{"id":11451,"date":"2014-04-09T11:05:03","date_gmt":"2014-04-09T09:05:03","guid":{"rendered":"http:\/\/www.tomajazz.com\/web\/?p=11451"},"modified":"2016-11-13T17:14:35","modified_gmt":"2016-11-13T16:14:35","slug":"max-johnson-trio-the-invisible-trio-fresh-sound-new-talent-2014","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/max-johnson-trio-the-invisible-trio-fresh-sound-new-talent-2014\/","title":{"rendered":"Max Johnson Trio: <i>The Invisible Trio<\/i> (Fresh Sound New Talent, 2014)"},"content":{"rendered":"<p style=\"text-align: justify;\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-medium wp-image-11452\" alt=\"Max Johnson Trio_The Invisible Trio\" src=\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2014\/04\/Max-Johnson-Trio_The-Invisible-Trio-200x200.jpg\" width=\"200\" height=\"200\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2014\/04\/Max-Johnson-Trio_The-Invisible-Trio-200x200.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2014\/04\/Max-Johnson-Trio_The-Invisible-Trio-150x150.jpg 150w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2014\/04\/Max-Johnson-Trio_The-Invisible-Trio-55x55.jpg 55w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2014\/04\/Max-Johnson-Trio_The-Invisible-Trio.jpg 350w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/><em>The Invisible Trio<\/em>, el segundo CD del tr\u00edo del contrabajista Max Johnson\u00a0es una grabaci\u00f3n muy bien medida. Cuarenta minutos, ocho temas -todos ellos compuestos por el l\u00edder del tr\u00edo-, y variedad tanto en las influencias como en el tempo de las piezas. Interacci\u00f3n por encima de todo (el \u00fanico modo en que funcione un tr\u00edo de corneta -Kirk Knuffke-, bater\u00eda -Ziv Ravitz-, y contrabajo). El resultado es un\u00a0CD que se escucha del tir\u00f3n, en el que se incluyen buenas melod\u00edas y buenos solos. Una grabaci\u00f3n en la que no sobra nada, y en la que su moderaci\u00f3n consigue que destaque entre otras obras.<\/p>\n<p style=\"text-align: right;\">\u00a0\u00a9 Pachi Tapiz, 2014<\/p>\n<p>Max Johnson: <em>The Invisible Trio<\/em><\/p>\n<p>Kirk Knuffke (corneta), Max Johnson (contrabajo y composiciones), Ziv Ravitz (bater\u00eda)<\/p>\n<p>\u00abThe Pretzel\u00bb, \u00abBizza\u00bb, \u00abHeld for Questioning\u00bb, \u00abDon Wrinkles\u00bb, \u00abThe Invisible Trio\u00bb, \u00abMoving Vehicle\u00bb, \u00abA Pair of Glasses\u00bb, \u00abThe Golem\u00bb<br \/>\nTodos los temas compuestos por Max Johnson<\/p>\n<p>Grabado el 29 de marzo de 2013 en Acoustic Recordings. Publicado en 2014 por Fresh Sound New Talent. FSNT 438.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>The Invisible Trio, el segundo CD del tr\u00edo del contrabajista Max Johnson\u00a0es una grabaci\u00f3n muy bien medida. Cuarenta minutos, ocho temas -todos ellos compuestos por el l\u00edder del tr\u00edo-, y variedad tanto en las influencias como en el tempo de las piezas. Interacci\u00f3n por encima de todo (el \u00fanico modo<span class=\"more-link\"><a href=\"https:\/\/tomajazz.com\/web\/max-johnson-trio-the-invisible-trio-fresh-sound-new-talent-2014\/\">Contin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":11452,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":true,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[17847,5,1038],"tags":[12651,7964,12696,13,12415,15295,8846,8845,8847,31,16099,77,16100,206],"class_list":["entry","author-pachi","post-11451","post","type-post","status-publish","format-standard","has-post-thumbnail","category-pachi-tapiz","category-grabaciones","category-contenidos","tag-cd","tag-fresh-sound-new-talent","tag-grabaciones","tag-jazz","tag-jazz-en-espana","tag-jazz-en-espanol","tag-kirk-knuffke","tag-max-johnson","tag-max-johnson-trio","tag-pachi-tapiz","tag-toma-jazz","tag-tomajazz","tag-tomajazz-toma-jazz","tag-ziv-ravitz"],"jetpack_featured_media_url":"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2014\/04\/Max-Johnson-Trio_The-Invisible-Trio.jpg","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":24701,"url":"https:\/\/tomajazz.com\/web\/hdo-120-aaron-goldberg-kirk-knuffke-yves-theiler-trio-meinrad-kneer-quartet-mike-baggetta-sperrazza-sacobs-kamaguchi-podcast\/","url_meta":{"origin":11451,"position":0},"title":"HDO 