{"id":10995,"date":"2014-03-13T11:05:35","date_gmt":"2014-03-13T10:05:35","guid":{"rendered":"http:\/\/www.tomajazz.com\/web\/?p=10995"},"modified":"2016-11-13T23:37:10","modified_gmt":"2016-11-13T22:37:10","slug":"tomajazz-recupera-entrevista-con-paul-bley-el-pianista-integral","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/tomajazz-recupera-entrevista-con-paul-bley-el-pianista-integral\/","title":{"rendered":"Tomajazz recupera: Entrevista con Paul Bley: el pianista integral"},"content":{"rendered":"<figure id=\"attachment_8950\" aria-describedby=\"caption-attachment-8950\" style=\"width: 300px\" class=\"wp-caption alignleft\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-8950\" alt=\"\u00a9 Hirohiko Kamiyama, 2008\" src=\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2013\/10\/bley_7.jpg\" width=\"300\" height=\"225\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2013\/10\/bley_7.jpg 300w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2013\/10\/bley_7-150x112.jpg 150w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2013\/10\/bley_7-73x55.jpg 73w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><figcaption id=\"caption-attachment-8950\" class=\"wp-caption-text\">\u00a9 Hirohiko Kamiyama, 2008<\/figcaption><\/figure>\n<p style=\"text-align: justify;\">Paul Bley\u00a0es uno de los pianistas m\u00e1s importantes de la historia del Jazz.\u00a0Agust\u00ed Fern\u00e1ndez\u00a0lo introduce con su escrito\u00a0<em>El pianista integral<\/em>. \u00c9ste art\u00edculo encabeza la primera parte de la entrevista al pianista canadiense que el pasado 28 de octubre de 2008 realizaron Ken Weiss (<a href=\"http:\/\/jazzimprov.com\/\" target=\"_blank\" rel=\"noopener\">Jazz Improv Magazine<\/a>) y Nobu Stowe (<a href=\"http:\/\/www.jazztokyo.com\/\" target=\"_blank\" rel=\"noopener\">Jazz Tokyo<\/a>). El cuestionario fue realizado con aportaciones de Nobu Stowe, Ken Weiss, Kenny Inaoka (Jazz Tokyo) y Pachi Tapiz (Tomajazz).<\/p>\n<p style=\"text-align: justify;\">Leer: <a title=\"Entrevista con Paul Bley: el pianista integral, primera parte\" href=\"http:\/\/www.tomajazz.com\/web\/?p=8932\" target=\"_blank\"><strong>Entrevista con Paul Bley: el pianista integral<\/strong><\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Paul Bley\u00a0es uno de los pianistas m\u00e1s importantes de la historia del Jazz.\u00a0Agust\u00ed Fern\u00e1ndez\u00a0lo introduce con su escrito\u00a0El pianista integral. \u00c9ste art\u00edculo encabeza la primera parte de la entrevista al pianista canadiense que el pasado 28 de octubre de 2008 realizaron Ken Weiss (Jazz Improv Magazine) y Nobu Stowe (Jazz<span class=\"more-link\"><a href=\"https:\/\/tomajazz.com\/web\/tomajazz-recupera-entrevista-con-paul-bley-el-pianista-integral\/\">Contin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":8950,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":true,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[17863,17847,17850,78,7937,15504,15537,14708,9531,9,15517,1038,6669],"tags":[280,6700,7691,465,7692,6745,7689,6747,7690,45,906,31,7688,187,16099,16100],"class_list":["entry","author-pachi","post-10995","post","type-post","status-publish","format-standard","has-post-thumbnail","category-fernando-ortiz-de-urbina","category-pachi-tapiz","category-sergio-cabanillas","category-afondo","category-articulo-antiguo","category-articulos-afondo","category-entrevistas","category-especial-paul-bley","category-especial-contenidos","category-perfiles","category-textos","category-contenidos","category-tomajazz-recupera","tag-agusti-fernandez","tag-cabanijazz","tag-david-good","tag-fernando-ortiz-de-urbina","tag-guillermo-navarro","tag-hirohiko-kamiyama","tag-ken-weiss","tag-kenny-inaoka","tag-mark-christman","tag-naiel-ibarrola","tag-nobu-stowe","tag-pachi-tapiz","tag-paul-bley","tag-sergio-cabanillas","tag-toma-jazz","tag-tomajazz-toma-jazz"],"jetpack_featured_media_url":"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2013\/10\/bley_7.jpg","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":8932,"url":"https:\/\/tomajazz.com\/web\/entrevista-con-paul-bley-el-pianista-integral-primera-parte\/","url_meta":{"origin":10995,"position":0},"title":"Entrevista con Paul Bley: el pianista integral, primera parte","author":"Sergio Cabanillas","date":"1 mayo, 2009","format":false,"excerpt":"Paul Bley es uno de los pianistas m\u00e1s importantes de la historia del Jazz. Agust\u00ed Fern\u00e1ndez lo introduce con su escrito El pianista integral. \u00c9ste art\u00edculo encabeza la primera parte de la entrevista al pianista canadiense que el pasado 28 de octubre de 2008 realizaron Ken Weiss (Jazz Improv Magazine)\u2026","rel":"","context":"En \u00ab*_Fernando Ortiz de Urbina\u00bb","block_context":{"text":"*_Fernando Ortiz de Urbina","link":"https:\/\/tomajazz.com\/web\/category\/fernando-ortiz-de-urbina\/"},"img":{"alt_text":"Ilustraci\u00f3n: \u00a9 Naiel Ibarrola, 2009","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/web\/wp-content\/uploads\/2013\/10\/bley_paul_ilustracion.