Trio (Glasgow) 2005<\/em>\u00a0(Leo CD LR 487\/488 2-CD)<\/li>\n<\/ul>\n![\"\"](\"http:\/\/www.tomajazz.com\/perfiles\/braxton\/portadas\/ab_iridium.jpg\" "\\"\\"")
<\/p>\n
Pero la muestra \u201cdefinitiva\u201d de la GTM (seg\u00fan palabras del propio Braxton) es la caja de 9 compactos y un DVD\u00a09 Compositions (Iridium) 2006<\/em>, publicada este mismo a\u00f1o. Se trata de la interpretaci\u00f3n en directo, durante una semana, de nueve composiciones a cargo de Braxton y otros 12 m\u00fasicos. Frente a la aridez de las grabaciones de Yoshi\u2019s antes mencionadas (para entendernos, no recomendadas para el advenedizo), la m\u00fasica interpretada en el Iridium neoyorquino resulta variada, brillante y emotiva. Muy recomendable, pese las m\u00e1s de nueve horas de m\u00fasica contenida y al precio.<\/p>\n\n- Anthony Braxton 12+1tet\u00a09 Compositions (Iridium) 2006<\/em>\u00a0(Firehouse 12 Records FH12-04-03-001 9-CD + DVD)<\/li>\n<\/ul>\n
COLABORACIONES Y ENCUENTROS: D\u00daOS, TR\u00cdOS Y GRANDES FORMACIONES<\/p>\n
![\"\"](\"http:\/\/www.tomajazz.com\/perfiles\/braxton\/portadas\/braxton_blake.jpg\" "\\"\\"")
<\/p>\n
A lo largo de toda la carrera de Braxton abundan las grabaciones y proyectos con d\u00faos y tr\u00edos de car\u00e1cter muy variado. Con el pianista Ran Blake realiz\u00f3 una grabaci\u00f3n que surgi\u00f3 casi por casualidad, y en la que ambos m\u00fasicos se dedicaron a versionar a un pu\u00f1ado de temas inmortales: \u201c\u2019Round Midnight\u201d de Monk, \u201cYardbird Suite\u201d de Charlie Parker, \u201cFour\u201d de Miles Davis o \u201cSoul Eyes\u201d de Mal Waldron.<\/p>\n
\n- Ran Blake & Anthony Braxton\u00a0A Memory Of Vienna<\/em>\u00a0(hatOLOGY 505)<\/li>\n<\/ul>\n
![\"\"](\"http:\/\/www.tomajazz.com\/perfiles\/braxton\/portadas\/braxton_grawe.jpg\" "\\"\\"")
<\/p>\n
Otro d\u00fao con un pianista radicalmente diferente es el que en 1991 grab\u00f3 con el pianista alem\u00e1n George Gr\u00e4we. Era la primera vez en que ambos m\u00fasicos tocaban juntos y las tres piezas son improvisaciones. Entre ambos se produce una comunicaci\u00f3n telep\u00e1tica. Especialmente memorable es cuando Braxton toca la flauta, otro instrumento m\u00e1s a a\u00f1adir a la familia de saxos y clarinetes, piano y bater\u00eda.<\/p>\n
\n- Anthony Braxton \u2013 George Gr\u00e4we\u00a0duo (amsterdam) 1991<\/em>\u00a0(Okka OD12018)<\/li>\n<\/ul>\n
![\"\"](\"http:\/\/www.tomajazz.com\/perfiles\/braxton\/portadas\/braxton_smith_canyon.jpg\" "\\"\\"")
![\"\"](\"http:\/\/www.tomajazz.com\/perfiles\/braxton\/portadas\/braxton_smith_organic.jpg\" "\\"\\"")
<\/p>\n
Con el trompetista Wadada Leo Smith grab\u00f3 dos discos en Pi Recordings. Ambos aportaban temas nuevos: Smith \u201cTawaf\u201d o \u201cGoshawk\u201d y Braxton las composiciones \u201c314\u201d, \u201c315\u201d y la \u201c316\u201d.<\/p>\n
\n- Wadada Leo Smith & Anthony Braxton\u00a0Organic Resonance<\/em>\u00a0(Pi Recordings PI 06)<\/li>\n
- Wadada Leo Smith & Anthony Braxton\u00a0Saturn, Conjunct the Grand Canyon in a Sweet Embrace<\/em>\u00a0(Pi Recordings PI 10)<\/li>\n<\/ul>\n
![\"\"](\"http:\/\/www.tomajazz.com\/perfiles\/braxton\/portadas\/braxton_cyrille_1.jpg\" "\\"\\"")
![\"\"](\"http:\/\/www.tomajazz.com\/perfiles\/braxton\/portadas\/braxton_cyrille_2.jpg\" "\\"\\"")
<\/p>\n