120: Aaron Goldberg \/ Kirk Knuffke \/ Yves Theiler Trio \/ Meinrad Kneer Quartet \/ Mike Baggetta \/ Sperrazza &#8211; Sacobs &#8211; Kamaguchi [Podcast]","author":"Tomajazz","date":"27 mayo, 2016","format":false,"excerpt":"Media docena de grabaciones en la entrega n\u00famero 120 de HDO en un programa que se alarga hasta los 120 minutos. Por una parte tres tr\u00edos de piano:\u00a0Play Tadd Dameron\u00a0(Vinnie Sperrazza, Jacob Sacks, Masa Kamaguchi) en la que estos tres m\u00fasicos vuelven a poner de nuevo sus ojos en el\u2026","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/05\/Aaron-Goldberg_The-Now_Sunnyside_2015.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/05\/Aaron-Goldberg_The-Now_Sunnyside_2015.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/05\/Aaron-Goldberg_The-Now_Sunnyside_2015.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/05\/Aaron-Goldberg_The-Now_Sunnyside_2015.jpg?resize=700%2C400&ssl=1 2x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/05\/Aaron-Goldberg_The-Now_Sunnyside_2015.jpg?resize=1050%2C600&ssl=1 3x"},"classes":[]},{"id":26730,"url":"https:\/\/tomajazz.com\/web\/hdo-172-en-buena-compania-con-jason-rigby-i-am-tree-cortex-rich-halley-5-dickey-knuffke-y-eden-bareket-trio-podcast\/","url_meta":{"origin":11451,"position":1},"title":"HDO 172. En buena compa\u00f1\u00eda con Jason Rigby, I Am Tree, Cortex, Rich Halley 5, Dickey \u2013 Knuffke y Eden Bareket Trio [Podcast]","author":"Tomajazz","date":"5 octubre, 2016","format":false,"excerpt":"En HDO 172 Pachi Tapiz propone un programa en (muy) buenas compa\u00f1\u00edas musicales estructurado en torno a seis novedades: Jason Rigby Detroit - Cleveland Trio: One (Fresh Sound New Talent), I Am Tree: Mingus Mingus Mingus (Leo Records), Cortex: Live In New York (Clean Feed), Rich Halley 5: The Outlier\u2026","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2016\/10\/I-Am-Three_Mingus-Mingus-Mingus_Leo-Records_2016.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":13884,"url":"https:\/\/tomajazz.com\/web\/max-johnson-the-prisoner-nobusiness-records-2014\/","url_meta":{"origin":11451,"position":2},"title":"Max Johnson: The Prisoner (NoBusiness Records, 2014)","author":"Tomajazz","date":"12 septiembre, 2014","format":false,"excerpt":"El contrabajista Max Johnson se inspira y homenajea a The Prisoner (m\u00edtica serie brit\u00e1nica de ciencia ficci\u00f3n de la d\u00e9cada de los 60 del pasado siglo, que en su momento Iron Maiden reivindic\u00f3 por medio del\u00a0tema hom\u00f3nimo), para la realizaci\u00f3n de su segunda grabaci\u00f3n publicada en 2014, tras el m\u00e1s\u2026","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2014\/09\/Max-Johnson_The-Prisoner_NoBusiness-Records_2014.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]},{"id":101793,"url":"https:\/\/tomajazz.com\/web\/luis-pardellans-trio-back-again-2025\/","url_meta":{"origin":11451,"position":3},"title":"Luis Pardellans Trio: Back Again (Fresh Sound Records; 2025) Por Pachi Tapiz [Grabaci\u00f3n de jazz]","author":"Tomajazz","date":"7 diciembre, 2025","format":false,"excerpt":"Back Again (Fresh Sound Records; 2025) es lo nuevo de Luis Pardellans Trio. Pachi Tapiz repasa la grabaci\u00f3n. Con Luis Pardellans, Jordi Gaspar, Enrique Heredia","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"Luis Pardellans Trio: Back Again (Fresh Sound Records; 2025) Por Pachi Tapiz [Grabaci\u00f3n de jazz] - Tomajazz - Back Again (Fresh Sound Records; 2025) es lo nuevo de Luis Pardellans Trio. Pachi Tapiz repasa la grabaci\u00f3n. Con Luis Pardellans, Jordi Gaspar, Enrique Heredia","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/12\/Luis-Pardellans-Trio-Back-Again-Fresh-Sound-Records-2025-Tomajazz.