{"id":10463,"date":"2014-02-18T11:00:39","date_gmt":"2014-02-18T10:00:39","guid":{"rendered":"http:\/\/www.tomajazz.com\/web\/?p=10463"},"modified":"2016-11-13T17:16:40","modified_gmt":"2016-11-13T16:16:40","slug":"el-destino-y-las-probabilidades","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/el-destino-y-las-probabilidades\/","title":{"rendered":"El destino y las probabilidades"},"content":{"rendered":"<p><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-medium wp-image-10465\" alt=\"220px-Edward_George_Earle_Lytton_Bulwer_Lytton,_1st_Baron_Lytton_by_Henry_William_Pickersgill\" src=\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2014\/02\/220px-Edward_George_Earle_Lytton_Bulwer_Lytton_1st_Baron_Lytton_by_Henry_William_Pickersgill-200x256.jpg\" width=\"200\" height=\"256\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2014\/02\/220px-Edward_George_Earle_Lytton_Bulwer_Lytton_1st_Baron_Lytton_by_Henry_William_Pickersgill-200x256.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2014\/02\/220px-Edward_George_Earle_Lytton_Bulwer_Lytton_1st_Baron_Lytton_by_Henry_William_Pickersgill-117x150.jpg 117w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2014\/02\/220px-Edward_George_Earle_Lytton_Bulwer_Lytton_1st_Baron_Lytton_by_Henry_William_Pickersgill-42x55.jpg 42w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2014\/02\/220px-Edward_George_Earle_Lytton_Bulwer_Lytton_1st_Baron_Lytton_by_Henry_William_Pickersgill.jpg 220w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/>El destino se r\u00ede de las probabilidades.<\/p>\n<p>Edward George Earl Bulwer-Lytton (1803-1873)<\/p>\n","protected":false},"excerpt":{"rendered":"<p>El destino se r\u00ede de las probabilidades. Edward George Earl Bulwer-Lytton (1803-1873)<span class=\"more-link\"><a href=\"https:\/\/tomajazz.com\/web\/el-destino-y-las-probabilidades\/\">Contin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":10465,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":true,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[17847,4313,1038,4758],"tags":[4773,8396,31,16099,16100],"class_list":["entry","author-pachi","post-10463","post","type-post","status-publish","format-standard","has-post-thumbnail","category-pachi-tapiz","category-bun","category-contenidos","category-blogs","tag-cita","tag-edward-george-earl-bulwer-lytton","tag-pachi-tapiz","tag-toma-jazz","tag-tomajazz-toma-jazz"],"jetpack_featured_media_url":"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2014\/02\/220px-Edward_George_Earle_Lytton_Bulwer_Lytton_1st_Baron_Lytton_by_Henry_William_Pickersgill.jpg","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":6632,"url":"https:\/\/tomajazz.com\/web\/evan-parker-barry-guy-paul-lytton-live-at-maya-recordings-festival-nobusiness-records-2013\/","url_meta":{"origin":10463,"position":0},"title":"Evan Parker, Barry Guy, Paul Lytton: Live At Maya Recordings Festival (NoBusiness Records, 2013)","author":"Tomajazz","date":"31 mayo, 2013","format":false,"excerpt":"Jugando en casa, en el festival que celebraba el vig\u00e9simo aniversario de Maya Recordings, el tr\u00edo formado por Evan Parker, Barry Guy y Paul Lytton todav\u00eda suena, si cabe, mejor. Como de costumbre, su m\u00fasica se reparte en temas improvisados -que este CD son cuatro-, en los que hay espacio\u2026","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"parker guy lytton maya festival","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/web\/wp-content\/uploads\/2013\/05\/parker-guy-lytton-maya-festival.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":26850,"url":"https:\/\/tomajazz.com\/web\/hdo-178-redux\/","url_meta":{"origin":10463,"position":1},"title":"HDO 178 Redux","author":"Tomajazz","date":"12 octubre, 2016","format":false,"excerpt":"Versi\u00f3n reducida - adelanto del programa HDO 178 en el que los protagonistas ser\u00e1n el tr\u00edo Guy - Crispell - Lytton, la flautista Nicole Mitchell y el violinista Dominique Pifar\u00e9ly. Pr\u00f3ximamente en Tomajazz. HDO es un podcast editado, presentado y producido por Pachi Tapiz.","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/09\/HDO_entrega0050_en-buena-compa%C3%B1%C3%ADa_presentacion_HORIZONTAL-e1475164237332.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/09\/HDO_entrega0050_en-buena-compa%C3%B1%C3%ADa_presentacion_HORIZONTAL-e1475164237332.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/09\/HDO_entrega0050_en-buena-compa%C3%B1%C3%ADa_presentacion_HORIZONTAL-e1475164237332.