{"id":10612,"date":"2014-02-24T11:10:10","date_gmt":"2014-02-24T10:10:10","guid":{"rendered":"http:\/\/www.tomajazz.com\/web\/?p=10612"},"modified":"2016-11-13T19:06:18","modified_gmt":"2016-11-13T18:06:18","slug":"tomajazz-recomienda-un-medley-de-sonny-rollins-1956","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/tomajazz-recomienda-un-medley-de-sonny-rollins-1956\/","title":{"rendered":"Tomajazz recomienda\u2026 un medley<\/i> de Sonny Rollins (1956)"},"content":{"rendered":"

\"RollinsNos quejamos de que los <\/span>jazzmen<\/i> de hoy en d\u00eda prestan m\u00e1s atenci\u00f3n a la improvisaci\u00f3n que a las melod\u00edas, y aqu\u00ed viene Sonny Rollins para record\u00e1rnoslo. <\/span>Newk<\/i> aborda un <\/span>medley<\/i>, o <\/span>potpourri<\/i>, o como quieran llamarlo, donde encadena siete melod\u00edas de <\/span>standards<\/i> con secciones de solo ocasionales. Le ayudan en esa tarea el trompetista Kenny Dorham, Wade Legge al piano, George Morrow al contrabajo y ese monstruo de la bater\u00eda llamado Max Roach. No solo sorprende el concepto y la elegancia con la que enlaza cada par de canciones, sino el gusto con que elige siete temas cl\u00e1sicos pero no excesivamente explotados: \u201cI Remember You\u201d, \u201cMy Melancholy Baby\u201d, \u201cOld Folks\u201d, \u201cThey Can\u2019t Take That Away From Me\u201d, \u201cJust Friends\u201d, \u201cMy Little Suede Shoes\u201d y \u201cStar Eyes\u201d. Casi veintisiete minutos de aut\u00e9ntica delicia.<\/span><\/p>\n

\u00a9 Adolphus van Tenzing, 2014<\/p>\n

\n

Sonny Rollins:\u00a0Rollins Plays for Bird<\/i> (Prestige 7095)<\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

