hits<\/em> \u00abWitchcraft\u00bb y \u00abThe Best Is Yet To Come\u00bb; temas muy populares procedentes de musicales como \u00abIf My Friends Could See Me Now\u00bb, \u00abI’ve Got Your Number\u00bb o \u00abBig Spender\u00bb.<\/p>\nA partir de las creaciones de este pianista y compositor, Sperrazza, Sacks y Kamaguchi realizan una aproximaci\u00f3n sumamente variada en la que se incluyen baladas, tiempos medios y r\u00e1pidos, tratamientos con una componente abstracta muy atractiva, e incluso partes en solitario. El resultado, soportado por un gran trabajo individual y a nivel de grupo, al igual que en la anterior ocasi\u00f3n, resulta sumamente atractivo.<\/p>\n
\u00a9 Pachi Tap\u00ecz, 2014<\/p>\n
Sperrazza – Sacks – Kamaguchi: Play Cy Coleman<\/i><\/p>\n
Vinnie Sperrazza (bater\u00eda), Jacob Sacks (piano), Masa Kamaguchi (contrabajo)<\/p>\n
\u00abNow I Lay Me Down To Sleep\u00bb, \u00abI’ve Got Your Number\u00bb, \u00abIf My Friends Could See Me Now\u00bb, \u00abBest Is Yet To Come\u00bb, \u00abI’m Going To Laugh You Right Our Of My Life\u00bb, \u00abDorothy’s Dilemma\u00bb, \u00abIf My Friends Could See Me Now (Drum Reprise)\u00bb, \u00abBig Spender\u00bb, \u00abOne, Two, Three\u00bb, \u00abWitchcarft\u00bb, \u00abPlayboy’s Theme\u00bb, \u00abWhy Try To Change Me Now?\u00bb<\/p>\n
Grabado el 14 de diciembre de 2012 en Acoustic Recording Studio, Brooklyn, Nueva York. Publicado en 2013 por Fresh Sound New Talent. Producido por Sperrazza, Sacks, Kamaguchi y Geoff Kraly. Productor ejecutivo Jordi Pujol.<\/p>\n","protected":false},"excerpt":{"rendered":"
El baterista Vinnie Sperrazza, el pianista Jacob Sacks y el contrabajista Masa Kamaguchi retornan en tr\u00edo a Fresh Sound New Talent con Play Cy Coleman. En su anterior grabaci\u00f3n, Barcelona Holiday, se dedicaban a repasar unas composiciones cl\u00e1sicas sumamente variadas (que iban de los Gershwin a Ornette Coleman). En laContin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":11936,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":true,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[17847,5,1038],"tags":[12651,9109,7964,9110,12696,368,13,12415,15295,9111,26,31,16099,77,16100,369],"class_list":["entry","author-pachi","post-11935","post","type-post","status-publish","format-standard","has-post-thumbnail","category-pachi-tapiz","category-grabaciones","category-contenidos","tag-cd","tag-cy-coleman","tag-fresh-sound-new-talent","tag-geoff-kraly","tag-grabaciones","tag-jacob-sacks","tag-jazz","tag-jazz-en-espana","tag-jazz-en-espanol","tag-jordi-pujol","tag-masa-kamaguchi","tag-pachi-tapiz","tag-toma-jazz","tag-tomajazz","tag-tomajazz-toma-jazz","tag-vinnie-sperrazza"],"jetpack_featured_media_url":"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2014\/05\/sperrazz-sacks-kamaguchi-Plays-Cy-Coleman.jpg","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":24701,"url":"https:\/\/tomajazz.com\/web\/hdo-120-aaron-goldberg-kirk-knuffke-yves-theiler-trio-meinrad-kneer-quartet-mike-baggetta-sperrazza-sacobs-kamaguchi-podcast\/","url_meta":{"origin":11935,"position":0},"title":"HDO 120: Aaron Goldberg \/ Kirk Knuffke \/ Yves Theiler Trio \/ Meinrad Kneer Quartet \/ Mike Baggetta \/ Sperrazza – Sacobs – Kamaguchi [Podcast]","author":"Tomajazz","date":"27 mayo, 2016","format":false,"excerpt":"Media docena de grabaciones en la entrega n\u00famero 120 de HDO en un programa que se alarga hasta los 120 minutos. 