{"id":10556,"date":"2014-02-20T11:25:21","date_gmt":"2014-02-20T10:25:21","guid":{"rendered":"http:\/\/www.tomajazz.com\/web\/?p=10556"},"modified":"2016-11-13T23:37:11","modified_gmt":"2016-11-13T22:37:11","slug":"especial-anthony-braxton-en-tomajazz-recupera","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/especial-anthony-braxton-en-tomajazz-recupera\/","title":{"rendered":"Especial Anthony Braxton en Tomajazz Recupera"},"content":{"rendered":"

\"\u00a9
\u00a9 Sergio Cabanillas, 2007<\/figcaption><\/figure><\/center><\/p>\n

En Tomajazz recuperamos la entrevista a Anthony Braxton (en ingl\u00e9s <\/a><\/strong>y castellano<\/strong><\/a>) que realizamos en octubre de 2007 con motivo de su concierto en el San Juan Evangelista de Madrid con el Diamond Curtain Wall Trio<\/strong><\/a>. Tambi\u00e9n publicamos el art\u00edculo\u00a0Veinte a\u00f1os no es nada: una febril mirada sobre las dos \u00faltimas d\u00e9cadas de la m\u00fasica de Anthony Braxton<\/a>\u00a0<\/strong>que sirvi\u00f3 para repasar las dos \u00faltimas d\u00e9cadas (en ese momento) de la carrera del compositor e int\u00e9rprete.<\/p>\n","protected":false},"excerpt":{"rendered":"

En Tomajazz recuperamos la entrevista a Anthony Braxton (en ingl\u00e9s y castellano) que realizamos en octubre de 2007 con motivo de su concierto en el San Juan Evangelista de Madrid con el Diamond Curtain Wall Trio. Tambi\u00e9n publicamos el art\u00edculo\u00a0Veinte a\u00f1os no es nada: una febril mirada sobre las dosContin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":10508,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[17862,17863,17847,17850,78,15504,15537,9,15517,1038],"tags":[63,963,12790,465,12791,13,31,187,16099,77,16100],"class_list":["entry","author-pachi","post-10556","post","type-post","status-publish","format-standard","has-post-thumbnail","category-diego-sanchez-cascado","category-fernando-ortiz-de-urbina","category-pachi-tapiz","category-sergio-cabanillas","category-afondo","category-articulos-afondo","category-entrevistas","category-perfiles","category-textos","category-contenidos","tag-anthony-braxton","tag-diego-sanchez-cascado","tag-entrevista","tag-fernando-ortiz-de-urbina","tag-interview","tag-jazz","tag-pachi-tapiz","tag-sergio-cabanillas","tag-toma-jazz","tag-tomajazz","tag-tomajazz-toma-jazz"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2014\/02\/reloj_arena.jpg","_links":{"self":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/10556","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/comments?post=10556"}],"version-history":[{"count":1,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/10556\/revisions"}],"predecessor-version":[{"id":10557,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/10556\/revisions\/10557"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media\/10508"}],"wp:attachment":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media?parent=10556"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/categories?post=10556"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/tags?post=10556"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}