Nos quejamos de que los jazzmen de hoy en d\u00eda prestan m\u00e1s atenci\u00f3n a la improvisaci\u00f3n que a las melod\u00edas, y aqu\u00ed viene Sonny Rollins para record\u00e1rnoslo. Newk aborda un medley, o potpourri, o como quieran llamarlo, donde encadena siete melod\u00edas de standards con secciones de solo ocasionales. Le ayudanContin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":10613,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":true,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_post_was_ever_published":false},"categories":[17860,8465,1038,1273],"tags":[5366,8467,1898,1978,2105,2225,16099,16100,8466],"class_list":["entry","author-pachi","post-10612","post","type-post","status-publish","format-standard","has-post-thumbnail","category-adolphus-van-tenzing","category-medley","category-contenidos","category-tomajazz-recomienda","tag-adolphus-van-tenzing","tag-george-morrow","tag-kenny-dorham","tag-max-roach","tag-prestige","tag-sonny-rollins","tag-toma-jazz","tag-tomajazz-toma-jazz","tag-wade-legge"],"jetpack_featured_media_url":"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2014\/02\/Rollins-Plays-For-Bird.jpg","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":2076,"url":"https:\/\/tomajazz.com\/web\/tomajazz-recomienda-un-tema-the-bridge-sonny-rollins-1962\/","url_meta":{"origin":10612,"position":0},"title":"Tomajazz recomienda… un tema: \u00abThe Bridge\u00bb (Sonny Rollins, 1962)","author":"Adolphus van Tenzing","date":"10 diciembre, 2012","format":false,"excerpt":"La historia es de sobra conocida: en plena crisis creativa Sonny Rollins se retir\u00f3 en 1959, practicando regularmente a solas en el neoyorquino puente de Williamsburg. Tres a\u00f1os despu\u00e9s volvi\u00f3 por todo lo alto con su disco The Bridge (\"el puente\"), lleno de fuerza e imaginaci\u00f3n, y con una formaci\u00f3n\u2026","rel":"","context":"En \u00ab*_Adolphus van Tenzing\u00bb","block_context":{"text":"*_Adolphus van Tenzing","link":"https:\/\/tomajazz.com\/web\/category\/adolphus-van-tenzing\/"},"img":{"alt_text":"Sonny_Rollins-The_Bridge","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/web\/wp-content\/uploads\/2012\/12\/Sonny_Rollins-The_Bridge-200x200.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":2074,"url":"https:\/\/tomajazz.com\/web\/tomajazz-recomienda-un-cd-sonny-side-up-dizzy-gillespie-1957\/","url_meta":{"origin":10612,"position":1},"title":"Tomajazz recomienda… un CD: Sonny Side Up (Dizzy Gillespie, 1957)","author":"Adolphus van Tenzing","date":"12 noviembre, 2012","format":false,"excerpt":"El mero hecho de reunir en una sesi\u00f3n de grabaci\u00f3n a Dizzy Gillespie con Sonny Stitt \u2013otro abanderado del be-bop\u2013 y Sonny Rollins \u2013saxofonista de moda en la \u00e9poca\u2013 ya es suficiente para hacer de Sonny Side Up un disco imprescindible. En esta ocasi\u00f3n lo que nos llama la atenci\u00f3n\u2026","rel":"","context":"En \u00ab*_Adolphus van Tenzing\u00bb","block_context":{"text":"*_Adolphus van Tenzing","link":"https:\/\/tomajazz.com\/web\/category\/adolphus-van-tenzing\/"},"img":{"alt_text":"Sonny Side Up","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/web\/wp-content\/uploads\/2012\/11\/Sonny-Side-Up-200x199.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":1915,"url":"https:\/\/tomajazz.com\/web\/tomajazz-recomienda-un-solo-all-the-things-you-are-paul-bley-1963\/","url_meta":{"origin":10612,"position":2},"title":"Tomajazz recomienda… un solo: \u201cAll The Things You Are\u201d (Paul Bley, 1963)","author":"Adolphus van Tenzing","date":"5 noviembre, 2010","format":false,"excerpt":"En 1963 RCA puso a Coleman Hawkins y a Sonny Rollins, dos de los saxofonistas m\u00e1s importantes de sus respectivas generaciones, frente a frente en una sesi\u00f3n de grabaci\u00f3n. Sin embargo el punto culminante del disco, que tuvo lugar en la versi\u00f3n de \u201cAll The Things You Are\u201d, no vino\u2026","rel":"","context":"En \u00ab*_Adolphus van Tenzing\u00bb","block_context":{"text":"*_Adolphus van Tenzing","link":"https:\/\/tomajazz.com\/web\/category\/adolphus-van-tenzing\/"},"img":{"alt_text":"Sonny Rollins and Coleman Hawkins_Sonny Meets Hawk","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/web\/wp-content\/uploads\/2010\/11\/Sonny-Rollins-and-Coleman-Hawkins_Sonny-Meets-Hawk-200x198.png?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":2068,"url":"https:\/\/tomajazz.com\/web\/tomajazz-recomienda-un-disco-jazz-in-34-time-max-roach-1957\/","url_meta":{"origin":10612,"position":3},"title":"Tomajazz recomienda… un disco: Jazz In 3\/4 Time (Max Roach, 1957)","author":"Adolphus van Tenzing","date":"23 julio, 2012","format":false,"excerpt":"Si no fuera por su t\u00edtulo, hoy en d\u00eda este disco pasar\u00eda desapercibido para la mayor\u00eda de los aficionados. Estamos acostumbrados a todo tipo de experimentos r\u00edtmicos y m\u00e9tricos, acentos desplazados, amalgamas imposibles; pero en los a\u00f1os cincuenta el jazz se hablaba, mayoritariamente, en tiempo binario, en cuatro por cuatro,\u2026","rel":"","context":"En \u00ab*_Adolphus van Tenzing\u00bb","block_context":{"text":"*_Adolphus van Tenzing","link":"https:\/\/tomajazz.com\/web\/category\/adolphus-van-tenzing\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2012\/07\/Max-Roach-Jazz-in-3-4-time.jpeg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":60482,"url":"https:\/\/tomajazz.com\/web\/jazzx5402-sonny-rollins-st-thomas-saxophone-colossus-prestige-1957-minipodcast-de-jazz-por-pachi-tapiz\/","url_meta":{"origin":10612,"position":4},"title":"JazzX5#402. Sonny Rollins: \u201cSt. Thomas\u00bb [Saxophone Colossus (Prestige, 1957)] [Minipodcast de jazz] Por Pachi Tapiz","author":"Tomajazz","date":"22 enero, 2022","format":false,"excerpt":"En JazzX5 suena el tema \"St. Thomas\" de Sonny Rollins, que abre la grabaci\u00f3n Saxophone Colossus (Prestige, 1957). JazzX5 es un podcast de Pachi Tapiz.","rel":"","context":"En \u00abJazzX5\u00bb","block_context":{"text":"JazzX5","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/sonidos\/podcast\/jazzx5\/"},"img":{"alt_text":"JazzX5#402. 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Estamos en Suiza, en el festival de Willisau. Sobre el escenario el violinista Billy Bang y el baterista Dennis Charles: un cl\u00e1sico con un curr\u00edculum notable. A lo largo de su ya extensa carrera, en ese momento est\u00e1 a punto de cumplir los 49, ha tocado\u2026","rel":"","context":"En \u00ab*_Adolphus van Tenzing\u00bb","block_context":{"text":"*_Adolphus van Tenzing","link":"https:\/\/tomajazz.com\/web\/category\/adolphus-van-tenzing\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2011\/12\/billy-bang-dennis-charles.jpeg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]}],"_links":{"self":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/10612","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/comments?post=10612"}],"version-history":[{"count":1,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/10612\/revisions"}],"predecessor-version":[{"id":10614,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/10612\/revisions\/10614"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media\/10613"}],"wp:attachment":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media?parent=10612"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/categories?post=10612"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/tags?post=10612"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}