{"id":105489,"date":"2026-05-19T12:30:21","date_gmt":"2026-05-19T10:30:21","guid":{"rendered":"https:\/\/tomajazz.com\/web\/?p=105489"},"modified":"2026-05-18T20:36:20","modified_gmt":"2026-05-18T18:36:20","slug":"dusan-jevtovic-no-answer-2-2026","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/dusan-jevtovic-no-answer-2-2026\/","title":{"rendered":"Dusan Jevtovic: No Answer 2 (Autoeditado 2026) Por Enrique Farelo [Grabaci\u00f3n de jazz]"},"content":{"rendered":"

No Answer 2<\/em> es el resultado del hermanamiento con el \u00e1lbum de estudio, No Answer<\/em> (Moonjune Records<\/em> 2017) y que tuvo su continuaci\u00f3n en vivo con No Answer Live<\/em> (Autoeditado 2020).<\/p>\n

El tr\u00edo de Dusan Jevtovic suena compacto y cohesionado, en\u00e9rgico, pero controlado y preciso.<\/p>\n

\"Dusan<\/em><\/p>\n

Siete composiciones completan el programa de No Answer 2<\/em> desde la inicial \u201cBlues For A\u201d, que como su nombre indica es una pieza de blues<\/em>. El inicio es et\u00e9reo y reiterativo, casi obsesivo que se personaliza en la guitarra el\u00e9ctrica de Dusan Jevtovic y pasa a convertirse en distorsionante y gru\u00f1ona que interact\u00faa con precisi\u00f3n con el piano de Vasil Hadzimanov y el metr\u00f3nomo percusivo de Asaf Sirkis.<\/p>\n

\u201cResonate\u201d, comienza rocosa y efusiva, se pierde en pasajes lis\u00e9rgicos y tensionados y disonancias vanguardistas para acabar disolvi\u00e9ndose.<\/p>\n

\u201cStrasnicki\u201d fogosa, en\u00e9rgica y siempre distorsionante de la mano de Dusan Jevtovic, redobles constantes en las baquetas de Asaf Sirkis donde el piano de Vasil Hadzimanov muestra sus arpegios en pos del di\u00e1logo y la intensidad con ambos.<\/p>\n

\u201cOp\/Sa\u201d, conversando acaloradamente entre los tres, piano, guitarra y bater\u00eda y, de repente el ritmo decae, se pausa y se eleva en cl\u00edmax que protagoniza Vasil Hadzimanov, todo se oculta tras el horizonte sonoro.<\/p>\n

\u201cKana Kola\u201d tiene cierto aire al Focus de Jan Akkerman. El sonido funk<\/em> \u00e1cido distorsionante de Dusan Jevtovic se mezcla con las atm\u00f3sferas planeadoras del Fender Rhodes<\/em> y al Mini Moog<\/em> de Vasil Hadzimanov partiendo el tema en dos para mayor glorificaci\u00f3n de su piano que la guitarra abrocha agresivo.<\/p>\n

\u201cOneness\u201d la belleza serena de la guitarra de Dusan Jevtovic se transforma en una acidez distorsionante y agresiva a lo Jimi Hendrix, un power trio<\/em> de jazz-rock<\/em> que en algo m\u00e1s de 4 minutos dice mucho.<\/p>\n

La pieza m\u00e1s corta que sirve de cierre es \u201cHigh Nine\u201d, en contraposici\u00f3n a la inicial \u201cBlues For A\u201d que es la m\u00e1s larga.<\/p>\n

\u201cHigh Nine\u201d, de intenso frenes\u00ed reiterativo, casi obsesivo, quiz\u00e1s minimalista.<\/p>\n

Texto: \u00a9\u00a0Enrique Farelo<\/a><\/strong>, 2026<\/p>\n

\n

Dusan Jevtovic: No Answer 2<\/h3>\n

Dusan Jevtovic (guitarra el\u00e9ctrica y loops<\/em>), Vasil Hadzimanov (piano ac\u00fastico, Fender Rhodes<\/em> y Mini Moog<\/em>) y Asaf Sirkis (bater\u00eda) adem\u00e1s de Aleksander Petrov (percusi\u00f3n en \u201cStrasnicki\u201d y \u201cOp\/Sa\u201d)<\/p>\n

\u201cBlues For A\u201d, \u201cResonate\u201d, \u201cStrasnicki\u201d, \u201cOp\/Sa\u201d, \u201cKana Kola\u201d, \u201cOneness\u201d y \u201cHigh Nine\u201d.<\/p>\n

Todas las composiciones y arreglos de Dusan Jevtovic.<\/p>\n

Grabado en directo en el estudio en Future Nature Studios en Zemun (Serbia) en julio de 2018.<\/p>\n

\n

M\u00e1s informaci\u00f3n sobre Dusan Jevtovic<\/h3>\n

https:\/\/dusanjevtovic.bandcamp.com\/<\/p>\n

https:\/\/tomajazz.com\/web\/?s=dusan+jevtovic&submit=Search<\/p>\n

Enrique Farelo en Tomajazz<\/h3>\n

https:\/\/tomajazz.com\/web\/?cat=17848<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

