{"id":104805,"date":"2026-04-08T12:00:17","date_gmt":"2026-04-08T10:00:17","guid":{"rendered":"https:\/\/tomajazz.com\/web\/?p=104805"},"modified":"2026-04-08T08:38:45","modified_gmt":"2026-04-08T06:38:45","slug":"bill-frisell-in-my-dreams-2026","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/bill-frisell-in-my-dreams-2026\/","title":{"rendered":"Bill Frisell: In My Dreams (Blue Note Records; 2026) Por Carlos Lara [Grabaci\u00f3n de jazz]"},"content":{"rendered":"

Bill Frisell, leyenda de la guitarra, cumple 75 a\u00f1os el 18 de marzo. Por este motivo, ha querido \u201cregalar\u201d a los aficionados nuevas muestras de su clase con In My Dreams<\/em>.<\/p>\n

La carrera del m\u00fasico de Baltimore est\u00e1 llena de momentos cumbres en la historia del jazz moderno. En el recuerdo quedar\u00e1 su \u00e1lbum de debut In<\/em> Line<\/em> (ECM, 1983), interpretado a d\u00fao con el contrabajista noruego Arild Andersen, as\u00ed como otros m\u00e1s de 40 trabajos que llevan su firma como l\u00edder.<\/p>\n

\"BillLos tres primeros fueron editados de forma consecutiva en ECM: el citado, junto a Rambler<\/em> (con Kenny Wheeler y Paul Motian) y Lookout for Hope<\/em> (con Hank Roberts y Joey Baron). Desde entonces: Have a Little Faith<\/em>, This Land, Good Dog<\/em>, Happy Man<\/em>, Richter 858<\/em>, East\/West<\/em>, Bill Frisell, Ron Carter, Paul Motian<\/em>, Small Town<\/em>, Epistrophy<\/em>, etc\u2026 Una constelaci\u00f3n de grandes obras que han colocado a Frisell en lo m\u00e1s alto del pedestal de la m\u00fasica contempor\u00e1nea, tanto por sus composiciones como por su \u00fanico estilo como guitarrista.<\/p>\n

In My Dreams <\/em>funciona tanto como retrospectiva como afirmaci\u00f3n de una est\u00e9tica y un lenguaje musical que lleva d\u00e9cadas refinando. Dos m\u00fasicos habituales de Frisell, Thomas Morgan (contrabajo) y Rudy Royston (bater\u00eda), le acompa\u00f1an en la r\u00edtmica; adem\u00e1s, se completa con una secci\u00f3n de cuerdas de aut\u00e9ntico lujo: Jenny Scheinman (viol\u00edn), Eyvind Kang (viola) y Hank Roberts (violonchelo), participantes en muchos de sus proyectos.<\/p>\n

El disco consta de doce temas, ocho de los cuales est\u00e1n grabados en conciertos de 2025 en ciudades como Nueva York o Denver, y los otros se a\u00f1adieron posteriormente en el estudio.<\/p>\n

Se abre con \u201cTrapped in the Sky\u201d, lleno de armon\u00edas oscuras entre el viol\u00edn de Jenny Scheinman y la viola de Eyvind Kang. Toda la pieza introduce un motivo mel\u00f3dico que parece estar suspendido en el aire. Destaca la reinterpretaci\u00f3n del cl\u00e1sico \u201cIsfahan\u201d de Billy Strayhorn: Frisell reduce el est\u00e1ndar<\/em> a una melod\u00eda casi desnuda, sin virtuosismo, y se centra en variaciones t\u00edmbricas y silencios.<\/p>\n

\u201cHard Times\u201d conecta con la tradici\u00f3n folk estadounidense, algo que, por otra parte, es muy caracter\u00edstico de Frisell. La pieza que da t\u00edtulo al disco es una de las m\u00e1s cinematogr\u00e1ficas, tanto que podr\u00eda ser una banda sonora de un paisaje nocturno. Comienza con acordes suspendidos de guitarra, con la viola de Eyvind Kang a\u00f1adiendo un tono oscuro que contrasta con el lirismo del viol\u00edn de Scheinman.<\/p>\n

El cierre del trabajo, \u201cHome on the Range\u201d, es una interpretaci\u00f3n de un tema tradicional que Frisell toca con una simplicidad casi infantil; tiene un tono nost\u00e1lgico y ligeramente melanc\u00f3lico. El final se disuelve lentamente, como si la m\u00fasica se desvaneciera.<\/p>\n

Con In My Dreams<\/em>, Bill Frisell ha vuelto a uno de los territorios que mejor domina: el de la m\u00fasica contemplativa, introspectiva, h\u00edbrida y profundamente norteamericana, donde el jazz, el folk y la m\u00fasica de c\u00e1mara conviven sin fronteras claras.<\/p>\n