En 2004, el sello suizo Intakt public\u00f3 dos discos de Braxton a d\u00fao con el percusionista Andrew Cyrille, grabados dos a\u00f1os antes. El material incluido es variado: composiciones de Braxton, de Cyrille e improvisaciones. Aunque el resultado es desigual (tal vez un \u00fanico volumen hubiera bastado), contiene momentos memorables.<\/p>\n
\n- Andrew Cyrille \u2013 Anthony Braxton\u00a0Duo Palimdrome 2002, Vol. 1<\/em>\u00a0(Intakt CD 088 \/ 2004)<\/li>\n
- Anthony Braxton \u2013 Andrew Cyrille\u00a0Duo Palimdrome 2002, Vol. 2<\/em>\u00a0(Intakt CD 089 \/ 2004)<\/li>\n<\/ul>\n
![\"\"](\"http:\/\/www.tomajazz.com\/perfiles\/braxton\/portadas\/braxton_parker.jpg\" "\\"\\"")
![\"\"](\"http:\/\/www.tomajazz.com\/perfiles\/braxton\/portadas\/braxton_parker_rutherford.jpg\" "\\"\\"")
<\/p>\n
En el a\u00f1o 1993 Anthony Braxton visit\u00f3 el festival de Jazz de Londres. Fruto de esa visita se publicaron dos conciertos magn\u00edficos en d\u00fao y tr\u00edo. En ambas ocasiones estuvo acompa\u00f1ado por el saxofonista Evan Parker, mientras que en el disco a tr\u00edo se incorpor\u00f3 el trombonista Paul Rutherford. El material interpretado fueron improvisaciones de los tres m\u00fasicos con t\u00edtulos al uso en la discograf\u00eda braxtoniana en las que juega con los nombres de los m\u00fasicos: \u201cAxtarkrut\u201d, \u201cVanuthrax\u201d, \u201cParkBrax\u201d o \u201cBraxPark\u201d.<\/p>\n
\n- Anthony Braxton \/ Evan Parker\u00a0Duo (London) 1993<\/em>\u00a0(Leo CD LR 193)<\/li>\n
- Anthony Braxton \/ Evan Parker \/ Paul Rutherford\u00a0Trio (London) 1993<\/em>\u00a0(Leo CD LR 197)<\/li>\n<\/ul>\n
![\"\"](\"http:\/\/www.tomajazz.com\/perfiles\/braxton\/portadas\/lcjo_braxton.jpg\" "\\"\\"")
<\/p>\n
En 1988 se produjo una colaboraci\u00f3n entre la London Jazz Composers\u2019 Orchestra, dirigida por el contrabajista Barry Guy, y Anthony Braxton. Este no toca ning\u00fan instrumento, aunque es el director de esta formaci\u00f3n de casi 20 m\u00fasicos y autor de las composiciones que ocupan el segundo compacto a lo largo de 56 minutos: el resultado es una magn\u00edfica muestra del encuentro entre Braxton con una de las formaciones m\u00e1s destacadas de la improvisaci\u00f3n europea.<\/p>\n
\n- London Jazz Composers\u2019 Orchestra –\u00a0Zurich Concerts<\/em>\u00a0(Intakt 005 2-CD)<\/li>\n<\/ul>\n
![\"\"](\"http:\/\/www.tomajazz.com\/perfiles\/braxton\/portadas\/triotone.jpg\" "\\"\\"")
<\/p>\n
Por \u00faltimo, merece la pena dedicar una atenta escucha a\u00a0Triotone<\/em>, que Braxton grab\u00f3en directo en Serbia en 2003 con el pianista h\u00fangaro Gy\u00f6rgy Szabados y el percusionista ruso Vladimir Tarasov (miembro del Ganelin Trio): el primer tema, \u201cTrioton\u201d, composici\u00f3n de Szabados que ocupa m\u00e1s de la mitad del disco, es una peque\u00f1a \u2013aunque extensa- joya.<\/p>\n\n- Anthony Braxton \u2013 Gy\u00f6rgy Szabados \u2013 Vladimir Tarasov\u00a0Triotone<\/em>\u00a0(Leo CD LR 416)<\/li>\n<\/ul>\n
Texto: @ 2007 Diego S\u00e1nchez Cascado y Jos\u00e9 Francisco \u201cPachi\u201d Tapiz, Tomajazz
\nIlustraci\u00f3n: \u00a9 2007 Diego Ortega Alonso<\/p>\n","protected":false},"excerpt":{"rendered":"