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/12\/Luis-Pardellans-Trio-Back-Again-Fresh-Sound-Records-2025-Tomajazz.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/12\/Luis-Pardellans-Trio-Back-Again-Fresh-Sound-Records-2025-Tomajazz.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/12\/Luis-Pardellans-Trio-Back-Again-Fresh-Sound-Records-2025-Tomajazz.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":31335,"url":"https:\/\/tomajazz.com\/web\/hdo-285-revisones-don-cherry-kirk-knuffke-lee-morgan-sperrazza-sacks-kamaguchi-charlie-parker-podcast\/","url_meta":{"origin":11451,"position":4},"title":"HDO 285: revisones. Don Cherry (Kirk Knuffke); Lee Morgan (Sperrazza-Sacks-Kamaguchi); Charlie Parker [Podcast]","author":"Tomajazz","date":"7 julio, 2017","format":false,"excerpt":"Tres proyectos centrados en la m\u00fasica de otros tantos ilustres del jazz en HDO 285: Don Cherry\u00a0por Kirk Knuffke en Cherryco\u00a0(SteepleChase, 2017; con Jay Anderson, Adam Nussbaum); Lee Morgan\u00a0por el tr\u00edo Sperrazza - Sacks - Kamaguchi en Play Lee Morgan\u00a0(Fresh Sound New Talent, 2017; con Vinnie\u00a0Sperrazza, Jacob Sacks, Masa Kamaguchi);\u2026","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/07\/Varios_The-Passion-of-Charlie_Parker_Impulse_2017.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/07\/Varios_The-Passion-of-Charlie_Parker_Impulse_2017.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/07\/Varios_The-Passion-of-Charlie_Parker_Impulse_2017.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/07\/Varios_The-Passion-of-Charlie_Parker_Impulse_2017.jpg?resize=700%2C400&ssl=1 2x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/07\/Varios_The-Passion-of-Charlie_Parker_Impulse_2017.jpg?resize=1050%2C600&ssl=1 3x"},"classes":[]},{"id":32270,"url":"https:\/\/tomajazz.com\/web\/hdo-311-nabatov-johnson-sarin-vonlanthen-audetat-peters-rose-bones-leo-records-agosto-2017-podcast\/","url_meta":{"origin":11451,"position":5},"title":"HDO 311. Nabatov &#8211; Johnson &#8211; Sarin \/ Vonlanthen &#8211; Audetat \/ Peters &#8211; Rose \/ Bones (Leo Records, Agosto 2017) [Podcast]","author":"Tomajazz","date":"19 septiembre, 2017","format":false,"excerpt":"Una de las caracter\u00edsticas del incansable sello\u00a0Leo Records, es su capacidad para dar cabida a propuestas en las que aparecen m\u00fasicos bien conocidos junto a otras propuestas que no por menos populares resultan menos interesantes. Es el caso del \u00faltimo lote de novedades publicadas hace unas semanas:\u00a0Free Reservoir\u00a0(Simon Nabatov,\u00a0Michael Sarin,\u2026","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/09\/Simon-Nabatov-Max-Johnson-Michael-Sarin_Free-Reservoir_Leo-Records_2017.jpg?resize=350%2C200&ssl=1","width":350,"height":200},"classes":[]}],"_links":{"self":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/11451","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/comments?post=11451"}],"version-history":[{"count":2,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/11451\/revisions"}],"predecessor-version":[{"id":11454,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/11451\/revisions\/11454"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media\/11452"}],"wp:attachment":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media?parent=11451"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/categories?post=11451"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/tags?post=11451"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}