{"id":10667,"date":"2014-02-27T11:00:41","date_gmt":"2014-02-27T10:00:41","guid":{"rendered":"http:\/\/www.tomajazz.com\/web\/?p=10667"},"modified":"2016-11-13T17:14:49","modified_gmt":"2016-11-13T16:14:49","slug":"tomajazz-recupera-albert-bover-el-camino-de-un-pianista-por-pachi-tapiz","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/tomajazz-recupera-albert-bover-el-camino-de-un-pianista-por-pachi-tapiz\/","title":{"rendered":"Tomajazz recupera&#8230; Albert Bover: el camino de un pianista, por Pachi Tapiz"},"content":{"rendered":"<figure id=\"attachment_9103\" aria-describedby=\"caption-attachment-9103\" style=\"width: 300px\" class=\"wp-caption alignleft\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-9103\" alt=\"Albert Bover \u00a9 Sergio Cabanillas\" src=\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2013\/11\/albert_bover_9426_entrevista.jpg\" width=\"300\" height=\"200\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2013\/11\/albert_bover_9426_entrevista.jpg 300w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2013\/11\/albert_bover_9426_entrevista-150x100.jpg 150w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2013\/11\/albert_bover_9426_entrevista-82x55.jpg 82w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2013\/11\/albert_bover_9426_entrevista-60x40.jpg 60w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2013\/11\/albert_bover_9426_entrevista-120x80.jpg 120w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><figcaption id=\"caption-attachment-9103\" class=\"wp-caption-text\">Albert Bover<br \/>\u00a9 Sergio Cabanillas<\/figcaption><\/figure>\n<p align=\"left\">PACHI TAPIZ: Es complicado expresar la m\u00fasica con palabras\u2026<\/p>\n<p align=\"left\">ALBERT BOVER: Es complicado, aunque yo creo que la m\u00fasica es eso. Alguien toca. Una persona que le escucha se est\u00e1 emocionando, est\u00e1 sintiendo lo que ese m\u00fasico est\u00e1 tocando y entonces es cuando la gente dice: \u201c\u00a1qu\u00e9 gran m\u00fasico!\u201d. La gente lo dice cuando recibe toda esta emoci\u00f3n mientras est\u00e1 pasando algo que no s\u00f3lo es que alguien est\u00e9 tecleando en un piano o tocando un contrabajo. Sucede cuando hay algo m\u00e1s, cuando hay un contenido emocional. Eso es lo importante. Eso es algo que cada vez busco y valoro m\u00e1s. Hay gente con la que tocas y con quienes eres consciente que te est\u00e1n escuchando y que est\u00e1n tocando contigo. Tambi\u00e9n hay gente que toca muy bien, pero que toca sola. Esa no es la situaci\u00f3n ideal.<\/p>\n<p align=\"left\">Leer:\u00a0<strong><a title=\"Albert Bover: el camino de un pianista, por Pachi Tapiz\" href=\"http:\/\/www.tomajazz.com\/web\/?p=9096\" target=\"_blank\">Albert Bover: el camino de un pianista, por Pachi Tapiz<\/a><\/strong>\u00a0(Noviembre de 2008)<\/p>\n","protected":false},"excerpt":{"rendered":"<p>PACHI TAPIZ: Es complicado expresar la m\u00fasica con palabras\u2026 ALBERT BOVER: Es complicado, aunque yo creo que la m\u00fasica es eso. Alguien toca. Una persona que le escucha se est\u00e1 emocionando, est\u00e1 sintiendo lo que ese m\u00fasico est\u00e1 tocando y entonces es cuando la gente dice: \u201c\u00a1qu\u00e9 gran m\u00fasico!\u201d. La<span class=\"more-link\"><a href=\"https:\/\/tomajazz.com\/web\/tomajazz-recupera-albert-bover-el-camino-de-un-pianista-por-pachi-tapiz\/\">Contin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":9100,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":true,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[17847,78,15537,9,15517,1038,6669],"tags":[191,5113,31,8356,16099,16100],"class_list":["entry","author-pachi","post-10667","post","type-post","status-publish","format-standard","has-post-thumbnail","category-pachi-tapiz","category-afondo","category-entrevistas","category-perfiles","category-textos","category-contenidos","category-tomajazz-recupera","tag-albert-bover","tag-horacio-fumero","tag-pachi-tapiz","tag-sergio-cabanilas","tag-toma-jazz","tag-tomajazz-toma-jazz"],"jetpack_featured_media_url":"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2013\/11\/albert_bover_5254.jpg","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":9096,"url":"https:\/\/tomajazz.com\/web\/albert-bover-el-camino-de-un-pianista-por-pachi-tapiz\/","url_meta":{"origin":10667,"position":0},"title":"Albert