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Por alguna raz\u00f3n que quiz\u00e1 tenga que ver con su cosmopolitanismo u otras causas, se sienten a gusto all\u00ed. Una raz\u00f3n evidentes es que la tarjeta de visita del productor Jordi Pujol pesa mucho en el \u00e1mbito del jazz\u2026","rel":"","context":"En \u00ab*_Carlos Lara\u00bb","block_context":{"text":"*_Carlos Lara","link":"https:\/\/tomajazz.com\/web\/category\/carlos-lara\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/www.tomajazz.com\/web\/wp-content\/uploads\/2011\/05\/barcelona_holiday.jpg?resize=350%2C200","width":350,"height":200},"classes":[]},{"id":44477,"url":"https:\/\/tomajazz.com\/web\/jazzx5018-sperrazza-sacks-kamaguchi-blues-march-minipodcast\/","url_meta":{"origin":11935,"position":2},"title":"JazzX5#018. Sperrazza – Sacks – Kamaguchi: Blues March [Minipodcast]","author":"Tomajazz","date":"18 julio, 2019","format":false,"excerpt":"Por\u00a0Pachi Tapiz. \u201cBlues March\u201d. Sperrazza - Sacks - Kamaguchi: Play Benny Golson (Fresh Sound New Talent) Vinnie Sperrazza, Jacob Sacks, Masa Kamaguchi \u00a9\u00a0Pachi Tapiz, 2019 JazzX5 es un minipodcast de HDO de la Factor\u00eda Tomajazz presentado, editado y producido por\u00a0Pachi Tapiz. JazzX5 comenz\u00f3 su andadura el 24 de junio de\u2026","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2019\/07\/JazzX5_018.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2019\/07\/JazzX5_018.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2019\/07\/JazzX5_018.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2019\/07\/JazzX5_018.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":31335,"url":"https:\/\/tomajazz.com\/web\/hdo-285-revisones-don-cherry-kirk-knuffke-lee-morgan-sperrazza-sacks-kamaguchi-charlie-parker-podcast\/","url_meta":{"origin":11935,"position":3},"title":"HDO 285: revisones. Don Cherry (Kirk Knuffke); Lee Morgan (Sperrazza-Sacks-Kamaguchi); Charlie Parker [Podcast]","author":"Tomajazz","date":"7 julio, 2017","format":false,"excerpt":"Tres proyectos centrados en la m\u00fasica de otros tantos ilustres del jazz en HDO 285: Don Cherry\u00a0por Kirk Knuffke en Cherryco\u00a0(SteepleChase, 2017; con Jay Anderson, Adam Nussbaum); Lee Morgan\u00a0por el tr\u00edo Sperrazza - Sacks - Kamaguchi en Play Lee Morgan\u00a0(Fresh Sound New Talent, 2017; con Vinnie\u00a0Sperrazza, Jacob Sacks, Masa Kamaguchi);\u2026","rel":"","context":"En \u00ab*_Pachi Tapiz\u00bb","block_context":{"text":"*_Pachi Tapiz","link":"https:\/\/tomajazz.com\/web\/category\/pachi-tapiz\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/07\/Varios_The-Passion-of-Charlie_Parker_Impulse_2017.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/07\/Varios_The-Passion-of-Charlie_Parker_Impulse_2017.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/07\/Varios_The-Passion-of-Charlie_Parker_Impulse_2017.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/07\/Varios_The-Passion-of-Charlie_Parker_Impulse_2017.jpg?resize=700%2C400&ssl=1 2x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2017\/07\/Varios_The-Passion-of-Charlie_Parker_Impulse_2017.jpg?resize=1050%2C600&ssl=1 3x"},"classes":[]},{"id":47157,"url":"https:\/\/tomajazz.com\/web\/jazz-para-ti-programa-052-jpt-t3-05-podcast\/","url_meta":{"origin":11935,"position":4},"title":"Jazz Para Ti. Programa 052. JPT.T3.05 [Podcast]","author":"Tomajazz","date":"14 noviembre, 2019","format":false,"excerpt":"Disponible la entrega n\u00famero 52 de Jazz Para Ti, dedicado a grabaciones publicadas por el sello Fresh Sound New Talent.","rel":"","context":"En \u00abSonidos\u00bb","block_context":{"text":"Sonidos","link":"https:\/\/tomajazz.com\/web\/category\/contenidos\/sonidos\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2019\/11\/JazzParaTi_52.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2019\/11\/JazzParaTi_52.