{"id":10612,"date":"2014-02-24T11:10:10","date_gmt":"2014-02-24T10:10:10","guid":{"rendered":"http:\/\/www.tomajazz.com\/web\/?p=10612"},"modified":"2016-11-13T19:06:18","modified_gmt":"2016-11-13T18:06:18","slug":"tomajazz-recomienda-un-medley-de-sonny-rollins-1956","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/tomajazz-recomienda-un-medley-de-sonny-rollins-1956\/","title":{"rendered":"Tomajazz recomienda\u2026 un <i>medley<\/i> de Sonny Rollins (1956)"},"content":{"rendered":"<p style=\"text-align: justify;\"><span style=\"font-size: 14px; line-height: 1.5em;\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-medium wp-image-10613\" alt=\"Rollins Plays For Bird\" src=\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2014\/02\/Rollins-Plays-For-Bird-200x200.jpg\" width=\"200\" height=\"200\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2014\/02\/Rollins-Plays-For-Bird-200x200.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2014\/02\/Rollins-Plays-For-Bird-150x150.jpg 150w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2014\/02\/Rollins-Plays-For-Bird-55x55.jpg 55w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2014\/02\/Rollins-Plays-For-Bird.jpg 350w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/>Nos quejamos de que los <\/span><i style=\"font-size: 14px; line-height: 1.5em;\">jazzmen<\/i><span style=\"font-size: 14px; line-height: 1.5em;\"> de hoy en d\u00eda prestan m\u00e1s atenci\u00f3n a la improvisaci\u00f3n que a las melod\u00edas, y aqu\u00ed viene Sonny Rollins para record\u00e1rnoslo. <\/span><i style=\"font-size: 14px; line-height: 1.5em;\">Newk<\/i><span style=\"font-size: 14px; line-height: 1.5em;\"> aborda un <\/span><i style=\"font-size: 14px; line-height: 1.5em;\">medley<\/i><span style=\"font-size: 14px; line-height: 1.5em;\">, o <\/span><i style=\"font-size: 14px; line-height: 1.5em;\">potpourri<\/i><span style=\"font-size: 14px; line-height: 1.5em;\">, o como quieran llamarlo, donde encadena siete melod\u00edas de <\/span><i style=\"font-size: 14px; line-height: 1.5em;\">standards<\/i><span style=\"font-size: 14px; line-height: 1.5em;\"> con secciones de solo ocasionales. Le ayudan en esa tarea el trompetista Kenny Dorham, Wade Legge al piano, George Morrow al contrabajo y ese monstruo de la bater\u00eda llamado Max Roach. No solo sorprende el concepto y la elegancia con la que enlaza cada par de canciones, sino el gusto con que elige siete temas cl\u00e1sicos pero no excesivamente explotados: \u201cI Remember You\u201d, \u201cMy Melancholy Baby\u201d, \u201cOld Folks\u201d, \u201cThey Can\u2019t Take That Away From Me\u201d, \u201cJust Friends\u201d, \u201cMy Little Suede Shoes\u201d y \u201cStar Eyes\u201d. Casi veintisiete minutos de aut\u00e9ntica delicia.<\/span><\/p>\n<p style=\"text-align: right;\">\u00a9 Adolphus van Tenzing, 2014<\/p>\n<div>\n<p>Sonny Rollins:\u00a0<i>Rollins Plays for Bird<\/i> (Prestige 7095)<\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Nos quejamos de que los jazzmen de hoy en d\u00eda prestan m\u00e1s atenci\u00f3n a la improvisaci\u00f3n que a las melod\u00edas, y aqu\u00ed viene Sonny Rollins para record\u00e1rnoslo. Newk aborda un medley, o potpourri, o como quieran llamarlo, donde encadena siete melod\u00edas de standards con secciones de solo ocasionales. Le ayudan<span class=\"more-link\"><a