Ruta 66<\/em><\/a> de marzo de 2014.<\/p>\n","protected":false},"excerpt":{"rendered":"Black Music. Free jazz y conciencia negra 1959 \u2013 1967, incluye textos cl\u00e1sicos de la cr\u00edtica jazz\u00edstica. Amiri Baraka (poeta, novelista, ensayista, m\u00fasico y cr\u00edtico fallecido a principios de 2014) escribi\u00f3 en ese periodo en distintas revistas (Down Beat, Metronome), y en algunas grabaciones que han pasado a ser cl\u00e1sicas.Contin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":10503,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":true,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[17847,3,1038],"tags":[7428,8802,8402,8075,31,4765,16099,16100],"class_list":["entry","author-pachi","post-11367","post","type-post","status-publish","format-standard","has-post-thumbnail","category-pachi-tapiz","category-libros","category-contenidos","tag-amiri-baraka","tag-caja-negra","tag-caja-negra-editora","tag-leroi-jones","tag-pachi-tapiz","tag-ruta-66","tag-toma-jazz","tag-tomajazz-toma-jazz"],"jetpack_featured_media_url":"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2014\/02\/Amiri-Baraka-Black-Music-214x300.jpg","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":30336,"url":"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-un-libro-musica-negra-leroi-jones-115\/","url_meta":{"origin":11367,"position":0},"title":"365 razones para amar el jazz: un libro. 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Free Jazz y Conciencia Negra 1959-1967 Caja Negra Editora Traducci\u00f3n de Patricio Orellana Publicado en 2014 \u00a9 Amiri Baraka, 2010 \/\u00a0\u00a9 2013 Caja Negra Editora ISBN:\u00a0978-987-1622-24-5 \"Introducci\u00f3n\" Reproducido con permiso de Caja Negra Editora. \u00a0 \u00a0 Esta colecci\u00f3n de ensayos, publicados originalmente\u2026","rel":"","context":"En \u00ab*_Redacci\u00f3n\u00bb","block_context":{"text":"*_Redacci\u00f3n","link":"https:\/\/tomajazz.com\/web\/category\/redaccion\/"},"img":{"alt_text":"Amiri-Baraka-Black-Music-214x300","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/web\/wp-content\/uploads\/2014\/02\/Amiri-Baraka-Black-Music-214x300-200x280.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":9896,"url":"https:\/\/tomajazz.com\/web\/amiri-baraka-in-memoriam\/","url_meta":{"origin":11367,"position":2},"title":"Amiri Baraka In Memoriam","author":"Tomajazz","date":"13 enero, 2014","format":false,"excerpt":"Amiri Baraka (LeRoi Jones) In Memoriam (1934-2014) \u00bfC\u00f3mo lo hizo? \u00bfQu\u00e9 tan poderoso y tan desesperado en esta m\u00fasica como para garantizar su existencia continuada, incluso m\u00e1s all\u00e1 de la existencia f\u00edsica de sus creadores? Esto fue lo que me atrajo. Pero a medida que empezaba a meterme en la\u2026","rel":"","context":"En \u00ab*_Joan Cort\u00e8s\u00bb","block_context":{"text":"*_Joan Cort\u00e8s","link":"https:\/\/tomajazz.com\/web\/category\/joan-cortes\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2014\/01\/AMIRI-BARAKA-%C2%A9Joan-Cort%C3%A8s_16jul2010_Caf%C3%A8-Lebab-Can-Ricart_Llinguam%C3%B3n-Casa-de-les-Lleng%C3%BCes_Barcelona_Tomajazz.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2014\/01\/AMIRI-BARAKA-%C2%A9Joan-Cort%C3%A8s_16jul2010_Caf%C3%A8-Lebab-Can-Ricart_Llinguam%C3%B3n-Casa-de-les-Lleng%C3%BCes_Barcelona_Tomajazz.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2014\/01\/AMIRI-BARAKA-%C2%A9Joan-Cort%C3%A8s_16jul2010_Caf%C3%A8-Lebab-Can-Ricart_Llinguam%C3%B3n-Casa-de-les-Lleng%C3%BCes_Barcelona_Tomajazz.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":29553,"url":"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-un-libro-blues-people-amiri-baraka-1963-64\/","url_meta":{"origin":11367,"position":3},"title":"365 razones para amar el jazz: un libro. 