{"id":10414,"date":"2014-02-13T11:10:14","date_gmt":"2014-02-13T10:10:14","guid":{"rendered":"http:\/\/www.tomajazz.com\/web\/?p=10414"},"modified":"2016-11-13T15:55:15","modified_gmt":"2016-11-13T14:55:15","slug":"nevermind-3-tree-sustrai-barik-errabal-2014","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/nevermind-3-tree-sustrai-barik-errabal-2014\/","title":{"rendered":"Nevermind 3: <i>Tree-Sustrai barik<\/i> (Errabal, 2014)"},"content":{"rendered":"<p style=\"text-align: justify;\"><span style=\"font-size: 14px; line-height: 1.5em;\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-medium wp-image-10417\" alt=\"??????????????\" src=\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2014\/02\/Nevermind-Trio-200x180.jpg\" width=\"200\" height=\"180\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2014\/02\/Nevermind-Trio-200x180.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2014\/02\/Nevermind-Trio-150x135.jpg 150w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2014\/02\/Nevermind-Trio-61x55.jpg 61w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2014\/02\/Nevermind-Trio.jpg 373w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/>Nevermind 3 cuenta en su haber con tres trabajos. El primero de ellos lleva por t\u00edtulo <\/span><em style=\"font-size: 14px; line-height: 1.5em;\">Nevermind People <\/em><span style=\"font-size: 14px; line-height: 1.5em;\">(Errabal, 2009) con versiones de Nirvana. El segundo, <\/span><em style=\"font-size: 14px; line-height: 1.5em;\">Be<\/em><span style=\"font-size: 14px; line-height: 1.5em;\"> (Errabal, 2011), \u00a0acerc\u00f3 al grupo a propuestas del universo de la m\u00fasica cl\u00e1sica con versiones de Giovani Battista Pergolesi y Modest Mussorgski. El tercero y \u00faltimo es el presente disco, <\/span><em style=\"font-size: 14px; line-height: 1.5em;\">Sustrai Barik<\/em><em style=\"font-size: 14px; line-height: 1.5em;\">. <\/em><span style=\"font-size: 14px; line-height: 1.5em;\">(Errabal, 2014). El saxo de Julen Izarra sustituye al contrabajo de Aritz Luzuriaga y el tr\u00edo vira su m\u00fasica hacia el jazz de vanguardia y el <\/span><i style=\"font-size: 14px; line-height: 1.5em;\">avant-garde<\/i><span style=\"font-size: 14px; line-height: 1.5em;\"> salpicado de sonidos <\/span><i style=\"font-size: 14px; line-height: 1.5em;\">rock<\/i><span style=\"font-size: 14px; line-height: 1.5em;\">.<\/span><\/p>\n<p style=\"text-align: justify;\">Composiciones propias, alg\u00fan gui\u00f1o al Barroco (\u201cMisteriotsu Bach\u201d) y a los Beatles (\u201cDear Prudence\u201d). Y es que el grupo siempre ha tenido un gusto especial por las versiones, (nunca faltan en su repertorio) por inspirar y ser provocadoras.<\/p>\n<p style=\"text-align: justify;\">Su m\u00fasica es un ejercicio de compenetraci\u00f3n entre los tres integrantes desde \u201cFire\u201d hasta \u201cDear Prudence\u201d. Pretenden ser un todo y no una suma de individualidades que modula con acierto los cambios de ritmo como en \u201cError Humano\u201d o en la moderna \u201cFire\u201d donde la influencia de John \u00a0Abercrombie se plasma en Jorge Abad\u00edas. En \u201cMisteriotsu Bach\u201d el saxo tenor de Julen Izarra abre el tema para interactuar con la pac\u00edfica guitarra el\u00e9ctrica de Jorge Abad\u00edas y el complemento de la bater\u00eda de Hasier Oleaga en una demostraci\u00f3n del gusto por el <i>cool<\/i>.