{"id":10549,"date":"2014-02-20T11:10:59","date_gmt":"2014-02-20T10:10:59","guid":{"rendered":"http:\/\/www.tomajazz.com\/web\/?p=10549"},"modified":"2018-11-02T18:26:01","modified_gmt":"2018-11-02T17:26:01","slug":"tomajazz-recupera-veinte-anos-no-es-nada-una-febril-mirada-sobre-las-dos-ultimas-decadas-de-la-musica-de-anthony-braxton-por-diego-sanchez-cascado-y-pachi-tapiz","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/tomajazz-recupera-veinte-anos-no-es-nada-una-febril-mirada-sobre-las-dos-ultimas-decadas-de-la-musica-de-anthony-braxton-por-diego-sanchez-cascado-y-pachi-tapiz\/","title":{"rendered":"Tomajazz recupera&#8230; Veinte a\u00f1os no es nada: una febril mirada sobre las dos \u00faltimas d\u00e9cadas de la m\u00fasica de Anthony Braxton. Por Diego S\u00e1nchez Cascado y Pachi Tapiz"},"content":{"rendered":"<p>&nbsp;<\/p>\n<figure id=\"attachment_10529\" aria-describedby=\"caption-attachment-10529\" style=\"width: 200px\" class=\"wp-caption alignleft\"><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-10529\" title=\"\u00a9 2007 Diego Ortega Alonso\" alt=\"braxton_ilustracion\" src=\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2014\/02\/braxton_ilustracion-200x200.jpg\" width=\"200\" height=\"200\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2014\/02\/braxton_ilustracion-200x200.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2014\/02\/braxton_ilustracion-150x150.jpg 150w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2014\/02\/braxton_ilustracion-55x55.jpg 55w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2014\/02\/braxton_ilustracion.jpg 500w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/><figcaption id=\"caption-attachment-10529\" class=\"wp-caption-text\">\u00a9 2007 Diego Ortega Alonso<\/figcaption><\/figure>\n<p><span style=\"text-align: justify; font-size: 14px; line-height: 1.5em;\">Anthony Braxton es desde hace d\u00e9cadas una figura fundamental en la historia del jazz y de la m\u00fasica en general. Son muy pocos los m\u00fasicos que han sido capaces de desarrollar un lenguaje propio. Anthony Braxton es uno de ellos, aunque m\u00e1s que un lenguaje, ha logrado construir un verdadero universo musical, aut\u00f3nomo, complejo y formado por territorios estil\u00edsticos muy diversos. Si bien su carrera comenz\u00f3 a finales de los a\u00f1os sesenta, en este art\u00edculo nos vamos a centrar en las dos \u00faltimas d\u00e9cadas, tal y como hemos hecho en la entrevista que publicamos en Tomajazz.<\/span><\/p>\n<p style=\"text-align: justify;\">Leer:\u00a0<a title=\"Veinte a\u00f1os no es nada: una febril mirada sobre las dos \u00faltimas d\u00e9cadas de la m\u00fasica de Anthony Braxton. Por Diego S\u00e1nchez Cascado y Pachi Tapiz\" href=\"http:\/\/www.tomajazz.com\/web\/?p=10528\" target=\"_blank\"><strong>Veinte anos no es nada: una febril mirada sobre las dos \u00faltimas d\u00e9cadas de la m\u00fasica de Anthony Braxton. Por Diego S\u00e1nchez Cascado y Pachi Tapiz<\/strong><\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>&nbsp; Anthony Braxton es desde hace d\u00e9cadas una figura fundamental en la historia del jazz y de la m\u00fasica en general. Son muy pocos los m\u00fasicos que han sido capaces de desarrollar un lenguaje propio. Anthony Braxton es uno de ellos, aunque m\u00e1s que un lenguaje, ha logrado construir un<span class=\"more-link\"><a