{"id":11858,"date":"2002-09-30T23:59:59","date_gmt":"2002-09-30T21:59:59","guid":{"rendered":"http:\/\/www.tomajazz.com\/web\/?p=11858"},"modified":"2022-08-25T18:29:42","modified_gmt":"2022-08-25T16:29:42","slug":"thelonious-monk-en-jazz-magazine-1970","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/thelonious-monk-en-jazz-magazine-1970\/","title":{"rendered":"Thelonious Monk en Jazz Magazine 1970"},"content":{"rendered":"

 <\/p>\n

\"Thelonious
Thelonious Monk
Minton’s Playhouse, New York, N.Y.
ca. September 1947
Photograph by William P. Gottlieb<\/figcaption><\/figure>\n

 <\/p>\n

1<\/span>970. Paul Slaughter toma el relevo y se lanza tambi\u00e9n al asalto del Maestro. Monk vuelve a tratar algunos puntos, se contradice… Thelonious genio y figura.<\/span><\/p>\n

Thelonious Monk, si no tocase el piano, \u00bfqu\u00e9 instrumento hubiera escogido?<\/span><\/p>\n

\n

Probablemente la trompeta.<\/span><\/p>\n<\/blockquote>\n

\u00bfPor qu\u00e9?<\/span><\/p>\n

\n

Cuando era cr\u00edo quer\u00eda tocar la trompeta, pero fue mi profesor quien me dijo que tocase el piano.<\/span><\/p>\n<\/blockquote>\n

Si no hubiera sido m\u00fasico, \u00bfa qu\u00e9 se hubiera dedicado?<\/span><\/p>\n

\n

Nunca tuve la intenci\u00f3n de hacer otra cosa que no fuese m\u00fasica. Si no fuera m\u00fasico, seguramente me habr\u00eda convertido en un vagabundo.<\/span><\/p>\n<\/blockquote>\n

Durante su formaci\u00f3n musical, \u00bfle influyeron determinados m\u00fasicos?<\/span><\/p>\n

\n

\u00abDeterminados\u00bb, no: me influyeron todos los m\u00fasicos que escuch\u00e9 siendo cr\u00edo…<\/span><\/p>\n<\/blockquote>\n

Recientemente le\u00ed que Bud Powell fue uno de sus primeros int\u00e9rpretes…<\/span><\/p>\n

\n

Cuando le conoc\u00ed, Bud no sab\u00eda mucho de piano, ni de c\u00f3mo frasear, por otra parte. Ten\u00eda un estilo bien definido pero no conoc\u00eda gran cosa sobre armon\u00eda, tuve que ense\u00f1arle.<\/span><\/p>\n<\/blockquote>\n

\u00bfCu\u00e1ndo realiz\u00f3 su primera gira por Estados Unidos?<\/span><\/p>\n

\n

No me acuerdo muy bien, deb\u00eda tener 17 a\u00f1os.<\/span><\/p>\n<\/blockquote>\n

\u00bfQu\u00e9 opina de la palabra \u00abjazz\u00bb?<\/span><\/p>\n

\n

No lo s\u00e9. Para m\u00ed es una palabra como otra cualquiera. Es una etiqueta para una m\u00fasica nacida en Estados Unidos, por lo que s\u00e9.<\/span><\/p>\n<\/blockquote>\n

Ha trabajado con John Coltrane, Bud Powell, Dizzy Gillespie… \u00bfHa tenido compa\u00f1eros privilegiados?<\/span><\/p>\n

\n

Tambi\u00e9n trabaj\u00e9 con Bird. Con casi todos: Coleman \u00abBean\u00bb Hawkins, Roy Eldridge, antes de que Norman Granz lo contratase para participar en el Jazz At The Philarmonic.<\/span><\/p>\n<\/blockquote>\n

\u00bfC\u00f3mo vivi\u00f3 la indiferencia de la gente, en sus comienzos, cuando muy pocos apreciaban su m\u00fasica?<\/span><\/p>\n

\n

Hab\u00eda que tocar, fuera como fuera. Yo estaba ah\u00ed, me ten\u00eda que dar a conocer.<\/span><\/p>\n<\/blockquote>\n

A menudo se ha escrito que usted prefiere Nueva York a cualquier otra ciudad: \u00bfpodr\u00eda vivir en otro lugar?<\/span><\/p>\n

\n

Amo Manhattan: llegu\u00e9 all\u00ed siendo un cr\u00edo, es una ciudad que conozco bien.<\/span><\/p>\n<\/blockquote>\n

