{"id":107523,"date":"2026-09-18T12:24:57","date_gmt":"2026-09-18T10:24:57","guid":{"rendered":"https:\/\/tomajazz.com\/web\/?p=107523"},"modified":"2026-09-18T12:25:21","modified_gmt":"2026-09-18T10:25:21","slug":"xavi-reija-nu-breed-moonjune-records-2026","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/xavi-reija-nu-breed-moonjune-records-2026\/","title":{"rendered":"Xavi Reija Electric Quintet: Nu Breed (MoonJune Records 2026) Por Enrique Farelo [Grabaci\u00f3n de jazz]"},"content":{"rendered":"<p>Una vuelta a los or\u00edgenes, una vuelta a la formaci\u00f3n de su inicial <em>Dream Land<\/em>, con la sustituci\u00f3n de \u00c1lvaro Gandul por Tom\u00e1s Fosch, un regreso si, al <em>jazz-rock<\/em> y al <em>funk<\/em>.<\/p>\n<p><figure id=\"attachment_107524\" aria-describedby=\"caption-attachment-107524\" style=\"width: 300px\" class=\"wp-caption alignleft\"><img loading=\"lazy\" decoding=\"async\" data-attachment-id=\"107524\" data-permalink=\"https:\/\/tomajazz.com\/web\/xavi-reija-nu-breed-moonjune-records-2026\/cover-03673032026-r\/\" data-orig-file=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2026\/09\/cover-03673032026-r.jpg\" data-orig-size=\"1000,1000\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;,&quot;alt&quot;:&quot;&quot;}\" data-image-title=\"Xavi Reija Electric Quintet: Nu Breed (MoonJune Records 2026) Por Enrique Farelo [Grabaci\u00f3n de jazz] Tomajazz cover 03673032026 r\" data-image-description=\"&lt;p&gt;cover 03673032026 r &amp;#8211; Xavi Reija Electric Quintet: Nu Breed (MoonJune Records 2026) Por Enrique Farelo [Grabaci\u00f3n de jazz] &amp;#8211; Tomajazz&lt;\/p&gt;\n\" data-image-caption=\"\" data-large-file=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2026\/09\/cover-03673032026-r-600x600.jpg\" class=\"wp-image-107524 size-medium\" title=\"Xavi Reija Electric Quintet: Nu Breed (MoonJune Records 2026) Por Enrique Farelo [Grabaci\u00f3n de jazz] Tomajazz cover 03673032026 r\" src=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2026\/09\/cover-03673032026-r-300x300.jpg\" alt=\"Xavi Reija Electric Quintet: Nu Breed (MoonJune Records 2026) Por Enrique Farelo [Grabaci\u00f3n de jazz] - Tomajazz - Nu Breed (MoonJune Records 2026) es la nueva grabaci\u00f3n de Xavi Reija Electric Quintet. Enrique Farelo repasa la grabaci\u00f3n. Con\" width=\"300\" height=\"300\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2026\/09\/cover-03673032026-r-300x300.jpg 300w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2026\/09\/cover-03673032026-r-600x600.jpg 600w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2026\/09\/cover-03673032026-r-200x200.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2026\/09\/cover-03673032026-r-768x768.jpg 768w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2026\/09\/cover-03673032026-r-465x465.jpg 465w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2026\/09\/cover-03673032026-r-500x500.jpg 500w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2026\/09\/cover-03673032026-r.jpg 1000w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><figcaption id=\"caption-attachment-107524\" class=\"wp-caption-text\">Xavi Reija Electric Quintet: Nu Breed (MoonJune Records 2026)<\/figcaption><\/figure>Ocho piezas de corta duraci\u00f3n, ocho piezas ya compuestas e interpretadas