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2019\/11\/JazzParaTi_52.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2019\/11\/JazzParaTi_52.jpg?resize=700%2C400&ssl=1 2x"},"classes":[]},{"id":6138,"url":"https:\/\/tomajazz.com\/web\/garchiksacksambrosiosperrazza-40-twenty-yeah-yeah-records-2012\/","url_meta":{"origin":11935,"position":5},"title":"Garchik\/Sacks\/Ambrosio\/Sperrazza: 40 Twenty (Yeah-Yeah Records, 2012)","author":"Tomajazz","date":"30 abril, 2013","format":false,"excerpt":"Un s\u00f3lido cuarteto con una buena carta de presentaci\u00f3n como es este 40 Twenty, grabado en estudio despu\u00e9s de haber trabajado los temas en directo en un club de Nueva York, donde sin duda no es nada f\u00e1cil conseguir atenci\u00f3n con tanta competencia. Si el grupo ha sido capaz de\u2026","rel":"","context":"En \u00ab*_Carlos Lara\u00bb","block_context":{"text":"*_Carlos Lara","link":"https:\/\/tomajazz.com\/web\/category\/carlos-lara\/"},"img":{"alt_text":"","src":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2013\/04\/Garchik_Sacks_Ambrosio_Sperrazza_40-Twenty_Yeah-Yeah-Records_2012.jpg?resize=350%2C200&ssl=1","width":350,"height":200,"srcset":"https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2013\/04\/Garchik_Sacks_Ambrosio_Sperrazza_40-Twenty_Yeah-Yeah-Records_2012.jpg?resize=350%2C200&ssl=1 1x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2013\/04\/Garchik_Sacks_Ambrosio_Sperrazza_40-Twenty_Yeah-Yeah-Records_2012.jpg?resize=525%2C300&ssl=1 1.5x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2013\/04\/Garchik_Sacks_Ambrosio_Sperrazza_40-Twenty_Yeah-Yeah-Records_2012.jpg?resize=700%2C400&ssl=1 2x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2013\/04\/Garchik_Sacks_Ambrosio_Sperrazza_40-Twenty_Yeah-Yeah-Records_2012.jpg?resize=1050%2C600&ssl=1 3x, https:\/\/i0.wp.com\/tomajazz.com\/web\/wp-content\/uploads\/2013\/04\/Garchik_Sacks_Ambrosio_Sperrazza_40-Twenty_Yeah-Yeah-Records_2012.jpg?resize=1400%2C800&ssl=1 4x"},"classes":[]}],"_links":{"self":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/11935","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/comments?post=11935"}],"version-history":[{"count":6,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/11935\/revisions"}],"predecessor-version":[{"id":11942,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/posts\/11935\/revisions\/11942"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media\/11936"}],"wp:attachment":[{"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/media?parent=11935"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/categories?post=11935"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/tomajazz.com\/web\/wp-json\/wp\/v2\/tags?post=11935"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
![\"sperrazz](\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2014\/05\/sperrazz-sacks-kamaguchi-Plays-Cy-Coleman-200x200.jpg\" "\\"\\"")
El baterista Vinnie Sperrazza, el pianista Jacob Sacks y el contrabajista Masa Kamaguchi retornan en tr\u00edo a Fresh Sound New Talent con Play Cy Coleman<\/em>. En su anterior grabaci\u00f3n, Barcelona Holiday<\/em><\/a>, se dedicaban a repasar unas composiciones cl\u00e1sicas sumamente variadas (que iban de los Gershwin a Ornette Coleman). En la nueva entrega en el sello de Jordi Pujol se centran en lo m\u00e1s popular de Cy Coleman: el tema del programa de televisi\u00f3n \u00abPlayboy\u00bb; los hits<\/em> \u00abWitchcraft\u00bb y \u00abThe Best Is Yet To Come\u00bb; temas muy populares procedentes de musicales como \u00abIf My Friends Could See Me Now\u00bb, \u00abI’ve Got Your Number\u00bb o \u00abBig Spender\u00bb.<\/p>\n