<\/p>\n<p style=\"text-align: justify;\">Excelente Jorge Abad\u00edas en la rocosa \u201cMan\u00edas M\u00edas\u201d. \u201cLo Ke Espejo de Ti\u201d es una balada <i>ambient<\/i> y minimalista; \u201cLastoa Begian\u201d es una pieza <i>rock<\/i> y la versi\u00f3n de los Beatles, \u201cDear Prudence\u201d es m\u00e1s que digna y novedosa con cierto acento <i>blues<\/i>.<\/p>\n<p align=\"right\">\u00a9 Enrique Farelo, 2014<\/p>\n<p>Nevermind 3: <i>Tree-Sustrai barik<\/i><\/p>\n<p style=\"text-align: justify;\">M\u00fasicos: Julen Izarra (saxos tenor y soprano), Jorge Abad\u00edas (guitarra ac\u00fastica y el\u00e9ctrica), (contrabajo), Hasier Oleaga (bater\u00eda y percusiones)<\/p>\n<p>Composiciones: \u201cFire\u201d, \u201cError Humano\u201d, \u201cMisteriotsu Bach\u201d, \u201cEsbozo de Potenciales Evocados\u201d, \u201cMan\u00edas M\u00edas\u201d, \u201cLo Ke Espejo de Ti\u201d, \u201cLastoa Begian\u201d, \u201cDear Prudence\u201d.<\/p>\n<p>Todas las composiciones por Nevermind excepto \u201cDear Prudence\u201d de Lennon y McCartney<\/p>\n<p>Grabado en los estudios 008 de Mekoleta (Vizcaya) el 13 de octubre de 2013 y publicado por Errabal Jazz<\/p>\n<p align=\"right\">\n","protected":false},"excerpt":{"rendered":"<p>Nevermind 3 cuenta en su haber con tres trabajos. El primero de ellos lleva por t\u00edtulo Nevermind People (Errabal, 2009) con versiones de Nirvana. El segundo, Be (Errabal, 2011), \u00a0acerc\u00f3 al grupo a propuestas del universo de la m\u00fasica cl\u00e1sica con versiones de Giovani Battista Pergolesi y Modest Mussorgski. El<span class=\"more-link\"><a href=\"https:\/\/tomajazz.com\/web\/nevermind-3-tree-sustrai-barik-errabal-2014\/\">Contin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":10417,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":true,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[17848,5,1038],"tags":[12651,304,7259,12696,437,13,12415,15295,7378,8367,8298,16099,77,16100],"class_list":["entry","author-pachi","post-10414","post","type-post","status-publish","format-standard","has-post-thumbnail","category-enrique-farelo","category-grabaciones","category-contenidos","tag-cd","tag-enrique-farelo","tag-errabal","tag-grabaciones","tag-hasier-oleaga","tag-jazz","tag-jazz-en-espana","tag-jazz-en-espanol","tag-jorge-abadias","tag-julen-izarra","tag-nevermind-3","tag-toma-jazz","tag-tomajazz","tag-tomajazz-toma-jazz"],"jetpack_featured_media_url":"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2014\/02\/Nevermind-Trio.jpg","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":10188,"url":"https:\/\/tomajazz.com\/web\/los-sorteos-de-tomajazz-joaquin-chacon-mariano-diaz-skytrain-nevermind-3-tree-sustrai-barik\/","url_meta":{"origin":10414,"position":0},"title":"Los sorteos de Tomajazz: Joaqu\u00edn Chac\u00f3n \u2013 Mariano D\u00edaz: Skytrain \/ Nevermind 3: Tree-Sustrai Barik","author":"Tomajazz","date":"4 febrero, 2014","format":false,"excerpt":"Tomajazz sortea, por cortes\u00eda de Errabal, un ejemplar de cada una de las dos novedades que el sello ha publicado el pasado mes de enero de 2014: Joaqu\u00edn Chac\u00f3n \u2013 Mariano D\u00edaz: Skytrain \/ Nevermind 3: Tree-Sustrai Barik. Para poder participar en el sorteo y ser el ganador de los\u2026","rel":"","context":"En \u00ab*_Redacci\u00f3n\u00bb","block_context":{"text":"*_Redacci\u00f3n","link":"https:\/\/tomajazz.com\/web\/category\/redaccion\/"},"img":{"alt_text":"Joaqu\u00edn-Chac\u00f3n-Mariano-D\u00edaz_Skytrain-300x263","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/web\/wp-content\/uploads\/2014\/02\/Joaqu%C3%ADn-Chac%C3%B3n-Mariano-D%C3%ADaz_Skytrain-300x263-200x175.