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Coleman, lo mismo que Charlie Parker, es un brillante solista, y sus manifestaciones musicales, puramente extempor\u00e1neas, no pueden reproducirse en el pentagrama. La m\u00fasica de Cecil Taylor parece m\u00e1s propicia a ser transcrita, ya que,\u2026","rel":"","context":"En \u00abLos Especiales de Tomajazz\u00bb","block_context":{"text":"Los Especiales de Tomajazz","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/especial-contenidos\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/3.bp.blogspot.com\/-ep8bCSqIOYw\/Tph6LZCxwdI\/AAAAAAAADgc\/BLxeK_v20O4\/s200\/leroijones_bluespeople.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":34031,"url":"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-el-poema-i-love-music-amiri-baraka-352\/","url_meta":{"origin":11367,"position":5},"title":"365 razones para amar el jazz: El poema \u201cI Love Music\u201d (Amiri Baraka) [352]","author":"Tomajazz","date":"18 diciembre, 2017","format":false,"excerpt":"El poema \u201cI Love Music (for John Coltrane)\u201d, de Amiri Baraka Seleccionado por\u00a0Mart\u00ed Farr\u00e9","rel":"","context":"En \u00ab*_Mart\u00ed Farr\u00e9\u00bb","block_context":{"text":"*_Mart\u00ed Farr\u00e9","link":"https:\/\/tomajazz.com\/web\/category\/marti-farre\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/12\/Digging.-The-Afro-American-Soul-of-American-Classical-Music-Music-of-the-African-Diaspora-200x300.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]}],"_links":{"self":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/11367","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/comments?post=11367"}],"version-history":[{"count":2,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/11367\/revisions"}],"predecessor-version":[{"id":11965,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/11367\/revisions\/11965"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media\/10503"}],"wp:attachment":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media?parent=11367"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/categories?post=11367"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/tags?post=11367"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
![\"Amiri-Baraka-Black-Music-214x300\"](\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2014\/02\/Amiri-Baraka-Black-Music-214x300-200x280.jpg\" "\\"\\"")
Black Music.<\/i> Free jazz y conciencia negra 1959 \u2013 1967<\/i>, incluye textos cl\u00e1sicos de la cr\u00edtica jazz\u00edstica. Amiri Baraka (poeta, novelista, ensayista, m\u00fasico y cr\u00edtico fallecido a principios de 2014) escribi\u00f3 en ese periodo en distintas revistas (Down Beat<\/i>, Metronome<\/i>), y en algunas grabaciones que han pasado a ser cl\u00e1sicas. Esta \u00e9poca es el periodo de efervescencia del free jazz<\/i>, que en consonancia con lo social y pol\u00edtico en USA, fue art\u00edsticamente combativo en un intento de no olvidar algo tan esencial en el jazz como son sus or\u00edgenes (el jazz a la europea todav\u00eda estaba por llegar), y la libertad creativa. Los art\u00edculos seleccionados lo muestran como un visionario combativo. Un cr\u00edtico que lo mismo que supo ver lo importante y a los importantes justo en el momento en que estaban en plena ebullici\u00f3n y relat\u00e1rselo al lector de un modo vibrante, tampoco tuvo ning\u00fan tipo de problema en dar sus crudas opiniones sobre m\u00fasicos, y la manera en que los cr\u00edticos ejerc\u00edan su labor obviando el contexto que condicionaba la creaci\u00f3n de la m\u00fasica. Lecci\u00f3n magistral de escritura, incluye a su vez textos que son pura poes\u00eda en prosa.<\/p>\n