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":8944,"url":"https:\/\/tomajazz.com\/web\/entrevista-con-paul-bley-el-pianista-integral-segunda-parte\/","url_meta":{"origin":10995,"position":1},"title":"Entrevista con Paul Bley: el pianista integral, segunda parte","author":"Sergio Cabanillas","date":"1 mayo, 2009","format":false,"excerpt":"Segunda parte de la entrevista a Paul Bley que el pasado 28 de octubre de 2008 realizaron Ken Weiss (Jazz Improv Magazine) y Nobu Stowe (Jazz Tokyo). El cuestionario fue realizado con aportaciones de Nobu Stowe, Ken Weiss, Kenny Inaoka (Jazz Tokyo) y Pachi Tapiz (Tomajazz). Un agradecimiento especial a\u2026","rel":"","context":"En \u00ab*_Fernando Ortiz de Urbina\u00bb","block_context":{"text":"*_Fernando Ortiz de Urbina","link":"https:\/\/tomajazz.com\/web\/category\/fernando-ortiz-de-urbina\/"},"img":{"alt_text":"\u00a9 Hirohiko Kamiyama, 2008","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/web\/wp-content\/uploads\/2013\/10\/bley_1.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":10997,"url":"https:\/\/tomajazz.com\/web\/tomajazz-recupera-agusti-fernandez-sobre-aurora\/","url_meta":{"origin":10995,"position":2},"title":"Tomajazz recupera: Agust\u00ed Fern\u00e1ndez: Sobre Aurora","author":"Tomajazz","date":"13 marzo, 2014","format":false,"excerpt":"En 2006 el pianista Agust\u00ed Fern\u00e1ndez publicaba\u00a0Aurora, su obra m\u00e1s personal hasta la fecha. Un disco en tr\u00edo en el que predominaban la melod\u00eda, el silencio y los espacios, frente a la intensidad de sus grabaciones anteriores. Por Jos\u00e9 Francisco \u201cPachi\u201d Tapiz. Leer: Agust\u00ed Fern\u00e1ndez: Sobre Aurora","rel":"","context":"En \u00ab*_Fernando Ortiz de Urbina\u00bb","block_context":{"text":"*_Fernando Ortiz de Urbina","link":"https:\/\/tomajazz.com\/web\/category\/fernando-ortiz-de-urbina\/"},"img":{"alt_text":"Agust\u00ed Fern\u00e1ndez y Ram\u00f3n L\u00f3pez \u00a9 Sergio Cabanillas, 2007","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/web\/wp-content\/uploads\/2014\/03\/AGUSTI_FERNANDEZ_RAMON_LOPEZ_9389.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":3144,"url":"https:\/\/tomajazz.com\/web\/sobre-la-composicion-y-la-improvisacion\/","url_meta":{"origin":10995,"position":3},"title":"Paul Bley: sobre la composici\u00f3n y la improvisaci\u00f3n","author":"Tomajazz","date":"12 noviembre, 2008","format":false,"excerpt":"\"Hay una diferencia realmente simple entre composici\u00f3n e improvisaci\u00f3n. Consiste en que no hay diferencia. La composici\u00f3n y la improvisaci\u00f3n son ambas \u201chacer m\u00fasica\u201d y si hay alguna diferencia se debe a la falta de capacidad por parte del ejecutante. Uno deber\u00eda estar componiendo cada vez que toca m\u00fasica... es\u2026","rel":"","context":"En \u00ab*_Fernando Ortiz de Urbina\u00bb","block_context":{"text":"*_Fernando Ortiz de Urbina","link":"https:\/\/tomajazz.com\/web\/category\/fernando-ortiz-de-urbina\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/perfiles\/bley_paul-time_will_tell.png?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":12375,"url":"https:\/\/tomajazz.com\/web\/paul-bley-play-blue-oslo-concert-ecm-2014\/","url_meta":{"origin":10995,"position":4},"title":"Paul Bley: Play Blue. Oslo Concert (ECM, 2014)","author":"Tomajazz","date":"27 mayo, 2014","format":false,"excerpt":"Play Blue, anagrama de Paul Bley, es el t\u00edtulo de la \u00faltima grabaci\u00f3n del veterano pianista en ECM. Aunque se publica en 2014, este concierto se registr\u00f3 en directo en agosto de 2008 en el Oslo Jazz Festival. Bley se muestra\u00a0como algo que se podr\u00eda asimilar\u00a0a un hiperpianista. A lo\u2026","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2014\/05\/Paul-Bley-Play-Blue.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":21760,"url":"https:\/\/tomajazz.com\/web\/homenaje-a-paul-bley-hdo-0058-audioblog\/","url_meta":{"origin":10995,"position":5},"title":"Homenaje a Paul Bley. HDO 0058 [Audioblog]","author":"Tomajazz","date":"6 enero, 2016","format":"audio","excerpt":"El pasado 3 de enero de 2016 fallec\u00eda el pianista Paul Bley a los 83 a\u00f1os. En homenaje a su figura pero especialmente a su m\u00fasica, en HDO realizamos un repaso a algunas de sus obras que sirven a su vez para mostrar distintas facetas de su manera de entender\u2026","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"Paul Bley grabando a piano solo en 2006. Fotograf\u00eda por Carol Goss.","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/web\/wp-content\/uploads\/2016\/01\/Photo-of-Paul-Bley-recording-solo-piano-in-2006-photographed-by-Carol-Goss.-200x267.jpg?resize=350%2C200","width":350,"height":200},"classes":[]}],"_links":{"self":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/10995","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/comments?post=10995"}],"version-history":[{"count":1,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/10995\/revisions"}],"predecessor-version":[{"id":10996,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/10995\/revisions\/10996"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media\/8950"}],"wp:attachment":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media?parent=10995"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/categories?post=10995"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/tags?post=10995"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}