Es evidente que el sonido puede resultar muy familiar a los viejos seguidores, ya que no contiene grandes sorpresas en su peculiar lenguaje. Frisell no se reinventa en este trabajo, pero seguimos estando ante una de las voces m\u00e1s personales del jazz contempor\u00e1neo.<\/p>\n

Tomajazz: \u00a9 Carlos Lara<\/strong>, 2026<\/p>\n

\n

Bill Frisell: In My Dreams <\/em><\/h3>\n

M\u00fasicos: Bill Frisell (guitarra el\u00e9ctrica, guitarra ac\u00fastica y loops), Thomas Morgan (contrabajo), Rudy Royston (bater\u00eda), Jenny Scheinman (viol\u00edn), Eyvind Kang (viola) y Hank Roberts (violonchelo).<\/p>\n

Temas: \u201cTrapped In The Sky\u201d, \u201cWhen We Go (Live)\u201d, \u201cIn My Dreams (Live)\u201d, \u201cIsfahan (Live)\u201d, \u201cGive Me A Home\u201d, \u201cWhy?\u201d, \u201cCurtis (A Year And A Day) (Live)\u201d, \u201cHard Times (Live)\u201d, \u201cAgain (Live)\u201d, \u201cSmall Hands (Live)\u201d, \u201cNever Too Late\u201d y \u201cHome On The Range (Live)\u201d.
\nTodos los temas compuestos por Bill Frisell, excepto \u201cIsfahan\u201d por Billy Strayhorn, \u201cHard Times\u201d por Stephen Foster y \u201cHome On The Range\u201d, tradicional.<\/p>\n

Grabaciones en directo en Roulette Intermedium, Brooklyn (NY) y The Newman Center, Denver (Colorado), y en estudio en Firehouse 12, New Haven (Connecticut) y Opus Studios, Berkeley (California), entre febrero y abril de 2025.<\/p>\n

Producido por Lee Townsend.<\/p>\n

Editado por Blue Note Records en 2026.<\/p>\n

\n

M\u00e1s informaci\u00f3n sobre Bill Frisell y Blue Note<\/h3>\n

https:\/\/www.billfrisell.com\/<\/a><\/p>\n

https:\/\/tomajazz.com\/web\/?s=bill+frisell&submit=Search<\/a><\/p>\n

https:\/\/www.bluenote.com\/<\/a><\/p>\n

https:\/\/tomajazz.com\/web\/?s=blue+note&submit=Search<\/a><\/p>\n

Carlos Lara en Tomajazz<\/h3>\n

https:\/\/tomajazz.com\/web\/category\/carlos-lara\/<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