No Answer 2 (2026) es lo nuevo de Dusan Jevtovic. Enrique Farelo repasa la grabaci\u00f3n. Con Dusan Jevtovic, Vasil Hadzimanov, Asaf Sirkis, Aleksander Petrov Contin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":105493,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_post_was_ever_published":false},"categories":[5,17848,15517],"tags":[24656,12221,7759,304,15081],"class_list":["entry","author-pachi","has-excerpt","post-105489","post","type-post","status-publish","format-standard","has-post-thumbnail","category-grabaciones","category-enrique-farelo","category-textos","tag-aleksander-petrov","tag-asaf-sirkis","tag-dusan-jevtovic","tag-enrique-farelo","tag-vasil-hadzimanov"],"jetpack_featured_media_url":"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2026\/05\/Dusan-Jevtovic-No-Answer-2-Autoeditado-2026-.jpg","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":31990,"url":"https:\/\/tomajazz.com\/web\/dusan-jevtovic-no-answer-moonjune-records-2017-grabacion\/","url_meta":{"origin":105489,"position":0},"title":"Dusan Jevtovic: No Answer (MoonJune Records, 2017) [Grabaci\u00f3n]","author":"Tomajazz","date":"29 agosto, 2017","format":false,"excerpt":"Podemos considerar No Answer como el tercer trabajo de Dusan Jevtovic junto con On The Edge (2009, L'Indi, Espa\u00f1a) y Am I Walking Wrong (MoonJune, 2013), si bien Live es un disco editado en formato digital y grabado en el 24 de abril y el 4 julio de 2014 entre\u2026","rel":"","context":"En \u00ab*_Enrique Farelo\u00bb","block_context":{"text":"*_Enrique Farelo","link":"https:\/\/tomajazz.com\/web\/category\/enrique-farelo\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/08\/Dusan-Jevtovic_No-Answer_MoonJune_2017.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":35372,"url":"https:\/\/tomajazz.com\/web\/dusan-jevtovic-live-at-home-moonjune-records-2018-cd-grabacion\/","url_meta":{"origin":105489,"position":1},"title":"Dusan Jevtovic: Live at Home (Moonjune Records, 2018) [CD \u2013 Grabaci\u00f3n]","author":"Tomajazz","date":"27 febrero, 2018","format":false,"excerpt":"Dusan Jevtovic maneja su grupo como si de una monta\u00f1a rusa se tratara, subiendo y bajando, se ralentiza y acelera hasta el v\u00e9rtigo, y modulando desde la reflexi\u00f3n intimista hasta la pasi\u00f3n desenfrenada y disonante desde su guitarra gru\u00f1ona en contraposici\u00f3n al piano y Fender Rhodes de Vasil Hadzimanov que\u2026","rel":"","context":"En \u00ab*_Enrique Farelo\u00bb","block_context":{"text":"*_Enrique Farelo","link":"https:\/\/tomajazz.com\/web\/category\/enrique-farelo\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2018\/02\/Dusan-Jevtovic-Live-at-Home-2018-e1519565080635.png?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2018\/02\/Dusan-Jevtovic-Live-at-Home-2018-e1519565080635.png?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2018\/02\/Dusan-Jevtovic-Live-at-Home-2018-e1519565080635.png?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2018\/02\/Dusan-Jevtovic-Live-at-Home-2018-e1519565080635.png?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":73046,"url":"https:\/\/tomajazz.com\/web\/jaume-de-viala-calidoscopi-embruixat-2023\/","url_meta":{"origin":105489,"position":2},"title":"Jaume de Viala: Calidoscopi Embruixat (auto-producido 2023) Por Enrique Farelo [Grabaci\u00f3n de jazz]","author":"Tomajazz","date":"17 abril, 2023","format":false,"excerpt":"Jaume de Viala ha publicado Calidoscopi Embruixat (auto-producido 2023). Enrique Farelo repasa esta grabaci\u00f3n.","rel":"","context":"En \u00abGrabaciones...\u00bb","block_context":{"text":"Grabaciones...","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/textos\/grabaciones\/"},"img":{"alt_text":"Jaume de Viala: Calidoscopi Embruixat (auto-producido 2023) Por Enrique Farelo [Grabaci\u00f3n de jazz] - Tomajazz 9.0 - Jaume de Viala ha publicado Calidoscopi Embruixat (auto-producido 2023). 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Enrique Farelo la repasa.","rel":"","context":"En \u00abGrabaciones...\u00bb","block_context":{"text":"Grabaciones...","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/textos\/grabaciones\/"},"img":{"alt_text":"Dusan Jevtovic: City Hustling (Autoproducido, 2023) Por Enrique Farelo [Grabaci\u00f3n de jazz] - Tomajazz 9.0 - Dusan Jevtovic: ha publicado una nueva grabaci\u00f3n titulada City Hustling (Autoproducido, 2023). 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CD y ed. digital)","author":"Tomajazz","date":"11 mayo, 2015","format":"image","excerpt":"El guitarrista serbio Dusan Jevtovic edita en formato digital su disco Live con composiciones de su \u00faltimo trabajo Am I Walking Wrong? del a\u00f1o 2013 y editado por Moonjune records. Colaborador de los proyectos del baterista espa\u00f1ol Xavi Reija (Resolution Moonjune records 2014, Dream Land 2006, Ritual 2008), nos ofrece\u2026","rel":"","context":"En \u00ab*_Enrique Farelo\u00bb","block_context":{"text":"*_Enrique Farelo","link":"https:\/\/tomajazz.com\/web\/category\/enrique-farelo\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2015\/05\/Dusan-Jevtovic-Live.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2015\/05\/Dusan-Jevtovic-Live.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2015\/05\/Dusan-Jevtovic-Live.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]}],"_links":{"self":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/105489","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/comments?post=105489"}],"version-history":[{"count":1,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/105489\/revisions"}],"predecessor-version":[{"id":105494,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/105489\/revisions\/105494"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media\/105493"}],"wp:attachment":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media?parent=105489"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/categories?post=105489"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/tags?post=105489"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}