\u00a9 2007 Diego Ortega Alonso \u201cEl Sr.\u00a0Braxton\u00a0es un artista brillante y muy trabajador. Su impacto supera cualquier descripci\u00f3n posible. Su sentido de la estructura y\u00a0de la\u00a0expresividad individual es\u00a0su legado\u00a0para\u00a0todo aqu\u00e9l que busque\u00a0el\u00a0sentido m\u00e1s elevado del arte. Ha\u00a0causado un impacto\u00a0imborrable tanto en la comunidad art\u00edstica de Chicago como en la delContin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":10529,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":true,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[17870,17862,17847,78,15504,9,15517,1038],"tags":[645,8420,8412,63,8416,8370,283,427,8429,1478,1506,8428,7948,7079,8406,1616,8415,7393,973,8431,6637,5081,8067,8408,60,2032,8436,8404,8437,8440,8424,1787,253,5084,8438,8417,8418,1866,8423,1870,8430,8368,8413,8411,8432,1908,8426,1931,8439,2326,8434,8433,8292,5694,8405,2004,8421,8410,8409,31,8414,5080,8422,8425,6335,8407,2177,2015,8435,8419,5129,7443,2337],"class_list":["entry","author-pachi","post-10528","post","type-post","status-publish","format-standard","has-post-thumbnail","category-diego-ortega-alonso","category-diego-sanchez-cascado","category-pachi-tapiz","category-afondo","category-articulos-afondo","category-perfiles","category-textos","category-contenidos","tag-andrew-cyrille","tag-andrew-hill","tag-andy-eulau","tag-anthony-braxton","tag-antonio-carlos-jobim","tag-ari-brown","tag-barry-guy","tag-bill-evans","tag-bill-osborne","tag-black-saint","tag-braxton-house","tag-buell-neidlinger","tag-cecil-mcbee","tag-charlie-parker","tag-cimp","tag-da-capo-press","tag-dave-brubeck","tag-delmark","tag-diego-ortega-alonso","tag-dred-scott","tag-duke-ellington","tag-evan-parker","tag-firehouse-12-records","tag-george-grawe","tag-gerry-hemingway","tag-mulligan-gerry","tag-ghost-trance-music","tag-graham-lock","tag-gtm","tag-gyorgy-szabados","tag-han-benning","tag-hatart","tag-herbie-hancock","tag-intakt","tag-iridium","tag-irving-berlin","tag-jerome-kern","tag-joe-henderson","tag-joe-jonda","tag-john-coltrane","tag-john-raskin","tag-kahil-elzabar","tag-kevin-norton","tag-kevin-oneil","tag-knitting-factory","tag-knitting-factory-works","tag-lennie-tristano","tag-leo-records","tag-london-jazz-composers-orchestra","tag-waldron-mal","tag-mario-pavone","tag-mario-pavone-quintet","tag-mark-dresser","tag-marty-ehrlich","tag-marylin-crispell","tag-miles-davis","tag-misha-mengelberg","tag-okka","tag-okka-disk","tag-pachi-tapiz","tag-paul-desmond","tag-paul-rutherford","tag-paul-smoker","tag-pheeroan-aklaff","tag-pi-recordings","tag-ran-blake","tag-sam-rivers","tag-monk-thelonious","tag-thomas-chapin","tag-vernon-duke","tag-vladimir-tarasov","tag-wadada-leo-smith","tag-wayne-shorter"],"jetpack_featured_media_url":"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2014\/02\/braxton_ilustracion.jpg","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":31770,"url":"https:\/\/tomajazz.com\/web\/hdo-297-anthony-braxton-quartet-1985-ii-podcast\/","url_meta":{"origin":10528,"position":0},"title":"HDO 297 \u2013 Anthony Braxton Quartet 1985 II [Podcast] [ABS II]","author":"Tomajazz","date":"14 agosto, 2017","format":false,"excerpt":"HDO 297\u00a0es el segundo programa dedicado a las grabaciones del\u00a0Anthony Braxton Quartet\u00a0(Anthony Braxton,\u00a0Marilyn Crispell,\u00a0Mark Dresser,\u00a0Gerry Hemingway) registradas en noviembre de 1985 y publicadas en forma de dobles CD por Leo Records. Suena el primer pase al completo del concierto del\u00a0Anthony Braxton\u00a0Quartet (Birmingham) 1985\u00a0(Leo Records, CD LR 202\/203). Un cuarteto excepcional.