{"id":11275,"date":"2014-03-27T11:00:38","date_gmt":"2014-03-27T10:00:38","guid":{"rendered":"http:\/\/www.tomajazz.com\/web\/?p=11275"},"modified":"2016-11-13T17:14:42","modified_gmt":"2016-11-13T16:14:42","slug":"wynton-marsalis-acerca-de-coltrane","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/wynton-marsalis-acerca-de-coltrane\/","title":{"rendered":"Wynton Marsalis acerca de Coltrane"},"content":{"rendered":"
\"Estatua
Estatua de bronce de Wynton Marsalis en el Parque de la Florida en Vitoria – Gasteiz, Espa\u00f1a. Fotograf\u00eda por Zarateman tomada de Wikipedia.<\/center><\/figcaption><\/figure>\n

El Coltrane de Ascension<\/em> es la viva imagen de un modernista libr\u00e1ndose de los grilletes de la tradici\u00f3n sesenta a\u00f1os despu\u00e9s de que los europeos se hubiesen liberado de ella.<\/p>\n

La noci\u00f3n de que es obligatorio romper los fundamentos del arte para adquirir una identidad contempor\u00e1nea relevante resulta imposible de contrarrestar, pues hay generaciones de acad\u00e9micos dedicadas a fomentarla y no creo que piensen abandonar. Tambi\u00e9n hay muchos estudiantes que se echar\u00e1n a perder. Sin embargo, cuando ya se ha abstra\u00eddo la abstracci\u00f3n de una abstracci\u00f3n, uno se pregunta qu\u00e9 narices se est\u00e1 haciendo. Y cuando se pierde la noci\u00f3n de lo que se est\u00e1 haciendo, entonces todo est\u00e1 perdido.<\/p><\/blockquote>\n

Wynton Marsalis<\/p>\n","protected":false},"excerpt":{"rendered":"