en tiempos pasados, salvedad hecha de \u201cDusan Song\u201d y \u201cNu Breed\u201d, ahora revisadas y reconstruidas: Xavi Reija electric quintet, <em>Dream Land <\/em>(Batiendo Records 2006<em>)<\/em>, \u201cDreamland\u201d y \u201cTwo Sides\u201d; <em>Reflections <\/em>(Autoedici\u00f3n 2017), \u201cWe Keep Walking\u201d, \u201cReflections\u201d; <em>Dreamscape Room <\/em>(Autoedici\u00f3n 2020), \u201cDreamscape Room\u201d y<em> Workplace<\/em>\u00a0 (Formato Digital 2022), \u201cAre You Religious?\u201d<\/p>\n<p>Un \u00e1lbum de f\u00e1cil digesti\u00f3n que se asimila con fluidez y que engancha desde las primeras audiciones, donde los m\u00fasicos intervinientes se democratizan en sus intervenciones con soltura, elegancia y virtuosismo.<\/p>\n<p><em>Nu Breed <\/em>es en\u00e9rgico y directo, muy completo y sin altibajos, contundente en los cambios de ritmo que bebe de las fuentes originales de los setenta, como Miles Davis, Weather Report o RTF.<\/p>\n<p>Comienza con \u201cDreamland\u201d, un corte de mucho <em>groove<\/em> y <em>funk <\/em>que se apoya en el bajo de Bernat Hern\u00e1ndez, que aqu\u00ed como a lo largo del disco est\u00e1 para recordamos a Jaco Pastorius; Rafael Garc\u00e9s dibuja melod\u00edas al saxo.<\/p>\n<p>\u201cDusan Song\u201d, otra demostraci\u00f3n <em>funk<\/em> de sonido coral, con destacados <em>riff <\/em>de guitarra de Dusan Jevtovic y el saxo de Rafael Garc\u00e9s.<\/p>\n<p>En \u201cNu Breed\u201d, la de mayor duraci\u00f3n, sin ser excesivamente larga, densa y rocosa, Rafael Garc\u00e9s se retuerce al saxo, Dusan Jevtovic vuela alto a lomos de su guitarra el\u00e9ctrica, vuelve por sus fueros Bernat Hern\u00e1ndez, Tom\u00e1s Fosch, fluye m\u00e1gico al<em> Fender Rhodes<\/em>. Lo gobierna todo Xavi Reija desde los platos y tambores.<\/p>\n<p>\u201cReflections\u201d, una breve balada que rememora inicialmente a Jan Garbarek con Rafael Garc\u00e9s, Bernat Hern\u00e1ndez se muestra preciso y Tom\u00e1s Fosch pone el brillo al <em>Fender Rhodes<\/em>.<\/p>\n<p>\u201cDreamscape Room\u201d, obsesiva, modulante y bella. Tom\u00e1s Fosch pone el timbre en manos de su <em>Fender Rhodes<\/em>, Rafael Garc\u00e9s toma el relevo con fulgor empastando con Dusan Jevtovic, Bernat Hern\u00e1ndez y Xavi Reija.<\/p>\n<p>\u201cWe Keep Walking\u201d, dialogando con soltura el <em>Mini Moog<\/em> de Tom\u00e1s Fosch con la guitarra de Dusan Jevtovic, toma el testigo Rafael Garc\u00e9s con Tom\u00e1s Fosch al <em>Fender Rhodes<\/em>, redobles y redobles en los parches de Xavi Reija a modo de conclusi\u00f3n.<\/p>\n<p>En \u201cAre You Religious?\u201d, gru\u00f1e Dusan Jevtovic entre un amasijo de sonidos densos y complejos, atempera Bernat Hern\u00e1ndez y el <em>Mini Moog<\/em> de Tom\u00e1s Fosch abrocha un final disuasorio.<\/p>\n<p>En \u201cTwo Sides\u201d, Xavi Reija ejerce de maestro de ceremonias, finalizando y poniendo en solfa un ejercicio de <em>funk<\/em> en manos del bajo de Bernat Hern\u00e1ndez, sum\u00e1ndose Rafael Garc\u00e9s al saxo, Dusan Jevtovic a la guitarra el\u00e9ctrica y Tom\u00e1s Fosch al <em>Mini Moog<\/em> con Chick Corea en el recuerdo.