{"id":104106,"date":"2026-02-20T12:00:45","date_gmt":"2026-02-20T11:00:45","guid":{"rendered":"https:\/\/tomajazz.com\/web\/?p=104106"},"modified":"2026-02-19T22:23:15","modified_gmt":"2026-02-19T21:23:15","slug":"kris-davis-the-solastalgia-suite-2026","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/kris-davis-the-solastalgia-suite-2026\/","title":{"rendered":"Kris Davis & Lutos\u0142awski Quartet: The Solastalgia Suite (Pyroclastic Records, 2026) Por Carlos Lara [Grabaci\u00f3n de jazz]"},"content":{"rendered":"

\"Kris
Kris Davis & Lutos\u0142awski Quartet: The Solastalgia Suite (Pyroclastic Records, 2026)<\/figcaption><\/figure>La desolaci\u00f3n que provoca el deterioro del medioambiente ha sido denominada por el fil\u00f3sofo ambiental australiano Glenn Albrecht como Solastalgia.<\/em> En su libro Las emociones de la Tierra<\/em>, alude a este concepto para calificar la nostalgia y la angustia que sienten los humanos cuando vemos que fen\u00f3menos como incendios, contaminaci\u00f3n, sequ\u00edas, danas o deshielos, van degradando progresivamente el entorno medioambiental m\u00e1s cercano.<\/p>\n

Inspir\u00e1ndose en la filosof\u00eda de Albrecht, <\/em>el \u00faltimo trabajo de Kris Davis, The Solastalgia Suite, <\/em>es una obra profundamente evocadora y emocionalmente intensa, que marca uno de los pasos m\u00e1s ambiciosos de la pianista canadiense hasta la fecha. Nada menos que una suite para piano y cuarteto de cuerdas. Colaborando con el prestigioso Lutos\u0142awski Quartet de Polonia, Davis ha creado una obra de c\u00e1mara moderna que trasciende g\u00e9neros, ya que fusiona elementos de jazz contempor\u00e1neo, composici\u00f3n cl\u00e1sica y experimentaci\u00f3n sonora. La suite fue encargada por el Jazztopad Festival en Wroc\u0142aw, Polonia, y grabada en noviembre de 2024. Fue estrenada tambi\u00e9n en Nueva York antes de su lanzamiento este a\u00f1o a trav\u00e9s del sello Pyroclastic Records, creado por Kris Davis.<\/p>\n

El \u00e1lbum se compone de ocho movimientos que, aunque breves en ocasiones, cubren un espectro emocional amplio. Musicalmente exigente, conceptualmente potente y emocionalmente rico, confirma a Kris Davis como una de las voces m\u00e1s audaces e imaginativas de la escena contempor\u00e1nea. Lleva la m\u00fasica improvisada hacia territorios de composici\u00f3n de c\u00e1mara expandida con un mensaje profundamente humano.<\/p>\n

La suite se inicia con \u201cInterlude\u201d, que no es un preludio amable y nos introduce directamente a texturas tensas: acordes que recuerdan a Bart\u00f3k, l\u00edneas de cuerdas al un\u00edsono y una sensaci\u00f3n general de inquietud que prepara al oyente para un viaje narrativo que no se parece a nada convencional.<\/p>\n

Uno de los momentos m\u00e1s l\u00edricos es \u201cAn Invitation to Disappear\u201d, que empieza con un viol\u00edn solitario que se convierte en un di\u00e1logo entre piano y cuerdas, evocando una belleza fr\u00e1gil que se disuelve mientras avanza. \u201cTowards No Earthly Pole\u201d juega con sonidos espectrales y texturas minimalistas, como si invitara a imaginar un paisaje extremo e inh\u00f3spito. \u201cThe Known End\u201d es m\u00e1s dram\u00e1tico y en\u00e9rgico, con un impulso casi de concierto en el piano de Davis, frente a los ataques r\u00edtmicos de las cuerdas. \u201cGhost Reefs\u201d y \u201cPressure & Yield\u201d nos llevan hacia la desolaci\u00f3n y agitaci\u00f3n, simbolizando ecosistemas en colapso y desequilibrios emocionales.<\/p>\n