El Coltrane de Ascension es la viva imagen de un modernista libr\u00e1ndose de los grilletes de la tradici\u00f3n sesenta a\u00f1os despu\u00e9s de que los europeos se hubiesen liberado de ella. La noci\u00f3n de que es obligatorio romper los fundamentos del arte para adquirir una identidad contempor\u00e1nea relevante resulta imposible deContin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":11277,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":true,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[17847,4313,1038,4758],"tags":[4773,1870,31,16099,16100,2372],"class_list":["entry","author-pachi","post-11275","post","type-post","status-publish","format-standard","has-post-thumbnail","category-pachi-tapiz","category-bun","category-contenidos","category-blogs","tag-cita","tag-john-coltrane","tag-pachi-tapiz","tag-toma-jazz","tag-tomajazz-toma-jazz","tag-wynton-marsalis"],"jetpack_featured_media_url":"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2014\/03\/427px-Vitoria_-_Wynton_Marsalis.jpg","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":45682,"url":"https:\/\/tomajazz.com\/web\/jazzx5077-wynton-marsalis-tiger-rag-buddys-horn-minipodcast\/","url_meta":{"origin":11275,"position":0},"title":"JazzX5#077. Wynton Marsalis: Tiger Rag – Buddy’s Horn [Minipodcast]","author":"Tomajazz","date":"15 septiembre, 2019","format":false,"excerpt":"Por\u00a0Pachi Tapiz con la colaboraci\u00f3n de Juli\u00e1n Ruesga Bono. \"Me quedo con \u201cTiger Rag\u201d, un cl\u00e1sico del jazz. La versi\u00f3n del disco no aporta nada nuevo pero suena fant\u00e1sticamente bien. Una alegr\u00eda para los o\u00eddos. Por otro lado tambi\u00e9n est\u00e1 muy bien el blues-balada, \u201cBuddy's Horn\u201d, escrito por Marsalis y\u2026","rel":"","context":"En \u00ab*_Juli\u00e1n Ruesga Bono\u00bb","block_context":{"text":"*_Juli\u00e1n Ruesga Bono","link":"https:\/\/tomajazz.com\/web\/category\/julian-ruesga-bono\/"},"img":{"alt_text":"JazzX5#077. Wynton Marsalis: Tiger Rag - Buddy's Horn [Minipodcast]","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2019\/09\/JazzX5_077.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2019\/09\/JazzX5_077.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2019\/09\/JazzX5_077.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2019\/09\/JazzX5_077.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":11078,"url":"https:\/\/tomajazz.com\/web\/wynton-marsalis-sobre-miles-davis\/","url_meta":{"origin":11275,"position":1},"title":"Wynton Marsalis sobre Miles Davis","author":"Tomajazz","date":"19 marzo, 2014","format":false,"excerpt":"Miles cometi\u00f3 el error de considerarse a s\u00ed mismo un vanguardista, alguien que, obligatoriamente, tuviera que estar creando m\u00fasica nueva sin tener en consideraci\u00f3n sus logros anteriores. Esta actitud le hizo meterse en una rueda como las de los h\u00e1msteres, que dan vueltas y vueltas pero no llevan a ning\u00fan\u2026","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2014\/03\/Wynton_Marsalis_free.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":1377,"url":"https:\/\/tomajazz.com\/web\/to-a-young-jazz-musician-wynton-marsalis-con-selwyn-seyfu-hynds-random-house-2004\/","url_meta":{"origin":11275,"position":2},"title":"TO A YOUNG JAZZ MUSICIAN. Wynton Marsalis con Selwyn Seyfu Hynds. Random House (2004)","author":"Autor1","date":"19 mayo, 2011","format":false,"excerpt":"TO A YOUNG JAZZ MUSICIAN. Autor: Wynton Marsalis con Selwyn Seyfu Hynds Editorial: Random House (2004) ISBN: 978-1-4000-6399-4 (1-4000-6399-X) Idioma: ingl\u00e9s En plena era de los blogs, cuando hablar es m\u00e1s gratis que nunca, Wynton Marsalis da rienda suelta a sus ideas en este To a Young Jazz Musician, presunta\u2026","rel":"","context":"En \u00ab*_Arturo Mora Rioja\u00bb","block_context":{"text":"*_Arturo Mora Rioja","link":"https:\/\/tomajazz.com\/web\/category\/arturo-mora-rioja\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/web\/wp-content\/uploads\/2011\/05\/young_jazz_musician.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":1516,"url":"https:\/\/tomajazz.com\/web\/branford-marsalis-quartet-performs-coltranes-a-love-supreme-suite-in-amsterdan-live\/","url_meta":{"origin":11275,"position":3},"title":"Branford Marsalis Quartet – performs Coltrane’s A Love Supreme Suite In Amsterdan Live","author":"Autor1","date":"21 mayo, 2011","format":false,"excerpt":"Por fin la edici\u00f3n de un directo aprovechando y complementando las caracter\u00edsticas del dvd y el cd. En el fondo es una idea muy simple. Algo tan sencillo como editar un cd con un concierto en directo y acompa\u00f1arlo de un dvd que recoja el concierto, al que se a\u00f1aden\u2026","rel":"","context":"En \u00abDVD...\u00bb","block_context":{"text":"DVD...","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/textos\/dvds\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/web\/wp-content\/uploads\/2011\/05\/marsalis_als.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":2397,"url":"https:\/\/tomajazz.com\/web\/el-oso-y-winton-marsalis\/","url_meta":{"origin":11275,"position":4},"title":"El Oso y Wynton Marsalis","author":"Tomajazz","date":"28 febrero, 2012","format":false,"excerpt":"-Eso tambi\u00e9n -dijo Jones-, pero lo m\u00e1s importante a corto plazo es que toda la primera tirada del disco del Tin Palace se vendi\u00f3 en dos d\u00edas y que Megaton International quiere comprarlo ya mismo, pagarte r\u00e1pidamente veinte de los grandes, distribuir cien mil copias por todo el mundo, para\u2026","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2012\/02\/rafi-zabor-oso-regresa.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2012\/02\/rafi-zabor-oso-regresa.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2012\/02\/rafi-zabor-oso-regresa.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":33671,"url":"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-una-foto-miles-y-wynton-en-vancouver-332\/","url_meta":{"origin":11275,"position":5},"title":"365 razones para amar el jazz: una foto. Miles y Wynton en Vancouver [333]","author":"Tomajazz","date":"29 noviembre, 2017","format":false,"excerpt":"Una foto.\u00a0Miles Davis\u00a0y\u00a0Wynton Marsalis en Vancouver, 1986. Seleccionado por\u00a0Juanma Castro Medina Fotograf\u00eda (convenientemente marcada):\u00a0\u00a9\u00a0Chris Cameron. Tomada de aqu\u00ed, aunque tambi\u00e9n se podr\u00eda haber puesto sin marcar cogi\u00e9ndola desde aqu\u00ed.","rel":"","context":"En \u00ab*_Juanma Castro Medina\u00bb","block_context":{"text":"*_Juanma Castro Medina","link":"https:\/\/tomajazz.com\/web\/category\/juanma-castro-medina\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/11\/Miles-Davis-Wynton-Marsalis_Photo-By-Chris-Cameron_marcada.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/11\/Miles-Davis-Wynton-Marsalis_Photo-By-Chris-Cameron_marcada.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/11\/Miles-Davis-Wynton-Marsalis_Photo-By-Chris-Cameron_marcada.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/11\/Miles-Davis-Wynton-Marsalis_Photo-By-Chris-Cameron_marcada.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]}],"_links":{"self":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/11275","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/comments?post=11275"}],"version-history":[{"count":1,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/11275\/revisions"}],"predecessor-version":[{"id":11278,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/11275\/revisions\/11278"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media\/11277"}],"wp:attachment":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media?parent=11275"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/categories?post=11275"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/tags?post=11275"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}