{"id":11882,"date":"2014-05-05T11:05:24","date_gmt":"2014-05-05T09:05:24","guid":{"rendered":"http:\/\/www.tomajazz.com\/web\/?p=11882"},"modified":"2016-11-13T19:06:10","modified_gmt":"2016-11-13T18:06:10","slug":"tomajazz-recomienda-un-tema-a-shade-of-jade-joe-henderson-1966","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/tomajazz-recomienda-un-tema-a-shade-of-jade-joe-henderson-1966\/","title":{"rendered":"Tomajazz recomienda&#8230; un tema: \u00abA Shade Of Jade\u00bb (Joe Henderson, 1966)"},"content":{"rendered":"<p style=\"text-align: justify;\"><span style=\"color: #222222;\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft size-medium wp-image-11883\" src=\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2014\/05\/Joe-Henderson-Mode-For-Joe-200x200.jpg\" alt=\"Joe Henderson Mode For Joe\" width=\"200\" height=\"200\" title=\"\" srcset=\"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2014\/05\/Joe-Henderson-Mode-For-Joe-200x200.jpg 200w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2014\/05\/Joe-Henderson-Mode-For-Joe-150x150.jpg 150w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2014\/05\/Joe-Henderson-Mode-For-Joe-54x55.jpg 54w, https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2014\/05\/Joe-Henderson-Mode-For-Joe.jpg 300w\" sizes=\"auto, (max-width: 200px) 100vw, 200px\" \/>Infravalorado como pocos, Joe Henderson es uno de esos m\u00fasicos cruciales en la evoluci\u00f3n del jazz en los a\u00f1os sesenta. Atesora innumerables composiciones que combinan escucha apetecible con conceptos t\u00e9cnicos avanzados. \u00abA Shade Of Jade\u00bb abre su\u00a0<\/span><i style=\"color: #222222;\">Mode For Joe<\/i><span style=\"color: #222222;\">\u00a0de 1966, combinando el\u00a0<\/span><i style=\"color: #222222;\">swing\u00a0<\/i><span style=\"color: #222222;\">con una melod\u00eda plagada de acentos r\u00edtmicos. La banda se acerca al tema con tanta naturalidad que la complejidad del mismo no trasciende al oyente: hacer f\u00e1cil lo dif\u00edcil, el objetivo de todo m\u00fasico. Y cuidado con los acompa\u00f1antes de Henderson: Lee Morgan, Curtis Fuller, Bobby Hutcherson, Cedar Walton, Ron Carter y Joe Chambers, ni m\u00e1s ni menos.<\/span><\/p>\n<p style=\"text-align: right;\"><span style=\"color: #222222;\">\u00a9 Adolphus van Tenzing, 2014<\/span><\/p>\n<p style=\"text-align: left;\"><span style=\"color: #222222;\">Joe Henderson:\u00a0<\/span><i style=\"color: #222222;\">Mode For Joe<\/i><span style=\"color: #222222;\">\u00a0(Blue Note 84227)<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Infravalorado como pocos, Joe Henderson es uno de esos m\u00fasicos cruciales en la evoluci\u00f3n del jazz en los a\u00f1os sesenta. Atesora innumerables composiciones que combinan escucha apetecible con conceptos t\u00e9cnicos avanzados. \u00abA Shade Of Jade\u00bb abre su\u00a0Mode For Joe\u00a0de 1966, combinando el\u00a0swing\u00a0con una melod\u00eda plagada de acentos r\u00edtmicos. La banda<span class=\"more-link\"><a href=\"https:\/\/tomajazz.com\/web\/tomajazz-recomienda-un-tema-a-shade-of-jade-joe-henderson-1966\/\">Contin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":11883,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[17860,1296,1038,1273],"tags":[1330,5366,1487,7420,9070,8699,9071,1866,5659,2158,16099,16100],"class_list":["entry","author-pachi","post-11882","post","type-post","status-publish","format-standard","has-post-thumbnail","category-adolphus-van-tenzing","category-tema","category-contenidos","category-tomajazz-recomienda","tag-1330","tag-adolphus-van-tenzing","tag-blue-note","tag-bobby-hutcherson","tag-cedar-walton","tag-curtis-fuller","tag-joe-chambers","tag-joe-henderson","tag-lee-morgan","tag-ron-carter","tag-toma-jazz","tag-tomajazz-toma-jazz"],"jetpack_featured_media_url":"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2014\/05\/Joe-Henderson-Mode-For-Joe.jpg","_links":{"self":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/11882","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/comments?post=11882"}],"version-history":[{"count":2,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/11882\/revisions"}],"predecessor-version":[{"id":11885,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/11882\/revisions\/11885"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media\/11883"}],"wp:attachment":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media?parent=11882"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/categories?post=11882"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/tags?post=11882"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}