![\"Ralph](\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2023\/11\/R-T-1-Ralph-Towner-At-First-Light-10-Festival-Internacional-JazzMadrid-2023-CentroCentro-2023-11-10-Por-Enrique-Farelo-INSTANTZZ-Tomajazz.jpg\" "\\"Ralph")
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Nels Cline: It\u2019s been something like 47 years that you\u2019ve been recording for ECM, working with Manfred Eicher. Obviously, back in the \u201970s this relationship was beyond ideal for your music and brought a whole new aesthetic to the world\u2014much of it derived from (in my opinion) your writing and playing style and the innovations of Oregon and aspects of the Paul Winter Consort. Is it happy and comfortable to make a record like My Foolish Heart, or are there challenges beyond just striving for a good take, even nowadays?<\/p>\n
Ralph Towner: I\u2019m always excited about the prospect of recording. I try to wait until I have enough material composed to begin to consider recording. Every recording has a different feeling about it, and some sessions are more difficult, depending on the music. But it is always an honor to be able to document your life\u2019s work.<\/p><\/blockquote>\n
Ralph Towner In Memoriam<\/h3>\n
Entrevista a Ralph Towner realizada por Nels Cline en Fretboard Journal<\/em> (https:\/\/www.fretboardjournal.com\/features\/focused-an-appreciation-of-the-genre-bending-guitar-work-of-ralph-towner\/<\/a>). Fotograf\u00eda por Enrique Farelo. Tomada en el Festival Internacional JazzMadrid 2023, CentroCentro, Madrid, el 10 de noviembre de 2023.<\/p>\n
Texto: \u00a9 Fretboard Journal, 2017
\nFotograf\u00eda: \u00a9 Enrique Farelo,\u00a0 2023<\/p>\nM\u00e1s informaci\u00f3n sobre Ralph Towner<\/h3>\n
https:\/\/www.ralphtowner.com\/<\/a><\/p>\n
https:\/\/tomajazz.com\/web\/?s=ralph+towner&submit=Search<\/a><\/p>\n