<\/p>\n<p style=\"text-align: right;\">Texto: \u00a9 <strong><a href=\"https:\/\/elescribadeljazz.blogspot.com\/\" target=\"_blank\" rel=\"noopener\">Enrique Farelo<\/a><\/strong>, 2026<\/p>\n<hr \/>\n<h3>Xavi Reija Electric Quintet: <em>Nu Breed<\/em><\/h3>\n<p>Rafael Garc\u00e9s (saxo), Dusan Jevtovic (guitarra el\u00e9ctrica), Bernat Hern\u00e1ndez (bajo el\u00e9ctrico), Tom\u00e1s Fosch (<em>Fender Rhodes <\/em>y <em>Mini Moog<\/em>) y Xavi Reija (bater\u00eda)<\/p>\n<p>\u201cDreamland\u201d, \u201cDusan Song\u201d, \u201cNu Breed\u201d, \u201cReflections\u201d, \u201cDreamscape Room\u201d, \u201cWe Keep Walking\u201d, \u201cAre You Religious?\u201d y \u201cTwo Sides\u201d.<\/p>\n<p>Todas las composiciones y arreglos de Xavi Reija excepto \u201cAre You Religious?\u201d de Dusan Jevtovic y \u201cTwo Sides\u201d de Xavi Reija y Dusan Jevtovic.<\/p>\n<p>Grabado en La Casa Murada de Jes\u00fas Rovira el 31de Julio y 1 de Augusto de 2025. Publicado en 2026 por MoonJune Records.<\/p>\n<hr \/>\n<h3>M\u00e1s informaci\u00f3n sobre Xavi Reija Electric Quintet y Moonjune Records<\/h3>\n<p><a href=\"https:\/\/www.xavireija.es\/\" target=\"_blank\" rel=\"noopener\">https:\/\/www.xavireija.es\/<\/a><\/p>\n<p><a href=\"https:\/\/tomajazz.com\/web\/?s=xavi+reija&amp;submit=Search\" target=\"_blank\" rel=\"noopener\">https:\/\/tomajazz.com\/web\/?s=xavi+reija&amp;submit=Search<\/a><\/p>\n<p><a href=\"https:\/\/moonjune.com\/\" target=\"_blank\" rel=\"noopener\">https:\/\/moonjune.com\/<\/a><\/p>\n<p><a href=\"https:\/\/tomajazz.com\/web\/?s=moonjune+records&amp;submit=Search\" target=\"_blank\" rel=\"noopener\">https:\/\/tomajazz.com\/web\/?s=moonjune+records&amp;submit=Search<\/a><\/p>\n<h3>Enrique Farelo en Tomajazz<\/h3>\n<p><a href=\"https:\/\/tomajazz.com\/web\/?cat=17848\" target=\"_blank\" rel=\"noopener\">https:\/\/tomajazz.com\/web\/?cat=17848<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Nu Breed (MoonJune Records 2026) es la nueva grabaci\u00f3n de Xavi Reija Electric Quintet. Enrique Farelo repasa la grabaci\u00f3n. Con Rafael Garc\u00e9s, Dusan Jevtovic, Bernat Hern\u00e1ndez, Tom\u00e1s Fosch, Xavi Reija<span class=\"more-link\"><a href=\"https:\/\/tomajazz.com\/web\/xavi-reija-nu-breed-moonjune-records-2026\/\">Contin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":107524,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2},"jetpack_post_was_ever_published":false},"categories":[17848,5,15517,1038],"tags":[7761,7759,304,5991,9103,19464,7645,9107],"class_list":["entry","author-pachi","has-excerpt","post-107523","post","type-post","status-publish","format-standard","has-post-thumbnail","category-enrique-farelo","category-grabaciones","category-textos","category-contenidos","tag-bernat-hernandez","tag-dusan-jevtovic","tag-enrique-farelo","tag-moonjune-records","tag-rafael-garces","tag-tomas-fosch","tag-xavi-reija","tag-xavi-reija-electric-quintet"],"jetpack_publicize_connections":[],"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":19080,"url":"https:\/\/tomajazz.com\/web\/xadu-xavi-reija-dusan-jevtovic-random-abstract-moonjune-records-2015-cd\/","url_meta":{"origin":107523,"position":0},"title":"XADU: Xavi Reija \/ Dusan Jevtovic: Random Abstract (Moonjune Records, 2015; CD)","author":"Tomajazz","date":"17 julio, 2015","format":"link","excerpt":"\u201cTanto monta, monta tanto\u201d, face to face o un tuya m\u00eda es \u00e9ste Random Abstract que firman al alim\u00f3n Xavi Reija y Dusan Jevtovic. Ambos forman, obviamente, el d\u00fao denominado XADU: Xavi y Dusan. Sin duda un matrimonio bien avenido y duradero en el tiempo. Desde el lejano D. X.