\u00abFriday the Thirteenth\u00bb, \u00abLittle Rootie Tootie\u00bb, \u00abMisterioso\u00bb… \u00bfTiene usted motivos especiales para elegir unos t\u00edtulos tan enigm\u00e1ticos?<\/span><\/p>\n

\n

No, me viene as\u00ed, en mi cabeza. Les doy un poco cualquier nombre…<\/span><\/p>\n<\/blockquote>\n

\u00bfIncluso para \u00abLittle Rootie Tootie\u00bb?<\/span><\/p>\n

\n

Esta est\u00e1 dedicada a mi hijo. Lo llamamos Toot.<\/span><\/p>\n<\/blockquote>\n

\u00bfEstudia alg\u00fan instrumento?<\/span><\/p>\n

\n

S\u00ed, le gusta la bater\u00eda, como a todos los adolescentes.<\/span><\/p>\n<\/blockquote>\n

\u00bfHa tocado ya con usted?<\/span><\/p>\n

\n

No, empez\u00f3 en la escuela y ha tocado con Randy Weston…<\/span><\/p>\n<\/blockquote>\n

Cuando toca en clubes, \u00bfno le perturba su horario para dormir?<\/span><\/p>\n

\n

No, puedo dormir a la hora que sea.<\/span><\/p>\n<\/blockquote>\n

\u00bfHay alg\u00fan un momento del d\u00eda que prefiera para componer?<\/span><\/p>\n

\n

Por la ma\u00f1ana, cuando no hay nadie.<\/span><\/p>\n<\/blockquote>\n

\u00bfD\u00f3nde vive exactamente en Nueva York?<\/span><\/p>\n

\n

Cerca de la calle 60 Oeste.<\/span><\/p>\n<\/blockquote>\n

\u00bfNo se quejan sus vecinos cuando toca por la ma\u00f1ana temprano?<\/span><\/p>\n

\n

Si, hubo una queja cuando llegu\u00e9 al piso, al principio. \u00a1Pero el piano ni siquiera hab\u00eda llegado!<\/span><\/p>\n<\/blockquote>\n

Entrevista realizada por\u00a0Paul Slaughter \u00a9\u00a0Jazz Magazine 2002
\nTraducci\u00f3n:\u00a0\u00a0\u00a9 Juan Carlos Hern\u00e1ndez en primera instancia y Diego S\u00e1nchez Cascado<\/span><\/span><\/p>\n","protected":false},"excerpt":{"rendered":"