Bover: el camino de un pianista, por Pachi Tapiz","author":"Sergio Cabanillas","date":"2 noviembre, 2008","format":false,"excerpt":"El pianista Albert Bover acaba de publicar junto con el contrabajista Horacio Fumero su segundo disco a d\u00fao, Caminhos Cruzados (Contrabaix, distribuido por Karonte). Pachi Tapiz charl\u00f3 por tel\u00e9fono con el pianista catal\u00e1n sobre su nuevo disco y sobre distintos aspectos de su visi\u00f3n del jazz. PACHI TAPIZ: El anterior\u2026","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"Horacio Fumero & Albert Bover Caminhos cruzados Contrabaix. Distribuido por Karonte","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/web\/wp-content\/uploads\/2013\/11\/caminhos_cruzados.png?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":100745,"url":"https:\/\/tomajazz.com\/web\/sergi-sirvent-david-vinolas-rtdsam-2025\/","url_meta":{"origin":10667,"position":1},"title":"Sergi Sirvent &#8211; David Vi\u00f1olas: Recreacions T\u00edmbriques. De Satie a Mompou (Columna M\u00fasica; 2025) Por Pachi Tapiz [Grabaci\u00f3n de jazz]","author":"Tomajazz","date":"21 octubre, 2025","format":false,"excerpt":"Recreacions T\u00edmbriques. De Satie a Mompou (Columna M\u00fasica; 2025) es la nueva grabaci\u00f3n del d\u00fao Sergi Sirvent - David Vi\u00f1olas. Pachi Tapiz repasa la grabaci\u00f3n","rel":"","context":"En \u00abGrabaciones...\u00bb","block_context":{"text":"Grabaciones...","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/textos\/grabaciones\/"},"img":{"alt_text":"Sergi Sirvent - David Vi\u00f1olas: Recreacions T\u00edmbriques. De Satie a Mompou (Columna M\u00fasica; 2025) Por Pachi Tapiz [Grabaci\u00f3n de jazz] - Tomajazz -  Recreacions T\u00edmbriques. De Satie a Mompou (Columna M\u00fasica; 2025) Por Pachi Tapiz","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/10\/Sergi-Sirvent-David-Vinolas-Recreacions-timbriques-de-Satie-a-Mompou-2025-Columna-Musica-Tomajazz.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/10\/Sergi-Sirvent-David-Vinolas-Recreacions-timbriques-de-Satie-a-Mompou-2025-Columna-Musica-Tomajazz.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/10\/Sergi-Sirvent-David-Vinolas-Recreacions-timbriques-de-Satie-a-Mompou-2025-Columna-Musica-Tomajazz.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/10\/Sergi-Sirvent-David-Vinolas-Recreacions-timbriques-de-Satie-a-Mompou-2025-Columna-Musica-Tomajazz.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":102777,"url":"https:\/\/tomajazz.com\/web\/jorge-martinez-1955-2025-in-memoriam\/","url_meta":{"origin":10667,"position":2},"title":"Jorge Mart\u00ednez (1955-2025) In Memoriam","author":"Tomajazz","date":"10 diciembre, 2025","format":false,"excerpt":"Jorge Mart\u00ednez falleci\u00f3 el 9 de diciembre de 2025. Pachi Tapiz recupera una cita in\u00e9dita relacionada con el jazz y la acompa\u00f1amos con una instant\u00e1nea de Sergio Cabanillas. DEP","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"Jorge Mart\u00ednez (1955-2025) In Memoriam - Tomajazz - Jorge Mart\u00ednez falleci\u00f3 el 9 de diciembre de 2025. Pachi Tapiz recupera una cita relacionada con el jazz de una entrevista y la acompa\u00f1amos con una fotograf","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/12\/Ilegales-Junio-1998-CABANIJAZZ.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/12\/Ilegales-Junio-1998-CABANIJAZZ.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/12\/Ilegales-Junio-1998-CABANIJAZZ.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/12\/Ilegales-Junio-1998-CABANIJAZZ.jpg?resize=700%2C400&ssl=1 2x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/12\/Ilegales-Junio-1998-CABANIJAZZ.jpg?resize=1050%2C600&ssl=1 3x"},"classes":[]},{"id":102677,"url":"https:\/\/tomajazz.com\/web\/meinrad-kneer-albert-van-veenendaal-munderkingen-part-2-2025\/","url_meta":{"origin":10667,"position":3},"title":"Meinrad Kneer &#038; Albert van Veenendaal: The Munderkingen Sessions, Part 2 (Evil Rabbit Records; 2025) Por Pachi Tapiz [Grabaci\u00f3n de jazz]","author":"Tomajazz","date":"8 diciembre, 2025","format":false,"excerpt":"The Munderkingen Sessions, Part 2 (Evil Rabbit Records; 2025) de Meinrad Kneer & Albert van Veenendaal