href=\"https:\/\/tomajazz.com\/web\/tomajazz-recupera-veinte-anos-no-es-nada-una-febril-mirada-sobre-las-dos-ultimas-decadas-de-la-musica-de-anthony-braxton-por-diego-sanchez-cascado-y-pachi-tapiz\/\">Contin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":10529,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":true,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[17870,17862,17847,78,7937,15504,1038,6669],"tags":[63,973,963,31,16099,16100],"class_list":["entry","author-pachi","post-10549","post","type-post","status-publish","format-standard","has-post-thumbnail","category-diego-ortega-alonso","category-diego-sanchez-cascado","category-pachi-tapiz","category-afondo","category-articulo-antiguo","category-articulos-afondo","category-contenidos","category-tomajazz-recupera","tag-anthony-braxton","tag-diego-ortega-alonso","tag-diego-sanchez-cascado","tag-pachi-tapiz","tag-toma-jazz","tag-tomajazz-toma-jazz"],"jetpack_featured_media_url":"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2014\/02\/braxton_ilustracion.jpg","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":10554,"url":"https:\/\/tomajazz.com\/web\/tomajazz-recupera-tomajazz-entrevista-a-anthony-braxton-iii\/","url_meta":{"origin":10549,"position":0},"title":"Tomajazz recupera&#8230; Tomajazz entrevista a Anthony Braxton (I+II)","author":"Tomajazz","date":"20 febrero, 2014","format":false,"excerpt":"Tras un intenso\u00a0concierto ofrecido el pasado octubre\u00a0en \u201cel Johnny\u201d, Anthony Braxton tuvo la amabilidad de mantener una charla con Fernando Ortiz de Urbina, Diego S\u00e1nchez Cascado y Pachi Tapiz a primera (primer\u00edsima) hora de la ma\u00f1ana siguiente. Leer:\u00a0Tomajazz entrevista a Anthony Braxton (I+II)","rel":"","context":"En \u00ab*_Diego S\u00e1nchez Cascado\u00bb","block_context":{"text":"*_Diego S\u00e1nchez Cascado","link":"https:\/\/tomajazz.com\/web\/category\/diego-sanchez-cascado\/"},"img":{"alt_text":"De derecha a izquierda: Anthony Braxton, Fernando Ortiz de Urbina, Pachi Tapiz, Diego S\u00e1nchez Cascado, Arturo Mora y Lalo Lofoco \u00a9 Sergio Cabanillas, 2007","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2014\/02\/ENTREVISTA_7608.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":10556,"url":"https:\/\/tomajazz.com\/web\/especial-anthony-braxton-en-tomajazz-recupera\/","url_meta":{"origin":10549,"position":1},"title":"Especial Anthony Braxton en Tomajazz Recupera","author":"Tomajazz","date":"20 febrero, 2014","format":false,"excerpt":"En Tomajazz recuperamos la entrevista a Anthony Braxton (en ingl\u00e9s y castellano) que realizamos en octubre de 2007 con motivo de su concierto en el San Juan Evangelista de Madrid con el Diamond Curtain Wall Trio. Tambi\u00e9n publicamos el art\u00edculo\u00a0Veinte a\u00f1os no es nada: una febril mirada sobre las dos\u2026","rel":"","context":"En \u00ab*_Diego S\u00e1nchez Cascado\u00bb","block_context":{"text":"*_Diego S\u00e1nchez Cascado","link":"https:\/\/tomajazz.com\/web\/category\/diego-sanchez-cascado\/"},"img":{"alt_text":"\u00a9 Sergio Cabanillas, 2007","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/web\/wp-content\/uploads\/2014\/02\/reloj_arena.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":10551,"url":"https:\/\/tomajazz.com\/web\/tomajazz-recupera-tomajazz-interviews-anthony-braxton-iii\/","url_meta":{"origin":10549,"position":2},"title":"Tomajazz recupera&#8230; Tomajazz interviews Anthony Braxton (I+II)","author":"Tomajazz","date":"20 febrero, 2014","format":false,"excerpt":"After an intense\u00a0concert last October\u00a0at \u201cel Johnny\u201d \u2013 the almost mythical jazz club at the San Juan Evangelista students\u2019 halls of residence in Madrid \u2013 Anthony Braxton was kind enough to meet Diego S\u00e1nchez Cascado, Pachi Tapiz and Fernando Ortiz de Urbina for a (very) early chat the next morning.\u2026","rel":"","context":"En \u00ab*_Diego S\u00e1nchez Cascado\u00bb","block_context":{"text":"*_Diego S\u00e1nchez Cascado","link":"https:\/\/tomajazz.com\/web\/category\/diego-sanchez-cascado\/"},"img":{"alt_text":"Anthony Braxton \u00a9 Sergio Cabanillas, 2007","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/web\/wp-content\/uploads\/2014\/02\/ANTHONY_BRAXTON_7587.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":30068,"url":"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-un-disco-five-pieces-1975-anthony-braxton-1975-100\/","url_meta":{"origin":10549,"position":3},"title":"365 razones para amar el jazz: un disco. Five Pieces 1975 (Anthony Braxton, 1975) [100]","author":"Tomajazz","date":"10 abril, 2017","format":false,"excerpt":"Un disco.