{"id":11855,"date":"2014-05-02T11:30:47","date_gmt":"2014-05-02T09:30:47","guid":{"rendered":"http:\/\/www.tomajazz.com\/web\/?p=11855"},"modified":"2016-11-13T21:15:45","modified_gmt":"2016-11-13T20:15:45","slug":"tomajazz-recupera-thelonious-monk-en-jazz-magazine-1970","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/tomajazz-recupera-thelonious-monk-en-jazz-magazine-1970\/","title":{"rendered":"Tomajazz recupera\u2026 Thelonious Monk en Jazz Magazine 1970"},"content":{"rendered":"
\"Thelonious
Thelonious Monk
Minton’s Playhouse, New York, N.Y.
ca. September 1947
Photograph by William P. Gottlieb<\/center><\/figcaption><\/figure>\n

Si no fuera m\u00fasico, seguramente me habr\u00eda convertido en un vagabundo.<\/p><\/blockquote>\n

Leer: Thelonious Monk en Jazz Magazine 1970<\/strong><\/a>. Entrevista realizada por \u00a0Paul Slaughter.<\/p>\n","protected":false},"excerpt":{"rendered":"

Si no fuera m\u00fasico, seguramente me habr\u00eda convertido en un vagabundo. Leer: Thelonious Monk en Jazz Magazine 1970. Entrevista realizada por \u00a0Paul Slaughter.Contin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":11856,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":true,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[17873,78,15537,9,15517,1038,6669],"tags":[1332,963,8610,8783,9062,5083,16099,16100],"class_list":["entry","author-pachi","post-11855","post","type-post","status-publish","format-standard","has-post-thumbnail","category-juan-carlos-hernandez","category-afondo","category-entrevistas","category-perfiles","category-textos","category-contenidos","category-tomajazz-recupera","tag-1332","tag-diego-sanchez-cascado","tag-jazz-magazine","tag-juan-carlos-hernandez","tag-paul-slaughter","tag-thelonious-monk","tag-toma-jazz","tag-tomajazz-toma-jazz"],"jetpack_featured_media_url":"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2014\/05\/584px-Thelonious_Monk_Mintons_Playhouse_New_York_N.Y._ca._Sept._1947_William_P._Gottlieb_06231.jpg","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":11863,"url":"https:\/\/tomajazz.com\/web\/especial-thelonious-monk-en-tomajazz\/","url_meta":{"origin":11855,"position":0},"title":"Especial Thelonious Monk en Tomajazz","author":"Tomajazz","date":"2 mayo, 2014","format":false,"excerpt":"En Tomajazz hemos recuperado tres entrevistas realizadas a Thelonious Monk por la revista francesa Jazz Magazine. Las tres fueron publicadas inicialmente en septiembre de 2002 con el permiso de Jazz Magazine y las traducciones de Juan Carlos Hern\u00e1ndez y Diego S\u00e1nchez Cascado. 1963. Entrevista por Jean Clouzet y Michel Delomme\u2026","rel":"","context":"En \u00ab*_Diego S\u00e1nchez Cascado\u00bb","block_context":{"text":"*_Diego S\u00e1nchez Cascado","link":"https:\/\/tomajazz.com\/web\/category\/diego-sanchez-cascado\/"},"img":{"alt_text":"Thelonious Monk Stamp","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/web\/wp-content\/uploads\/2014\/05\/Thelonious-Monk-Stamp-200x157.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":11858,"url":"https:\/\/tomajazz.com\/web\/thelonious-monk-en-jazz-magazine-1970\/","url_meta":{"origin":11855,"position":1},"title":"Thelonious Monk en Jazz Magazine 1970","author":"Tomajazz","date":"30 septiembre, 2002","format":false,"excerpt":"\u00a0 \u00a0 1970. Paul Slaughter toma el relevo y se lanza tambi\u00e9n al asalto del Maestro. Monk vuelve a tratar algunos puntos, se contradice... Thelonious genio y figura. Thelonious Monk, si no tocase el piano, \u00bfqu\u00e9 instrumento hubiera escogido? Probablemente la trompeta. \u00bfPor qu\u00e9? Cuando era cr\u00edo quer\u00eda tocar la\u2026","rel":"","context":"En \u00ab*_Diego S\u00e1nchez Cascado\u00bb","block_context":{"text":"*_Diego S\u00e1nchez Cascado","link":"https:\/\/tomajazz.com\/web\/category\/diego-sanchez-cascado\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2014\/05\/584px-Thelonious_Monk_Mintons_Playhouse_New_York_N.Y._ca._Sept._1947_William_P._Gottlieb_06231.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2014\/05\/584px-Thelonious_Monk_Mintons_Playhouse_New_York_N.Y._ca._Sept._1947_William_P._Gottlieb_06231.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2014\/05\/584px-Thelonious_Monk_Mintons_Playhouse_New_York_N.Y._ca._Sept._1947_William_P._Gottlieb_06231.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":11820,"url":"https:\/\/tomajazz.com\/web\/tomajazz-recupera-thelonious-monk-en-jazz-magazine-1965\/","url_meta":{"origin":11855,"position":2},"title":"Tomajazz recupera\u2026 Thelonious Monk en Jazz Magazine 1965","author":"Tomajazz","date":"1 mayo, 2014","format":false,"excerpt":"\u00a0 Me hubiera gustado tocar el tromb\u00f3n. Pero ya es suficientemente dif\u00edcil tocar el piano, \u00bfentiende? Leer:\u00a0Thelonious Monk en Jazz Magazine 1965.\u00a0Entrevista realizada por Jean-Louis Noames","rel":"","context":"En \u00ab*_Juan Carlos Hern\u00e1ndez\u00bb","block_context":{"text":"*_Juan Carlos Hern\u00e1ndez","link":"https:\/\/tomajazz.com\/web\/category\/juan-carlos-hernandez\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2014\/04\/581px-Thelonious_Monk_Howard_McGhee_Roy_Eldridge_and_Teddy_Hill_Mintons_Playhouse_New_York_N.Y._ca._Sept._1947_William_P._Gottlieb_06281.