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":13720,"url":"https:\/\/tomajazz.com\/web\/hasier-oleaga-cantus-caterva-ii-errabal-2014\/","url_meta":{"origin":10414,"position":1},"title":"Hasier Oleaga. Cantus Caterva II (Errabal, 2014)","author":"Jes\u00fas Mateu Rossell\u00f3","date":"9 septiembre, 2014","format":false,"excerpt":"Hasier Oleaga es uno de los bateristas m\u00e1s activos del Pa\u00eds Vasco. Entre otros, forma parte de los conjuntos: Nervermind Tr\u00edo, Sant Pau 44, I\u00f1aki Salvador Tr\u00edo, Zafari Project\u2026 incluso ha colaborado con el gran Mikel Laboa y con Mikel Urdangar\u00edn. En el a\u00f1o 2012 Hasier Oleaga public\u00f3 Cantus Caterva\u2026","rel":"","context":"En \u00ab*_Jes\u00fas Mateu Rossell\u00f3\u00bb","block_context":{"text":"*_Jes\u00fas Mateu Rossell\u00f3","link":"https:\/\/tomajazz.com\/web\/category\/jesus-mateu-rossello\/"},"img":{"alt_text":"HasierOleaga-CantusCatervaII","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/web\/wp-content\/uploads\/2014\/09\/HasierOleaga-CantusCatervaII-200x200.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":29288,"url":"https:\/\/tomajazz.com\/web\/hdo-237-novespain-2017-iii-mikel-gaztelurrutia-pere-soto-pep-lluis-guardiola-seidagasa-pedro-martinez-maestre-psycic-equalizer-nevermind-trio-threejay-podcast\/","url_meta":{"origin":10414,"position":2},"title":"HDO 237. NoveSpain 2017 III: Mikel Gaztelurrutia, Pere Soto &#8211; Pep Lluis Guardiola, Seidagasa + Pedro Mart\u00ednez Maestre, Psychic Equalizer, Nevermind Trio, Threejay [Podcast]","author":"Tomajazz","date":"14 febrero, 2017","format":false,"excerpt":"Media docena de novedades nacionales en la entrega 237 de HDO.\u00a0Walk de\u00a0Mikel Gaztelurrutia (Rock - CD Records, 2016);\u00a0Pere Soto - Pep Lluis Guardiola fusi\u00f3 y su grabaci\u00f3n hom\u00f3nima (Ars Harmonica, 2016); Omnisciencia de\u00a0Seidagasa + Pedro Mart\u00ednez Maestre; The Lonely Traveller\u00a0de\u00a0Psychic Equalizer; onena heltzear dago\u00a0(Errabal Jazz, 2017) de\u00a0Nevermind Trio; Our Voint\u2026","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/01\/HDO_logo_2017-01_ok.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/01\/HDO_logo_2017-01_ok.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/01\/HDO_logo_2017-01_ok.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":73303,"url":"https:\/\/tomajazz.com\/web\/errabal-jazz-4\/","url_meta":{"origin":10414,"position":3},"title":"Errabal Jazz IV: RS Faktor Basque, V\u00edctor Ant\u00f3n, Jer\u00f3nimo Mart\u00edn, Symbiosis 5. Por Enrique Farelo [Grabaci\u00f3n de jazz]","author":"Tomajazz","date":"27 abril, 2023","format":false,"excerpt":"Errabal Jazz IV. Enrique Farelo repasa las nuevas grabaciones de RS Faktor Basque, V\u00edctor Ant\u00f3n, Jer\u00f3nimo Mart\u00edn, y Symbiosis 5 en el sello Errabal Jazz.","rel":"","context":"En \u00abGrabaciones...\u00bb","block_context":{"text":"Grabaciones...","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/textos\/grabaciones\/"},"img":{"alt_text":"Errabal Jazz IV: RS Faktor Basque, V\u00edctor Ant\u00f3n, Jer\u00f3nimo Mart\u00edn, Symbiosis 5. Por Enrique Farelo [Grabaci\u00f3n de jazz] - Tomajazz 9.0 - Errabal Jazz IV. Enrique Farelo repasa las nuevas grabaciones de  RS Faktor Basque, V\u00edctor Ant\u00f3n, Jer\u00f3nimo Mart\u00edn, Symbiosis 5. Por Enrique Farelo [Grabaci\u00f3n de jazz]","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2023\/04\/Collage-Errabal-Jazz-IV-2023.