\u2026","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/08\/Anthony-Braxton_Quartet-Birmingham-1985_Leo-Records_-1990_2CD.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/08\/Anthony-Braxton_Quartet-Birmingham-1985_Leo-Records_-1990_2CD.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/08\/Anthony-Braxton_Quartet-Birmingham-1985_Leo-Records_-1990_2CD.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":31748,"url":"https:\/\/tomajazz.com\/web\/hdo-296-anthony-braxton-quartet-1985-i-podcast\/","url_meta":{"origin":10528,"position":1},"title":"HDO 296 – Anthony Braxton Quartet 1985 I [Podcast] [ABS I]","author":"Tomajazz","date":"13 agosto, 2017","format":false,"excerpt":"HDO 296\u00a0es el primero de los tres programas dedicados a las grabaciones del Anthony Braxton Quartet (Anthony Braxton, Marilyn Crispell, Mark Dresser, Gerry Hemingway) registradas en noviembre de 1985 y publicadas en forma de dobles CD por Leo Records. En la primera entrega el primer pase al completo del concierto\u2026","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/08\/Anthony-Braxton_Quartet-London-1985_Leo-Records_-1990_2CD.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":31782,"url":"https:\/\/tomajazz.com\/web\/hdo-298-anthony-braxton-quartet-1985-iii-podcast\/","url_meta":{"origin":10528,"position":2},"title":"HDO 298. Anthony Braxton Quartet 1985 III [Podcast] [ABS III]","author":"Tomajazz","date":"15 agosto, 2017","format":false,"excerpt":"HDO 298\u00a0es el tercero y \u00faltimo programa dedicado a las grabaciones del\u00a0Anthony Braxton Quartet\u00a0(Anthony Braxton,\u00a0Marilyn Crispell,\u00a0Mark Dresser,\u00a0Gerry Hemingway) registradas en noviembre de 1985 y publicadas en forma de dobles CD por Leo Records. Suena el primer pase al completo del concierto del\u00a0Anthony Braxton\u00a0Quartet (Coventry) 1985\u00a0(Leo Records, CD LR 204\/205). Un\u2026","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/08\/Anthony-Braxton_Quartet-Coventry-1985_Leo-Records_-1990_2CD.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/08\/Anthony-Braxton_Quartet-Coventry-1985_Leo-Records_-1990_2CD.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/08\/Anthony-Braxton_Quartet-Coventry-1985_Leo-Records_-1990_2CD.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/08\/Anthony-Braxton_Quartet-Coventry-1985_Leo-Records_-1990_2CD.jpg?resize=700%2C400&ssl=1 2x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/08\/Anthony-Braxton_Quartet-Coventry-1985_Leo-Records_-1990_2CD.jpg?resize=1050%2C600&ssl=1 3x"},"classes":[]},{"id":31795,"url":"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-un-grupo-anthony-braxton-quartet-228\/","url_meta":{"origin":10528,"position":3},"title":"365 razones para amar el jazz: un grupo. Anthony Braxton Quartet [228]","author":"Tomajazz","date":"16 agosto, 2017","format":false,"excerpt":"Un grupo.\u00a0Anthony Braxton Quartet con\u00a0Anthony Braxton, Marilyn Crispell, Mark Dresser, Gerry Hemingway. Seleccionado por\u00a0Pachi Tapiz. Algunos (de los muchos) momentos excelsos de este grupo est\u00e1n recogidos en los dobles CD\u00a0Anthony Braxton\u00a0Quartet (London) 1985\u00a0(Leo Records, CD LR 200\/201),\u00a0Quartet (Birmingham) 1985\u00a0(Leo Records, CD LR 202\/203), y\u00a0Quartet (Coventry) 1985\u00a0(Leo Records, CD LR 204\/205).