{"id":11078,"date":"2014-03-19T11:00:47","date_gmt":"2014-03-19T10:00:47","guid":{"rendered":"http:\/\/www.tomajazz.com\/web\/?p=11078"},"modified":"2016-11-14T00:03:14","modified_gmt":"2016-11-13T23:03:14","slug":"wynton-marsalis-sobre-miles-davis","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/wynton-marsalis-sobre-miles-davis\/","title":{"rendered":"Wynton Marsalis sobre Miles Davis"},"content":{"rendered":"<figure id=\"attachment_11079\" aria-describedby=\"caption-attachment-11079\" style=\"width: 200px\" class=\"wp-caption alignleft\"><a href=\"http:\/\/flickr.com\/photos\/feinsteinbandpics\" target=\"_blank\" rel=\"noopener\"><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-11079\" title=\"Wynton Marsalis at the en:Lincoln Center for the Performing Arts. Photo by feinsteinphotos\" alt=\"Wynton_Marsalis_free\" src=\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2014\/03\/Wynton_Marsalis_free-200x133.jpg\" width=\"200\" height=\"133\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2014\/03\/Wynton_Marsalis_free-200x133.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2014\/03\/Wynton_Marsalis_free-150x99.jpg 150w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2014\/03\/Wynton_Marsalis_free-82x55.jpg 82w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2014\/03\/Wynton_Marsalis_free-60x40.jpg 60w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2014\/03\/Wynton_Marsalis_free-120x80.jpg 120w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2014\/03\/Wynton_Marsalis_free.jpg 500w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/><\/a><figcaption id=\"caption-attachment-11079\" class=\"wp-caption-text\"><center>Wynton Marsalis at the Lincoln Center for the Performing Arts. Photo by Jonathan Feinstein<\/center><\/figcaption><\/figure>\n<blockquote><p>Miles cometi\u00f3 el error de considerarse a s\u00ed mismo un vanguardista, alguien que, obligatoriamente, tuviera que estar creando m\u00fasica nueva sin tener en consideraci\u00f3n sus logros anteriores. Esta actitud le hizo meterse en una rueda como las de los h\u00e1msteres, que dan vueltas y vueltas pero no llevan a ning\u00fan lado. Ten\u00eda que ser innovador a toda cosata, pero en aquella \u00e9poca la innovaci\u00f3n la defin\u00edan los j\u00f3venes y su ilusi\u00f3n de pertenecer a una corriente que estuviera de \u00abmoda\u00bb. \u00bfA una jovencita le gustaba Jimi Hendrix? Entonces \u00e9l ten\u00eda que tocar algo parecido que a ella le gustase. \u00bfQu\u00e9 llevaban puesto? Fuese lo que fuese, \u00e9l no estaba dispuesto a quedarse rezadago.<\/p>\n<p>Finalmente, se vali\u00f3 de su reputaci\u00f3n como m\u00fasico de jazz para convertirse en un mal m\u00fasico de rock que sobrevivi\u00f3 en ese mundo porque los que dirig\u00edan la industria musical y los cr\u00edticos de rock dedujeron que, \u00absi uno de los m\u00e1s grandes m\u00fasicos de jazz se dedicaba al rock, entonces es que el rock deb\u00eda ser algo grande\u00bb.<\/p><\/blockquote>\n<p>Wynton Marsalis<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Miles cometi\u00f3 el error de considerarse a s\u00ed mismo un vanguardista, alguien que, obligatoriamente, tuviera que estar creando m\u00fasica nueva sin tener en consideraci\u00f3n sus logros anteriores. Esta actitud le hizo meterse en una rueda como las de los h\u00e1msteres, que dan vueltas y vueltas pero no llevan a ning\u00fan<span class=\"more-link\"><a href=\"https:\/\/tomajazz.com\/web\/wynton-marsalis-sobre-miles-davis\/\">Contin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":11079,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":true,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[17847,4313,1038,4758],"tags":[7169,8665,2004,16099,16100,8664],"class_list":["entry","author-pachi","post-11078","post","type-post","status-publish","format-standard","has-post-thumbnail","category-pachi-tapiz","category-bun","category-contenidos","category-blogs","tag-jimi-hendrix","tag-jonathan-feinstein","tag-miles-davis","tag-toma-jazz","tag-tomajazz-toma-jazz","tag-wyinton-marsalis"],"jetpack_featured_media_url":"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2014\/03\/Wynton_Marsalis_free.jpg","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":1860,"url":"https:\/\/tomajazz.com\/web\/tomajazz-recomienda-un-cd-black-codes-from-the-underground-de-wynton-marsalis\/","url_meta":{"origin":11078,"position":0},"title":"Tomajazz recomienda\u2026 un CD: \u00abBlack Codes (from the Underground)\u00bb de Wynton Marsalis.","author":"Adolphus van Tenzing","date":"27 octubre, 2009","format":false,"excerpt":"En los primeros ochenta, el quinteto de los hermanos Marsalis, Wynton y Branford, public\u00f3 varios discos en los que reivindicaba \u2013intenci\u00f3n loable y hasta saludable- el segundo gran quinteto de Miles Davis, el de Shorter & Co, como reacci\u00f3n a los excesos de la \u201cfusi\u00f3n\u201d. 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Pas\u00f3 sus primeros a\u00f1os junto a McCoy Tyner y Airto Moreira\u00a0y fue miembro clave de las \u00faltimas grandes formaciones de los Jazz Messengers de\u00a0Art Blakey, pero su carrera como l\u00edder nunca termin\u00f3 de despegar. Su primer\u2026","rel":"","context":"En \u00ab*_Adolphus van Tenzing\u00bb","block_context":{"text":"*_Adolphus van Tenzing","link":"https:\/\/tomajazz.com\/web\/category\/adolphus-van-tenzing\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2012\/07\/1182757.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":25815,"url":"https:\/\/tomajazz.com\/web\/ellis-marsalis-quartet-xix-festival-internacional-de-jazz-de-san-javier-san-javier-murcia-2016-07-30\/","url_meta":{"origin":11078,"position":3},"title":"Ellis Marsalis Quartet (XIX Festival Internacional de Jazz de San Javier. 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En el programa hay referencias a Buddy Bolden y a The Original Dixieland Jazz Band, entre otros muchos m\u00fasicos y\u2026","rel":"","context":"En \u00ab*_Luis Escalante Ozalla\u00bb","block_context":{"text":"*_Luis Escalante Ozalla","link":"https:\/\/tomajazz.com\/web\/category\/luis-escalante-ozalla\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2015\/08\/719px-Buddy_Bolden_001.png?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2015\/08\/719px-Buddy_Bolden_001.png?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2015\/08\/719px-Buddy_Bolden_001.png?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2015\/08\/719px-Buddy_Bolden_001.png?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":11275,"url":"https:\/\/tomajazz.com\/web\/wynton-marsalis-acerca-de-coltrane\/","url_meta":{"origin":11078,"position":5},"title":"Wynton Marsalis acerca de Coltrane","author":"Tomajazz","date":"27 marzo, 2014","format":false,"excerpt":"El Coltrane de Ascension es la viva imagen de un modernista libr\u00e1ndose de los grilletes de la tradici\u00f3n sesenta a\u00f1os despu\u00e9s de que los europeos se hubiesen liberado de ella. 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