    1970. Paul Slaughter toma el relevo y se lanza tambi\u00e9n al asalto del Maestro. Monk vuelve a tratar algunos puntos, se contradice… Thelonious genio y figura. Thelonious Monk, si no tocase el piano, \u00bfqu\u00e9 instrumento hubiera escogido? Probablemente la trompeta. \u00bfPor qu\u00e9? Cuando era cr\u00edo quer\u00eda tocar laContin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":11856,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":true,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[17862,17873,78,15537,9,15517,1038],"tags":[1332,1522,1790,963,1639,12790,12791,13,9064,8610,1870,8783,9063,9062,9065,1666,2015,77],"class_list":["entry","author-pachi","post-11858","post","type-post","status-publish","format-standard","has-post-thumbnail","category-diego-sanchez-cascado","category-juan-carlos-hernandez","category-afondo","category-entrevistas","category-perfiles","category-textos","category-contenidos","tag-1332","tag-bud-powell","tag-hawkins-coleman","tag-diego-sanchez-cascado","tag-dizzy-gillespie","tag-entrevista","tag-interview","tag-jazz","tag-jazz-at-the-philarmonic","tag-jazz-magazine","tag-john-coltrane","tag-juan-carlos-hernandez","tag-norman-granz","tag-paul-slaughter","tag-randy-weston","tag-eldridge-roy","tag-monk-thelonious","tag-tomajazz"],"jetpack_featured_media_url":"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2014\/05\/584px-Thelonious_Monk_Mintons_Playhouse_New_York_N.Y._ca._Sept._1947_William_P._Gottlieb_06231.jpg","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":11855,"url":"https:\/\/tomajazz.com\/web\/tomajazz-recupera-thelonious-monk-en-jazz-magazine-1970\/","url_meta":{"origin":11858,"position":0},"title":"Tomajazz recupera\u2026 Thelonious Monk en Jazz Magazine 1970","author":"Tomajazz","date":"2 mayo, 2014","format":false,"excerpt":"Si no fuera m\u00fasico, seguramente me habr\u00eda convertido en un vagabundo. Leer: Thelonious Monk en Jazz Magazine 1970. Entrevista realizada por \u00a0Paul Slaughter.","rel":"","context":"En \u00ab*_Juan Carlos Hern\u00e1ndez\u00bb","block_context":{"text":"*_Juan Carlos Hern\u00e1ndez","link":"https:\/\/tomajazz.com\/web\/category\/juan-carlos-hernandez\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2014\/05\/584px-Thelonious_Monk_Mintons_Playhouse_New_York_N.Y._ca._Sept._1947_William_P._Gottlieb_06231.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2014\/05\/584px-Thelonious_Monk_Mintons_Playhouse_New_York_N.Y._ca._Sept._1947_William_P._Gottlieb_06231.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2014\/05\/584px-Thelonious_Monk_Mintons_Playhouse_New_York_N.Y._ca._Sept._1947_William_P._Gottlieb_06231.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":11863,"url":"https:\/\/tomajazz.com\/web\/especial-thelonious-monk-en-tomajazz\/","url_meta":{"origin":11858,"position":1},"title":"Especial Thelonious Monk en Tomajazz","author":"Tomajazz","date":"2 mayo, 2014","format":false,"excerpt":"En Tomajazz hemos recuperado tres entrevistas realizadas a Thelonious Monk por la revista francesa Jazz Magazine. Las tres fueron publicadas inicialmente en septiembre de 2002 con el permiso de Jazz Magazine y las traducciones de Juan Carlos Hern\u00e1ndez y Diego S\u00e1nchez Cascado. 1963. Entrevista por Jean Clouzet y Michel Delomme\u2026","rel":"","context":"En \u00ab*_Diego S\u00e1nchez Cascado\u00bb","block_context":{"text":"*_Diego S\u00e1nchez Cascado","link":"https:\/\/tomajazz.com\/web\/category\/diego-sanchez-cascado\/"},"img":{"alt_text":"Thelonious Monk Stamp","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/web\/wp-content\/uploads\/2014\/05\/Thelonious-Monk-Stamp-200x157.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":11820,"url":"https:\/\/tomajazz.com\/web\/tomajazz-recupera-thelonious-monk-en-jazz-magazine-1965\/","url_meta":{"origin":11858,"position":2},"title":"Tomajazz recupera\u2026 Thelonious Monk en Jazz Magazine 1965","author":"Tomajazz","date":"1 mayo, 2014","format":false,"excerpt":"\u00a0 Me hubiera gustado tocar el tromb\u00f3n. Pero ya es suficientemente dif\u00edcil tocar el piano, \u00bfentiende? Leer:\u00a0Thelonious Monk en Jazz Magazine 1965.\u00a0Entrevista realizada por Jean-Louis Noames","rel":"","context":"En \u00ab*_Juan Carlos Hern\u00e1ndez\u00bb","block_context":{"text":"*_Juan Carlos Hern\u00e1ndez","link":"https:\/\/tomajazz.com\/web\/category\/juan-carlos-hernandez\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2014\/04\/581px-Thelonious_Monk_Howard_McGhee_Roy_Eldridge_and_Teddy_Hill_Mintons_Playhouse_New_York_N.Y._ca._Sept._1947_William_P._Gottlieb_06281.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2014\/04\/581px-Thelonious_Monk_Howard_McGhee_Roy_Eldridge_and_Teddy_Hill_Mintons_Playhouse_New_York_N.Y._ca._Sept._1947_William_P._Gottlieb_06281.