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2014\/04\/581px-Thelonious_Monk_Howard_McGhee_Roy_Eldridge_and_Teddy_Hill_Mintons_Playhouse_New_York_N.Y._ca._Sept._1947_William_P._Gottlieb_06281.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2014\/04\/581px-Thelonious_Monk_Howard_McGhee_Roy_Eldridge_and_Teddy_Hill_Mintons_Playhouse_New_York_N.Y._ca._Sept._1947_William_P._Gottlieb_06281.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":11815,"url":"https:\/\/tomajazz.com\/web\/tomajazz-recupera-thelonious-monk-en-jazz-magazine-1963\/","url_meta":{"origin":11855,"position":3},"title":"Tomajazz recupera… Thelonious Monk en Jazz Magazine 1963","author":"Tomajazz","date":"30 abril, 2014","format":false,"excerpt":"\u00a0 \u00a0 Cada d\u00eda oigo a un mont\u00f3n de pianistas que utilizan procedimientos que son m\u00edos. Leer: Thelonious Monk en Jazz Magazine 1963. Entrevista por\u00a0\u00a0Jean Clouzet y Michel Delomme.\u00a0","rel":"","context":"En \u00ab*_Juan Carlos Hern\u00e1ndez\u00bb","block_context":{"text":"*_Juan Carlos Hern\u00e1ndez","link":"https:\/\/tomajazz.com\/web\/category\/juan-carlos-hernandez\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2014\/04\/574px-Thelonious_Monk_Mintons_Playhouse_New_York_N.Y._ca._Sept._1947_William_P._Gottlieb_06221.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2014\/04\/574px-Thelonious_Monk_Mintons_Playhouse_New_York_N.Y._ca._Sept._1947_William_P._Gottlieb_06221.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2014\/04\/574px-Thelonious_Monk_Mintons_Playhouse_New_York_N.Y._ca._Sept._1947_William_P._Gottlieb_06221.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":11824,"url":"https:\/\/tomajazz.com\/web\/thelonious-monk-en-jazz-magazine-1965\/","url_meta":{"origin":11855,"position":4},"title":"Thelonious Monk en Jazz Magazine 1965","author":"Tomajazz","date":"30 septiembre, 2002","format":false,"excerpt":"\u00a0 Entre la siguiente entrevista (publicada en el n\u00ba 124 de Jazz Magazine, en noviembre de 1965), en la que Jean-Louis Noames intenta proseguir la\u00a0realizada en 1963 por Jean Clouzet y Michel Delorme, se produjo un acontecimiento medi\u00e1tico bastante infrecuente: la aparici\u00f3n de Thelonious Monk en la portada de la\u2026","rel":"","context":"En \u00ab*_Diego S\u00e1nchez Cascado\u00bb","block_context":{"text":"*_Diego S\u00e1nchez Cascado","link":"https:\/\/tomajazz.com\/web\/category\/diego-sanchez-cascado\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2014\/04\/581px-Thelonious_Monk_Howard_McGhee_Roy_Eldridge_and_Teddy_Hill_Mintons_Playhouse_New_York_N.Y._ca._Sept._1947_William_P._Gottlieb_06281.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2014\/04\/581px-Thelonious_Monk_Howard_McGhee_Roy_Eldridge_and_Teddy_Hill_Mintons_Playhouse_New_York_N.Y._ca._Sept._1947_William_P._Gottlieb_06281.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2014\/04\/581px-Thelonious_Monk_Howard_McGhee_Roy_Eldridge_and_Teddy_Hill_Mintons_Playhouse_New_York_N.Y._ca._Sept._1947_William_P._Gottlieb_06281.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":101826,"url":"https:\/\/tomajazz.com\/web\/chick-corea-trilogy-3-2025\/","url_meta":{"origin":11855,"position":5},"title":"Chick Corea: Trilogy 3 (Candid Records; 2025) Por Carlos Lara [Grabaci\u00f3n de jazz]","author":"Tomajazz","date":"15 noviembre, 2025","format":false,"excerpt":"Trilogy 3 (Candid Records; 2025) es la \u00faltima grabaci\u00f3n publicada de Chick Corea. Carlos Lara repasa la obra. Con Chick Corea, Christian McBride, Brian Blade","rel":"","context":"En \u00abGrabaciones...\u00bb","block_context":{"text":"Grabaciones...","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/textos\/grabaciones\/"},"img":{"alt_text":"Chick Corea: Trilogy 3 (Candid Records; 2025) Por Carlos Lara [Grabaci\u00f3n de jazz] - Tomajazz - Trilogy 3 (Candid Records; 2025) es la \u00faltima grabaci\u00f3n publicada de Chick Corea. Carlos Lara repasa la obra. Con Chick Corea, Christian McBride, Brian Blade","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/11\/Chick-Corea-Trilogy-3-Candid-Records-2025-Tomajazz.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/11\/Chick-Corea-Trilogy-3-Candid-Records-2025-Tomajazz.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/11\/Chick-Corea-Trilogy-3-Candid-Records-2025-Tomajazz.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/11\/Chick-Corea-Trilogy-3-Candid-Records-2025-Tomajazz.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]}],"_links":{"self":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/11855","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/comments?post=11855"}],"version-history":[{"count":2,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/11855\/revisions"}],"predecessor-version":[{"id":11862,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/11855\/revisions\/11862"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media\/11856"}],"wp:attachment":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media?parent=11855"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/categories?post=11855"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/tags?post=11855"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}