{"id":11882,"date":"2014-05-05T11:05:24","date_gmt":"2014-05-05T09:05:24","guid":{"rendered":"http:\/\/www.tomajazz.com\/web\/?p=11882"},"modified":"2016-11-13T19:06:10","modified_gmt":"2016-11-13T18:06:10","slug":"tomajazz-recomienda-un-tema-a-shade-of-jade-joe-henderson-1966","status":"publish","type":"post","link":"https:\/\/tomajazz.com\/web\/tomajazz-recomienda-un-tema-a-shade-of-jade-joe-henderson-1966\/","title":{"rendered":"Tomajazz recomienda… un tema: \u00abA Shade Of Jade\u00bb (Joe Henderson, 1966)"},"content":{"rendered":"

\"JoeInfravalorado como pocos, Joe Henderson es uno de esos m\u00fasicos cruciales en la evoluci\u00f3n del jazz en los a\u00f1os sesenta. Atesora innumerables composiciones que combinan escucha apetecible con conceptos t\u00e9cnicos avanzados. \u00abA Shade Of Jade\u00bb abre su\u00a0<\/span>Mode For Joe<\/i>\u00a0de 1966, combinando el\u00a0<\/span>swing\u00a0<\/i>con una melod\u00eda plagada de acentos r\u00edtmicos. La banda se acerca al tema con tanta naturalidad que la complejidad del mismo no trasciende al oyente: hacer f\u00e1cil lo dif\u00edcil, el objetivo de todo m\u00fasico. Y cuidado con los acompa\u00f1antes de Henderson: Lee Morgan, Curtis Fuller, Bobby Hutcherson, Cedar Walton, Ron Carter y Joe Chambers, ni m\u00e1s ni menos.<\/span><\/p>\n

\u00a9 Adolphus van Tenzing, 2014<\/span><\/p>\n

Joe Henderson:\u00a0<\/span>Mode For Joe<\/i>\u00a0(Blue Note 84227)<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"

