{"id":108513,"date":"2026-10-20T12:30:10","date_gmt":"2026-10-20T10:30:10","guid":{"rendered":"https:\/\/tomajazz.com\/web\/?p=108513"},"modified":"2026-10-19T21:51:53","modified_gmt":"2026-10-19T19:51:53","slug":"brand-x-live-from-the-united-tour-1977-2026","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/brand-x-live-from-the-united-tour-1977-2026\/","title":{"rendered":"Brand X: Live from the united tour 1977: Theory Of Nothing (MoonJune Records 2026) Por Enrique Farelo [Grabaci\u00f3n de jazz]"},"content":{"rendered":"

Theory Of Nothing <\/em>nace con el claro prop\u00f3sito de ofrecer\u00a0 a todos sus fans<\/em> una nueva muestra de la calidad atesorada en los a\u00f1os 70 por la banda, en una edici\u00f3n limitada bajo el sello MoonJune Records<\/em> y con una portada que evoca la que dise\u00f1\u00f3 Hipgnosis<\/em> para el posiblemente mejor \u00e1lbum de Brand X, Moroccan Roll<\/em>.<\/p>\n

Este Live from the united tour 1977<\/em>:<\/strong> Theory Of Nothing<\/em> se debe tomar como un homenaje a la buena m\u00fasica, a los aficionados y seguidores desde el inicio de la banda y para todos aquellos que se arriman al son de una de las bandas m\u00e1s generosas de la historia del jazz-rock<\/em>.<\/p>\n

No solo es arqueolog\u00eda, es mostrar a todos la capacidad del grupo en directo que solo pudimos disfrutar en su disco oficial Livestock<\/em> de 1977.<\/p>\n

Probablemente grabado en Chicago durante el periodo en el que el road manager<\/em> Pete Donovan llevaba la banda y donde el verdadero art\u00edfice de la publicaci\u00f3n del disco corre a cargo de Percy Jones por la minuciosa restauraci\u00f3n y remasterizaci\u00f3n de las cintas magn\u00e9ticas rescatadas del archivo de Robin Lumley.<\/p>\n

Su mejor formaci\u00f3n, con la excepci\u00f3n de Phill Collins que regres\u00f3 a Genesis, siendo sustituido por Kenwood Dennard.<\/p>\n

\"BrandTheory Of Nothing<\/em> avanza tres nuevas piezas que un a\u00f1o m\u00e1s tarde formar\u00e1n parte de su nuevo trabajo Masques<\/em>.<\/p>\n

Dos discos completan el directo, el primero de ellos de menor duraci\u00f3n, y un segundo m\u00e1s largo alcanzando total de unos 87 minutos aproximadamente.<\/p>\n

El concierto comienza su andadura desde la inicial y en\u00e9rgica \u201cSmacks of Euphoric Hysteria\u201d, y donde el brillo llega de la mano de Robin Lumley; \u201cDisco Suicide\u201d juega con los cambios de ritmo, mezclando partes lentas y r\u00e1pidas rememorando a Chic Corea.<\/p>\n

\u201cWhy Should I Lend You Mine When You’ve Broken Yours Off Already?\u201d pone la calma y la reflexi\u00f3n sin perder la intensidad desde las texturas t\u00edmbricas y coloristas de Robin Lumley, John Goodsall, el bajo inquieto de Percy Jones y las tormentosas percusiones de Kenwood Dennard y Morris Pert.<\/p>\n

Cierra el primer disco \u201cEuthanasia Waltz\u201d, una de las piezas m\u00e1s medi\u00e1ticas de Brand X y que forma parte del inconsciente colectivo de todo seguidor del grupo.<\/p>\n

Composiciones tan emblem\u00e1ticas como \u201cMalaga Virgen\u201d, que inicia el Segundo set<\/em>, son un goce y un disfrute, donde John Goodsall siente la influencia de John McLaughlin, Robin Lumley impacta y atempera a los teclados, Kenwood Dennard es un vendaval, un torbellino de golpeos contundentes y precisos, Percy Jones es discursivo y dialogante con el resto de miembros y Morris Pert complementa.<\/p>\n

\u201cEarth Dance\u201d, \u201cDeadly Nightshade\u201d y \u201cAccess to Data\u201d se estrenaron adelantando Masques<\/em>, y lo hicieron desde la perspectiva del virtuosismo, los cambios de ritmo y los di\u00e1logos fluidos, improvisados y conjuntados, desde la solidez cohesionada y la energ\u00eda controlada.<\/p>\n

\u201cNuclear Bum\u201d me hace dirigir mis pensamientos a Iceberg, con Robin Lumley asimil\u00e1ndose a \u00a0Josep Mas Kitflus y John Goodsall a Max Sunyer, adem\u00e1s incluye un solo de bater\u00eda y percusi\u00f3n de Kenwood Dennard y Morris Pert de mucho fuste.<\/p>\n