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2023\/04\/Collage-Errabal-Jazz-IV-2023.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2023\/04\/Collage-Errabal-Jazz-IV-2023.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2023\/04\/Collage-Errabal-Jazz-IV-2023.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":24870,"url":"https:\/\/tomajazz.com\/web\/hdo-127-128-toma-1-toma-jazz-de-por-aqui-podcast\/","url_meta":{"origin":10414,"position":4},"title":"HDO 127 \u2013 128: \u00a1Toma 1! Toma\u2026 jazz de por aqu\u00ed&#8230; [Podcast]","author":"Tomajazz","date":"9 junio, 2016","format":false,"excerpt":"Eso tan complicado de decidir\u2026 de decidir entre propuestas que se realizan desde aqu\u00ed\u2026 aqu\u00ed los recipientes de las m\u00fasicas\u2026 Marcelo Escrich Silent Trio Charlie Haden Songbook (Errabal Jazz); Biel Ballester Tr\u00edo: Melodium Melodynamic (Autoeditado, 2016); Joan Vidal Sextet: Revisiting Zarathustra (Jazz Granollers Records, 2016); RS Faktor: Ak\u00fafeno (Errabal Jazz,\u2026","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/06\/HDO-127-128-129.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/06\/HDO-127-128-129.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/06\/HDO-127-128-129.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":24874,"url":"https:\/\/tomajazz.com\/web\/hdo-127-128-toma-2-toma-jazz-de-por-aqui-podcast\/","url_meta":{"origin":10414,"position":5},"title":"HDO 127 \u2013 128: \u00a1Toma 2! Toma\u2026 jazz de por aqu\u00ed&#8230; [Podcast]","author":"Tomajazz","date":"10 junio, 2016","format":false,"excerpt":"Eso tan complicado de decidir\u2026 de decidir entre propuestas que se realizan desde aqu\u00ed\u2026 aqu\u00ed los recipientes de las m\u00fasicas\u2026 Marcelo Escrich Silent Trio Charlie Haden Songbook (Errabal Jazz); Biel Ballester Tr\u00edo: Melodiuym Melodynamic (Autoeditado, 2015); Joan Vidal Sextet: Revisiting Zarathustra (Jazz Granollers Records, 2016); RS Faktor: Ak\u00fafeno (Errabal Jazz,\u2026","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/06\/IMG_20160609_161559_recortada-56_web.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/06\/IMG_20160609_161559_recortada-56_web.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/06\/IMG_20160609_161559_recortada-56_web.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/06\/IMG_20160609_161559_recortada-56_web.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]}],"_links":{"self":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/10414","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/comments?post=10414"}],"version-history":[{"count":3,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/10414\/revisions"}],"predecessor-version":[{"id":10420,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/10414\/revisions\/10420"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media\/10417"}],"wp:attachment":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media?parent=10414"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/categories?post=10414"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/tags?post=10414"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}