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/09\/HDO_entrega0050_en-buena-compa%C3%B1%C3%ADa_presentacion_HORIZONTAL-e1475164237332.jpg?resize=700%2C400&ssl=1 2x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/09\/HDO_entrega0050_en-buena-compa%C3%B1%C3%ADa_presentacion_HORIZONTAL-e1475164237332.jpg?resize=1050%2C600&ssl=1 3x"},"classes":[]},{"id":26878,"url":"https:\/\/tomajazz.com\/web\/hdo-178-guy-crispell-lytton-nicole-mitchell-dominique-pifarely-podcast\/","url_meta":{"origin":10463,"position":2},"title":"HDO 178. Guy \u2013 Crispell \u2013 Lytton. Nicole Mitchell. Dominique Pifar\u00e9ly [Podcast]","author":"Tomajazz","date":"14 octubre, 2016","format":false,"excerpt":"Los m\u00e1s que recomendables Deep Memory (Intakt, 2016) del tr\u00edo formado por Barry Guy, Marilyn Crispell y Paul Lytton; Moments of Fatherhood (RogueArt, 2016) del Nicole Mitchell Black Earth Ensemble Ensemble Laborintus; y\u00a0Trac\u00e9 Provisoire (ECM, 2016) de Dominique Pifar\u00e9ly Quartet son las tres grabaciones protagonistas de HDO 178. \u00a9 Pachi\u2026","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"barry-guy-marilyn-crispell-paul-lytton_deep-memory_intakt_2016","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/web\/wp-content\/uploads\/2016\/10\/Barry-Guy-Marilyn-Crispell-Paul-Lytton_Deep-Memory_Intakt_2016-200x200.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":1887,"url":"https:\/\/tomajazz.com\/web\/tomajazz-recomienda-un-cd-collaboration-george-benson-earl-klugh-1987\/","url_meta":{"origin":10463,"position":3},"title":"Tomajazz recomienda&#8230; un CD: Collaboration (George Benson &#038; Earl Klugh, 1987)","author":"Adolphus van Tenzing","date":"19 julio, 2010","format":false,"excerpt":"Dentro de los discos indispensables de jazz fusion de los ochenta se encuentra esta colaboraci\u00f3n entre guitarristas llamada, sencillamente, Collaboration. George Benson a la el\u00e9ctrica y Earl Klugh a la ac\u00fastica explotan continuamente su capacidad mel\u00f3dica y la expresan con evidente plasticidad. En dicha tarea les acompa\u00f1a una banda de\u2026","rel":"","context":"En \u00ab*_Adolphus van Tenzing\u00bb","block_context":{"text":"*_Adolphus van Tenzing","link":"https:\/\/tomajazz.com\/web\/category\/adolphus-van-tenzing\/"},"img":{"alt_text":"George Benson & Earl Klugh - Collaboration","src":"https:\/\/i0.wp.com\/torec.tomajazz.com\/wp-content\/uploads\/2010\/07\/recomienda.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":3152,"url":"https:\/\/tomajazz.com\/web\/clepton\/","url_meta":{"origin":10463,"position":4},"title":"Clepton","author":"Tomajazz","date":"12 octubre, 2008","format":false,"excerpt":"Tres piezas componen Clepton de Earl Howard. La que le da t\u00edtulo es el estreno en directo de un encargo del veterano festival alem\u00e1n de m\u00fasica contempor\u00e1nea Donaueschinger Musikatge, que inici\u00f3 su andadura all\u00e1 en un lejano 1921. Dividida en diez secciones, esta obra de Howard para piano, chelo, bater\u00eda,\u2026","rel":"","context":"En \u00abGrabaciones...\u00bb","block_context":{"text":"Grabaciones...","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/textos\/grabaciones\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":101638,"url":"https:\/\/tomajazz.com\/web\/dexter-gordon-more-than-you-know-2025\/","url_meta":{"origin":10463,"position":5},"title":"Dexter Gordon: More Than You Know (GleAM Records; 1981; edici\u00f3n 2025) Por Pachi Tapiz [Grabaci\u00f3n de jazz]","author":"Tomajazz","date":"10 noviembre, 2025","format":false,"excerpt":"More Than You Know es una grabaci\u00f3n in\u00e9dita de Dexter Gordon de 1981 publicada por GleAM Records en 2025. Pachi Tapiz repasa la grabaci\u00f3n. Con Dexter Gordon, Kirk Lightsey, David Eubanks, Edward Gladden","rel":"","context":"En \u00abGrabaciones...\u00bb","block_context":{"text":"Grabaciones...","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/textos\/grabaciones\/"},"img":{"alt_text":"Dexter Gordon: More Than You Know (GleAM Records; 1981; edici\u00f3n 2025) Por Pachi Tapiz [Grabaci\u00f3n de jazz] - Tomajazz - More Than You Know es una grabaci\u00f3n in\u00e9dita de Dexter Gordon de 1981 publicada por GleAM Records en 2025. Pachi Tapiz repasa la grabaci\u00f3n. Con Dexter Gordon,  Kirk Lightsey (piano); David Eubanks (contrabajo); Edward Gladden","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/11\/Dexter-Gordon-More-Than-You-Know-GleAM-Records-1981-edicion-2025-Tomajazz.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/11\/Dexter-Gordon-More-Than-You-Know-GleAM-Records-1981-edicion-2025-Tomajazz.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/11\/Dexter-Gordon-More-Than-You-Know-GleAM-Records-1981-edicion-2025-Tomajazz.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/11\/Dexter-Gordon-More-Than-You-Know-GleAM-Records-1981-edicion-2025-Tomajazz.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]}],"_links":{"self":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/10463","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/comments?post=10463"}],"version-history":[{"count":1,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/10463\/revisions"}],"predecessor-version":[{"id":10466,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/10463\/revisions\/10466"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media\/10465"}],"wp:attachment":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media?parent=10463"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/categories?post=10463"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/tags?post=10463"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}