In My Dreams (Blue Note Records; 2026) es el t\u00edtulo de la nueva grabaci\u00f3n de Bill Frisell. Carlos Lara la repasa. Con Bill Frisell, Thomas Morgan, Rudy Royston, Jenny Scheinman, Eyvind Kang, Hank RobertsContin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":104806,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[5,17849,15517,1038],"tags":[1470,1487,24307,84,14959,1778,15678,7299,685],"class_list":["entry","author-pachi","has-excerpt","post-104805","post","type-post","status-publish","format-standard","has-post-thumbnail","category-grabaciones","category-carlos-lara","category-textos","category-contenidos","tag-bill-frisell","tag-blue-note","tag-blue-note-records","tag-carlos-lara","tag-eyvind-kang","tag-hank-roberts","tag-jenny-scheinman","tag-rudy-royston","tag-thomas-morgan"],"jetpack_featured_media_url":"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2026\/04\/Bill-Frisell-In-My-Dreams-Blue-Note-Records-2026-.jpg","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":100978,"url":"https:\/\/tomajazz.com\/web\/chris-cheek-keepers-of-the-eastern-door-2025\/","url_meta":{"origin":104805,"position":0},"title":"Chris Cheek: Keepers of the Eastern Door (Analog Tone Factory; 2025) Por Carlos Lara [Grabaci\u00f3n de jazz]","author":"Tomajazz","date":"26 octubre, 2025","format":false,"excerpt":"Keepers of the Eastern Door (Analog Tone Factory; 2025) es la nueva grabaci\u00f3n de Chris Cheek. Carlos Lara repasa la grabaci\u00f3n. Con Chris Cheek, Bill Frisell, Tony Scherr, Rudy Royston","rel":"","context":"En \u00abGrabaciones...\u00bb","block_context":{"text":"Grabaciones...","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/textos\/grabaciones\/"},"img":{"alt_text":"Chris Cheek: Keepers of the Eastern Door (Analog Tone Factory; 2025) Por Carlos Lara [Grabaci\u00f3n de jazz] - Tomajazz - Keepers of the Eastern Door (Analog Tone Factory; 2025) es la nueva grabaci\u00f3n de Chris Cheek. Carlos Lara repasa la grabaci\u00f3n. Con Chris Cheek, Bill Frisell, Tony Scherr, Rudy Royston","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/10\/Chris-Cheek-Keepers-of-the-Eastern-Door-Analog-Tone-Factory-2025-Tomajazz.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/10\/Chris-Cheek-Keepers-of-the-Eastern-Door-Analog-Tone-Factory-2025-Tomajazz.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/10\/Chris-Cheek-Keepers-of-the-Eastern-Door-Analog-Tone-Factory-2025-Tomajazz.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/10\/Chris-Cheek-Keepers-of-the-Eastern-Door-Analog-Tone-Factory-2025-Tomajazz.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":101744,"url":"https:\/\/tomajazz.com\/web\/thomas-morgan-around-you-is-a-forest-2025\/","url_meta":{"origin":104805,"position":1},"title":"Thomas Morgan: Around You Is A Forest (Loveland Music; 2025) Por Pachi Tapiz [Grabaci\u00f3n de jazz]","author":"Tomajazz","date":"13 noviembre, 2025","format":false,"excerpt":"Around You Is A Forest (Loveland Music; 2025) es el estreno como l\u00edder de Thomas Morgan, que adem\u00e1s del contrabajo emplea WOODS. Pachi Tapiz repasa la grabaci\u00f3n. Con Thomas Morgan, Dan Weiss, Craig Taborn, Gerald Cleaver, Henry Threadgill, Ambrose Akinmusire, Bill Frisell, Immanuel Wilkins, Gary Snyder","rel":"","context":"En \u00abGrabaciones...\u00bb","block_context":{"text":"Grabaciones...","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/textos\/grabaciones\/"},"img":{"alt_text":"Thomas Morgan: Around You Is A Forest (Loveland Music; 2025) Por Pachi Tapiz [Grabaci\u00f3n de jazz] - Tomajazz - Around You Is A Forest (Loveland Music; 2025) es el estreno como l\u00edder de Thomas Morgan, que adem\u00e1s del contrabajo emplea WOODS. Pachi Tapiz repasa la grabaci\u00f3n. Con Thomas Morgan, Dan Weiss, Craig Taborn, Gerald Cleaver, Henry Threadgill, Ambrose Akinmusire, Bill Frisell, Immanuel Wilkins, Gary Snyder","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/11\/Thomas-Morgan-Around-You-Is-A-Forest-Loveland-Music-2025-.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/11\/Thomas-Morgan-Around-You-Is-A-Forest-Loveland-Music-2025-.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/11\/Thomas-Morgan-Around-You-Is-A-Forest-Loveland-Music-2025-.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/11\/Thomas-Morgan-Around-You-Is-A-Forest-Loveland-Music-2025-.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":101741,"url":"https:\/\/tomajazz.com\/web\/henry-threadgill-listen-ship-2025\/","url_meta":{"origin":104805,"position":2},"title":"Henry Threadgill: Listen Ship (Pi Recordings; 2025) Por Carlos Lara [Grabaci\u00f3n de jazz]","author":"Tomajazz","date":"13 noviembre, 2025","format":false,"excerpt":"Listen Ship (Pi Recordings; 2025) es lo nuevo de Henry Threadgill. Carlos Lara repasa la grabaci\u00f3n. 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HDO 0069 [Audioblog]","author":"Tomajazz","date":"3 febrero, 2016","format":false,"excerpt":"Tres propuestas basadas en m\u00fasica de cine en una nueva entrega de HDO. El guitarrista Bill Frisell con Whe You Wish Upon A Star (Okeh, 2016); el pianista Ran Blake en solitario (salvo unos momentos puntuales) con Chabrol Noir (Impulse!, 2016); y el clarinetista David Krakauer con The Big Picture\u2026","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/02\/WP_20160202_003-e1454450736489.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/02\/WP_20160202_003-e1454450736489.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/02\/WP_20160202_003-e1454450736489.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/02\/WP_20160202_003-e1454450736489.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]}],"_links":{"self":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/104805","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/comments?post=104805"}],"version-history":[{"count":1,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/104805\/revisions"}],"predecessor-version":[{"id":104807,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/104805\/revisions\/104807"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media\/104806"}],"wp:attachment":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media?parent=104805"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/categories?post=104805"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/tags?post=104805"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}