title":{"rendered":"East-West Collective: Humeurs<\/i> (RogueArt, 2013)"},"content":{"rendered":"

\"east-westInteresante la propuesta del East-West Collective, en la que se alternan sonoridades de Oriente (el koto<\/em> de Miya Masaoka, y el guzheng<\/em> de Xu Fengxia), con las m\u00e1s habituales en Occidente de saxos (Larry Ochs), clarinetes (Sylvain Kassap) y violonchelo (Didier Petit). De este encuentro entre culturas surgen los diferentes elementos musicales que sirven para armar una propuesta de libre improvisaci\u00f3n. Lo realmente novedoso en esta ocasi\u00f3n es la presencia de unos instrumentos con unas sonoridades no muy habituales, aunque tanto Masaoka como Fengxia ya han aparecido en una discogr\u00e1fica tan interesante como Intakt, y ambas tienen un curr\u00edculum m\u00e1s que notable tocando en compa\u00f1\u00eda de primeras figuras de la improvisaci\u00f3n como Kowald, Br\u00f6tzmann, Niggli, Frith, Cyrille. En lo que no hay sorpresa es en la manera en que el quinteto de m\u00fasicos interact\u00faa. Entre ellos se establece un muy bien entendimiento, gracias al cual la m\u00fasica est\u00e1 llena de espacios que permiten que la m\u00fasica fluya con total naturalidad. Teniendo en cuenta a lo largo de la grabaci\u00f3n la importancia de la melod\u00eda, existen algunos momentos de una cierta urgencia y expresionismo, aunque estos son los menos. A lo largo de todo el CD el grupo trabaja sin forzar a la m\u00fasica para que llegue a un siguiente estadio. El origen oriental de las dos f\u00e9minas (Xu Fengxia es china, Miya Masaoka es de origen japon\u00e9s aunque nacida en USA) explica que en algunos de los temas se imponga un aroma tradicional oriental que ayuda a lograr que la propuesta muestre un car\u00e1cter espiritual, por momentos muy marcado.<\/p>\n

\u00a9 Pachi Tapiz, 2014<\/p>\n

East-West Collective: Humeurs<\/em><\/p>\n

Didier Petit (vionlonchelo, voz), Larry Ochs (saxofones tenor y sopranino), Miya Masaoka (koto<\/em>), Xu Fengxia (guzheng<\/em>, voz), Sylvain Kassap (clarinetes)<\/p>\n

\u00abMountain\u00bb, \u00abWine\u00bb, \u00abHumeur du Dessous\u00bb, \u00abBy Any Other Media (for William Kentridge)\u00bb (Larry Ochs), \u00abHumeur de Terre\u00bb, \u00abRoad\u00bb, \u00abHumeur de l’Esprit\u00bb
\nTemas compuestos por Didier Petit, Larry Ochs, Miya Masaoka, Xu Fengxia, Sylvain Kassap, salvo el indicado.<\/p>\n

Grabado el 20 de junio de 2013 en Unsound Recording, San Francisco, California, USA. Publicado en 2013 por RogueArt.<\/p>\n

\n","protected":false},"excerpt":{"rendered":"

Interesante la propuesta del East-West Collective, en la que se alternan sonoridades de Oriente (el koto de Miya Masaoka, y el guzheng de Xu Fengxia), con las m\u00e1s habituales en Occidente de saxos (Larry Ochs), clarinetes (Sylvain Kassap) y violonchelo (Didier Petit). De este encuentro entre culturas surgen los diferentesContin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":10339,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":true,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[17847,5,1038],"tags":[12651,8314,8319,12696,13,12415,15295,497,8315,31,8318,8317,16099,77,16100,8316],"class_list":["entry","author-pachi","post-10338","post","type-post","status-publish","format-standard","has-post-thumbnail","category-pachi-tapiz","category-grabaciones","category-contenidos","tag-cd","tag-didier-petit","tag-east-west-collective","tag-grabaciones","tag-jazz","tag-jazz-en-espana","tag-jazz-en-espanol","tag-larry-ochs","tag-miya-masaoka","tag-pachi-tapiz","tag-rogueart","tag-sylvain-kassap","tag-toma-jazz","tag-tomajazz","tag-tomajazz-toma-jazz","tag-xu-fengxia"],"jetpack_featured_media_url":"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2014\/02\/east-west-collective_Humeurs.jpg","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":29348,"url":"https:\/\/tomajazz.com\/web\/hdo-239-takase-murray-satoko-fujii-braxton-masaoka-podcast\/","url_meta":{"origin":10338,"position":0},"title":"HDO 239. 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Conexi\u00f3n Chicago: H.Drake – S.Kassap, Ballister, DEK Trio [Podcast]","author":"Tomajazz","date":"2 febrero, 2017","format":false,"excerpt":"En HDO 231 el leitmotiv\u00a0es la conexi\u00f3n con Chicago. 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