Infravalorado como pocos, Joe Henderson es uno de esos m\u00fasicos cruciales en la evoluci\u00f3n del jazz en los a\u00f1os sesenta. Atesora innumerables composiciones que combinan escucha apetecible con conceptos t\u00e9cnicos avanzados. \u00abA Shade Of Jade\u00bb abre su\u00a0Mode For Joe\u00a0de 1966, combinando el\u00a0swing\u00a0con una melod\u00eda plagada de acentos r\u00edtmicos. La bandaContin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":11883,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":true,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[17860,1296,1038,1273],"tags":[1330,5366,1487,7420,9070,8699,9071,1866,5659,2158,16099,16100],"class_list":["entry","author-pachi","post-11882","post","type-post","status-publish","format-standard","has-post-thumbnail","category-adolphus-van-tenzing","category-tema","category-contenidos","category-tomajazz-recomienda","tag-1330","tag-adolphus-van-tenzing","tag-blue-note","tag-bobby-hutcherson","tag-cedar-walton","tag-curtis-fuller","tag-joe-chambers","tag-joe-henderson","tag-lee-morgan","tag-ron-carter","tag-toma-jazz","tag-tomajazz-toma-jazz"],"jetpack_featured_media_url":"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2014\/05\/Joe-Henderson-Mode-For-Joe.jpg","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":21072,"url":"https:\/\/tomajazz.com\/web\/tomajazz-recomienda-un-tema-idle-moments-grant-green-1963\/","url_meta":{"origin":11882,"position":0},"title":"Tomajazz recomienda\u2026 un tema: \u00abIdle Moments\u00bb (Grant Green, 1963)","author":"Tomajazz","date":"30 noviembre, 2015","format":false,"excerpt":"Pocas veces el t\u00edtulo de un tema encaja con las sensaciones que sugiere su interpretaci\u00f3n como en este caso. Esos \"Idle Moments\", esos momentos ociosos, vagos, holgazanes aparecen plasmados en un lienzo de quince minutos sobre el que pintan con desd\u00e9n, parsimonia y mucho blues el guitarrista Grant Green y\u2026","rel":"","context":"En \u00ab*_Adolphus van Tenzing\u00bb","block_context":{"text":"*_Adolphus van Tenzing","link":"https:\/\/tomajazz.com\/web\/category\/adolphus-van-tenzing\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2015\/11\/Grant-Green_Idle-Moments_Blue-Note.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2015\/11\/Grant-Green_Idle-Moments_Blue-Note.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2015\/11\/Grant-Green_Idle-Moments_Blue-Note.jpg?resize=525%2C300&ssl=1 1.5x"},"classes":[]},{"id":101099,"url":"https:\/\/tomajazz.com\/web\/horace-silver-in-seattle-live-2025\/","url_meta":{"origin":11882,"position":1},"title":"Horace Silver: Silver in Seattle: Live at the Penthouse (Blue Note Records; 2025) Por Carlos Lara [Grabaci\u00f3n de jazz]","author":"Tomajazz","date":"29 octubre, 2025","format":false,"excerpt":"Silver in Seattle: Live at the Penthouse (Blue Note Records; 2025) es una grabaci\u00f3n in\u00e9dita del gran Horace Silver. Carlos Lara repasa la grabaci\u00f3n. Con Joe Henderson, Woody Shaw, Horace Silver, Teddy Smith, Roger Humphries","rel":"","context":"En \u00abGrabaciones...\u00bb","block_context":{"text":"Grabaciones...","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/textos\/grabaciones\/"},"img":{"alt_text":"Horace Silver: Silver in Seattle: Live at the Penthouse (Blue Note Records; 2025) Por Carlos Lara [Grabaci\u00f3n de jazz] - Tomajazz - Silver in Seattle: Live at the Penthouse (Blue Note Records; 2025) es una grabaci\u00f3n in\u00e9dita del gran Horace Silver. Carlos Lara repasa la grabaci\u00f3n. Con Joe Henderson, Woody Shaw, Horace Silver, Teddy Smith, Roger Humphries","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/10\/Horace-Silver-Silver-in-Seattle-Live-at-the-Penthouse-Blue-Note-Records-2025-Tomajazz.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/10\/Horace-Silver-Silver-in-Seattle-Live-at-the-Penthouse-Blue-Note-Records-2025-Tomajazz.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/10\/Horace-Silver-Silver-in-Seattle-Live-at-the-Penthouse-Blue-Note-Records-2025-Tomajazz.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2025\/10\/Horace-Silver-Silver-in-Seattle-Live-at-the-Penthouse-Blue-Note-Records-2025-Tomajazz.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":1952,"url":"https:\/\/tomajazz.com\/web\/tomajazz-recomienda-un-cd-handful-of-keys-bobby-henderson-1957\/","url_meta":{"origin":11882,"position":2},"title":"Tomajazz recomienda\u2026 un cd: Handful Of Keys (Bobby Henderson, 1957)","author":"Adolphus van Tenzing","date":"9 febrero, 2011","format":false,"excerpt":"Bobby Henderson grab\u00f3 este disco, su primero como l\u00edder, en 1957, ya con 46 a\u00f1os, tras ser redescubierto por John Hammond. En \u00e9l rinde tributo a su amigo y maestro Fats Waller, con un repertorio formado casi en su totalidad por composiciones wallerianas o temas asociados al genio neoyorquino. El\u2026","rel":"","context":"En \u00ab*_Adolphus van Tenzing\u00bb","block_context":{"text":"*_Adolphus van Tenzing","link":"https:\/\/tomajazz.com\/web\/category\/adolphus-van-tenzing\/"},"img":{"alt_text":"Handful Of Keys. 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El concierto reeditado en este DVD no es sino una declaraci\u00f3n\u2026","rel":"","context":"En \u00ab*_Arturo Mora Rioja\u00bb","block_context":{"text":"*_Arturo Mora Rioja","link":"https:\/\/tomajazz.com\/web\/category\/arturo-mora-rioja\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/web\/wp-content\/uploads\/2011\/05\/blue_note_dvd.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":8236,"url":"https:\/\/tomajazz.com\/web\/tomajazz-recomienda-un-tema-manha-de-carnaval-dexter-gordon-1966\/","url_meta":{"origin":11882,"position":5},"title":"Tomajazz recomienda\u2026 un tema: \u201cManha de Carnaval\u201d (Dexter Gordon, 1966)","author":"Adolphus van Tenzing","date":"23 diciembre, 2013","format":false,"excerpt":"Ciertas interpretaciones tienen la virtud de abstraer al oyente de cualquier tarea que est\u00e9 realizando, por trascendente que sea. Ahora lo trascendente es la m\u00fasica. Dexter Gordon decidi\u00f3 abrir su Gettin\u2019 Around (qu\u00e9 portada m\u00e1s conseguida, por cierto) con una versi\u00f3n inolvidable de \u201cManha de Carnaval\u201d, bossa nova triste como\u2026","rel":"","context":"En \u00ab*_Adolphus van Tenzing\u00bb","block_context":{"text":"*_Adolphus van Tenzing","link":"https:\/\/tomajazz.com\/web\/category\/adolphus-van-tenzing\/"},"img":{"alt_text":"Dexter Gordon - Gettin' Around","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/web\/wp-content\/uploads\/2013\/09\/recomienda1.jpg?resize=350%2C200","width":350,"height":200},"classes":[]}],"_links":{"self":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/11882","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/comments?post=11882"}],"version-history":[{"count":2,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/11882\/revisions"}],"predecessor-version":[{"id":11885,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/11882\/revisions\/11885"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media\/11883"}],"wp:attachment":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media?parent=11882"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/categories?post=11882"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/tags?post=11882"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}