\u2026","rel":"","context":"En \u00ab*_Enrique Farelo\u00bb","block_context":{"text":"*_Enrique Farelo","link":"https:\/\/tomajazz.com\/web\/category\/enrique-farelo\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2015\/07\/XADU_Xavi-Reija-Dusan-Jevtovic_Random-Abstract_CD_2015-e1437124552102.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2015\/07\/XADU_Xavi-Reija-Dusan-Jevtovic_Random-Abstract_CD_2015-e1437124552102.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2015\/07\/XADU_Xavi-Reija-Dusan-Jevtovic_Random-Abstract_CD_2015-e1437124552102.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":12803,"url":"https:\/\/tomajazz.com\/web\/entrevista-a-xavi-reija-por-enrique-farelo-carlos-lara-y-sergio-cabanillas\/","url_meta":{"origin":107523,"position":1},"title":"Entrevista a Xavi Reija, por Enrique Farelo, Carlos Lara y Sergio Cabanillas","author":"Sergio Cabanillas","date":"24 junio, 2014","format":false,"excerpt":"Xavi Reija pertenece a una nueva generaci\u00f3n de m\u00fasicos con ideas comprometidas y arriesgadas, que adem\u00e1s guarda en su curriculum el haber fichado por uno de los sellos m\u00e1s prestigiosos de los \u00faltimos tiempos. (Moonjune Records, de Leonardo Pavkovic). Resolution ha sido el motivo, su \u00faltima obra, que ha compartido\u2026","rel":"","context":"En \u00ab*_Carlos Lara\u00bb","block_context":{"text":"*_Carlos Lara","link":"https:\/\/tomajazz.com\/web\/category\/carlos-lara\/"},"img":{"alt_text":"Xavi Reija \u00a9 Marcelino Miguel Castro, 2014","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/web\/wp-content\/uploads\/2014\/06\/Xavi_Reija_por_Marcelino_Miguel_Castro_97.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":11921,"url":"https:\/\/tomajazz.com\/web\/xavi-reija-electric-quintet-dream-land-batiendo-records-2006\/","url_meta":{"origin":107523,"position":2},"title":"Xavi Reija Electric Quintet: Dream Land (Batiendo Records, 2006)","author":"Tomajazz","date":"6 mayo, 2014","format":false,"excerpt":"Lejanos y tan cercanos son los tiempos en los que en Espa\u00f1a triunfaba el jazz-rock, con representantes tan cualificados y, reconocidos como Iceberg, M\u00fasica Urbana, Fusioon o Guadalquivir, por nombrar a algunos. Han tenido que pasar tres d\u00e9cadas para que volviera a renacer un estilo que parec\u00eda olvidado y lo\u2026","rel":"","context":"En \u00ab*_Enrique Farelo\u00bb","block_context":{"text":"*_Enrique Farelo","link":"https:\/\/tomajazz.com\/web\/category\/enrique-farelo\/"},"img":{"alt_text":"Xavi Reija DreamLand","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/web\/wp-content\/uploads\/2014\/05\/Xavi-Reija-DreamLand-200x200.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":8799,"url":"https:\/\/tomajazz.com\/web\/xavi-reija-dream-land-jazz-rock-del-siglo-xxi-por-enrique-farelo\/","url_meta":{"origin":107523,"position":3},"title":"Xavi Reija: Dream Land, jazz-rock del siglo XXI, por Enrique Farelo","author":"Sergio Cabanillas","date":"2 mayo, 2007","format":false,"excerpt":"Xavi Reija no es el bater\u00eda m\u00e1s conocido de Espa\u00f1a, pero s\u00ed es un m\u00fasico impresionante que dar\u00e1 que hablar y que habla por medio de sus tambores. Es un Summa Cum Laude por el Berklee College of Music de Boston, EE UU. Su m\u00fasica se viste de cambios de\u2026","rel":"","context":"En \u00ab*_Enrique Farelo\u00bb","block_context":{"text":"*_Enrique Farelo","link":"https:\/\/tomajazz.com\/web\/category\/enrique-farelo\/"},"img":{"alt_text":"Xavi Reija Electric Quintet: Dream Land (batiendo records, 2006)","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/web\/wp-content\/uploads\/2013\/10\/xavi_reija.