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2014\/04\/581px-Thelonious_Monk_Howard_McGhee_Roy_Eldridge_and_Teddy_Hill_Mintons_Playhouse_New_York_N.Y._ca._Sept._1947_William_P._Gottlieb_06281.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":11815,"url":"https:\/\/tomajazz.com\/web\/tomajazz-recupera-thelonious-monk-en-jazz-magazine-1963\/","url_meta":{"origin":11858,"position":3},"title":"Tomajazz recupera… Thelonious Monk en Jazz Magazine 1963","author":"Tomajazz","date":"30 abril, 2014","format":false,"excerpt":"\u00a0 \u00a0 Cada d\u00eda oigo a un mont\u00f3n de pianistas que utilizan procedimientos que son m\u00edos. Leer: Thelonious Monk en Jazz Magazine 1963. Entrevista por\u00a0\u00a0Jean Clouzet y Michel Delomme.\u00a0","rel":"","context":"En \u00ab*_Juan Carlos Hern\u00e1ndez\u00bb","block_context":{"text":"*_Juan Carlos Hern\u00e1ndez","link":"https:\/\/tomajazz.com\/web\/category\/juan-carlos-hernandez\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2014\/04\/574px-Thelonious_Monk_Mintons_Playhouse_New_York_N.Y._ca._Sept._1947_William_P._Gottlieb_06221.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2014\/04\/574px-Thelonious_Monk_Mintons_Playhouse_New_York_N.Y._ca._Sept._1947_William_P._Gottlieb_06221.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2014\/04\/574px-Thelonious_Monk_Mintons_Playhouse_New_York_N.Y._ca._Sept._1947_William_P._Gottlieb_06221.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":11824,"url":"https:\/\/tomajazz.com\/web\/thelonious-monk-en-jazz-magazine-1965\/","url_meta":{"origin":11858,"position":4},"title":"Thelonious Monk en Jazz Magazine 1965","author":"Tomajazz","date":"30 septiembre, 2002","format":false,"excerpt":"\u00a0 Entre la siguiente entrevista (publicada en el n\u00ba 124 de Jazz Magazine, en noviembre de 1965), en la que Jean-Louis Noames intenta proseguir la\u00a0realizada en 1963 por Jean Clouzet y Michel Delorme, se produjo un acontecimiento medi\u00e1tico bastante infrecuente: la aparici\u00f3n de Thelonious Monk en la portada de la\u2026","rel":"","context":"En \u00ab*_Diego S\u00e1nchez Cascado\u00bb","block_context":{"text":"*_Diego S\u00e1nchez Cascado","link":"https:\/\/tomajazz.com\/web\/category\/diego-sanchez-cascado\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2014\/04\/581px-Thelonious_Monk_Howard_McGhee_Roy_Eldridge_and_Teddy_Hill_Mintons_Playhouse_New_York_N.Y._ca._Sept._1947_William_P._Gottlieb_06281.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2014\/04\/581px-Thelonious_Monk_Howard_McGhee_Roy_Eldridge_and_Teddy_Hill_Mintons_Playhouse_New_York_N.Y._ca._Sept._1947_William_P._Gottlieb_06281.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2014\/04\/581px-Thelonious_Monk_Howard_McGhee_Roy_Eldridge_and_Teddy_Hill_Mintons_Playhouse_New_York_N.Y._ca._Sept._1947_William_P._Gottlieb_06281.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":30526,"url":"https:\/\/tomajazz.com\/web\/365-razones-para-amar-el-jazz-una-portada-brilliant-corners-thelonious-monk-130-a-new-perspective-09\/","url_meta":{"origin":11858,"position":5},"title":"365 razones para amar el jazz: una portada. Brilliant Corners (Thelonious Monk) [131] [A New Perspective 09]","author":"Tomajazz","date":"11 mayo, 2017","format":false,"excerpt":"Una portada.\u00a0Brilliant Corners\u00a0(Thelonious Monk. Riverside, 1957). Fotograf\u00eda de Paul Weller. Seleccionado por Jos\u00e9 Luis Luna Rocafort. Novena\u00a0entrega de la serie\u00a0A New Perspective: una selecci\u00f3n de portadas de jazz en las que la fotograf\u00eda es el elemento central. Con\u00a0Thelonious Monk, Ernie Henry, Sonny Rollins, Oscar Pettiford, Max Roach, Clark Terry, Paul\u2026","rel":"","context":"En \u00ab*_Jos\u00e9 Luis Luna Rocafort\u00bb","block_context":{"text":"*_Jos\u00e9 Luis Luna Rocafort","link":"https:\/\/tomajazz.com\/web\/category\/jose-luis-luna-rocafort\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/web\/wp-content\/uploads\/2017\/01\/Thelonious-Monk_Brilliant-Corners_Riverside_1956-200x200.jpg?resize=350%2C200","width":350,"height":200},"classes":[]}],"_links":{"self":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/11858","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/comments?post=11858"}],"version-history":[{"count":3,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/11858\/revisions"}],"predecessor-version":[{"id":65894,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/11858\/revisions\/65894"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media\/11856"}],"wp:attachment":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media?parent=11858"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/categories?post=11858"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/tags?post=11858"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}