\u2026","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/08\/Anthony-Braxton_Quartet-London-1985_Leo-Records_-1990_2CD.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":31896,"url":"https:\/\/tomajazz.com\/web\/hdo-301-anthony-braxton-standards-quartet-iii-podcast-abs-vi\/","url_meta":{"origin":10528,"position":4},"title":"HDO 301. Anthony Braxton Standards (Quartet) III [Podcast] [ABS VI]","author":"Tomajazz","date":"24 agosto, 2017","format":false,"excerpt":"HDO 301\u00a0contin\u00faa centrado en la m\u00fasica de Anthony Braxton, y en concreto en su aproximaci\u00f3n a los standards que aparec\u00eda en los tres CD cu\u00e1druples publicados por Leo Records y titulados\u00a023 Standards Quartet 2003\u00a0(2004),\u00a020 Standards Quartet 2000 (2005), y\u00a019 Standards Quartet 2003. En ellos Braxton junto a\u00a0Kevin O'Neil, Kevin Norton\u00a0y\u00a0Andy\u2026","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/08\/Anthony-Braxton_23-Standards-Quartet-2003_Leo-Records_4CD.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":31891,"url":"https:\/\/tomajazz.com\/web\/hdo-300-anthony-braxton-standards-quartet-ii-podcast-abs-v\/","url_meta":{"origin":10528,"position":5},"title":"HDO 300. Anthony Braxton Standards (Quartet) II [Podcast] [ABS V]","author":"Tomajazz","date":"23 agosto, 2017","format":false,"excerpt":"En la carrera de\u00a0Anthony Braxton aparecen, adem\u00e1s de proyectos centrados en figuras concretas del jazz (tal y como escuch\u00e1bamos en la entrega anterior de HDO), otros cuyo fin es la recreaci\u00f3n de standards. De entre las varias grabaciones dedicadas a este fin, son especialmente recomendables los tres CD cu\u00e1druples publicados\u2026","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/08\/Anthony-Braxton_19_Standards-Quartet-2003_Leo-Records_4CD.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/08\/Anthony-Braxton_19_Standards-Quartet-2003_Leo-Records_4CD.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/08\/Anthony-Braxton_19_Standards-Quartet-2003_Leo-Records_4CD.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/08\/Anthony-Braxton_19_Standards-Quartet-2003_Leo-Records_4CD.jpg?resize=700%2C400&ssl=1 2x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/08\/Anthony-Braxton_19_Standards-Quartet-2003_Leo-Records_4CD.jpg?resize=1050%2C600&ssl=1 3x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/08\/Anthony-Braxton_19_Standards-Quartet-2003_Leo-Records_4CD.jpg?resize=1400%2C800&ssl=1 4x"},"classes":[]}],"_links":{"self":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/10528","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/comments?post=10528"}],"version-history":[{"count":5,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/10528\/revisions"}],"predecessor-version":[{"id":65942,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/10528\/revisions\/65942"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media\/10529"}],"wp:attachment":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media?parent=10528"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/categories?post=10528"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/tags?post=10528"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
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