En general, destaca c\u00f3mo las cuerdas no se limitan a acompa\u00f1ar; en muchos momentos, llenas de matices, son las responsables de la potencia y el discurso principal, a veces como motor r\u00edtmico, otras como narradores mel\u00f3dicos o incluso como percusi\u00f3n textural. El piano de Davis \u2014con sus acordes amplios, silencios calculados y exploraciones t\u00edmbricas\u2014 dialoga con las cuerdas sin jerarqu\u00edas r\u00edgidas, lo que va creando una m\u00fasica que respira como un organismo complejo. The Solastalgia Suite<\/em> no busca complacer inmediatamente; su belleza emerge de su capacidad para confrontar, hacer pensar y permanecer resonando tras la escucha. Un trabajo profundamente evocador, donde Kris Davis ha sabido trasladar musicalmente, mediante unas composiciones e interpretaciones impecables, las sensaciones y sentimientos que provoca una deriva que, a nivel global, ya se empieza a conocer como \u201cterricidio\u201d.<\/p>\n

Tomajazz: \u00a9 Carlos Lara<\/strong>, 2026<\/p>\n

\n

Kris Davis & Lutos\u0142awski Quartet: The Solastalgia Suite<\/em><\/h3>\n

M\u00fasicos: Kris Davis (piano), Roksana Kwa\u015bnikowska (primer viol\u00edn), Marcin Markowicz (segundo viol\u00edn), Arur Rozmys\u0142owicz (viola) y Maciej M\u0142odawski (violonchelo).<\/p>\n

Temas: \u201cInterlude\u201d, \u201cAn Invitation to Disappear\u201d, \u201cTowards No Earthly Pole\u201d, \u201cThe Known End\u201d, \u201cGhost Reefs\u201d, \u201cPressure & Yield\u201d, \u201cLife on Venus\u201d y \u201cDegrees of Separation\u201d.
\nTodas las composiciones de Kris Davis.<\/p>\n

Grabado el 23 de noviembre de 2024 en el Jazztopad Festival de Wroc\u0142aw (Polonia).<\/p>\n

Editado por Pyroclastic Records en 2026.<\/p>\n

\n

M\u00e1s informaci\u00f3n sobre Kris Davis y Pyroclastic Records<\/h3>\n

https:\/\/krisdavis.net\/<\/a><\/p>\n

https:\/\/tomajazz.com\/web\/?s=kris+davis&submit=Search<\/a><\/p>\n

https:\/\/pyroclasticrecords.com\/<\/a><\/p>\n

https:\/\/tomajazz.com\/web\/?s=pyroclastic+records&submit=Search<\/a><\/p>\n

Carlos Lara en Tomajazz<\/h3>\n

https:\/\/tomajazz.com\/web\/category\/carlos-lara\/<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

The Solastalgia Suite (Pyroclastic Records, 2026) es la nueva grabaci\u00f3n de Kris Davis con Lutos\u0142awski Quartet. Carlos Lara repasa la grabaci\u00f3nContin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":104107,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[5,17849,15517,1038],"tags":[84,24,33171,25160],"class_list":["entry","author-pachi","has-excerpt","post-104106","post","type-post","status-publish","format-standard","has-post-thumbnail","category-grabaciones","category-carlos-lara","category-textos","category-contenidos","tag-carlos-lara","tag-kris-davis","tag-lutoslawski-quartet","tag-pyroclastic-records"],"jetpack_featured_media_url":"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2026\/02\/Kris-Davis-Lutoslawski-Quartet-The-Solastalgia-Suite-Pyroclastic-Records-2026.jpg","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":102957,"url":"https:\/\/tomajazz.com\/web\/nels-cline-consentrik-quartet-2025\/","url_meta":{"origin":104106,"position":0},"title":"Nels Cline: Consentrik Quartet (Blue Note Records, 2025) Por Carlos Lara [Grabaci\u00f3n de jazz]","author":"Tomajazz","date":"24 diciembre, 2025","format":false,"excerpt":"Nels Cline estrena grupo y grabaci\u00f3n Consentrik Quartet (Blue Note, 2025) acompa\u00f1ado por Ingrid Laubrock, Chris Lightcap, Tom Rainey. 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