Cierra, de forma acertada el segundo set<\/em>, \u201cNightmare Patrol\u201d entre el Return to Forever de Chick Corea y la Mahavishnu Orchestra de John Mclaughlin.<\/p>\n

Texto: \u00a9 Enrique Farelo<\/a><\/strong>, 2026<\/p>\n

\n

Brand X: Live from the united tour 1977: Theory Of Nothing <\/em><\/h3>\n

M\u00fasicos:
\nJohn Goodsall: guitarra. (15 de febrero de 1953\/10 de noviembre de 2021)
\nMorris Pert: percusi\u00f3n. (8 septiembre 1947\/27 abril 2010)
\nKenwood Dennard: bater\u00eda
\nRobin Lumley: teclados (17 de enero de 1948\/9 de marzo de 2023)
\nPercy Jones: bajo<\/p>\n

CD 1\u00a0<\/strong>\u201cSmacks of Euphoric Hysteria\u201d (Unorthodox Behaviour<\/em>), \u201cDisco Suicide\u201d (Moroccan Roll<\/em>), \u201cAccess to Data\u201d (Masques<\/em>), \u201cWhy Should I Lend You Mine When You’ve Broken Yours Off Already?\u201d (Moroccan Roll<\/em>), y \u201cEuthanasia Waltz\u201d (Unorthodox Behaviour<\/em>).<\/p>\n

CD 2\u00a0<\/strong>\u201cMalaga Virgen\u201d (Moroccan Roll<\/em>), \u201cEarth Dance\u201d (Masques<\/em>), \u201cDeadly Nightshade\u201d (Masques<\/em>), \u201cNuclear Bum\u201d (Unorthodox Behaviour<\/em>) y \u201cNightmare Patrol\u201d (Livestock<\/em>)<\/p>\n

Unorthodox Behaviour<\/em>: \u201cSmacks of Euphoric Hysteria\u201d, \u201cEuthanasia Waltz\u201d y \u201cNuclear Bum\u201d (Collins, Goodsall, Robin Lumley, Jones).
\nMoroccan Roll<\/em>: \u201cDisco Suicide\u201d (Robin Lumley), \u201cWhy Should I Lend You Mine When You’ve Broken Yours off Already?\u201d (Phill Collins), \u201cMalaga Virgen\u201d (Percy Jones).
\nLivestock<\/em>: \u201cNightmare Patrol\u201d (John Goodsall y Kenwood Dennard).
\nMasques<\/em>: \u201cAccess to Data\u201d (John Goodsall), \u201cEarth Dance\u201d (Morris Pert) y \u201cDeadly Nightshade\u201d (Morris Pert).<\/p>\n

Publicado en 2026 por MoonJune Records.<\/p>\n

\n

M\u00e1s informaci\u00f3n sobre Brand X y Moonjune Records<\/h3>\n

https:\/\/officialbrandx.com\/<\/a><\/p>\n

https:\/\/tomajazz.com\/web\/?s=brand+x&submit=Search<\/a><\/p>\n

https:\/\/moonjune.com\/<\/a><\/p>\n

https:\/\/tomajazz.com\/web\/?s=moonjune+records&submit=Search<\/a><\/p>\n

Enrique Farelo en Tomajazz<\/h3>\n

https:\/\/tomajazz.com\/web\/?cat=17848<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

Live from the united tour 1977: Theory Of Nothing (MoonJune Records 2026) es la nueva grabaci\u00f3n de Brand X. Enrique Farelo repasa este directo de Brand X en pleno esplendor. Con John Goodsall, Morris Pert, Kenwood Dennard, Robin LumleyContin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":108514,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2},"jetpack_post_was_ever_published":false},"categories":[17848,5,15517,1038],"tags":[33701,304,33697,33699,5991,33698,33700],"class_list":["entry","author-pachi","has-excerpt","post-108513","post","type-post","status-publish","format-standard","has-post-thumbnail","category-enrique-farelo","category-grabaciones","category-textos","category-contenidos","tag-brand-x","tag-enrique-farelo","tag-john-goodsall","tag-kenwood-dennard","tag-moonjune-records","tag-morris-pert","tag-robin-lumley"],"jetpack_publicize_connections":[],"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":103372,"url":"https:\/\/tomajazz.com\/web\/mark-wingfield-the-gathering-2024-vrsn-2026\/","url_meta":{"origin":108513,"position":0},"title":"Mark Wingfield: The Gathering (MoonJune Records; 2024) Por Enrique Farelo [Grabaci\u00f3n de jazz]","author":"Tomajazz","date":"12 enero, 2026","format":false,"excerpt":"The Gathering (MoonJune Records; 2024) es la grabaci\u00f3n de Mark Wingfield rese\u00f1ada por Enrique Farelo. 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