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":9239,"url":"https:\/\/tomajazz.com\/web\/tomajazz-recupera-dusan-jevtovic-on-the-edge\/","url_meta":{"origin":107523,"position":4},"title":"Dusan Jevtovic: On The Edge (Indi Records, 2009; CD)","author":"Tomajazz","date":"15 noviembre, 2013","format":false,"excerpt":"Comentario: Todo lo apuntado y madurado por Dusan Jevtovic en el Xavi Reija Electric Quintet se muestra este trabajo de jazz-rock progresivo, On The Edge. El guitarrista serbio cuenta para su proyecto con dos viejos amigos del nombrado quinteto, es decir, Bernat Hern\u00e1ndez y el solvente Xavi Reija a la\u2026","rel":"","context":"En \u00ab*_Enrique Farelo\u00bb","block_context":{"text":"*_Enrique Farelo","link":"https:\/\/tomajazz.com\/web\/category\/enrique-farelo\/"},"img":{"alt_text":"Dusan_Jevtovic-On_the_edge","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/web\/wp-content\/uploads\/2013\/11\/Dusan_Jevtovic-On_the_edge.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":9298,"url":"https:\/\/tomajazz.com\/web\/dusan-jevtovic-am-i-walking-wrong-moonjune-records-2013\/","url_meta":{"origin":107523,"position":5},"title":"Dusan Jevtovic: Am I Walking Wrong? (Moonjune Records, 2013)","author":"Tomajazz","date":"19 noviembre, 2013","format":false,"excerpt":"Comentario:\u00a0Tercer trabajo discogr\u00e1fico del guitarrista serbio Dusan Jevtovic. Atr\u00e1s quedaron D.X. Project (Dusan Jevtovic y Xavier Reija) y su disco 2sides del a\u00f1o 2005 del desaparecido sello catal\u00e1n Satchmo. Y su primer disco en solitario On the Edge (L\u2019indi music 2008). Ahora vuelve con la fuerza que le caracteriza con\u2026","rel":"","context":"En \u00ab*_Enrique Farelo\u00bb","block_context":{"text":"*_Enrique Farelo","link":"https:\/\/tomajazz.com\/web\/category\/enrique-farelo\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2013\/11\/Dusan-Jevtovic-Am-I-Walking-Wrong.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]}],"jetpack_likes_enabled":true,"jetpack_featured_media_url":"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2026\/09\/cover-03673032026-r.jpg","_links":{"self":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/107523","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/comments?post=107523"}],"version-history":[{"count":1,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/107523\/revisions"}],"predecessor-version":[{"id":107525,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/107523\/revisions\/107525"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media\/107524"}],"wp:attachment":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media?parent=107523"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/categories?post=107523"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/tags?post=107523"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}