{"id":1181,"date":"2011-05-17T21:07:16","date_gmt":"2011-05-17T19:07:16","guid":{"rendered":"http:\/\/www.tomajazz.com\/web\/?p=1181"},"modified":"2025-03-02T18:20:27","modified_gmt":"2025-03-02T17:20:27","slug":"take-6-the-standard","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/take-6-the-standard\/","title":{"rendered":"Take 6: The Standard (Heads Up, 2011) Por Arturo Mora [Grabaci\u00f3n de jazz]"},"content":{"rendered":"

\"TakePrimer disco de Take 6 para el sello Heads Up. En The Standard<\/em> el sexteto vocal brilla con poder\u00edo e intenta huir de la te\u00f3rica monoton\u00eda del formato gracias a una cierta variedad estil\u00edstica y, sobre todo, a la inclusi\u00f3n de colaboradores de lujo. Si el cl\u00e1sico \u00abSweet Georgia Brown\u00bb, que abre el CD, camina con un swing<\/em> contagioso a pesar de no contar con instrumento alguno (solo las voces de los seis cantantes), el gershwiniano<\/em> \u00abSomeone To Watch Over Me\u00bb aborda sonoridades pop conducidas por la voz de Shelea Frazier y la presencia de teclados, guitarra, bajo y bater\u00eda. Entre los invitados estelares se encuentran George Benson (\u00abStraigthen Up And Fly Right\u00bb), Roy Hargrove (\u00abSomeone To Watch Over Me\u00bb) y Aaron Neville (\u00abDo You Know What It Means To Miss New Orleans\u00bb), y el humor aparece en \u00abBein’ Green\u00bb (\u00absiendo verde\u00bb), divertida reivindicaci\u00f3n racial a cargo del mism\u00edsimo Kermit (la rana Gustavo de Barrio S\u00e9samo), que se pregunta si llegar\u00e1 el d\u00eda en que el Presidente de los Estados Unidos sea verde.<\/p>\n

Lo mejor: la presencia de Jon Hendricks y Al Jarreau en \u00abSeven Steps To Heaven\u00bb, con el solo de Miles Davis interpretado en vocalese<\/em>. El trompetista alem\u00e1n Till Bronner tambi\u00e9n hace sus pinitos al fiscorno. Lo peor: el \u00abA Tisket A Tasket\u00bb de Ella Fitzgerald con los Take 6 code\u00e1ndose con la voz pre-grabada de la cantante, como ya hicieran hace a\u00f1os Natalie Cole con su padre o Kenny G con Louis Armstrong, en lo que Pat Metheny calific\u00f3 como \u00abnecrofilia musical\u00bb.<\/p>\n

Arturo Mora Rioja<\/a><\/p>\n

Take 6: The Standard<\/em><\/h3>\n

Composiciones: <\/strong>\u00abSweet Georgia Brown\u00bb (Maceo Pinkard, Kenneth Casey Sr. & Ben Bernie), \u00abStraighten Up And Fly Right\u00bb (Nat King Cole), \u00abSeven Steps To Heaven\u00bb (Miles Davis & Victor Feldman), \u00abWindmills Of Your Mind\u00bb (Alan Bergman, Marilyn Bergman & Michel Legrand), \u00abSomeone To Watch Over Me\u00bb (George Gershwin & Ira Gershwin), \u00abGrace (Pre-Prise)\u00bb (Quency Jones & Jeremy Lubbock), \u00abBack To You\u00bb (Claud McKnight & Victoria Venier), \u00abA Tisket A Tasket\u00bb (Ella Fitzgerald & Van Alexander), \u00abBein’ Green\u00bb (Joe Raposo, Patricia Collins Sarnoff, Elizabeth Collins Raposo, William Andrew Raposo, Joseph Raymond Raposo & Nicholas Anthony Raposo), \u00abDo You Know What It Means To Miss New Orleans\u00bb (Louis Alter & Edgar DeLange), \u00abWhat’s Going On\u00bb (Renaldo Benson, Al Cleveland & Marvin Gaye), \u00abShall We Gather At The River\u00bb (Robert Lowry), \u00abGrace\u00bb (Quincy Jones & Jeremy Lubbock)<\/p>\n

M\u00fasicos: <\/strong>Claude McKnight, Mark Kibble, David Thomas, Joey Kibble, Alvin Chea (voz) y Cedric Dent (voz, piano, teclados), con George Benson (voz, guitarra el\u00e9ctrica), Jon Hendricks, Al Jarreau, Shelea Frazier, Ella Fitzgerald, Aaron Neville (voz), Till Bronner (fiscorno), Roy Hargrove (trompeta), Miles Robertson (teclados, Fender Rhodes), Mark Bowers (guitarra), Mark Kelley, Jamaal Andrews (bajo), Butter, Jimmie \u00abJJ\u00bb Hodges Jr. (bater\u00eda), Khristian Dentley (instrumentos miscel\u00e1neos)<\/p>\n

Heads Up CD3142<\/p>\n","protected":false},"excerpt":{"rendered":"

Arturo Mora repasa The Standard (Heads Up, 2011), el estreno de el Take 6 en Heads UpContin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":4,"featured_media":94681,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[17861,5,15517,1038],"tags":[736,733,729,260,742,12651,730,725,727,735,16581,16579,16569,731,12696,741,13,12415,15295,743,728,732,744,16580,739,740,726,738,16578,138,734,724,16568,737,16099,77,16100],"class_list":["entry","author-autor1","has-excerpt","post-1181","post","type-post","status-publish","format-standard","has-post-thumbnail","category-arturo-mora-rioja","category-grabaciones","category-textos","category-contenidos","tag-aaron-neville","tag-al-jarreau","tag-alvin-chea","tag-arturo-mora-rioja","tag-butter","tag-cd","tag-cedric-dent","tag-claude-mcknight","tag-david-thomas","tag-ella-fitzgerald","tag-ella-fitzgerald-lady-ella","tag-ella-fitzgerald-queen-of-jazz","tag-ella-fitzgerald-the-first-lady-of-song","tag-george-benson","tag-grabaciones","tag-jamaal-andrews","tag-jazz","tag-jazz-en-espana","tag-jazz-en-espanol","tag-jimmie-jj-hodges-jr","tag-joey-kibble","tag-jon-hendricks","tag-khristian-dentley","tag-lady-ella","tag-mark-bowers","tag-mark-kelley","tag-mark-kibble","tag-miles-robertson","tag-queen-of-jazz","tag-roy-hargrove","tag-shelea-frazier","tag-take-6","tag-the-first-lady-of-song","tag-till-bronner","tag-toma-jazz","tag-tomajazz","tag-tomajazz-toma-jazz"],"jetpack_featured_media_url":"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2011\/05\/Take-6-The-Standard-Tomajazz-discos.jpg","_links":{"self":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/1181","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/comments?post=1181"}],"version-history":[{"count":8,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/1181\/revisions"}],"predecessor-version":[{"id":94682,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/1181\/revisions\/94682"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media\/94681"}],"wp:attachment":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media?parent=1181"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/categories?post=1181"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/tags?post=1181"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}