This track is a freak. In April of 1987 I got a call from a representative of the McCann Erikson Advertising Agency who was putting a new presentation for Camel cigarettes in South East Asia. They were looking for a new approach in arranging the Camel theme song \u00abThe Good, The Bad And The Ugly\u00bb, which they’d been using for years, and had already commissiones a reggae band, a jazz group and a classical string quartet. God knows what they thought I would come up with, but needless to say, after I delivered my track I never heard from them again. That’s show biz! I still wonder which one they picked…<\/p><\/blockquote>\n
John Zorn en las liner notes<\/em> de Filmworks 1986-1990<\/em> (Elektra Nonesuch)<\/p>\n\u00abThe Good, The Bad and The Ugly\u00bb (Ennio Morricone)
\nRobert Quine (guitarra), Bill Frisell (guitarra), Fred Frith (bajo), Wayne Horvitz (\u00d3rgano Hammond), David Weinstein (teclados), Carol Emanuel (arpa), Robert Previte (bater\u00eda , percusi\u00f3n y voz), John Zorn (arreglos y producci\u00f3n)
\nGrabado en abril de 1987 en Radio City Studios, New York City.<\/p>\n","protected":false},"excerpt":{"rendered":"
This track is a freak. In April of 1987 I got a call from a representative of the McCann Erikson Advertising Agency who was putting a new presentation for Camel cigarettes in South East Asia. They were looking for a new approach in arranging the Camel theme song \u00abThe Good,Contin\u00faa leyendo<\/a><\/span><\/p>\n","protected":false},"author":1,"featured_media":11970,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":true,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[17847,4313,1038,4758],"tags":[1348,1470,9142,9141,1668,9144,8779,6476,31,9143,9139,16099,16100,9140],"class_list":["entry","author-pachi","post-11969","post","type-post","status-publish","format-standard","has-post-thumbnail","category-pachi-tapiz","category-bun","category-contenidos","category-blogs","tag-1348","tag-bill-frisell","tag-carol-emanuel","tag-david-weinstein","tag-elektra-nonesuch","tag-ennio-morricone","tag-fred-frith","tag-john-zorn","tag-pachi-tapiz","tag-robert-previte","tag-robert-quine","tag-toma-jazz","tag-tomajazz-toma-jazz","tag-wayne-horvitz"],"jetpack_featured_media_url":"https:\/\/tomajazz.com\/web\/wp-content\/uploads\/2014\/05\/Filmworks_1986-1990_Nonesuch.jpg","jetpack_likes_enabled":true,"jetpack_sharing_enabled":true,"jetpack-related-posts":[{"id":22993,"url":"https:\/\/tomajazz.com\/web\/pat-metheny-the-way-up-to-maximalism-interview-by-arturo-mora\/","url_meta":{"origin":11969,"position":0},"title":"Pat Metheny: the way up to maximalism. Interview by Arturo Mora","author":"Tomajazz","date":"1 julio, 2005","format":false,"excerpt":"XXV Festival de Jazz de Vitoria-Gasteiz, Espa\u00f1a. \u00a9 Carmen Lluss\u00e0, 2000 On mid-June 2005 the Pat Metheny Group was in the middle of the European leg of their The Way Up world tour.Arturo Mora had the chance to talk to Pat Metheny while the guitarrist was in Nice (France). 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![\"Filmworks_1986-1990_Nonesuch\"](\"http:\/\/www.tomajazz.com\/web\/wp-content\/uploads\/2014\/05\/Filmworks_1986-1990_Nonesuch-200x197.jpg\" "\\"\\"")
<\/p>\n