{"id":11245,"date":"2014-03-26T11:00:04","date_gmt":"2014-03-26T10:00:04","guid":{"rendered":"http:\/\/www.tomajazz.com\/web\/?p=11245"},"modified":"2016-11-13T17:14:42","modified_gmt":"2016-11-13T16:14:42","slug":"mike-watt-the-minutemen-sobre-coltrane","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/mike-watt-the-minutemen-sobre-coltrane\/","title":{"rendered":"Mike Watt (The Minutemen) sobre Coltrane"},"content":{"rendered":"<figure id=\"attachment_11246\" aria-describedby=\"caption-attachment-11246\" style=\"width: 178px\" class=\"wp-caption alignleft\"><a href=\"http:\/\/en.wikipedia.org\/wiki\/File:Mike_watt_march_16_2009.jpg\" target=\"_blank\" rel=\"noopener\"><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-11246\" alt=\"Mike Watt selfportratit by Mke Watt. March 16 2009\" src=\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2014\/03\/Mike_watt_march_16_2009-178x300.jpg\" width=\"178\" height=\"300\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2014\/03\/Mike_watt_march_16_2009-178x300.jpg 178w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2014\/03\/Mike_watt_march_16_2009-89x150.jpg 89w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2014\/03\/Mike_watt_march_16_2009-356x600.jpg 356w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2014\/03\/Mike_watt_march_16_2009-32x55.jpg 32w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2014\/03\/Mike_watt_march_16_2009.jpg 484w\" sizes=\"auto, (max-width: 178px) 100vw, 178px\" \/><\/a><figcaption id=\"caption-attachment-11246\" class=\"wp-caption-text\">Mike Watt selfportratit by Mke Watt. March 16 2009<\/figcaption><\/figure>\n<blockquote><p>Creo que quer\u00eda quedarse en la esfera de lo posible. No quer\u00eda que lo jodieran encasill\u00e1ndolo. Era ese esp\u00edritu anarquista. Ten\u00eda autonom\u00eda, pero abarcaba todo tipo de cosas. La vida reparte las cartas. Las cosas no son fijas ni est\u00e1ticas.<\/p><\/blockquote>\n<p>Mike Watt sobre John Coltrane<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Creo que quer\u00eda quedarse en la esfera de lo posible. No quer\u00eda que lo jodieran encasill\u00e1ndolo. Era ese esp\u00edritu anarquista. Ten\u00eda autonom\u00eda, pero abarcaba todo tipo de cosas. La vida reparte las cartas. Las cosas no son fijas ni est\u00e1ticas. Mike Watt sobre John Coltrane<span class=\"more-link\"><a href=\"https:\/\/tomajazz.com\/web\/mike-watt-the-minutemen-sobre-coltrane\/\">Contin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":11246,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":true,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[17847,4313,1038,4758],"tags":[4773,1870,8731,31,8732,16099,16100],"class_list":["entry","author-pachi","post-11245","post","type-post","status-publish","format-standard","has-post-thumbnail","category-pachi-tapiz","category-bun","category-contenidos","category-blogs","tag-cita","tag-john-coltrane","tag-mike-watt","tag-pachi-tapiz","tag-the-minutemen","tag-toma-jazz","tag-tomajazz-toma-jazz"],"jetpack_featured_media_url":"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2014\/03\/Mike_watt_march_16_2009.jpg","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":56710,"url":"https:\/\/tomajazz.com\/web\/jazzx5253-a-love-supreme-electric-psalm-a-love-supreme-meditations-cuneiform-records-2020-minipodcast-por-pachi-tapiz\/","url_meta":{"origin":11245,"position":0},"title":"JazzX5#253. A Love Supreme Electric: \u00abPsalm\u00bb [A Love Supreme &#038; Meditations (Cuneiform Records, 2020)] [Minipodcast] Por Pachi Tapiz","author":"Tomajazz","date":"26 agosto, 2021","format":false,"excerpt":"En JazzX5 el tema \"Psalm\" del grupo A Love Supreme Electric, en su grabaci\u00f3n A Love Supreme & Meditations: A Salvo Inspired by John Coltrane (Cuneiform Records, 2020). JazzX5 es un minipodcast diario, presentado, editado y producido por Pachi Tapiz.","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2021\/08\/JazzX5_253.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2021\/08\/JazzX5_253.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2021\/08\/JazzX5_253.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2021\/08\/JazzX5_253.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":53667,"url":"https:\/\/tomajazz.com\/web\/a-love-supreme-electric-a-love-supreme-meditations-a-salvo-inspired-by-john-coltrane-cuneiform-records-2020-grabacion-de-jazz-por-rudy-de-juana\/","url_meta":{"origin":11245,"position":1},"title":"A Love Supreme Electric: A Love Supreme &#038; Meditations: A Salvo Inspired by John Coltrane (Cuneiform Records, 2020) [Grabaci\u00f3n de jazz] Por Rudy de Juana.","author":"Tomajazz","date":"18 enero, 2021","format":false,"excerpt":"Rudy de Juana repasa la grabaci\u00f3n del proyecto A Love Supreme Electric, que repasa dos de los monumentos discogr\u00e1ficos del gran John Coltrane: A Love Supreme y Meditations.","rel":"","context":"En \u00abTextos\u00bb","block_context":{"text":"Textos","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/textos\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2021\/01\/A-love-Supreme-Electric_A-Salvo-Inspired-by-John-Coltrane.-A-Love-Supreme-And-Meditations-scaled.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2021\/01\/A-love-Supreme-Electric_A-Salvo-Inspired-by-John-Coltrane.-A-Love-Supreme-And-Meditations-scaled.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2021\/01\/A-love-Supreme-Electric_A-Salvo-Inspired-by-John-Coltrane.