\u00a0Anthony Braxton:\u00a0Five Pieces 1975\u00a0(Arista, 1975) Seleccionado por\u00a0Diego S\u00e1nchez Cascado Con Anthony Braxton, Kenny Wheeler, Dave Holland, Barry Altschul.","rel":"","context":"En \u00ab*_Diego S\u00e1nchez Cascado\u00bb","block_context":{"text":"*_Diego S\u00e1nchez Cascado","link":"https:\/\/tomajazz.com\/web\/category\/diego-sanchez-cascado\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/04\/Anthony-Braxton_Five-Pieces-1975_Arista_1975.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/04\/Anthony-Braxton_Five-Pieces-1975_Arista_1975.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/04\/Anthony-Braxton_Five-Pieces-1975_Arista_1975.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":10528,"url":"https:\/\/tomajazz.com\/web\/veinte-anos-no-es-nada-una-febril-mirada-sobre-las-dos-ultimas-decadas-de-la-musica-de-anthony-braxton-por-diego-ortega-alonso-y-pachi-tapiz\/","url_meta":{"origin":10549,"position":4},"title":"Veinte a\u00f1os no es nada: una febril mirada sobre las dos \u00faltimas d\u00e9cadas de la m\u00fasica de Anthony Braxton. Por Diego S\u00e1nchez Cascado y Pachi Tapiz","author":"Tomajazz","date":"1 diciembre, 2007","format":false,"excerpt":"\u00a9 2007 Diego Ortega Alonso \u201cEl Sr.\u00a0Braxton\u00a0es un artista brillante y muy trabajador. Su impacto supera cualquier descripci\u00f3n posible. Su sentido de la estructura y\u00a0de la\u00a0expresividad individual es\u00a0su legado\u00a0para\u00a0todo aqu\u00e9l que busque\u00a0el\u00a0sentido m\u00e1s elevado del arte. Ha\u00a0causado un impacto\u00a0imborrable tanto en la comunidad art\u00edstica de Chicago como en la del\u2026","rel":"","context":"En \u00ab*_Diego Ortega Alonso\u00bb","block_context":{"text":"*_Diego Ortega Alonso","link":"https:\/\/tomajazz.com\/web\/category\/diego-ortega-alonso\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2014\/02\/braxton_ilustracion.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":10474,"url":"https:\/\/tomajazz.com\/web\/tomajazz-entrevista-a-anthony-braxton-i\/","url_meta":{"origin":10549,"position":5},"title":"Tomajazz entrevista a Anthony Braxton (I) [Entrevista de jazz]","author":"Sergio Cabanillas","date":"1 diciembre, 2007","format":false,"excerpt":"Tras un intenso concierto ofrecido el 26 de octubre de 2007 en \"el Johnny\", Anthony Braxton tuvo la amabilidad de mantener una charla con Fernando Ortiz de Urbina, Diego S\u00e1nchez Cascado y Pachi Tapiz a primera (primer\u00edsima)... He aqu\u00ed el resultado. Entrevista con Anthony Braxton (primera parte)","rel":"","context":"En \u00ab*_Arturo Mora Rioja\u00bb","block_context":{"text":"*_Arturo Mora Rioja","link":"https:\/\/tomajazz.com\/web\/category\/arturo-mora-rioja\/"},"img":{"alt_text":"De derecha a izquierda: Anthony Braxton, Fernando Ortiz de Urbina, Pachi Tapiz, Diego S\u00e1nchez Cascado, Arturo Mora y Lalo Lofoco \u00a9 Sergio Cabanillas, 2007 ","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/web\/wp-content\/uploads\/2014\/02\/ENTREVISTA_7608.jpg?resize=350%2C200","width":350,"height":200},"classes":[]}],"_links":{"self":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/10549","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/comments?post=10549"}],"version-history":[{"count":2,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/10549\/revisions"}],"predecessor-version":[{"id":39573,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/10549\/revisions\/39573"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media\/10529"}],"wp:attachment":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media?parent=10549"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/categories?post=10549"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/tags?post=10549"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}