href=\"https:\/\/tomajazz.com\/web\/tomajazz-recomienda-un-medley-de-sonny-rollins-1956\/\">Contin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":10613,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":true,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[17860,8465,1038,1273],"tags":[5366,8467,1898,1978,2105,2225,16099,16100,8466],"class_list":["entry","author-pachi","post-10612","post","type-post","status-publish","format-standard","has-post-thumbnail","category-adolphus-van-tenzing","category-medley","category-contenidos","category-tomajazz-recomienda","tag-adolphus-van-tenzing","tag-george-morrow","tag-kenny-dorham","tag-max-roach","tag-prestige","tag-sonny-rollins","tag-toma-jazz","tag-tomajazz-toma-jazz","tag-wade-legge"],"jetpack_featured_media_url":"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2014\/02\/Rollins-Plays-For-Bird.jpg","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":2076,"url":"https:\/\/tomajazz.com\/web\/tomajazz-recomienda-un-tema-the-bridge-sonny-rollins-1962\/","url_meta":{"origin":10612,"position":0},"title":"Tomajazz recomienda&#8230; un tema: \u00abThe Bridge\u00bb (Sonny Rollins, 1962)","author":"Adolphus van Tenzing","date":"10 diciembre, 2012","format":false,"excerpt":"La historia es de sobra conocida: en plena crisis creativa Sonny Rollins se retir\u00f3 en 1959, practicando regularmente a solas en el neoyorquino puente de Williamsburg. Tres a\u00f1os despu\u00e9s volvi\u00f3 por todo lo alto con su disco The Bridge (\"el puente\"), lleno de fuerza e imaginaci\u00f3n, y con una formaci\u00f3n\u2026","rel":"","context":"En \u00ab*_Adolphus van Tenzing\u00bb","block_context":{"text":"*_Adolphus van Tenzing","link":"https:\/\/tomajazz.com\/web\/category\/adolphus-van-tenzing\/"},"img":{"alt_text":"Sonny_Rollins-The_Bridge","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/web\/wp-content\/uploads\/2012\/12\/Sonny_Rollins-The_Bridge-200x200.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":2074,"url":"https:\/\/tomajazz.com\/web\/tomajazz-recomienda-un-cd-sonny-side-up-dizzy-gillespie-1957\/","url_meta":{"origin":10612,"position":1},"title":"Tomajazz recomienda&#8230; un CD: Sonny Side Up (Dizzy Gillespie, 1957)","author":"Adolphus van Tenzing","date":"12 noviembre, 2012","format":false,"excerpt":"El mero hecho de reunir en una sesi\u00f3n de grabaci\u00f3n a Dizzy Gillespie con Sonny Stitt \u2013otro abanderado del be-bop\u2013 y Sonny Rollins \u2013saxofonista de moda en la \u00e9poca\u2013 ya es suficiente para hacer de Sonny Side Up un disco imprescindible. En esta ocasi\u00f3n lo que nos llama la atenci\u00f3n\u2026","rel":"","context":"En \u00ab*_Adolphus van Tenzing\u00bb","block_context":{"text":"*_Adolphus van Tenzing","link":"https:\/\/tomajazz.com\/web\/category\/adolphus-van-tenzing\/"},"img":{"alt_text":"Sonny Side Up","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/web\/wp-content\/uploads\/2012\/11\/Sonny-Side-Up-200x199.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":1915,"url":"https:\/\/tomajazz.com\/web\/tomajazz-recomienda-un-solo-all-the-things-you-are-paul-bley-1963\/","url_meta":{"origin":10612,"position":2},"title":"Tomajazz recomienda&#8230; un solo: \u201cAll The Things You Are\u201d (Paul Bley, 1963)","author":"Adolphus van Tenzing","date":"5 noviembre, 2010","format":false,"excerpt":"En 1963 RCA puso a Coleman Hawkins y a Sonny Rollins, dos de los saxofonistas m\u00e1s importantes de sus respectivas generaciones, frente a frente en una sesi\u00f3n de grabaci\u00f3n. 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Carlos Lara la repasa. Con Al Foster, Chris Potter, Brad Mehldau, Joe Martin","rel":"","context":"En \u00abGrabaciones...\u00bb","block_context":{"text":"Grabaciones...","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/textos\/grabaciones\/"},"img":{"alt_text":"Al Foster: Live at Smoke (Smoke Sessions Records, 2025) Por Carlos Lara [Grabaci\u00f3n de jazz] - Tomajazz - Live at Smoke (Smoke Sessions Records, 2025) es una grabaci\u00f3n en directo de Al Foster, registrada unos meses antes de su fallecimiento. Carlos Lara la repasa. 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