es la continuaci\u00f3n del proyecto del pianista y el contrabajista, 20 a\u00f1os despu\u00e9s. Pachi Tapiz repasa la grabaci\u00f3n","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"Meinrad Kneer & Albert van Veenendaal: The Munderkingen Sessions, Part 2 (Evil Rabbit Records; 2025) Por Pachi Tapiz [Grabaci\u00f3n de jazz] - Tomajazz - The Munderkingen Sessions, Part 2 (Evil Rabbit Records; 2025) de Meinrad Kneer & Albert van Veenendaal es la continuaci\u00f3n del proyecto del pianista y el contrabajista, 20 a\u00f1os despu\u00e9s. Pachi Tapiz repasa la grabaci\u00f3n","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/12\/Meinrad-Kneer-Albert-van-Veenendaal-The-Munderkingen-Sessions-Part-2-Evil-Rabbit-Records-2025-Tomajazz.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/12\/Meinrad-Kneer-Albert-van-Veenendaal-The-Munderkingen-Sessions-Part-2-Evil-Rabbit-Records-2025-Tomajazz.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/12\/Meinrad-Kneer-Albert-van-Veenendaal-The-Munderkingen-Sessions-Part-2-Evil-Rabbit-Records-2025-Tomajazz.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/12\/Meinrad-Kneer-Albert-van-Veenendaal-The-Munderkingen-Sessions-Part-2-Evil-Rabbit-Records-2025-Tomajazz.jpg?resize=700%2C400&ssl=1 2x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/12\/Meinrad-Kneer-Albert-van-Veenendaal-The-Munderkingen-Sessions-Part-2-Evil-Rabbit-Records-2025-Tomajazz.jpg?resize=1050%2C600&ssl=1 3x"},"classes":[]},{"id":43711,"url":"https:\/\/tomajazz.com\/web\/jazz-para-ti-programa-045-2019-06-04-jpt-t2-29-podcast\/","url_meta":{"origin":10667,"position":4},"title":"Jazz Para Ti. Programa 045 (2019-06-04) JPT.T2.29 [Podcast]","author":"Tomajazz","date":"5 junio, 2019","format":false,"excerpt":"Por\u00a0Pachi Tapiz. En la edici\u00f3n n\u00famero 45 de Jazz Para Ti suenan: \"It's A Good Day\". Kalya Ramu: Living In A Dream (Autoeditado) \"elipsis\". Tom Pierson: Last Works (Auteur) \"Stretch Goal\". Matt Mitchell: Phalanx Ambassadors (Pi Recordings) \"Strung Along\". Jaelem Bhate: On The Edge (Autoeditado) \"Amaram\u00e9rica\". Cristina Vilallonga - Albert\u2026","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2019\/06\/JazzParaTi_45_Collage.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2019\/06\/JazzParaTi_45_Collage.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2019\/06\/JazzParaTi_45_Collage.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2019\/06\/JazzParaTi_45_Collage.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":43251,"url":"https:\/\/tomajazz.com\/web\/jazz-para-ti-programa-042-2019-05-15-jpt-t2-21-podcast\/","url_meta":{"origin":10667,"position":5},"title":"Jazz Para Ti. Programa 042 (2019-05-14) JPT.T2.21 [Podcast]","author":"Tomajazz","date":"15 mayo, 2019","format":false,"excerpt":"Por\u00a0Pachi Tapiz. En el programa n\u00famero 42 de Jazz Para Ti suenan novedades\u2026 y \u00fanicamente novedades: \"El buscador\" Javier Navas Quartert: Fresh Start \"Desconhecido\" Cristina Vilallonga - Albert Bover: NUS \"Pretzel Logic\" Dave Stryker: Eight Track III \"Notes From The Nook\" Jordon Dixon: On! \"La meva planta\" Roger Mas: The\u2026","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2019\/05\/JazzParaTi_42_Collage.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2019\/05\/JazzParaTi_42_Collage.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2019\/05\/JazzParaTi_42_Collage.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2019\/05\/JazzParaTi_42_Collage.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]}],"_links":{"self":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/10667","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/comments?post=10667"}],"version-history":[{"count":1,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/10667\/revisions"}],"predecessor-version":[{"id":10668,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/10667\/revisions\/10668"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media\/9100"}],"wp:attachment":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media?parent=10667"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/categories?post=10667"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/tags?post=10667"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}