-A-Love-Supreme-And-Meditations-scaled.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2021\/01\/A-love-Supreme-Electric_A-Salvo-Inspired-by-John-Coltrane.-A-Love-Supreme-And-Meditations-scaled.jpg?resize=700%2C400&ssl=1 2x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2021\/01\/A-love-Supreme-Electric_A-Salvo-Inspired-by-John-Coltrane.-A-Love-Supreme-And-Meditations-scaled.jpg?resize=1050%2C600&ssl=1 3x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2021\/01\/A-love-Supreme-Electric_A-Salvo-Inspired-by-John-Coltrane.-A-Love-Supreme-And-Meditations-scaled.jpg?resize=1400%2C800&ssl=1 4x"},"classes":[]},{"id":30599,"url":"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-un-tema-lawns-carla-bley-137\/","url_meta":{"origin":11245,"position":2},"title":"365 razones para amar el jazz: un tema. \u00abLawns\u00bb (Carla Bley) [137]","author":"Tomajazz","date":"17 mayo, 2017","format":false,"excerpt":"Un tema. \"Lawns\" de Carla Bley. Incluido en\u00a0Sextet\u00a0(Carla Bley. Watt \/ ECM, 1987) Seleccionado por\u00a0Luis Escalante Ozalla Carla Bley y Steve Swallow. Grabaci\u00f3n en concierto en 1998 \u00a0","rel":"","context":"En \u00ab*_Luis Escalante Ozalla\u00bb","block_context":{"text":"*_Luis Escalante Ozalla","link":"https:\/\/tomajazz.com\/web\/category\/luis-escalante-ozalla\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/05\/Carla-Bley-Sextet_Watt.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":100541,"url":"https:\/\/tomajazz.com\/web\/juan-chiavassa-fourth-generation-2025\/","url_meta":{"origin":11245,"position":3},"title":"Juan Chiavassa: Fourth Generation (Whirlwind Recordings; 2025) Por Pachi Tapiz [Grabaci\u00f3n de jazz]","author":"Tomajazz","date":"15 octubre, 2025","format":false,"excerpt":"Fourth Generation (Whirlwind Recordings; 2025) es la nueva grabaci\u00f3n del joven baterista argentino Juan Chiavassa. Pachi Tapiz repasa la grabaci\u00f3n. Con Juan Chiavassa, John Patitucci, Leo Genovese, George Garzone, Mike Stern, Pedrito Martinez, Federico Gonz\u00e1lez Pe\u00f1a","rel":"","context":"En \u00abGrabaciones...\u00bb","block_context":{"text":"Grabaciones...","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/textos\/grabaciones\/"},"img":{"alt_text":"Juan Chiavassa: Fourth Generation (Whirlwind Recordings; 2025) Por Pachi Tapiz [Grabaci\u00f3n de jazz] - Tomajazz - Fourth Generation (Whirlwind Recordings; 2025) es la nueva grabaci\u00f3n del joven baterista argentino Juan Chiavassa. Pachi Tapiz repasa la grabaci\u00f3n. Con Juan Chiavassa, John Patitucci, Leo Genovese, George Garzone, Mike Stern, Pedrito Martinez, Federico Gonz\u00e1lez Pe\u00f1a","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/10\/Juan-Chiavassa-Fourth-Generation-2025-Whirlwind-Recordings-Tomajazz.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/10\/Juan-Chiavassa-Fourth-Generation-2025-Whirlwind-Recordings-Tomajazz.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/10\/Juan-Chiavassa-Fourth-Generation-2025-Whirlwind-Recordings-Tomajazz.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/10\/Juan-Chiavassa-Fourth-Generation-2025-Whirlwind-Recordings-Tomajazz.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":3146,"url":"https:\/\/tomajazz.com\/web\/maria-schneider-y-carla-bley-dos-big-band-actuales\/","url_meta":{"origin":11245,"position":4},"title":"Maria Schneider y Carla Bley: dos big band actuales","author":"Tomajazz","date":"4 noviembre, 2008","format":false,"excerpt":"Maria Schneider y Carla Bley son dos de los m\u00e1ximos exponentes de las big band en la actualidad. Ambas tienen una carrera que viene de a\u00f1os atr\u00e1s, varias d\u00e9cadas en el caso de Bley. En los trabajos a su nombre \u00e9sta se ha prodigado en distintos formatos, mientras que Schneider\u2026","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"","src":"","width":0,"height":0},"classes":[]},{"id":11112,"url":"https:\/\/tomajazz.com\/web\/nels-cline-el-jazz-y-el-rock\/","url_meta":{"origin":11245,"position":5},"title":"Nels Cline: el jazz y el rock","author":"Tomajazz","date":"21 marzo, 2014","format":false,"excerpt":"Debo a\u00f1adir que, tras abandonar temporalmente el rock a mediado de los setenta, volv\u00ed a prestarle atenci\u00f3n gracias a Patti Smith, Television, The Clash y Minutemen, por citar a mis favoritos. En este contexto, cuando la Liberation Music Orchestra actuamos con los Minutemen, yo fui la conexi\u00f3n entre ambos mundos,\u2026","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"Ruta 66_297_wilco","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/web\/wp-content\/uploads\/2014\/03\/Ruta-66_297_wilco-200x266.jpg?resize=350%2C200","width":350,"height":200},"classes":[]}],"_links":{"self":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/11245","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/comments?post=11245"}],"version-history":[{"count":1,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/11245\/revisions"}],"predecessor-version":[{"id":11247,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/11245\/revisions\/11247"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media\/11246"}],"wp:attachment":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media?parent=11245"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/categories?post=11245"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/tags?post=11245"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}